Tag: knit

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In Progress

Hooray for the Vogue 1280 DKNY sheath dress pattern!

Even though I live in London, I grew up in America, and my family all still live there. A week or two ago, my mom saw there was a pattern sale coming up and very kindly offered to buy me a few if I wanted! There were two Vogue patterns on my Wish List – one was a Michael Kors knit dress that’s now OOP (and her Hancock’s didn’t still have it), but she was able to buy me one of the new DKNY Vogue patterns I was after, plus ship it to me, all for less than half the price we pay for Vogues in the UK on sale!

(Ever wonder what sad souls pay the full list price printed on envelope patterns? Yeah, that’s us. Little wonder I mostly sew with pattern magazines!)

So Vogue 1280 arrived in the post yesterday, and I immediately set about devouring the instructions and construction details of this.

It’s a really interesting, asymmetrical knit sheath dress with a characteristic (for DKNY) lack of side seams, so there’s a lot going on here!

Here’s a better shot of the tech drawing from the envelope. On Vogue’s site, the tech drawing is really too small to see that nearly all the seams are lapped, with a raw-edged piece of trim inserted, and then double-stitched (hello, coverstitch!) on top.

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The Liberace Leggings

Viewers of a gentle, tasteful disposition, you best look away now…

My previous pair of purple leggings are my FAVOURITE running running bottoms – so wonderfully comfortable, and the natural waist means they don’t shift around a bit as I run. They’re so comfortable I actually raced in them the other week (and any runner will tell you that if you have any doubts whatsoever about your kit, you don’t wear it on race day!).

So after a full day of finishing up the Run dem Crew refashion challenge, plus finishing up a skirt, I found myself with a few hours and an inexplicable desire to sew up another Papercut “Ooh La Leggings” pattern (UK stockist here) in the audacious lycra/foil in my stash:

I bought this crazy-ass fabric at Suzi Spandex when I was in Montreal, 80/20 nylon/lycra mix, which they call “Spirographix” (mine’s the charcoal colourway, though it’s much more teal in real life). The hand of these feels quite “leotard” or “costumey” really, but it’s fine for short bursts of exercise IMHO. Certainly nowhere as nice as the Suziplex I bought, through strangely 50% more expensive. Go figure.

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Peach flip-turned top and slim brown trousers

In addition to my exercise gear you saw yesterday, I actually made another top and trousers the weekend I got back from Montreal! Since I wasn’t in a fit state for a photoshoot until now, I kinda feel like I’m clearing out the cobwebs here…

This top is another “Flip turned for a draped effect” top from Pattern Magic 2 (drafted on my Morley College course!), this time using the tulip sleeves from Jalie 2806 for a more Spring/Summer look. This is the third time I’ve used these tulip sleeves and I really love the look and love wearing them – they really make a top much more special than just your average short sleeve! I used a lovely orange marl viscose jersey from Tia Knight here that’s just sooooo soft and lovely to wear! Hurrah for an impulse purchase!

The trousers are from the March Burda magazine (#126), using some stretch cotton sateen I bought at Tissues Dreyfus in Paris last month. It looked black in the dark lighting of the shop, but I got it home to realise it’s actually dark brown, which was fairly annoying, as I wouldn’t have bought 3m of brown had I known!

In Progress

Coverstitch binder attachment tips & tricks

Way back when I was making my first muslins of my new running gear, I realised that the methods I’d previously used to finish knit necklines (elastic, FOE, serged bindings, etc) were just NOT going to cut it on slippery exercise lycra. The results were awful and sloppy, so I allowed myself to be convinced by Pattern Review that a coverstitch binder was the way forward.

At £80 a pop, they’re not a purchase to be taken lightly, and they’re probably about the most expensive thing you can buy for your sewing room, short of a machine or a dressform! But I wanted to ensure the most hassle-free experience, so I went for a brand-name Janome attachment rather than one of the cheaper, much more hacky eBay jobs. I bought mine from Jaycotts and Janome shipped it directly to me:

Unlike a lot of the eBay binders, this comes with everything you need to get started – the big metal plate, the shorter foot, and a big set of instructions on top of the binder attachment itself. So it’s expensive, but you don’t need to then go and buy all the non-optional bits separately – but I can understand the allure of just buying the binder for your second or third if you’ve already got the plate, foot, and instructions!

