I’ve been working on the jacket portion of my tuxedo-inspired suit (the show piece from my F/W 07 Collection) for the better part of January now, and I finally finished it this week. I cut out the pieces for the trousers at the same time to ensure I had enough fabric for both (I do, with about a half yard left over!), but sewing both at once would’ve really just resulted in missing pieces!
Last night after dinner I thought I’d go work on my blue Pendleton jacket. I knew the next step was to create and attach the upper collars (that will cover most of the satin lapels), and so 2 pieces for each lapel, plus the back (collar) facing, it shouldn’t have taken more than a half hour or so. Two hours later, I was mentally exhausted and I felt like I’d come away from an entire day’s marathon session.
I know I only just moaned about this pattern yesterday, but I ended up doing something last night I’ve never, ever done before in sewing: I got out a ruler and measured two pieces to see if it was actually physically possible to join them.
The seam in question:
I’m making good progress on my tuxedo-y suit using my grandmother’s vintage Pendleton wool. I’ve done the single welt pockets (a first time for me!) and the construction of the jacket body, and I’m now working on the many collars and lapels. The placement of the welt pockets (which are hidden under a front flap) is way too high, though, and the pockets are too narrow to be useful, though – this is the second time I’ve had BWOF jacket pockets be waaaay too narrow for my hands to fit through, so I must remember that for next time.
I have such a thing for red corduroys. I’ve probably owned about ten pairs over my lifetime, and they have all been worn multiple times a week until their inevitable downfall. For the last few months, however, I haven’t been out shopping very much and when I have been out in stores, I haven’t been able to find any cherry-red cords anywhere.
So in my American fabric buying orgy I picked up some bright red baby wale corduroy to make my own. The fabric was a bit thinner than I was expecting (more shirt weight than trouser weight) so I hope they don’t wear out prematurely, because I’m stupidly happy with them!
If you have never felt or sewn bamboo fabric before, stop what you’re doing and go buy some right now. Seriously. I’ll wait.
Bamboo jersey is as soft as cashmere, as easy to work with as cotton, machine washes without much shrinkage (or loss of softness), is antibacterial (so if you make workout gear in it it doesn’t stink half as bad as even the techno wicking stuff!), and all the wrinkles steam out of it in the time it takes to have a shower. Honestly, this stuff is wonderful, and I can’t wait until more colours are available and I’m buying every single one.
This wrap dress pattern is originally from the May 2006 Burda WOF, but it’s proved so popular that Burda have released it as a 2 euro download pattern, too. It really is the perfect wrap dress – necklines that don’t move, secure fastenings (two snaps are concealed beneath the decorative belt), and best of all – a full frontal overlapping skirt panel so you don’t have any surprises on a windy walk to work! Coupled with the luxuriously soft bamboo, this really is like wearing pajamas…
I fell in love with the yellow cocktail dress in the 11/07 Burda WOF magazine, with its wide, square neckline and fabulous 90 degree front darts, and it just so happened that I had just the right amount of butter-yellow duchess satin leftover from James’s pirate coat lining to sew this up. Since the satin was so thick I opted to omit the lining and just go for facings instead, which made this an even quicker project.
Together with my matching fascinator and steel grey satin gloves from the V&A gift shop, I rather overfulfilled the “glam attire” required for my neighbour’s lighting up party on Friday night.
I’ve broken my self-imposed ban on sewing fleece. I blame the 90s for making me think it’s the most unfashionable fabric on earth, only worn in big, boxy cuts by soccer moms and awkward preteens.
But the heating on our boat still isn’t sorted yet, and I’m sick of seeing my breath while I eat dinner every night, and sewing with quite literally numb fingers (my metal shears are so cold they hurt to touch them!). So I got the boyfriend drunk and convinced him to order 5 metres of navy blue fleece to make us some warm lounging clothes to only wear around the boat.
I’ve now completed two pieces for my FW/07 Collection, a pair of chocolate brown trousers, and a white cropped jacket.
I’ll have another update very shortly (as soon as I can arrange the photo shoot), but until then, I know some of you have been asking how the Glastonbury dress held up to the deluge of mud…
And the answer is, surprisingly well!
Back when I got the pillowcases for the famous IKEA skirt, I also bought a Tanja shower curtain that caught my eye from across the store and was conveniently marked down to a fiver.
It’s stayed in my fabric stash ever since, just waiting for the perfect project, which presented itself in the form of this Burda WOF 60s dress from the May 2007 issue. It turned out to be the perfect fabric for this dress, considering that Glastonbury is coming up in a few weeks and I’ve been wanting something special to wear (and let’s face it, if the famous downpours happen again this year, this dress is ready for them!!), and because the pink piping matches my hot pink wellies perfectly.
