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Black Beignet skirt and a bias cowl top

It feels like I’ve been talking about sewing the Colette Patterns Beignet skirt for ages now, but it’s mostly because I’ve just been so busy with life (running, socialising, wedding planning, the boat, and my garden, mostly) right now that I’ve been sewing in tiny increments here and there! But it’s finally complete, and I even managed to sew up the bias cowl top from Patrones 292 (#19) to wear with it!

Even though these go so well together, I’ve actually got no shortage of other things in my wardrobe to wear with either, so there’s no “orphan coordinates” here! And I managed to sneak some mustard and navy into my wardrobe a bit earlier than I’d planned, too!

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Quick & easy tie-front teeshirt

I was so excited when I saw this tie-front teeshirt (#2) in the May 2010 La Mia Boutique!

It just ticks so many boxes – flattering neckline (check!), coordinating knits (check!), cute Daisy Duke-style tie (check!), and most importantly, it uses up those awkward leftover lengths of fabrics that are too big to chuck away but at less than 1m, are really too small to make much of anything from.

The other great thing is that this teeshirt was seriously quick to sew – I cut out the fabric when I got home from work on Friday evening, and in amongst making dinner and doing some reading, I had finished this before I went to bed, and without particularly rushing or staying up late, either. In fact, I liked it so much I wore it out to lunch and the cinema (to see Four Lions) the next day, and then again at Crafternoon!

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Vintage flowered Alexander blouse

Before I jumped in with both feet in my quest to turn BurdaStyle’s “Alexander” blouse into a dress, I thought it wise to first make the pattern as intended – a cute blouse with flowy, gathered sleeves, front and back buttons, and a vintage-inspired peplum.

I had some vintage flower-print lightweight cotton in my stash that had been in my Granny’s stash for some time and she’d given it to me last time I was over in the States. As it turns out, she’s ill at the moment and in need of some cheering up, so I thought it fitting to send this blouse back to her since she liked the print so much and we’re roughly the same size!

Unfortunately this is one of those patterns that look SO much better on a real person than a dress form, but you’ll see that when we get to the dress!

Here’s a view of the collar , which I altered using Gertie’s “drafting a convertible collar” tutorial. This was a super easy way of lowering the quite high collar and adding a little something extra to the neckline:

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La Mia Boutique turtleneck

Before I tackle the Vogue sheath dress that will marry happily with my tweed jacket, I made a quick diversion in the form of a simple wintry knit top from the February 2010 La Mia Boutique magazine:

It’s a classic turtleneck pattern with a little bit of neckline gathering at the centre front, so there were only four pieces to trace (front, back, sleeve, and collar) and it was ridiculously quick to sew on the overlocker/serger and coverstitch. We’re talking a single evening in between preparing dinner here, folks!

Turning to the back…

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Techno and sequins

Now that all the 2009 projects are out f the way, here is the first of my sewing partnerships I dreamed up around the end of the year! This skirt & top partnership consists of an “egg skirt” from the April 2009 Manequim magazine…

…and a cowl-neck sleeveless blouse from Simplicity 2580 (which is a dress pattern that I modified before to become a very versatile top).

I always pictured these two fabrics together, and I am loving the resulting outfit! I really think I got it right in matching both the fabrics and the patterns! I originally saw it as club/party wear, and it turned out that I finished it just in time for a big party on Saturday night!

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Champagne silk yoked blouse

Believe it or not, this blouse is my last project from 2009, and I wanted something both simple and silk, which isn’t a common combination! But the cover blouse from Patrones 276, #3 was exactly right:

Apart from being a really nice easy-going top, this pattern only has three pieces – lower front, lower back, and a yoke that’s got a slit opening at the back and goes over the shoulders seamlessly to the front. So not only is it great for <1/2m cuts of coordinating silks, but the yoke is perfect for prints you don’t want to interrupt with seams. And if you’ve got a healthy trim stash (which I’m strangely not really into), then the ribbon across the front provides the perfect showcase.

In Progress

Marni silk blouse – muslin cold feet

In light of NancyK’s conclusion that KnipMode designer knockoffs aren’t as thoroughly tested as the rest of their patterns, I decided to make a muslin of the KnipMode August 09 Marni catwalk blouse before cutting into my nice teal silk satin (charmeuse).

Only now that I’ve got my bedsheet muslin done, I’m unsure about whether I like it or not. Now, you do have to use a bit of imagination here to block out the busy bedsheet prints (in reality, it’ll all be one solid teal colour, plus collar and cuffs):

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Silk tartan overblouse

Sorry for the delays in posting these photos, but I really wanted to do some proper photoshoots, and last week I had 8 hospital appointments in 5 days, and it gets dark by 4pm now in London so it makes matters even more difficult!

But if you’ll recall, my neighbour Helen gifted me a bunch of fabric from her fashion school days earlier this year. You’ve already seen her wool tweed turned into a skirt, but now’s the chance for the silk to shine! I had a browse through my vast pattern magazine archive and discovered that overblouse 114 from the Nov 08 BWOF (on the right in the first photo below) was the perfect design as it actually called for the exact type fabric I had, and it didn’t have any fiddly button openings that would make a clean finish difficult here, either.

This silk is a semi-sheer crepe chiffon, with a wonderful tartan printed onto it. This was printed onto the fabric after it was made, as opposed to most tartans which are made with the pattern woven into it with different coloured thread. The extra cool thing here is that the tartan is actually printed on the bias, which gives so much more interest to a fairly plain top, without adding any visual width that a wide horizontal stripe might give to the wearer.

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Stripey lycra wrap top

I traced out the pattern pieces for this summery surplice knit top from the July 09 issue of KnipMode magazine a few months back, and it’s been hanging on my pattern rack tempting me at every turn. I know it’s silly to be sewing short sleeved, summery tops this late in the season, but that’s what cardigans are for, amiright?

I bought just one metre of this soft lycra jersey from Fabric World on Goldhawk Road for a whopping £3 as I just loved all the different sweeping stripes curving in and over each other. It’s a good fit for a wrap top like this as it creates a bit of an optical illusion, with curves going every which way!

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Summer in the Sunshine top

Remember back to the warm, sunny days of August… You there yet? Because that’s when I sewed up this top, in between the dresses I made for my mom while she was visiting!

I’d bought the Hot Patterns Weekender Sunshine Top pattern almost two years ago, but I’ve had such a hit & miss experience with their patterns that I never quite worked up the nerve to sew this one. But with review after glowing review appearing on PR, I finally had to take the plunge and make my own, especially since it seemed quite a forgiving style for my hospital- and medication-induced chubbiness.

This cotton/lycra knit fabric from Totally Fabrics is so lush and soft that I’ve actually held off posting this so I could buy some more before you all snapped it up (but alas, it sold out just before they posted another site-wide sale)! I got this on sale, so the 1 metre I used here was only £3.75!