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Sequin running vest and purple leggings

I’m going to break from tradition here and actually post my next two outfits out of sequence from when I made them, mostly because I just shared my elastic waistband tutorial with you, but also because I’m really freaking excited about sewing exercise gear right now. Honestly, it’s starting to become nearly lingerie-levels of hysteria with me – super quick to make, easy to fit, and lots of wild colours and patterns in small doses! But you’ll get to see my “civilian” top and trousers later this week, so no worries if you’re starting to glaze over at all the lycra…

For this set of running gear, I’ve paired up the Papercut “Ooh La Leggings” pattern (UK stockist here) with my self drafted knit block (from Metric Pattern Cutting). And in the case of the top, I altered the seam lines and armhole shape to suit!

You may remember the ex-Prada sequin trompe l’oeil fabric from a few years ago when I used it to make a cowl top. I wear that all the time, but I only had a small piece leftover in my stash, and it was far too lovely to throw away. But with a bit of creative thinking, it was enough for this! Though I think I’ll lower the curve a bit for my next running vest so the peak is just at my underbust…

As you can see with the leggings (or maybe not, the purple fabric is quite dark!), there are no side seams here! The shaped front and back yokes give some really cool, curved seams, and they merge nicely into front- and back-leg seams instead.

In Progress

Beforemath & Aftermath sewing

Thank you all so much for your sympathy and condolences and kind thoughts regarding Bosco’s sudden death. Last week was one of the worst of my life and I’m sorry to say that his departure was only one of a long line of awful things which happened to myself and those I love, so please bear with me while I piece things back together. I’m going to be more fragile than usual for a while.

In an attempt to clear the slate and document some blogging-accumulation guilt, here’s a catchup on the sewing-related events over the past fortnight…

Montreal

I was in Montreal for a few days for work immediately after my birthday, and I managed to shoehorn a very brief visit to Suzi Spandex into my 18 hour work days (in preparation for the launch of Zik.ca – Canadians, go see what I’ve been slaving over for the past 9 months in my day job!).

The shop itself was a bit of a PITA to get to – it doesn’t look far from downtown on the map but was a metro ride + 15-20 minute walk through a really dull neighbourhood, and I’m glad I had the address because the setup was very much like the NYC Garment District – an unmarked, nondescript office building with their premesis several floors up, with a front office and enormous warehouse full of rolls of fabric.

The setting may have been sparse, but I got such a warm welcome and the lady really helped me to choose the best wicking exercise fabric, which by all accounts seems to be their version of supplex, “Suziplex”.

It’s got a great hand and recovery, and fabulously soft inner, loopy side:

I bought 2m of dark, muted purple and 1m of pale grey Suziplex, and then another metre of some muted turquoise lycra with silver foil swirls.

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Grey Pattern Magic "Flip Turn" top

Ever since I first opened the Pattern Magic books, a few designs have been burning a hole in my sewing brain. One of these was the “Flip Turn for a Draped Effect” bodice from Pattern Magic 2, and I was so happy that I was able to draft this on my Morley College Pattern Magic 2 course last month! It wasn’t too bad to figure out, but I’m still really pleased to have the instructor there and because I muddled through (albeit with help), I feel much more confident about tackling other designs in the books.

The only problem was that we drafted all the course designs based on the largest Bunka sloper, which was still rather a lot smaller than me, so if I wanted to actually wear the designs from the course, I’d have to create them again off my own sloper, which just seemed a bit dull.

Or maybe… just maybe… I wonder if the Bunka sloper version would fit if I eliminated the back waist darts and made it in a knit?

OMG a toile for a fashion college dressform fits me!! :O 😀

Since this was a total fit experiment, I wanted to try this first in a low-risk fabric, and I had just enough of this viscose grey marl jersey leftover in my stash from the Manequim “big shirt”.

