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In Progress

In progress bits

Contrary to the amount of time I’ve been spending behind a computer recently, I actually have been finding some time here and there to sew, too. It’s just, well, most of it is for my next pattern, which is going well, but is still at least three weeks off going live (sorry!). It turns out that, even though I can reuse some parts of the pattern between the men’s and women’s versions, there still an awful lot of extra work involved in creating two versions!

You might reasonably expect that I’d have to make twice as many samples, but there’s other added time involved with “invisible tasks” like walking seam lines and measuring finished garments, for instance. While both are made considerably easier done digitally, and even moreso if you’ve organised yourself a nice little Excel spreadsheet to do the heavy calculating and imperial converting, there’s still an awful lot of measuring to be done. But it gives me a little thrill when I can see my finished garment measurements vs body measurements equating to ease, down to 1/100ths of a mm!


This is just a small portion of my spreadsheet – the other bits gave too much away!

If you want to be the first to hear details of my new pattern, then now is an excellent time to sign up for my FehrTrade patterns mailing list, which which you’ll find at the bottom of my Shop front page. If you ticked “Yes” to marketing emails when grabbing my free Running Armband Pocket pattern, then you’re already on it. And I absolutely promise you that the email volume will be really low volume and only important stuff, like sneak previews and special voucher codes.

So on top of getting my next pattern ready to send to my two teams of pattern testers, organising athlete-models, and sewing up more samples, I’ve been spending my office hours working on an upcoming sewing book (not mine!) for a publisher, too. So it’s good practice in double-checking instructions and illustrations, but it is rather brain-taxing to be doing all day!

I’ve managed to squeeze in a few “Fun Sewing” projects, though, including a pair of leggings made from some luuuuuuuuuscious Funki Fabrics lycra (bought with my own money).

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A black travel skirt

I’ve noticed a hole in my wardrobe recently – I really don’t have any plain black skirts that fit me anymore. I found myself wearing my blue travel skirt I sewed up before we went to Mexico last summer an awful lot, and I seemed to get compliments every time I wore it, too.

So when I saw Tia Knight’s very reasonably priced scuba range, I picked up 3m of black to use for both the contrast on my galaxy print sweatshirt, and to make another travel skirt like my blue one.


Not the most flattering tech drawing! It’s more A-line than this in real life…

Like the first blue version, this is the skirt pattern from Christine Jonson’s Travel Trio Three pattern, which surely must be one of my best-value wardrobe patterns ever, as I’ve made the top 3-4 times now, and now the skirt twice, too. Like before, the skirt is shortened by 12cm at the “lengthen or shorten here” lines, which creates a really flattering hem length for my figure.


Seen here with the gathered turtleneck view from the same pattern, which I made back in 2011!

I really love how flattering and comfortable this skirt is – it’s made from a knit with an elastic waistband, but it doesn’t look sloppy at all. It’s also got two really deep front pockets built in to the seaming, and I’ve got no worries that my phone will fall out when I’m jumping around the moorings.

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A galaxy print statement sweatshirt

As I mentioned last week, this past weekend was the first one in about a month where I wasn’t working, and I totally planned to fill it with as much Fun Sewing as possible!

First up was a “statement sweatshirt” using some luscious galaxy print ponte leftover from my birthday dress. I love that dress, but I loved the fabric so much that I wanted to be able to wear it with jeans and in casual settings where that va-va-voom sheath dress couldn’t really go.

I don’t usually sew from Big Four patterns as they’re so freaking expensive here, but in order to get the cheapest price on the Kwik Sew leggings pattern for my Like the Wind workshop, I had to become a Sew Today member, which came with my choice of two free patterns. After a bit of a think, I selected McCalls 6992 and McCalls 7026, which I actually frankpatterned together here!


Seen here paired with my Donna Karan denim-look leggings

It’s usually my experience that Big Four patterns have way too much ease, and this was no different. My measurements put me squarely as a Size 16, but after a peek at the finished garment measurements printed on the pattern, I saw that a 14 would be plenty big enough, and that’s what I cut. Really, a 16 would’ve just drowned me.

I decided to use some black scuba from Tia Knight for the contrast raglan sleeves and neck band, and I bought enough to make a skirt from the same yardage, which you’ll see later this week!


I somehow managed to not get any back view photos – sorry about that! The back looks pretty identical to the front, however!

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Digital-print Cowl neck top

Every now and then, I feel like I really crack a garment – I end up with something that truly blends the most perfect fabric with the perfect pattern. I wasn’t entirely sure until I wore it for a day, but this top really nailed it! It feels 100% designer, special, and yet me at the same time.

The cowl-neck tee pattern is from the October 2014 issue of Burda magazine or available to buy individually as a pdf, and it came in three versions – a plain top (which is the one I made) – a tee sliced into various colourblocks, or a plain dress.

