Tag: wool

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In Progress

Welts and Hives

I’ve sewn as far as I can now on the KnipMode Weekend Bag without the extra laminate – I’ve finished the lining, the three exterior pockets, and joined the two main pieces, but the next step is to attach the zipper to the long strips adjacent to it, and those are the bits I ran out of laminate for (oh, I decided to be lazy/cheap and forego the piping, btw).

So rather than twiddle my thumbs while I wait for the postal strike to run its course, I thumbed through my fabric stash instead to get some inspiration for some “me sewing”, after making so many christmas presents (which I can’t show you til December since the recipents visit here, sorry). Funny, but the two fabrics that jumped out at me the most were two I didn’t buy at all – a browny tweed tartan wool and a royal blue tartan sheer silk. Both are remnants, and both were gifted to me by my neighbour Helen.

My next step was to go through my pile of pattern magazines and find suitable patterns for them both, and I ended up with:

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Patrones spring coat

By now, you should be fully familiar with Patrones #261-17, the spring duffle coat I’m making in turqouise basketweave wool…

After all, first it won the public vote, then you heard about how I bulk fused the tricky wool, then you saw all about my muslin and the resulting fit alterations, then you saw how I dealt with the tricky hood seam allowances and finally, last week you got a chance to see the bound buttonholes and the finished shell.

I’ve been concentrating on assembling the lining (and the lining pocket) all weekend, and finally finished all the handsewing at Monday night’s moorings crafty club!

In Progress

Patrones spring coat – finished shell

Are you thoroughly sick of the sight of the Patrones spring coat yet? Well, too bad, because it’s taking me forever!

The good news is, I sailed smoothly over the speed bump that caused me so many headaches and delays in making my winter coat – the bound buttonholes. I’d already decided that with such a thick, loosely woven fabric that’s so prone to unravelling, that I’d use the satin bias tape I’d bought for binding the hood seam allowances to also make the bound buttonholes.

So I pressed the satin bias tape flat, cut it down to 1/2 inch wide strips, then folded these in half (right sides out) to make the buttonhole “lips”. After basting my ladder stitches on all the coat tabs, I did the usual technique of sewing these lips to the right side and cutting open the buttonholes.

But here’s where I deviated a bit – since my wool unravels so much, I knew that trying to stitch those tiny triangles at the ends would just be an exercise in futility, so I pulled out some lightweight knit interfacing and cut out a tiny strip. I then pulled the triangles to the back and fused the interfacing over top to keep them out of the way:


(It’s a bit hard to see but the mesh white interfacing over the left and right ends is there!)

In Progress

Patrones spring coat – muslin & alterations

Since I’m not entirely confident of how Patrones patterns fit me, and I’m equally not confident that I am a size 44 anymore (well, I was when I traced it 18 months ago, argh), I decided to play it safe and make a bedsheet muslin for my Patrones spring coat before cutting into the basketweave wool. If you remember, this is the coat:

And this is how the muslin looks straight off the pattern sheets:

In Progress

Prepping for Patrones

Now that I’ve finished all my other spring projects (the Colette dress is coming, sorry for the delay!), I can now devote all my available energy toward making my spring coat, Patrones #261-17, as voted on by all of lovely you!

Also sewing along with me are Zoe (whom I borrowed and traced the pattern from originally!) and Houkje, who’s also tracing and joining in a bit later on, creating our own London-Patrones micro-Sewalong!

First off, Zoe says:
I took a quick photo this morning of the fabric I’m using for the coat.

The wool on the left is a remnant from the cloth house and not enough
for the whole coat. The velvet on the right is for the hood, button
tabs and possibly the collar if I don’t have enough of the wool for
that. I bought some great brass toggles on Walthamstow market (couldn’t
find them a 6am without waking the family up), but forgot about the tabs
on the sleeves so I need to get back soon to get some more. I’m looking
for a two tone lining in beige and turquoise to match the stripes in the
wool, but no joy so far. Need to find time to get over to Shepherd’s
bush I think.

Whereas for my coat, I’ll be using that great, soft teal basketweave wool, bulk fusing it with lightweight interfacing, before cutting, then overlocking all the cut edges to prevent fraying and unravelling.

