I’m mostly finished with BWOF 09/2008 #114 (which, you’ll remember, is the spitting image of a Versace dress) which I’m making in navy blue silk with a square neckline. The silk is really lovely and drapes beautifully, and I love how it feels, too. I’m super pleased with how the whole dress is turning out, actually, but this morning I noticed the two front seam lines are doing a funny thing towards the hem:
When bias met straight grain…
Silver linen dress in situ
I’m a bit late in getting the photos from last weekend’s wedding off James’s computer, but I know some of you were waiting to see how the silver linen shift dress and the matching fascinator looked together, so here you go!
This banner was actually up outside the venue advertising an upcoming wedding expo, but it was too good for the bride and groom (and us!) to pass up for photos…
Olive! A Twist!
I’ve been fantasising about making this dress ever since February, and I finally got the right inspiration to make it, and in a lovely fabric that nicely bridges the Summer/Fall/Winter gap. BWOF 02/2008 #103 is a knit dress with raglan sleeves, wide boatneck collar, and a really distinctive front twist leading down into a wrap skirt.
Vintage wedding gown detail photos
My grandmother’s wedding dress arrived safely on Friday! I person, it’s absolutely jaw, droppingly gorgeous, even 59 years later. The preview photos I drew the technical drawing from didn’t do it justice, so I’m hoping these photos on James’s DSLR will help to show some of the amazing vintage details.
The dress is entirely silk satin with no lace, embroidery, or beading (just from a mesh panel around the neckline), and the weave of the silk is still perfectly and soft and so very strong still. Granny told me she bought this in a shop on South Street in Philadelphia in 1949, but I’m afraid I can’t tell you the designer as there’s no label and she’s long since forgotten the details. But the workmanship speaks for itself, and it’s very interesting for me to see that they’ve not wasted any silk where it couldn’t be seen – the mesh fabric is used for all facings, the seam allowances are only 1/2 inch, and there’s no lining.
Laid out on our table:
Versace vs Burda WOF
Breaking news!
Burda WOF have just posted a full preview of their September 2008 issue (though only for members at the minute), and this dress practically jumped off the screen at me:
Gorgeous, right? Well, the reason it stood out to me is because those central bodice seams are a spitting image of a Versace dress from Fall 2007. I saw the ad with Kate Moss last year and I loved the design so much that I ripped it out and have had it hanging on my sewing room wall ever since:
Silver linen shift dress
This dress has been fully formed in my mind ever since February, when I bought Burda 7783 and this beautiful linen/lurex blend at Hickeys in Dublin. Luckily, they print the fabric content and washing instructions right on the receipts, so I can tell you with some degree of accuracy that this dress is 53% linen, 44% rayon, and 3% lurex. As far as I’m concerned, this fabric is 100% gorgeous – it’s got a subtle bit of shine under bright lights that really makes it special.
Wedding dress ideas
We visited our venue (and totally geeked-out at the museum!) on Saturday and met with the wedding coordinator there so we now have a date – the rather auspicious 19 September 2009. Or to put it another way, 19.09.09 (09/19/09 for the Americans)!
Good thing we have over a year though, because we’re going to need every single day of that to save up and prepare for it. Oh my, the grand total was an eye opener, and we’re not being frivolous in the slightest with our plans!
Luckily, then, my grandmother has given me her gown from her wedding in 1949. She’s insisted I use it and NOT be afraid to cut it up, saying she’ll cut it herself if I don’t, or donate it to goodwill or sell it on eBay. I think it’s her way of not letting me get too scared about changing it or treating it like a relic or something. In any case, I’ve seen photos of it, but I’m going to make you all wait until it’s shipped over to me, cleaned, and pressed before I document its “before” state properly.
Until then, here’s my rough sketch based on the photos and my mom’s eyewitness account:
That new chestnut!
My unofficial knit month continues, this time with an incredibly comfortable “frankendress”! The top half is KnipMode April 2008 #13 (still available to buy from Naaipatronen, fyi), which you should remember from when I made it before in blue for myself and then again for my mom:
I absolutely love my top, and I often find myself in my wardrobe late at night picking out clothes for the next day, holding that shirt and asking myself “wait – did I already wear it this week?”. I just knew I had to turn this pattern into a dress to get even more wear out of it, so I searched my back issues of Burda WOF magazines and found a great knit dress to use for the bottom half: Burda WOF 05/05 #125.
I sat down with the two patterns and sketched out a combined technical drawing and then started thinking about my plan of attack to serge this all together, keeping in mind that it’s a lot easier to construct flat seams than in the round… I didn’t follow my plan exactly, but I did stick to the basic idea, and I’d definitely do it this way again.
Prima linen shift dress
The third linen item in this week’s unofficial linen-a-thon is a cute and very casual shift dress from the May 08 issue of Prima magazine. I don’t think I’ve mentioned Prima much here before, but it’s a UK women’s magazine that features one sewing pattern each issue. If you subscribe you get sent them automatically, but if you pick up an occasional copy at the newsagents like I do, then you need to ring a premium rate number to have it posted to you (it usually works out to a pound or two on your phone bill, which is very reasonable).
Their patterns are usually a bit hit-or-miss with me, but when they get it right, I drop everything to buy the issue, even though this is the first one I’ve actually sewn up. Their sizing is pretty close to the Big 4 patterns and they include seam and hem allowances, and the patterns are printed on newsprint like the pattern magazines. One thing I really don’t like, though, is that they print their sewing instructions right on the pattern sheet so you’ve got to unfold this huge sheet just to read what the next step is if you haven’t cut up your patterns and prefer to trace instead.
On this pattern, I really liked the overall easygoing style and fit of the dress, and the gathered back yoke combined with the standing wide collar really appealed to me. This pattern included optional cap sleeves, which I decided to make to shield my poor freckled shoulders from the sun (when it occasionally shows its face here!).
Lemon and raspberry La Mia Boutique dress
When I bought my first La Mia Boutique magazine a few months ago I was instantly drawn to dress #31 in that April 2008 issue:
I loved the duality of the buttoned, tight, and sleeveless bodice with the pleated A-line skirt, and I wanted to accentuate that with contrasting fabric (and, err, leave out the weird knee-highs!). I happened to have about a half metre of lemon-yellow linen/tencel blend leftover from James’s dress shirt, and it was just too soft to let languish in my scraps box! So I decided to use it for the bodice (and lining) of this day dress and pair it with some raspberry-coloured tablecloths for the bottom. I think I may possibly be channelling Spring colours, or perhaps I’m just craving sorbet!
