Following on from last week when I showed you the shirt I made for my nephew, I also wanted to share the super-belated Christmas garment I sewed for his cousin, my niece.
When I saw the cute boleros in the February Burda magazine, I just knew I had to make one for Megan. Bolero #142 seemed to be the most wearable version for Spring and Summer, and I had just enough of this incredibly soft, pink zebra print minkee I’d bought for her at Fabric.com!
Honestly, how great a model is this girl??
I started work on this lace skirt just before we left for France, when I was finally over my post-March wardrobe exhaustion and finally ready to get stuck in on some more complex and fiddly projects. So I got all the layers cut out and basted together before I left, so this I only had the fun stuff left to do last week! Hooray for me!
The luscious purple lace is all dark purple on one side, but with added chenille texture and lighter, printed flowers on the other side. It’s from Ditto fabrics, bought by Pip as part of my Christmas gift, and I made good use of my 1m!
Since it’s lace and more sheer than I’d like for a skirt, I underlined this with some fabric I bought on Karen’s big Walthamstow meetup – it’s a poly stretch woven, with a bengaline-feel on the light purple side, and a wine-coloured, satin reverse. The purple side matched my lace perfectly and the satin reverse just meant I didn’t have to line it because it’s already slippery inside! Score!
While the colour match isn’t perfect with either my bamboo tulip top or my purple boots, it was close enough for me to wear them together yesterday!
It doesn’t seem that long ago that I was first laying out my initial plans for this mini wardrobe, but now I’ve had some time to step back and have a look over what I managed to accomplish last month. I made this wardrobe mostly for myself, to use some luscious fabrics from my stash in combination with patterns that really appealed to me, but I also kept one eye on the contest requirements running over at PaternReview.com to make sure I remained within their rules, too. Here’s my entry into their contest, or you can just read on below…
I started with a blue viscose, draped knit top that I’d bought from ASOS and really liked, but I wanted to wear with both casual and dressy bottoms.
To coordinate, I sewed:
1. Jalie jeans – I’d made a muslin but the waistband was horrible so I had my work cut out for me on this pair using great quality stretch denim from Mood in NYC, plus some London streetsign fabric for the waistband facings and pockets. I used my vintage hand crank Singer machine for all the topstitching, plus I got to use my vintage buttonholer attachment and high quality rivets for the first time! I fixed all the waistband issues in this pair and these are now my favourite jeans. Read more…
I’ve now finished the fourth garment in my March Mini Wardrobe plans and I think you’re going to love it as much as I do!
I bought some utterly luscious grey leather when I was in New York in September, and I’d thought about a few different patterns (even going so far as muslining one I never showed you), but I finally settled on the long, slim pencil skirt from the August 2010 Burda magazine (#128).
Since we’re talking about leather here and you cannot unpick any stitches once they’re sewn, I made a muslin, which revealed a few minor fitting issues which needed fixing in the final skirt. Other than that, I shortened the length to make it above the knee (which also eliminated the back vent) and removed the centre front seam to improve the look.
You’ll get to see my Manequim silk blouse tomorrow, but in the meantime I thought I’d give you a progress update on the fourth item in my March Mini Wardrobe, the leather skirt (Burda magazine 08-2010 #128 – though #127 is nearly identical).
I’m making this skirt in some utterly luscious grey leather I bought while on honeymoon in New York, and despite having sewn with leather loads of times before, this is my first real leather garment. So knowing what I know, I knew I had to make a muslin first because once you sew leather, it’s done – the needles holes are permanent so you can’t rip out stitches!
I made up a quick muslin at the end of February, and, unusually for Burda, the size 42 was too tight over my hips. Rather than trace a bigger size (boring!) I drew two long lines up the front of the skirt on either side of the centre front. On the waistband and yoke pieces, I added 2cm width to each line, and for the lower skirt piece, I made a triangular wedge which tapers to nothing at my marked hem.
You wouldn’t know it from the lack of sewing photos, but I’ve actually been fairly productive over the past two weeks.
