I’ve heard quite a bit of talk from other sewers that the February 2009 issue of Burda WOF magazine is the best one yet. I really don’t know what’s wrong with me (ha!), but I’m just not that into it. I mean, there are a few basics I like, but nothing that’s really screaming make me now!
For me, the best issue of Burda will always be August 2006. Let’s start with the evidence, in chronological order…
The first garment I made from this issue was BWOF 08/2006 #101:
I know it’s a cliché, but my god, where did the year go? I mean, I know I basically lost the first three months of the year but still. Overall, it’s been a fantastic year of Burda magazines, in my opinion, and I’m pleased to report that there’s no letup for the final issue of 2016. I’ve ended up picking a lot out of this one so grab a mug of something hot and settle on in…
I’ve been buying Burda magazine (formerly “Burda World Of Fashion”, now “Burda Style”) since 2005, and I’ve seen its greatness come and go (and then come back again) in waves. It’s been getting steadily better over the course of 2012, but this August issue is the best one in a LONG time! Definitely the best this year (along with May 2012), but possibly it ranks up there with September 2010 and August 2006 even in my own personal Burda Issue Hall Of Fame!
I pretty much love everything in this feature with the white background, but let’s take these one step at a time.
First up is this blue tuxedo with slim trousers and a great jacket with interesting, non-standard lapels. How could I not love this, when I’ve already made a blue tuxedo with slim trousers and a jacket with interesting lapels back in 2008 (and also from Burda patterns)??! LOVE.
I really love the shape of this dirndl-inspired dress, with its cap sleeves and interesting bodice seams, but part of me is also concerned by the sharp seaming – they look awfully similar to the seams on a Burda slip pattern I tried that really didn’t work for me (ahem, pointy boobs) so I’d want to definitely muslin this bodice before going further.
Why “NY-Lon” jeans? Well, it’s certainly not because they’re made of nylon fabric!! (ewww) I’m calling these that because I bought this denim at Mood in NYC on our honeymoon, and the lining pieces are London streetsigns fabric, bought as an eco reusable wrapping paper! So they’re New York and London together!
Once again, these are made using the Jalie 2908 jeans pattern. The first Jalie jeans taught me that, overall, the fit was great, but the waistband was an utter horror.
So I made two small but significant improvements to these, and I am SUPER happy with the result!
- I ditched Jalie’s awful straight, bias, uninterfaced waistband and used the curved waistband from my favourite Burda August 2006 trousers/jeans, which I also interfaced. I used the London street sign cotton as the inner waistband (as well as the fly underlap and the pocket linings).
- I extended my pocket linings to the centre front so they got caught in the fly front stitching and reinforced the front over my gut (you do NOT want stretch denim stretching out there when you sit – it’s not pretty!)
The ladies at the Walthamstow meetup got a sneak peek of my new jeans on Saturday, but now everyone can have a look at my (mentally counts…) sixth pair of jeans!
I wanted to try out the Jalie 2908 jeans pattern in cheap fabric before I broke out my good stuff, so I made these using some cheap stretch denim from Goldhawk Road, bought for £3/m. It’s papery and stiff and smells kinda like petrochemicals when you iron it, but it was taking up room in my stash and was good enough to try out the pattern (and good enough for wearing round the boat, too!).
I made the regular rise version (as opposed to the low-rise) and I knew these were bootcut, but wow, this has a VERY flared leg! But the fashion mags can’t stop going on about how flares are big for SS11, so I suppose I’m ahead of the pack with these. I think the rise here is good and comfortable, and the crotch curve, bottom, and thigh fit my “white girl pancake butt” really well. The leg length on these was almost perfect for me, too – I only needed to add 1-2 cm past their hem line (I usually have to add more for Burda trousers, and nothing at all for Knip’s).
I had quite the busy weekend! On Saturday, my neighbour Veda came over with her new book, Cute Stuff, and we had a sewing lesson all afternoon. She recently turned 11 and asked for sewing stuff for her birthday (getting that same awesome Chinese-themed sewing tin, too!) so I said I’d let her rifle through my scraps and we’d make something.
So she chose the pocket tissue holder from the book, and we went through the instructions, step-by-step and I taught her how to press and pin, knot the thread and tie off, and how to turn corners. It was loads of fun, and in the end we embellished little faces onto our holders like they do in the book so it looks like the holder is eating the tissues (they come out its mouth!).
The book is really well written and illustrated, and (as you’d expect from the title) full of really cute projects. I don’t think Veda will have any problems doing most of these on her own soon. I should offload way more of my scraps onto her, come to think of it!
As for myself, after the intellectually- and technically-stimulating green silk dress, I needed something brainless and easy, so I made BWOF 08/06 #109 in red corduroy (again!). Seriously, I’ve made this pattern so many times I could sew it with my eyes shut now, but these just fit me so well that my wardrobe is constantly crying out for more… I made a pair of these red cords over a year ago, but the corduroy I’d bought blind off the internet was way too thin for trousers and wore out after only a couple months’ wearing. Boo!
The title is from the cover of my much-loved issue of Burda that I was going on about last week, which also gave me BWOF 08/2006 #113:
I bought some beautifully soft mohair sweater knit from Classic Textiles last time I was at Goldhawk Road (1.5m at £8/m), but I wasn’t quite sure what to do with it until I went skimming through my magazine archive and saw this sweater. The mohair knit is a very open weave with an abstract star/flower pattern running through it, so I knew that whatever I’d make would have to either be lined or be worn with something else underneath (both to show the pattern and also to protect modesty). I chose the latter.
I had only one week’s notice to make something new to wear to my British citizenship ceremony, and I thought the pairing and the “British chic” pattern were too good to pass up! But I had a very busy week and weekend, so I only ended up finishing it the night before! Phew!
Here I am during and after my ceremony at Southwark Town Hall earlier today, pleased as punch!