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StyleArc Lalitha Leggings

I’ve been on the Aussie pattern company StyleArc‘s mailing list for a while now, and I always like to keep an eye on their new patterns, but their fabric options have never really appealed to me, to be honest (I’ve got to really like a fabric to pay for it to be shipped halfway around the world!).

Until March, that is, when they sent round details of their new range of “cut & sew” leggings, printed directly onto activewear knits:


They’ve since removed these from their site due to demand, so I’m reposting the original ad here so you can see the other colourways.

I’ll be honest – I was as intrigued by the concept as I was the prints, and for $60AU (£30) shipped, plus the freebie March pattern (knit top Melinda), I was sold. Quality leggings in great prints go for the £80-90 range in London, so for me, £30 was worth a gamble in the name of research. StyleArc had teamed up with a company called Fifth Element for these leggings, which you can also buy ready-made for about £45.

I ordered the “Lalitha” colourway the very next day, and then waited over 6 weeks for delivery (maybe they printed on demand?), but the kit finally arrived in mid-April. I was kinda hoping that the fabric would be printed all over, or in zones, like my collaboration with Laurie King, but you really only get the outline of the legging, with the rest in plain white.

Before I get into my complaints, let me just say that the fabric quality is fabulous – it’s soft, and stretchy, with great recovery and super vibrant colours, and from handling enough activewear fabrics in my day, I believe the that this is proper wicking fabric. I pre-washed it before cutting out, and everything remained vibrant, too.

My secret Funkifabrics marathon mission

Intrigued by the title yet? Well, it didn’t start out as a marathon mission, I just decided to add that part in.

But let’s start at the beginning – I’ve long said that I love FunkiFabrics’ lycra (the standard “Flexcite” stuff), but that I personally wouldn’t wear it to run anything longer than a half marathon, and only then in cool conditions, as it isn’t wicking. I’ve made loads of leggings and shorts out of their digitally printed lycra over the years, and it really is fantastic quality – never fading, or pilling, or bagging out. But I still wouldn’t wear it to run a marathon.

I finally just up and asked Funki if they had any plans to ever print onto a wicking lycra base, since they sell supplex and now compression fabrics, but only in plain black or white. Cue a bit of technical discussion on their end, and then about a month ago they asked if I wouldn’t mind testing out two different new base fabrics and giving them my opinion as both a sewist and a runner. Umm, would I???

So just before we left for NYC, my two experimental Funki flavours arrived, one with the Beam Two Bright print and the other with Checker Magic Multi, plus some really geeky technical specs of each base fabric, plus their regular Flexcite data sheet for comparison.

I read the data sheets, picked the one I thought would probably be best, the went away to NYC and promptly forgot which was printed on which base. Which was good, as it’s better for testing purposes if you’ve not already formed an opinion! After a quick prewash, I sewed the Beam Two into a pair of Duathlon Shorts and the Checker Magic into my Steeplechase Leggings, both biker short length, and with scraps of wicking lycra for the sides and yoke.

I ended up testing both by running (I had planned to cycle in one, but plans fell through), and in warm weather, too – so the tests were under as similar conditions as I was able to get!

I wore the “Checker Magic” / Steeplechase pair to run the second half of the London marathon route with friends (about 14mi at steady pace, for 2hrs) a few Sundays ago. It was a sunny day, and feeling pretty warm in general – my Garmin data says it was 10C and sunny, but I’d estimate that by the end it was certainly closer to 15-17C. In any case, this pair felt great, no issues at all in terms of feeling cloying or rubbing, or anything. Pretty boring, with nothing to report.

A mustard wool StyleArc Elita wrap top

I don’t often click buy immediately when I see a pattern release, but when StyleArc announced this “Elita designer top” pattern, I had to buy it immediately! Though I’m not entirely sure what makes it designer? I’m especially glad that they released it simultaneously as a printed pattern or a pdf, because I vastly prefer the latter, and it meant I didn’t have to wait for it to ship from Australia before I could get started.

The pattern is essentially a cross-over wrap top, with a shawl collar that extends in front and joins itself to create a really long loop, which the pattern calls a “trunk”. This nomenclature amused me way more than it should! Anyway, you’re supposed to double the loop back over your head to get a sort of double-cowl effect.

I love this design – the first time I wore it I had two friends pleading with me to make versions for themselves! My only gripe on the download is that StyleArc don’t print their symmetrical pieces on the fold, so the entire Back piece had to the pieced together here, when it could’ve saved a significant amount of paper to just have half the piece. It’s also kinda annoying to only have one size per pdf, even though you get three sizes (as separate pdfs) when you order. I’m generally only one size, but this could be a bummer if you usually mix sizes. Their paper patterns are the same, though, so it’s not like the pdfs are any worse.

I had to shorten the “trunk” by 8cm to fit it all into the 2m of mustard yellow wool/viscose jersey I’d bought from Guthrie & Ghani (now sold out in this colourway). Some other reviewers found that the trunk creates a weird, triangular fold at the neck and recomended changing the angle of the trunk piece, but I cut mine as is and I don’t have that fold – perhaps because mine were shortened to begin with? In any case, there’s still plenty of length left to create a nice cowl shape, so I would recommend it if you’re a tad short on fabric, too.