I was a terrible auntie this year and failed to make anything nice for my niece and nephew this Christmas, and my sister-in-law said I should just send them something when I get around to it, seeing as how they’re both so overwhelmed at Christmas anyhow. So before I got started on my March Mini Wardrobe stuff, I took an afternoon to make these, which are currently in transit:
I made a fluffy pink zebra minkee bolero for my 7 year old niece, and an adapted (ie: no hood) monsters and red jersey tee for my 8 year old nephew. You’ll see more about these when they try them on, with any luck…
And while I was clearing the sewing guilt decks, I finally also made the silver silk jersey dress I’d promised (and muslined) for James’s sister over a year ago!
I’ve finished my post-coat winter sewing plans apart from the La Mia Boutique draped skirt which I’m feeling now is better suited for spring or summer, so I thought I’d dip my toes into the Pattern Review Mini Wardrobe contest that’s running throughout the month of March.
This is a pared-down version of their usual, sprawling wardrobe/SWAP contest, so this time around you need to create a five piece wardrobe in four weeks, using one item you already own (sewn or RTW) and be able to create at least six different outfits from this. I’m actually going one better and aiming to sew five pieces rather than four, but that may fall by the wayside depending on how the month goes.
Here’s what I’ve got in mind:
James isn’t normally the pyjama sort, but it’s been particularly cold this winter and he’s been in need of some PJ bottoms for quite a while. He only has one pair and it’s kinda sad to be wearing Santa Homer Simpson in February:
(Note to family – please don’t take this as a plea to send more. He really only needs and wants this one pair!)
So I took pity on him and said I’d sew him a new pair to wear, and Burda magazine 12-2010 #134 was particularly handy. There are tons and tons of unisex pyjama trouser patterns out there, but this one was easy to find, and I know Burda’s sizing is so consistent that a 52 would fit him fine.
We were going to use the grey knit fabric we bought at Ditto, but I greatly underestimated the width of that so there was nowhere near enough (totally my fault as Gill asked “are you sure that’s enough?”). In a sea of insipid cutsey prints, Chawla’s came through with this solid black cotton flannel for cheap (3m for £11 shipped and I’ve got extra for jacket interlining if I like now, too). Chawla’s may not have the widest selection of natural fibre fabrics, but they are consistently the fastest shippers ever – I ordered this on a Tuesday, and it arrived in Thursday’s post!
I made no secret of my total love and adoration of Burda’s September issue last year. In my opinion (and many of you!) this was the standout, stellar issue in an otherwise mediocre year for the magazine. I’m slowly working my way through everything I wanted to sew from that issue (some good and some bad!) but now it was the time for the cover dress, #122.
I showed you the pattern alterations I made to “un-petite” this pattern, though I reckon I could have even added a bit more to the middle of piece 2 as my pointiroma has less lengthwise stretch as my muslin knit, making the underbust seam just barely under my bust. The horizontal seam between pieces 3 and 4 hits me right at my natural waist on the sides, which I think is just great. I also took 6 inches off the hem of pieces 7 and 8 so that this is above the knee rather than below.
While I wait for the weekend to photoshoot the Lekala ribbed top (either you all are too smart or I’m too predictable!), I’ve started work on creating the cover dress from the September Burda magazine. It’s a really cool, curved seam design with no side seams and designed for knits, but it’s one of Burda’s Petite patterns.
I am in NO way petite – at 5’8” (172cm), I am closer to Burda’s Tall height (180cm) than I am to the petite height( (160cm). I have a sneaking suspicion that my torso is quite compact and my height is mostly in my legs, but in any case… I’ve made a few of Burda’s petite patterns before with good results, namely, my 30th birthday dress and the blue silk cocktail dress, so I wasn’t totally scared off because it’s for petites.
I made up a muslin of the top half of the dress (the half I’m most concerned with) on Wednesday night and I’m happy with my alterations so I thought I should share what I did.
First of all, lay out pieces 1 and 2 so that their folded edges are aligned, taping the pieces together loosely. Then lay out pieces 8 and 9 so that their folded edges are aligned, and that these meet the front pieces at intersections 7 and 8. Don’t worry that the shoulders are far apart or that some of the curved seams don’t meet up whilst flat.
My alterations are the white pieces shown below:
