Tag: bwof

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Inspiration, Magazine

Burda and KnipMode July 2012

I’m never usually a big fan of summer issues or summer clothing, so I’ve again decided to share my picks from the Burda and KnipMode July issues together. I’ve already decided to not renew my KnipMode subscription, after the new editor turned it from the best pattern magazine out there (in 2010, and IMHO) to the worst one out there in little less than a year. It’s also the most expensive, which makes the decision a bit easier! So I think this is probably the last of my subscription to arrive, and as I’m pleasantly surprised by this month’s Burda, I’ll start with it….

Burda Style (formerly “World of Fashion”) July 2012

Most of the flapper-style dresses were misguided, ugly, and unflattering, but I think is bias-cut, cowl neck number could actually the the opposite of all those things if made in a flowing, lightweight fabric.

I can’t even remember the last time I sewed (or wore!) a button-down shirt, but something about this pattern really grabs me. It could be that waist-seam, which mimics a peplum without being too trendy, or maybe it’s just that I’m happy to see long sleeves in a July issue (hello English summer!).

There’s another variation of this gathered, raglan shell in the magazine which adds short sleeves and is worn with the slit in front instead of the back, but for some reason, in their lightweight cotton, all I could see was “hospital gown”. But here, in a soft, solid silk, I can suddenly see a lot of layering possibilities – both for multiple layers of silk (how about a blue charmeuse with a purple voile or chiffon on top??), and for wearing under jackets or cardigans for officewear.

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High-waisted jersey pencil skirt

This skirt was featured in the May 2012 edition of BurdaStyle magazine, but it’s one of the few that’s also available for purchase as a downloadable pdf if you missed this issue (a really great one, IMHO!).

This is quite an interesting pattern because of its simplicity – it’s only one pattern piece (the same for the front and the back), with a bunch of radiating pleats on one hip, and just two side seams to sew. There are three hem lengths suggested on the pattern, and I went with the shortest, Hem length A, which ends up right at my knees.

And that’s it – no zippers, no elastic, no nothing. So it’s a really quick and easy skirt to sew up in one evening!

Inspiration, Magazine

KnipMode and Burda June 2012

KnipMode June 2012

Let’s start off with the best from across both issues – this asymmetric, flounced top is just fantastic! I really like it paired with skinny jeans like they have here, too. It’s really important when you’re wearing volume up top to balance it with something slim below, or vice-versa!

In my mind, this A-line midi skirt was almost identical to one in last month’s Burda magazine that I really liked (and already traced, but when I’ll sew it is another matter!), but when I place the tech drawings side-by-side, they’re actually not as close as I remembered…

None of this combo of jacket, shell, or trousers is particularly earth-shattering, but I really like the look of pairing a cropped jacket (my forte) with a longer layer underneath. And beautiful, shimmering jewel tone solids are always a good choice!

This is a bumper issue for Plus sized patterns, with something like 15 on offer this month, but the one that really caught my eye is that they’ve released a favourite of mine from last summer in larger sizes now!! This is one of my favourite casual tops, despite the tunic-length, and I’m really chuffed to see it made more widely available now.

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A rare dud of the highest order

Last weekend I cut into cut into one of the oldest fabrics in my stash, a dark turquoise silk charmeuse bought in January 2009, to make the cover top from the Burda April 2012 issue:

There are so many things wrong about this pattern that I’m going to revert to list form to get the rant out of my brain:

  • The recommended fabric is silk, yet the instructions don’t tell you to sew French seams, or indeed finish the raw edges at all. As far as I can tell, even if you follow their insane instructions, you’re left with a triangular area of raw seams at the shoulder. If I’d liked the top enough, I’d have had to make my own weird facing to handstitch on to cover this.

  • There’s a ridiculous amount of ease in the bodice – way more than Sorbetto, for example, and that’s also a non-bias, slip on shell. I ended up cutting this with the front and back pieces a centimeter or two off the fold simply to fit it onto my narrow silk, but I checked first to make sure it’d not be too small. And having completed the shell, I can say that it’s still on the loose side, even with my reductions!

