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Burda magazine July 2014

Burda’s recent winning streak was bound to stop sometime, and this issue landed with a giant THUD as far as I’m concerned! This is the usual summer issue, light on substance and big on frills, peasant styles (so 90s I’m going to go gag myself with a spoon), and the return of the clichéd safari style feature.

But there were a few garments worth discussing, so let’s take a look inside before retiring it to the shelf and drooling over June’s issue again instead…

Unfortunately we start with one of the ugliest garments I’ve seen in a long time (and I’d just flipped past an awful, off-the-shoulder peasant maxi dress, too). Who possibly thought that this satin bomber on the left was a good look?! I’m not even sure where to start – the unfortunate pocket flap placement right over the boobs, the wide elastic waistband making the model look super short-waisted, the petroleum shine of those cheap satins, or that horrible white pilgrim’s collar? BURN IT!

(The lace dress on the right I’m ambivalent about, but you’ll see it in worse fabrics in a minute)

This is a lovely gown, even if it is too big for the model and doesn’t really go with the rest of the collection (further confirming my theory that July is just the dumping ground for all the bin-ends of summer patterns before August’s first Fall fashion issue). I like the asymmetry and this could be a really lovely dress, either in the long length or the shorter version.

Let’s ignore the fact that this is sewn in “imitation snakeskin leather” for a second, and that it’s something that an Aerosmith backup singer might wear onstage – at least that ruffled overlayer won’t fly open in the wind, right?

Two tiny baby jackets

My go-to baby present for many years has been a changing mat – hand towel on one side, fabric and pockets on the other, and it all folds up nicely and fastens with ribbon. I still enjoy making these (and I get great big thumbs up from the parents!), but I wanted to make something different this time around, and I had two lots of Spoonflower organic cotton jerseys I fancied using.

I actually made these way back in early April, but since they were both gifts, I needed to wait until both sets of parents received them before I could share them with you. But since I made them so long ago, the details are a little hazy in my mind, so apologies for anyone looking for a particularly useful pattern review here!

I sifted through my digital pattern archive and selected #145 from the March 2011 Burda magazine (it’s not on the US Burda site so you’ll have to refer to the Russian archive). I liked the versatility of the design, that it looked quite handy to wrap a baby up in, but that it was also easy to sew and could fit into the two fat quarters I had of each of the fabrics.

For our local friends’s newborn baby girl, I selected the meat fabric and used the 3 months size. I knew the parents would laugh their heads off and be happy that it wasn’t predominantly pink, too. I didn’t actually get to see the baby wearing it since she was asleep at the time, but I’m just going to assume she’ll grow into it!

Burda magazine June 2014

I don’t know what’s in the water over at Burda HQ, but they are seriously on a roll right now – it’s been an amazing few months of consistently great issues, but seriously, this issue takes the cake! I’m usually not a fan of the summer issues, but there are just so many fantastic designs I want to make in this one that I found myself scanning nearly every page!

So settle on in, this is a long’un…

A few years ago I would’ve been all “oh, a feature on shorts? Yawn, flip through…” but upping my running game (plus having an actually hot summer last year) has made me appreciate shorts a lot more! Burda gets several brownie points for this pair because a) they’re sporty, b) they’re a great length, c) pockets! and d) they used a non-white model. Big applause all around.

Now, this is the exact same pair of shorts as above, but with curved seams for colourblocking. If it were me, I’d have put the dark portion at the crotch rather than the reverse, as this is a good trick I learned from a cyclist for disguising saddle sweat marks, but it also goes to show that you can just draw lines like these on any shorts pattern and get the same effect.

YES. I may have already traced out this classic racerback vest (tank) in order to use up a few 1 meter pieces of awkward, “not really what I was expecting when I ordered but still nice” jerseys…

And let’s talk about these shorts with the angled overlays – these must be a knockoff of a designer garment because this is now the third time I’ve seen patterns for them – first in the January Manequim magazine, and then again when Simplicity released 1370, which has a view for this, too! (Actually, I’d love to do a comparison post on these three if someone could send me a scan of the Simplicity pattern piece layout, please? They’re stupid expensive here.)

On to the next feature, which is entirely based on Japanese-inspired cutting techniques. oh my god are you kidding me?! An entire feature based on unusual cuts, seamlines, drapes, and nary a cheap “Asian brocade” or kimono in sight – think Pattern Magic or Drape Drape. YES.

First up – this dress with an overlay which sweeps over the shoulder and around to the back. I could see this being an amazing formal gown, even though Burda have made it in a fairly casual fabric here.