One interesting part of this design is that the reverse of the fabric is shown on a large portion of the lower front, and in this fabric, the reverse is kinda textured and loopy, but without any major colour change from the “correct” side. It means you get a subtle texture change on that panel, but without screaming “hey! I’m the wrong side!”.

To further play up the texture change and to make it look more intentional, I used the wrong side of the fabric on the neck band, too (maybe I’ll do the sleeves on the wrong side next time, too?)

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Lycra & Lace running top and leggings

It feels like I’ve been talking about sewing my running gear for ages now, but I think that’s just because anything self-drafted and a bit custom tends to take a bit more time and head space than my average project! But I’m happy to report that two out of three of my first pieces are finished now (the sequin vest is awaiting more coverstitch binder practice, but more on that next week).

Both of these pieces are heavily modified (bordering on self drafted) from the originals, but the leggings are based on the Jalie 3135 skinsuit pattern and the top started life as my basic KnipMode long sleeved teeshirt.

You’ve seen a sneak peek of the leggings earlier, but now you can see them paired with my long sleeved top, though the different turquoise shades mean I probably won’t wear them together often in real life.

The long sleeved top needs three different fabrics in order to get a contrast on the upper body and again at the hip pockets. So I’ve used the black supplex for the top and sleeves, leftover turquoise for the lower back (which wraps around to the front hips), and the same turquoise but overlaid with olive green stretch lace for the front body.

The leggings use black supplex and dark turquoise “silk touch” lycra for the contrast panels. You can see my cool seaming on the thighs below, and in getting design lines to match up, I favoured the outer seams matching. It means it’s not quite as cool on the inner thigh seams, but it means I get a nicer overall panelling.

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The Blue and Black Burda February sheath dress

I’m feeling pretty good about the past few issues of Burda magazine. For a while there (2010, I’m looking at you!) they really seemed to be only printing boring, shapeless and awful patterns, but I’m glad I stuck around because the past few months have really been a return to form, as far as I’m concerned.

There were quite a few patterns I want to make from the February issue, but only one demanded I drop everything and Sew It Now, the colourblocked asymmetrical knit sheath dress #117:

I know a lot of people complain about tracing Burda patterns, but I seriously don’t have a problem with it. Most patterns take me about ten minutes to trace, I have the pattern sheets on top so it’s not difficult to see the lines, and I do a few at a time.

This dress may have the illustrated instructions for this issue but WOW was this a total bear to trace! It’s printed in red lines, but this sheet also contains the “easy”, pink shaded pattern, so there are multiple points where you need to trace red lines over pink shading. Add to that the irregular shapes of the pattern pieces and you’ve got yourself a headache.

If you can get through the tracing pain, though, you’re really in for a treat, because the tracing took longer than the cutting or construction combined. I sewed this up last Friday night after work and wore it out to a friend’s birthday the next day!

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Manequim draped collar sweater

There came a point about midway through the construction of this where it suddenly dawned on me that I was creating my second draped collar sweater with pieced sleeves of the month. Clearly the sweater knits in my stash were calling out to me, and I’m naturally drawn to drapey styles. Though I really must remember when I’m in fabric stores that 2m really isn’t enough for long sleeves and a big collar!

This the Michael Kors-inspired, collared sweater from the June 2011 Manequim magazine. Last week I showed you details on the construction of the various pieces and altering the size “Small” pattern to my basic knit tee pattern.

The only problem was, when I was laying out the pattern pieces onto my awesome, ex-Versace sweater knit from Ditto in Brighton I realised that yet again, I didn’t have enough fabric to lay out the sleeves without piecing them, argh! I didn’t want to back down since I’d tried to use this fabric for something else last winter, but 2m of a really narrow fabric really limits your possibilities. So I carried on, introducing two seams in the lower arms. Frankly, sleeves tend to bunch up so much around the sleeves that I find the seams kinda get lost visually around that area anyway.

In the end, I was forced to cut the collar on the bias simply because the fabric was too narrow to place it on the cross grain!