  • Facings on a silk. WTFOMGBBQ? Why?? I said Nuts! to the facing and did a narrow bias edge (in leftover silk from my birthday top which I still had lying around) on the neckline, and did a two-step narrow edge for the hem.

  • Burda tells to to cut an extra wide hem allowance on the sleeve edges, press in and out (and shake it all about, do the hokey pokey- oh wait) and mess about with it until the sleeve is entirely completed… and then sew an invisible hem by hand. On silk. And it’s a reeeeeeally long hem. I’d rather eat glass, Burda. The much better option here would be to cut a regular hem allowance, and machine-stitch a narrow edge or rolled hem before basting any of the sleeve pleats. Realising they’re crazy and trying to do this later is much more difficult (ask me how I know).

  • The sleeve instructions are absolutely incomprehensible. Burda would have you flip the entire pleated edges around the neckline and back to the armscye at the shoulder, which a) completely contradicts the photos, and b) there isn’t enough seam length to do. So I had to try and make the best of pre-basted pleats, attach to placement lines that may as well have not existed (since the pleated edges didn’t match up anyway), and a mess of raw edges (see above). My best attempt was not good enough.

  • And finally, when I tried the top on to see if I even wanted to carry on finishing the raw edges, the sleeves are just ugly. Less “quirky chic” and more “80s shoulder pads”. Ugh.

In Progress

Brighton & Bank holiday sewing

We had a long weekend here in the UK this weekend, and I’m pleased to report that I made the most of it! On Saturday, James and I made an impromptu trip down to Brighton, and we stopped off at Lewes on the way down. Our main objective in Lewes is always the Harveys Brewery shop, but I also discovered The Stitchery just across the road upstairs in the Riverside Centre, which stocks a wide variety of fabrics, embroidery floss, yarn, and haberdashery. I checked my handy “sewing shopping list” on my phone, and bought black waistband elastic and trouser hooks, both of which I needed. Very sensible of me, I know.

But the real temptation was walking right past Ditto in the North Laines in Brighton, and I told myself I was only allowed to buy ONE fabric there, so it’d better be a good one! In the end, this gorgeous butter yellow floral silk charmeuse won out over a similar yellow coloured, textured, ex-Blumarine crepe.

Florals really aren’t my usual fabric choice (and I would’ve never bought it from the terrible photo on Ditto’s site), but in real life, I was just captivated by it, and I’m thinking I’ll need to pair it with some edgier like jeans or my leather skirt to diffuse the twee-ness.

After our big day on Saturday, on Sunday we didn’t leave the boat at all! I spent most of the day doing sewing stuff, starting off with fusing all the interfacing onto James’s reversible smoking jacket pieces. I find fusing interfacing to be really boring at the best of times, but it’s beyond teeeeedious with a mini ironing board and mini iron! Once that was all fused, I then moved on to hand basting all the pocket placements (it’s a fantasy jacket, so there are five pockets!) and then basted the bound buttonhole placements, too.

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Peach flip-turned top and slim brown trousers

In addition to my exercise gear you saw yesterday, I actually made another top and trousers the weekend I got back from Montreal! Since I wasn’t in a fit state for a photoshoot until now, I kinda feel like I’m clearing out the cobwebs here…

This top is another “Flip turned for a draped effect” top from Pattern Magic 2 (drafted on my Morley College course!), this time using the tulip sleeves from Jalie 2806 for a more Spring/Summer look. This is the third time I’ve used these tulip sleeves and I really love the look and love wearing them – they really make a top much more special than just your average short sleeve! I used a lovely orange marl viscose jersey from Tia Knight here that’s just sooooo soft and lovely to wear! Hurrah for an impulse purchase!

The trousers are from the March Burda magazine (#126), using some stretch cotton sateen I bought at Tissues Dreyfus in Paris last month. It looked black in the dark lighting of the shop, but I got it home to realise it’s actually dark brown, which was fairly annoying, as I wouldn’t have bought 3m of brown had I known!

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The Blue and Black Burda February sheath dress

I’m feeling pretty good about the past few issues of Burda magazine. For a while there (2010, I’m looking at you!) they really seemed to be only printing boring, shapeless and awful patterns, but I’m glad I stuck around because the past few months have really been a return to form, as far as I’m concerned.

