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Champagne silk yoked blouse

Believe it or not, this blouse is my last project from 2009, and I wanted something both simple and silk, which isn’t a common combination! But the cover blouse from Patrones 276, #3 was exactly right:

Apart from being a really nice easy-going top, this pattern only has three pieces – lower front, lower back, and a yoke that’s got a slit opening at the back and goes over the shoulders seamlessly to the front. So not only is it great for <1/2m cuts of coordinating silks, but the yoke is perfect for prints you don’t want to interrupt with seams. And if you’ve got a healthy trim stash (which I’m strangely not really into), then the ribbon across the front provides the perfect showcase.

Silk tartan overblouse

Sorry for the delays in posting these photos, but I really wanted to do some proper photoshoots, and last week I had 8 hospital appointments in 5 days, and it gets dark by 4pm now in London so it makes matters even more difficult!

But if you’ll recall, my neighbour Helen gifted me a bunch of fabric from her fashion school days earlier this year. You’ve already seen her wool tweed turned into a skirt, but now’s the chance for the silk to shine! I had a browse through my vast pattern magazine archive and discovered that overblouse 114 from the Nov 08 BWOF (on the right in the first photo below) was the perfect design as it actually called for the exact type fabric I had, and it didn’t have any fiddly button openings that would make a clean finish difficult here, either.

This silk is a semi-sheer crepe chiffon, with a wonderful tartan printed onto it. This was printed onto the fabric after it was made, as opposed to most tartans which are made with the pattern woven into it with different coloured thread. The extra cool thing here is that the tartan is actually printed on the bias, which gives so much more interest to a fairly plain top, without adding any visual width that a wide horizontal stripe might give to the wearer.

Patrones spring coat

By now, you should be fully familiar with Patrones #261-17, the spring duffle coat I’m making in turqouise basketweave wool…

After all, first it won the public vote, then you heard about how I bulk fused the tricky wool, then you saw all about my muslin and the resulting fit alterations, then you saw how I dealt with the tricky hood seam allowances and finally, last week you got a chance to see the bound buttonholes and the finished shell.

I’ve been concentrating on assembling the lining (and the lining pocket) all weekend, and finally finished all the handsewing at Monday night’s moorings crafty club!

Gold silk Eclair dress (and bonus purple bow tie!)

Sorry for the delay – I finished the Colette Patterns “Eclair” dress last week but couldn’t quite squeeze in a photoshoot until we were actually at the wedding venue on Saturday (the very nice London Canal Museum in King’s Cross. Though all the tiny canal boats made me feel like the 50 Foot Woman in comparison!).

If you recall from the previous post describing the invisible zipper details, I’m making this newly released dress pattern in gold silk crepe, with aubergine silk crepe ties and gold silk habotai lining.

I was a beta-tester for this new pattern company, so mine was only a rough photocopied draft, but it was enough for me to see that this is a definite keeper! I’m really jealous now after seeing the finished storybook packaging that I almost want to buy it again, just to have a pattern as beautiful as the dress itself!

The disappearing silk zipper

The Colette Patterns “Eclair” dress is not a quick, one-weekend project, but it’s well worth taking my time over and going through all the careful steps in the instructions to get a nice finish. I inserted the side, invisible zipper last night (more on that in a second), so now I only have to attach the lining to the zipper tape, stitch in the ditch along the waistband to join the shell and lining, and hem the two skirts! I’m doing well on time, too, since the wedding’s not until May 9th and I’ve got a bank holiday between now and then, too.

So here’s the invisible zipper on the side seam (yes, I am rather proud of matching the waist seam there!):

You can’t tell on the tech drawing, but this dress has inseam pockets, too, and the instructions have a very clever way of dealing with the pocket, side seam, and invisible zipper area that makes it all nice and neat!

Parklife!

Yesterday I had an all-day hospital visit, but instead of being the super dull day I was dreading, it actually turned into the most relaxed and chilled day I’ve had in months! Some women go to the spa, I go to Nuclear Medicine for a bit of radioactivity, ha.

Part of the day was that I had two hours free before having to report back in, so instead of wandering around Camberwell, I went into the big park next to the hospital. We’re having absolutely gorgeous weather in London right now, and everyone was out with their babies and dogs, having impromptu picnics and tennis matches, so I found myself an empty picnic table and brought out my embroidery. Here’s my view of my project, and of my view of the bandstand:

30th Birthday Dress – completed!

Happy birthday to me!!

Today is my 30th birthday, and as such, I’ve made Burda WOF 03/09 #116 in emerald green silk charmeuse (satin) to wear to my big party on Saturday night!

I tested this pattern a few weeks ago and wrote all about the fitting and muslin work here, and thanks to popular opinion, I did indeed take a wedge out of the back seam to get rid of the swayback wrinkles. Apart from that, I kept the fit the same!

30th Birthday dress – muslin

My 30th birthday is fast approaching, and even though I make myself something special every year to wear on the day, this year I wanted to sew a fabulous dress using some emerald green silk charmeuse (satin) I’d bought years ago and stashed away in the hopes that someday I’d recreate that Atonement dress. I was really excited to see in the Burda WOF March online previews that there was a dress that suited me perfectly – gorgeous gathered, yoked shoulders with floaty sleeves, falling down into a deep V neck with a swooshy gored skirt and plenty of back detail, and shown in my chosen fabric – Burda WOF 03/09 #116.

The timing would be tight, though, since I usually only receive my subscription copy on the 15th or so of the month, but I thought I could pull it off. But then Burda updated the website with the full information, showing it was a *&£@^% petite pattern! Argh! It’s always the way that the designs you like the most aren’t in your size, and with the timeline, I really didn’t think this was meant to be…

Bridesmaids' choice

The bridesmaids have chosen their dress design! The only parameters I gave them were that it had to be a knit dress (no way am I undergoing extensive fittings for them on top of my dress!), and they had to choose the same pattern. Luckily, both of them have similar body types so picking a pattern that suited them both was relatively easy!

So, drumroll….

I will be sewing up two versions of BWOF 09/08 #132, the Gant Exclusive Design dress:

The warmest winter coat ever

I joined The Great Coat Sew Along all the way back in May because I’d never made a coat before and it seemed like a great opportunity to gather together with like-minded people and learn an awful lot, too! Even though I (and others) really fell behind on the timeline, I’m really proud to have finally finished my coat while it’s still cold out and to have learned a huge amount of techniques that I never would’ve on my own! So I owe this coat to Marji, really, for setting up and organising the Sew Along, and I’m already planning my next coat…

But for this coat, the pattern was BWOF 09/2005 #102:

I made a huge amount of alterations on the pattern: raised the waist by 1”, lengthened the arms by 1.5”, added a wedge to the lower centre front for walking ease, widened the top sleeve (and shoulder seam) by 1”, and increased all the vertical seams below the chest by about 1/2”. And then on top of all that I changed the pockets and added the interlining, too! It’s probably more alterations than I’ve done on all my other 2008 patterns combined! But as much as BWOF usually fits me straight off the sheet, this pattern didn’t really have enough wearing ease to fit big sweaters underneath…

Previous posts about this coat

Ok, ok, enough with the backstory, here’s the photos!