Burda magazine May 2014

I don’t know why, but this issue was really late to arrive this month, only turning up on Friday, after (I swear) everyone else on earth already received theirs, and some had even started making things from it! I love my subscription, and it’s usually timely, but it makes me cranky when it’s a really good issue I’m waiting on!

I’m not sure why so many of the garments in the first feature were made with waffle piqué (maybe the Big Waffle Piqué Cartel got to Burda?), but I rather liked the design of this sweetheart-necked dress. I thought at first there might be kangaroo pockets in the skirt, but no – the model is just holding her hands at the pleats for the fun of it…

This banded dress is just ok IMHO – it reminds me too much of the overdone “Duro dress” of a few years ago, but I more wanted to point out the blatant advertorial for Frizz-ease in the corner. Look, I don’t mind if Burda start introducing ads into the magazine (frankly, I find it really weird that it doesn’t contain any), but make them ads. Don’t try to shoe-horn ads into your crappy, poorly-written copy and expect readers to be stupid enough to lap it up. Give Frizz-ease a full page ad and don’t insult your readers’ intelligence.

The maxi dress on the right isn’t really my thing, but I really like the paneled seams of the mini dress on the left. The dress has a few variations shown in this issue, including an above-the-knee length, and both strapless and spaghetti strap versions, but I liked this cap sleeve treatment best.

The Bunka-esque asymmetric Burda top

This might be the quickest turnaround for a pattern I’ve made in ages, but last weekend I put together the weird, conceptual “tube” tee from the April 2014 Burda magazine (I’m so current!!) and some splatter-print viscose lycra jersey I bought at Hancocks when I was visiting my folks in Virginia in November. Or it’s up on the US Burdastyle already should you wish to buy the pdf.

The pattern itself is rather avant-garde – it’s really just one big rectangle! On the right-hand side (as worn) there’s a side seam and a pretty normal, set-in sleeve. But on the left it’s just a fold instead of a side seam and a horizontal slit is cut in, where a sleeve with the sleeve cap chopped off (no, really!) is set into that. The neckline is just the top of the rectangle and is only an inch or two narrower than the hem!

I wasn’t so sure that the weird left sleeve would actually be comfortable, but it really is! I don’t even notice it when I’m wearing it, and it doesn’t really look strange when worn, either.

The body feels super voluminous and quite long to me – I’m tempted to narrow it and the cowl neck as well. I made a Burda size 40 which should be true to my new measurements, but everything is super wide – I’d definitely consider going down a size in the rectangle, but keeping the sleeves at your true size.

Burda magazine April 2014

I wasn’t overly keen on last month’s issue, but there’s a lot to love in this one! Even the designs I didn’t like definitely had their own merit – lots of details and designs with thought behind them, and nary a shapeless sack in sight! But let’s take a peek inside for my picks…

I didn’t like much from the Southern style feature (nothing wrong with it, just not for me!), but I love that Burda have snuck in another cycling pattern, hot on the heels of last month’s seat cover! I really love the look of panniers, and I think these are a great design, with or without the frills.

The only Southern style garment that really jumped out at me was this shirt with the front, “bib” yoke. I don’t tend to sew many woven shirts for myself, but I really like this pattern, and it’d definitely be good in the summer heat!

I’m convinced that someone at Burda HQ has either studied at Bunka, or else is just really into Japanese-style pattern cutting, because we’ve had at least one design a month that just has Bunka written all over it, and this dress is certainly it. I had a bit of a “Burda WTF” reaction at first, but the more I looked at it, the more I think it might actually be kinda cool. Or uncomfortable – I’m not so sure about that left sleeve with the flat sleevehead. But I’m kinda into the uneven tube concept, even though I’m unsure whether it’d work in real life.

Here we see the cover dress in more detail, and it’s utterly gorgeous. This is the best about Burda – a flattering, edgy, and well designed dress that’s made accessible to everyone. Those skirt petals are just inspired and the topstitching and seaming is just icing on the cake.

Burda magazine March 2014

There wasn’t much to get excited about in this issue, in my opinion. March is always the issue with the bridal gowns, but even those left me cold for the most part – overly fussy with too many extra frills, bows, and (in non-bridal sections), migraine-inducing ugly prints.

I’ve pulled a few nuggets from the pile though…

This dress was the only design from the first feature that I even glanced twice at – I really like all the pleating, but that surplice opening looks like a wardrobe malfunction waiting to happen, and the model’s pose doesn’t help. It looks like she’s stiffly holding herself to avoid anything creasing or opening up!

Burda’s take on “grunge” was almost as laughable as their taken on “punk” earlier this year, but I did spot this very on-trend bomber jacket, which looks rather nice.

