Ever since I finished my sewing room, I’ve been sewing like a woman POSSESSED! On Friday evening I finished this tunic top from the March 2007 issue of Burda WOF magazine, and on Saturday, I cut out and nearly finished another tunic top (I’ve just got the hem to go – watch for it later this week).
After a bit of hard labour with some power tools and brute force, I was able to clear three of the little hotel rooms on our boat two weekends ago. One became a walk-in wardrobe, one will very shortly become James’s office, and the third blossomed into my (temporary) sewing room (all the little hotel room walls will be ripped out to make way for our living room, two bedrooms, and two en-suites. The fate of a sewing room in the new plans is still unclear!).
But let’s move on to a tour of my sewing room, since this is probably the tidiest it’ll ever be…
Here’s the overview shot of the whole room. It’s about the size of two single beds side-by-side, with light coming from two halogen lamps and the porthole (which puts out a surprising amount of light during the day).
I decided I needed a challenge. I’ve never made trousers before, let alone jeans, but I had some stretch denim from Walthamstow Market wallowing in my stash for over a year, and I finally had enough time in my schedule to do them justice. I’d attempted to make Vogue 8202 about a year ago, but only got as far as the muslin stage before I realised that a) the front rise was scandalously low, b) there was about 4 inches too much ease, and c) I started to lose weight and the pattern size range I bought was far too big to bother downsizing and redrafting. So this time around I used a pattern for corduroy trousers from the August 2006 Burda World Of Fashion magazine and just added the missing pieces (namely, the back pockets, the fifth pocket, and an interior fly piece) from my old Vogue pattern.
While in Holland last weekend, I managed a very quick run through Utrecht’s amazing fabric market (every Saturday on Breedstraat, with 100+ stalls of every fabric imaginable) and got a bunch of red velour for another (secret!) project. I finished the other project and used to offcuts to make this very warm and snuggly top, just in time for winter.
One of the nice things about buying tons of lush, black velvet for your boyfriend’s pirate coat is that you get to have your way with the leftover fabric! And if you’re a bit cheeky and insist that you’re going to be left out in the cold very soon because none of your other jackets fit anymore, then sometimes, sometimes, you can get away with making use of the scraps before the intended recipient of the fabric.
I made Jacket 101B from the 08/2006 issue of Burda World of Fashion magazine, which, if you’re not familiar, contains about 50 patterns in each magazine, ranging from incredibly fashion-forward to designs to some real “who in god’s name would wear THAT?” shockers. But overall, there’s at least a few things you’d make in each issue if you had enough time. August’s was a particularly good issue, but seeing as how my need for a jacket was the greatest, I tackled this first.
I made this with a vintage-style crepe-de-chine dragonfly print from efabrics.co.uk (99p a meter! and it was coincidentally made in Japan), and a matching jade green crepe-de-chine from the same place that wasn’t on sale, so it was £2 a meter. I was really breaking the bank on this project…