But this garment is really all about the fabric, and the pattern itself plays a supporting role. In fact, most of the time, care, and attention to the entire process was in placing the pattern pieces! Look what I had to start with:

I bought this digital print lycra from Ditto Fabrics when I was down in Brighton this summer (an Italian designer offcut that I snagged for £15!). Originally I thought I’d have the main body in the trompe l’oiel knitted houndstooth as that was what drew me to the fabric, but the houndstooth portion wasn’t quite long enough for the front and back, so I placed those over the “lace” portions and cut the sleeves from the houndstooth instead.


Worn with my Colette Beignet skirt I made back in 2010 that’s sadly, a bit too big for me now (it’s really relying on cinching that belt!

I used a size 40 for the first time here, which is my “new” Burda size since I’ve lost a few cm through training, and the fit is just as I’d like it, really. I loooooove the slim fit sleeves in particular on this pattern. They’re extra long here, too – it’s noted in the instructions are that the sleeves are 10cm longer than normal. I wasn’t sure if I’d keep them extra long or not, but as I was laying out the sleeves, I saw that the piece overlapped into the lace print area nicely, creating a sort of cuff-effect at the sleeve that I really liked the look of:

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Crazy Cat Lady Leggings

I mentioned at the end of a post earlier this month that I cut into the kitten-face lycra Fleur brought me from the Garment District and made some leggings, but they weren’t finished at the time, and I owed you more photos.

I wanted to minimise the disruption to the print as much as possible (I could hear the kitties screaming every time I chopped through a face!), so I used KwikSew 3636, which is a one-piece legging pattern with no seams running down th outside legs. Coincidentally, this is also the pattern I also in my Lovely Leggings classes (and there’s still time to join this Sunday’s class if you sign up now!), so it’s super quick and great for beginners, too. Perfect for showcasing a wild print!

We were out in Wiltshire at the weekend visiting a friend, so I wore these for a little walk around her village. They actually work surprisingly well as casualwear, especially paired with my trench jacket I made in 2010 and still wear regularly!

Inspiration

Dates for Your Calendar

There are some big things happening in my sewing world over the next month or two you should know about (no, not another pattern release just yet though I am working on the next one already!). So get out your calendar and take note of these…

Monday 13 October

Spoonflower have announced another free shipping day (international shipping, too)!. This is a perfect opportunity to try out our Fehr Trade x Laurie King exercise fabrics if you haven’t already. The fabrics coordinate perfectly with my sewing patterns so you only need to buy one yard of wicking fabric to get coordinating colours and prints.


Seen above, the VNA Top and Duathlon Shorts (booty length) in the coordinating “Maps” citrine & black colourway.

For UK buyers, this means you save $9 on shipping, and if you buy one yard of the Performance Piqué it should fall under the HMRC exemption and you won’t get hit with nasty surprise customs charges.

Thursday 16 October

Next Thursday evening I will be teaching the Slouchy Breton Tee class at the Thriftystitcher studio in Stoke Newington (London), and there’s still space for you to join!


Me in my Purple & green Slouchy Breton Tee

This class uses a pattern drafted exclusively for the class, and has the magic ability of fitting everyone I’ve taught so far without needing an FBA! Magic. Stripey fabric is provided just you just need to turn up and enjoy learning the stretch fabric basics, and go home with your own tee and exclusive pattern.

Tuesday 21 October

OMG, it’s the return of the Great British Sewing Bee, but with a twist! The first of three charity specials for BBC Children in Need airs at 8pm, featuring celebrities who have never sewn before, going through a set of three challenges. Dum dum DAH!

I’m super excited for these to air because, well, I may have spent half my summer working behind-the-scenes on these (there’s a blog post ready for when I’m able to post it!), so I can’t wait to see the finished episodes!

Also, I can confirm that these Pudsey ironing board covers are super cute! Serious bargain at £10 (for charity!), if you ask me.

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A purple and green Slouchy Breton tee

You may be forgiven for thinking I have my hands full with designing activewear sewing patterns, running marathons, and working extensively on a certain sewing tv show, but no – I also teach classes! Since I utterly adore working with knits and playing with overlockers, I tend to gravitate towards teaching beginners to sew stretchy stuff, like leggings, tee-shirts, and panties.

So when I bought this fantastic purple & green striped viscose jersey from Tia Knight (formerly Tissu) recently, it practically shouted at me that it wanted to become a Slouchy Breton Tee, which is the pattern that the ThriftyStitcher developed for the class I teach.