I’ve got 4 yards of the wool, but only ordered 3 metres of the Vilene H180 lightweight interfacing. Only I forget it was super narrow, so by the time I laid it side by side on the wool, I only had about 1.5m of the wool covered. So I’m waiting to see if I can lay out all the pattern pieces that wouldn’t normally be interfaced onto the bulk fused section, and the pieces like the collar, facings and button tabs onto a section that I’ll cover with heavier interfacing to avoid having to buy more. Confused? Don’t worry, this plan might fail anyway…

In Progress

Spring coat choices

I’ve got lots of turquoise basket weave wool coating that I bought from Fabric.com on a deep discount the same time I bought that gorgeous faux fur, and I’m envisioning it as a great spring coat (believe me when I say it’s the perfect weight for London springtime, okay?). But I’m torn between three different coat patterns, so maybe you all can help me decide?

1. Patrones #261-17 – Pros: It has a hood, and big pockets, and it’s already traced, since it from an issue I borrowed from Zoe ages ago! Cons: I’m not as confident on Patrones’s sizing so a muslin is a must, and it’s not got any pockets (Wtf?) so I’d have to add on some patch pockets.

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A spring turtleneck in cream wool jersey

I bought some beautiful cream wool jersey from A-Z Fabrics on Goldhawk Road last time I was there, and I figured it’d be the perfect all-season fabric for layering or for wearing alone. By the time I bought it, though, my funds were a bit depleted, so I only grabbed a meter and a half as it was quite pricey at £10 a meter. I was instantly imagining it as a turtleneck but without any fully formed details in my mind. Then I was reminded of BWOF 08/08 #118 (an issue I’d previously overlooked) and saw that this was definitely what I had in mind, albeit shortened to a top.

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Double dusty roses

I was planning on sending my mom some flowers since she’s so full of worry for me right now. I even went as far as getting the number for their local florist and looking at bouquets online, but they just seemed so impersonal… But then, when I was on Goldhawk Road, I saw this dusty rose wool sweater knit in a shop and I instantly thought of my mom. For years, whenever anyone asked what her favourite colour was, she’d always reply with “dusty rose”.

So I had a look through my pattern archives and saw this fantastic cowl neck sweater in the very first KnipMode I ever bought (actually in a supermarket in Steenwijk, on one of the trips when we were buying our boat)!

Feb 2007 KnipMode, #23:

I think I must’ve got my love of interesting necklines from my mom, so I knew this was the pattern for her! And it just so happened to be plus sized, so I could combine a few sizes easily to get a cowl-necked sweater that was perfectly her!

It was a complete surprise and my dad helped to keep it that way until it arrived, and she said it made her day. So mission accomplished. 🙂 And here’s some more shots of it on my dressform, so you can see the neck shape and how it drapes nicely into place…

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The warmest winter coat ever

I joined The Great Coat Sew Along all the way back in May because I’d never made a coat before and it seemed like a great opportunity to gather together with like-minded people and learn an awful lot, too! Even though I (and others) really fell behind on the timeline, I’m really proud to have finally finished my coat while it’s still cold out and to have learned a huge amount of techniques that I never would’ve on my own! So I owe this coat to Marji, really, for setting up and organising the Sew Along, and I’m already planning my next coat…

But for this coat, the pattern was BWOF 09/2005 #102:

I made a huge amount of alterations on the pattern: raised the waist by 1”, lengthened the arms by 1.5”, added a wedge to the lower centre front for walking ease, widened the top sleeve (and shoulder seam) by 1”, and increased all the vertical seams below the chest by about 1/2”. And then on top of all that I changed the pockets and added the interlining, too! It’s probably more alterations than I’ve done on all my other 2008 patterns combined! But as much as BWOF usually fits me straight off the sheet, this pattern didn’t really have enough wearing ease to fit big sweaters underneath…

Previous posts about this coat

Ok, ok, enough with the backstory, here’s the photos!

In Progress

Conquering bound buttonholes and interlining my winter coat

Cast your mind back to the heady days of May, when I decided to join hands with the internet and start in on The Great Coat Sew Along, with this beautiful long coat pattern from BWOF 09/2005 #102:

(There are two similar views – mine’s using the exposed buttons and sleeve tabs of 102, but the in-seam pockets of 101.) Anyway, I got as far as the material gathering, muslin fit and alterations, and even sewed together the body pieces of the coat before I lost momentum in August. The half-finished coat has hung in my sewing room ever since, taking up valuable space and making me feel bad every time I glanced at it, but the abnormally freezing cold temperatures we’ve had in London have made me jump back in with both feet to get this finished, because I could really use this on my daily walking commute to work. I’ve got a RTW long wool coat, but with the wind and extreme cold we’ve had, I can feel the cold through what I’ve got now (the papers are gleefully reporting that, at -10C, London is colder than Antarctica right now, and I’ve lost count of the number of Russian-style fur hats I’ve seen out and about).