Designer-inspired Colourblocked Sheath Dress

I started planning this dress way back in the first week of December when I got your opinions on all the different colourblocking options, and it should tell you everything about how crazy busy I’ve been that I’ve only actually been able find the hour or two to make it last weekend.

You may recall the story of this “pattern” from when I made it in a solid, mustard-yellow ponte the first time around – I had a very well-loved ASOS dress that I traced off so it actually wasn’t from a pattern at all. (Others have asked if I’ll release it as a pattern, but it doesn’t really fit with my brand sorry!)

What I didn’t show you is that I tested my few pattern changes afterwards with a version of this pattern colourblocked in random ponte scraps from my stash, shortened to top-length, minus the CB invisible zip, and with a teeshirt-bound neckline instead of a facing.

It actually works quite well as a top (though I think the pieces near the hem could be better thought-out), but I wasn’t quite sold on the colourblocking choices, which were mostly decided based on fabric scrap sizes. It felt a bit… starfleet commander. And that’s a look only Catherine Daze can pull off!

But the original goal was to make another dress similar to the mustard-yellow version, inspired by this Chalayan dress that’s been hanging on my sewing room wall for ages:

I had the perfect teal viscose ponte leftover from a client commission, but I went out and bought a half metre of white and a metre of mustard ponte at Goldhawk Road to make up the other pieces. I really wanted the yellow at the waistline curve, but that would’ve meant having the white at the hem (instant grime!), so I ultimately went with the second colourblocking option!

I finally got a few minutes to cut out the pieces in mid-January (having been ill for the entire Christmas holidays!), but then I had to fly to the States for my Granny’s funeral a few days later, and the pieces were waiting for me when I got back. I finally had two hours spare last weekend to close myself into my sewing cave, so this was a great pick-me-up to get me back on track.

A black wool Oslo cardigan

Last Friday I talked about the new digital magazine, Seamwork and my article on activewear fabrics in the latest issue. Each issue comes with two quick-and-easy pdf patterns, which you can get on subsciption for $6 USD an issue (so they’re $3 each).

I’m a little behind, but on my last day of the Christmas holidays, I decided to sew up the Oslo Cardigan from the first (December) Seamwork magazine. Since this is from a former issue, I’m not sure whether you can actually purchase this pattern anymore (if you subscribe now, you’ll get the January patterns – a very nice bias cami and cuffed leggings).

My measurements fit pretty neatly into their size Medium but all the Seamwork patterns go up to 3XL, which is brilliant for plus-sized sewists! I was really happy with the fit on this cardigan – it’s nice and slim without being either baggy or tight, and the sleeves are the perfect length for me (a little over the wrist). The hem comes down just over my bum.

All the Seamwork patterns claim to be able to be sewn in 2 hours or less. After piecing together the pdf pattern (it also comes with a copy shop version) and cutting out my fabric, it only took 55min for me to sew together!

Mustard ponte seamed sheath dress

Like many of my most well-loved dresses, this one was quite a long time in the making. A few years back I’d bought a yellow ponte sheath dress from ASOS that had some amazing seamlines. I don’t often buy clothes anymore these days (preferring to spend my time sewing than fighting my way to the shops, or waiting days for an internet purchase that’s low quality or not quite right), but I really liked this dress, and wore it often despite the sleeves and hem being too short. Inevitably, the yellow also got dingey and pilled over time, but I still liked the overall design.

So I traced it! I literally just laid the dress over brown paper and ran a serrated tracing wheel over the different sections, leaving an impression underneath, just like how I trace patterns. I remember I traced James’s well-loved linen shirt at the same time, so it was a few months ago, and even though I had this mustard ponte in my stash for even longer, it took me a while to get around to sewing it up.

It may look like a complicated design, but it’s actually really quick to sew up on the overlocker, and only the back invisible zipper takes a little bit of sewing machine time.

Here you can see me holding the original dress, whilst wearing my copy!

All the things I loved about the original dress are present here – the figure-hugging design, the flowing, curved panels, the vibrant colour – but the sleeves are nice and long instead of “unintentional bracelet length”, and the hem doesn’t go scandalously short when I bend over!

Triathlon Leggings and Three Molehills

I’ve been a fan of FunkiFabrics for a long time (ie: before it was cool!), having made a sports bra, shorts, and leggings from their digital print lycra back in 2013. I’ve been meaning to get some more to use for myself, but it always felt like I was buying it on request for clients and students and never for me!

But recently I decided enough was enough ad I splurged on some luuuuuuuuuscious Funki Fabrics lycra in the “triathlon” print (bought with my own money). This fabric could not be more me – geometric print with turquoise and purples?! (It also comes in a red/orange/pink colourway).