There were quite a few patterns I want to make from the February issue, but only one demanded I drop everything and Sew It Now, the colourblocked asymmetrical knit sheath dress #117:

I know a lot of people complain about tracing Burda patterns, but I seriously don’t have a problem with it. Most patterns take me about ten minutes to trace, I have the pattern sheets on top so it’s not difficult to see the lines, and I do a few at a time.

This dress may have the illustrated instructions for this issue but WOW was this a total bear to trace! It’s printed in red lines, but this sheet also contains the “easy”, pink shaded pattern, so there are multiple points where you need to trace red lines over pink shading. Add to that the irregular shapes of the pattern pieces and you’ve got yourself a headache.

If you can get through the tracing pain, though, you’re really in for a treat, because the tracing took longer than the cutting or construction combined. I sewed this up last Friday night after work and wore it out to a friend’s birthday the next day!

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Great basic – grey flannel trousers

As I mentioned last week, I got gifted some wonderful grey flannel from Claire (however did she know I like grey? ha!). It’s so soft and lovely that initially I thought it should become a dress, but then realised I’m likely to get much more wear out of a really chic, comfortable pair of dress trousers.

I had just received the January edition of Burda magazine and so these jumped out at me – #122 (also now available as a pdf download if you missed this issue).

There’s nothing particularly earth-shattering about this design, but I just thought it looked nicely versatile, and something I could wear to business meetings as well as just team with a teeshirt if I fancied it. These also have the illustrated instructions for this issue, but I could sew trousers blindfolded by this point, so the instructions didn’t make much difference to me.

I did notice, however, that they do the particularly dumb construction technique of tucking one leg inside the other and sewing the crotch seam last – this makes NO SENSE to me, as it means you can’t check the fit until you’re 95% done. Whereas if you do the outer seams last, you can pin and adjust the fit in the thighs and hip before you sew it up…

These photos were taken after sitting in a car, then sitting through a big Sunday roast so there are more wrinkles here than I usually have! The fit on these feels a bit closer than with most Burda trouser patterns I’ve sewn, but it also might just be because I haven’t sewn trousers in a non-stretch fabric in a while.

In Progress

Upcoming January sewing

I’ve finally emerged from the craptacular flu (which then turned into bronchitis) that I’ve been under since Dec 28 – thank you for all your well wishes! For me, it really feels like the new year, 16 days late!

The Ruby Slip was my first garment of 2012, but my second and third aren’t far away…

Grey flannel trousers

Just before Christmas, I met up with Claire for lunch and she gifted me a massive length of wonderful dark grey flannel. It’s so soft and lovely that initially I thought a dress, but then realised I’m likely to get much more wear out of a really chic, comfortable pair of dress trousers. So on Friday night I traced and cut Burda Jan 12 #122, mostly because the issue was handy, but also because they looked to be a great basic. These have the illustrated instructions for this issue, but I could sew trousers blindfolded by this point, so the instructions didn’t make much difference to me.

I sewed this on and off over the weekend and nearly completed these despite hardly being at home. As a nice tie-in to my previous garment, the pockets, fly underlap, and waistband lining are all done in the pale green silk leftover from my Ruby Slip.

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The silk chiffon maternity maxi gown

I finished Holly’s silk gown on New Year’s Eve, so this is officially my last project from 2011. If you recall, it’s Burda 08/2008 #125 and is one of the designer maternity patterns from this issue (and in my opinion – a really nice maxi dress whether you’re pregnant or not!).

We muslined the bodice portion of this (minus the drape pieces) back before Christmas, and made a few changes: taking a few tucks out of the neckline here and there, and increasing the bust space on the standard size 44.

I totally missed the chance to finish this for her Boxing Day birthday, but I figured I’d be still in time for any January parties before the birth in late January, and we were even scheduled to go over for dinner last Friday, where I was going to bring the dress along and sew up the hem on my little red machine after we ate (the hem is just raw here, as I can’t do that without her wearing it).