This is one of the ugliest outfits I have ever seen in Burda. Ever. Hideous tartan chiffon (why??!) paired with itself, plus the laziest drafting I’ve seen in a long time – those bell sleeves look like what a My First Pattern Drafting student might do if it were 1993. Ugly ugly ugly. UGH.

Burda print classic jeans patterns so infrequently that you’d think they’d be shouting about these from the front cover – “Sew your own jeans! Easy, step by step illustrated instructions!” Do they not want to sell issues or something? Why else would they disguise these in an ugly floral and call them “Five pocket Trousers”? It makes no sense! (If you missed the take-home message here – this issue is worth buying for these jeans alone.)

Burda magazine February 2014

I don’t know what happened this month, but I appear to be the last person on earth to receive their February issue! Some people were already posting reviews of their sewn garments a full week before mine arrived in the postbox, not fair! But better late than never, here are my picks…

First up – this dress isn’t particularly earth-shattering, but it’s a nice classic shape, with short- or long-sleeve options, and a clever little central hidden kangaroo pocket in the skirt, too. I’m definitely eyeing this one up as a possible birthday dress for March, especially since I’ve got all that luscious silk twill that Dilly gifted me when she came to visit!

I know there are a lot of sewing ladies online that go ker-ay-zee for anything with buttons in the back but… I seriously don’t get it! So, you have to have someone help you get dressed whenever you want to take it on and off? How is that a good thing?! I’m not convinced by the central pleating on this dress, either, which might end up looking less than flattering…

I’m not entirely sure what it is about this wide, cropped blouse, but I absolutely love it! Maybe it’s the cocoon-shaped sleeves, or the back yoke, or the nice V neck, but I really could see myself wearing this a lot with leggings. I don’t think it’s quite as successful with the full skirt Burda’s paired it with, however.

Burda magazine January 2014

I’m quite behind on my magazine posts – I’ve received this Burda and two Manequims while I was deep in the frenzy of launching my sewing patterns, so they got pushed to one side with all the activity. But for those of who who decide whether to buy the issues based on my reviews, here are my picks from the last Burda of (now last) year!

The most noticeable garment here is a truly horrible one-sleeved caftan dress, but hark! Is that a men’s tuxedo jacket I spy?!

Here the ladies get patterns for a bustier and an interesting draped skirt. Nothing groundbreaking, a definitely more of Burda’s “young fashion” when paired together, but definitely wearable and fitting with the New Year’s Eve party theme. But what do the blokes get? Yet another button-down shirt, identical to the ten others Burda have published in the last few years! It’s so lazy of them to just reprint the exact same shirt over and over… No wonder more men don’t sew.

Here we get a better look at the fantastic cover teeshirt/tunic with gathered side seams, paired with a great pair of narrow-legged leather trousers. The cover shirt also has the colour, illustrated instructions for this issue, too. This is definitely my Most Likely To Make for this issue, and the few versions that have popped up on the sewing internet already have looked great.

Burda magazine December 2013

I had high hopes for this issue after the stellar November issue and the sneak peek at the back of that, but when I saw the line drawings it became apparent this could’ve just been entitled “The Dolman Issue” for the number of dolman sleeved garments in it! I’m not sure if someone at Burda HQ gave down the commandment that set-in or raglan sleeves weren’t beginner friendly or what, but there sure are an awful lot of fabric-guzzling designs in here, but it’s not all bad…

First up, no surprises for guessing – it’s a dolman sleeve tee! Actually this design isn’t so bad, it’s a nice twist on a casual, long sleeved tee, and the narrow sleeve cuffs help control some of the volume in the underarm/side seam area.

Since this is the holiday issue, the crafts are spread throughout the magazine and are way better than Burda’s usual “stick some glitter on twigs and call it interior design” school of crafts. For instance, these box bags are actually really nice little gifts, and a great way to use up scraps of nice, hefty home dec or other fabrics. There’s also a pattern for little moccasin slippers that uses wool and thick fleece that might be worth making as gifts too.

Now you’d think that, because this is a cowl dress, I’d be all over it, but I’m actually lukewarm. There’s something about that long pleat running into the cowl that just looks messy and haphazard, and from the cutting diagram I can see that the front is cut entirely as one (including the kimono sleeves, which have a gusset thrown in so you can actually lower your arms!), and then the pleat is just folded over. I know fabric is cheap these days, but the layout just makes me wince at the amount wasted to make a dress that way!

There are a few good trench coat patterns in this issue, but I particularly like this one because it shows that you can make a nice boucle coat without it being the same, ugly, tired, Chanel-alike design.

Again with the cowl neck and (nearly) dolman sleeves! This one looks like it’s just asking for a wardrobe mishap, along with showing off every little lump and bump in that fabric, but the top version of this doesn’t seem much better.