I teamed it up with the basic, one-piece Kwik Sew leggings pattern that I’d recently altered in strange places to suit my runner’s legs, so I knew that the pattern would work well on the run and not bother me by shifting around! I’d made these with an eye to wear at the Three Molehills race, but the old adage “Nothing new on race day” lives deep within my psyche, so I took them out for a test run through Hampstead Heath (and the infamous Swains Lane) the weekend before:

It was only a short loop round the Heath, but long enough for me to tell they were going to be great (and that the mud washed out of them just fine on a cold sports wash!).

When I got home and put a sweatshirt on to warm up, I realised how well the print teamed with royal blue as well as purple! It’s a definite bonus for me when I can pair leggings with a number of tops in my running wardrobe…

So when the morning of the Three Molehills race arrived, I wasn’t even all that concerned that the forecast was for heavy downpours the entire day – at least I had fun leggings to wear round the super hilly, 16 mile course mudbath!


Photo credit: SussexSportPhotography.com

In progress bits

Contrary to the amount of time I’ve been spending behind a computer recently, I actually have been finding some time here and there to sew, too. It’s just, well, most of it is for my next pattern, which is going well, but is still at least three weeks off going live (sorry!). It turns out that, even though I can reuse some parts of the pattern between the men’s and women’s versions, there still an awful lot of extra work involved in creating two versions!

You might reasonably expect that I’d have to make twice as many samples, but there’s other added time involved with “invisible tasks” like walking seam lines and measuring finished garments, for instance. While both are made considerably easier done digitally, and even moreso if you’ve organised yourself a nice little Excel spreadsheet to do the heavy calculating and imperial converting, there’s still an awful lot of measuring to be done. But it gives me a little thrill when I can see my finished garment measurements vs body measurements equating to ease, down to 1/100ths of a mm!


This is just a small portion of my spreadsheet – the other bits gave too much away!

If you want to be the first to hear details of my new pattern, then now is an excellent time to sign up for my FehrTrade patterns mailing list, which which you’ll find at the bottom of my Shop front page. If you ticked “Yes” to marketing emails when grabbing my free Running Armband Pocket pattern, then you’re already on it. And I absolutely promise you that the email volume will be really low volume and only important stuff, like sneak previews and special voucher codes.

So on top of getting my next pattern ready to send to my two teams of pattern testers, organising athlete-models, and sewing up more samples, I’ve been spending my office hours working on an upcoming sewing book (not mine!) for a publisher, too. So it’s good practice in double-checking instructions and illustrations, but it is rather brain-taxing to be doing all day!

I’ve managed to squeeze in a few “Fun Sewing” projects, though, including a pair of leggings made from some luuuuuuuuuscious Funki Fabrics lycra (bought with my own money).

A black travel skirt

I’ve noticed a hole in my wardrobe recently – I really don’t have any plain black skirts that fit me anymore. I found myself wearing my blue travel skirt I sewed up before we went to Mexico last summer an awful lot, and I seemed to get compliments every time I wore it, too.

So when I saw Tia Knight’s very reasonably priced scuba range, I picked up 3m of black to use for both the contrast on my galaxy print sweatshirt, and to make another travel skirt like my blue one.


Not the most flattering tech drawing! It’s more A-line than this in real life…

Like the first blue version, this is the skirt pattern from Christine Jonson’s Travel Trio Three pattern, which surely must be one of my best-value wardrobe patterns ever, as I’ve made the top 3-4 times now, and now the skirt twice, too. Like before, the skirt is shortened by 12cm at the “lengthen or shorten here” lines, which creates a really flattering hem length for my figure.


Seen here with the gathered turtleneck view from the same pattern, which I made back in 2011!

I really love how flattering and comfortable this skirt is – it’s made from a knit with an elastic waistband, but it doesn’t look sloppy at all. It’s also got two really deep front pockets built in to the seaming, and I’ve got no worries that my phone will fall out when I’m jumping around the moorings.

A galaxy print statement sweatshirt

As I mentioned last week, this past weekend was the first one in about a month where I wasn’t working, and I totally planned to fill it with as much Fun Sewing as possible!

First up was a “statement sweatshirt” using some luscious galaxy print ponte leftover from my birthday dress. I love that dress, but I loved the fabric so much that I wanted to be able to wear it with jeans and in casual settings where that va-va-voom sheath dress couldn’t really go.

I don’t usually sew from Big Four patterns as they’re so freaking expensive here, but in order to get the cheapest price on the Kwik Sew leggings pattern for my Like the Wind workshop, I had to become a Sew Today member, which came with my choice of two free patterns. After a bit of a think, I selected McCalls 6992 and McCalls 7026, which I actually frankpatterned together here!


Seen here paired with my Donna Karan denim-look leggings

It’s usually my experience that Big Four patterns have way too much ease, and this was no different. My measurements put me squarely as a Size 16, but after a peek at the finished garment measurements printed on the pattern, I saw that a 14 would be plenty big enough, and that’s what I cut. Really, a 16 would’ve just drowned me.

I decided to use some black scuba from Tia Knight for the contrast raglan sleeves and neck band, and I bought enough to make a skirt from the same yardage, which you’ll see later this week!


I somehow managed to not get any back view photos – sorry about that! The back looks pretty identical to the front, however!