Having taught numerous ladies how to make this, I knew it’d be a quick and easy make, and that it also has the magic ability of looking good on all body shapes and being loose enough in the bust to not require any FBA (not that I need one, but still…). What I hadn’t realised though, is that the 2m of the viscose jersey is actually enough to make two Slouchy Breton Tees, so my mom’s getting one, too! Seriously – two great teeshirts that feel like vintage tees for a fiver each? I’m in love!

The fit through the bust, waist, and hips is really forgiving here, and there are two sleeve lengths (well, three, if you just wanted to keep the drop shoulder as a little cap sleeve!) – I made the full length sleeve but in future I’d extend it by another 2-3 inches as it’s not quite long enough for me. There’s also a 3/4 length sleeve option, too, if you prefer.

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A camisole from the ashes of failure

It all started back in March when I received for my birthday both the royal blue ponte knit fabric and a Marfy pattern I’d requested (#2935). I was enthusiastic about both, so much so that I spent the day after my party making up the dress.

The first issue came about when I realised that the pattern was missing a piece for the horizontal waist sash. It was pretty obvious it was just a rectangle, but the dimensions of it would be useful to get the gathering right, so I emailed Marfy, and got the following unhelpful reply when I asked for the dimensions of the missing piece:

“you are right, sorry. The important thing is to cut the piece on the bias so that it will follow the body. You can decide the width you prefer, and you can close it on the back.”

Ummm…

But that was just the start, because the horizontal sash was really the least wrong this about the dress. It’s a basic, long sleeved knit sheath dress with front and back darts and waist seam, but then there’s a weird set of gathers above the bust at the centre front that just reminds me of a vagina no matter how much I look at it, and this created a weird lump of fabric just above the bust that had to be pinched out.

But it goes on, because the diagonal sash was angled incorrectly and way too long, but if it was pulled tight enough, it started to bring the neckline down, too. The length was really dowdy, and overall, it was just a really unflattering dress. Somehow it looked straight out of the 1940s despite being modern, and it’s pretty much impossible to have a fabric that is both thick enough to wear on the body but thin enough to stand up to all that draping. Big, big thumbs down for Marfy 2935. This is actually my second Marfy pattern, and the second that hasn’t worked for me, so I’m kinda washing my hands of the whole company now…

But I still really liked the fabric, and wanted to do something with it to reclaim it, so this monstrosity of a muslin stayed on Susan (my dressform) literally for months. My friend FJ would come by and be like “Is that thing still there? You have got to do something with it or get rid of it – it’s bringing you down!” and he was totally right.

But despite being a big dress, the uninterrupted pieces weren’t very big so I had to choose my pattern carefully – and I pulled out the Seamster Patterns Yellowtail Camisole pattern that I’d bought and printed out last summer but hadn’t quite gotten around to making before the weather cooled off.

I was able to fit the pieces into the Marfy dress (plus it felt quite cathartic to cut the sucker up!) and it was really quick to sew!


Seen here with my Donna Karan leggings from earlier this week…

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Donna Karan denim-look leggings

Yikes! I actually made these leggings back in early July, but then it was so hot and sunny for weeks that I couldn’t bear to do the photoshoot, even though I was wearing them in the evenings a lot. The impetus for these was that my beloved pleated “denim-look” leggings had come to the end of their life through heavy use. I’ve been trying to find the time to sew a new pair of denim-look leggings over the entire summer, even buying in the fabric ahead of time so it was all ready to go, but alas, other work had gotten in the way.

But then I finally had some spare time so I pulled out my denim-look jersey and Vogue 1378 – the Donna Karan separates pattern.

I’d made these leggings a few months ago in grey ponte, and I really like them – except for the floppy ankle opening things. Those really annoy me, limit my shoe choices to heels, and generally just don’t work for me. So I’d already altered the pattern by overlapping the two ankle pieces and drawing a new seam line where they intersect, and I used the modified pieces here.


Seen here with my new Yellowtail Camisole – more on that later this week!

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A basic black Burda tank

It’s typical that I end up making the most boring, basic pattern out of the crazy-amazing June issue of Burda magazine! But I’d traced this out as soon as the magazine arrived, and I was in desperate need of a quick “me project” after a very busy week of work sewing. So I sat down on Sunday morning after breakfast, and had this finished before we left for a BBQ at lunchtime! I literally couldn’t have gone to the shops and back in that time…

This really is just a basic, jersy tank/vest with a racerback as its only detail, so I paired it with some “problem fabric” I had in my stash – I bought this from Minerva at the end of last summer and it wasn’t really what I was expecting. It’s a thin, black viscose jersey with but lines of dense stitching which make the fabric in between the lines sort of gather and pucker. Cool to wear, but a total arse to cut out as it moves all over! It was also fairly linty, so I’m glad to be able to wear it instead of sewing it!


(Seen here paired with my pre-Mexico neopreney leggings and shot on location at a friend’s back garden, BBQ just out of shot!)