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A matching green Cake clutch bag

Wow, what a busy week last week! Thank you all so much for your support and orders of my new VNA Top pattern (remember you can still get 10% off everything by using code “LASEREYES”)! The big wedding I was attending was actually last weekend, but I was so swamped I’m only just able to share these details with you now…

Remember the green cropped blazer I’d sewn for the wedding? I’d shown you how it looked with casual clothes, but I can now show you how I wore it on the day, along with the dress I’d planned it around:

You can really see how the green piqué works alongside the texture of the dress in this closeup shot I took in the car on the way to the wedding…

And you can also see that I did indeed manage to sew up a matching Cake Patterns Red Velvet Clutch from the same fabric and lining as my jacket! The whole look was a success, IMHO, and the chilly evening meant I kept my jacket on almost the whole night, only taking off my jacket (and exposing my bare back in the dress) when we hit the dance floor.

The VNA Top pattern – on sale now!

It’s here, it’s finally here! The VNA Top pattern is my 4th sewing pattern and my first that works for exercisewear and casualwear!

This is a pattern for a close-fitting, sleeveless workout top inspired by a 1930s Vionnet evening gown. It features a front V-neck, curved under bust seam, and distinctive angular seaming in back. Neckline and armhole edges are finished with binding, and there are no side seams.

Get it? “VNA” because if you say it fast it sounds like “Vionnet”…

It’s got everything you’ve come to expect and love about my patterns – fully illustrated instructions, seam allowances included, great finishing techniques, and the knowledge that I’ve road tested it thoroughly on my runs! But – because the seaming is so unorthodox on this, I’ve also included some diagrams showing how to make the most common fit alterations. So if you need an FBA or want roomier hips or longer torso length, you won’t have to scratch your head over how to achieve this.

VNA Top Pattern

This is a pattern for a close-fitting, sleeveless workout top inspired by a 1930s Vionnet evening gown. It features a front V-neck, curved under bust seam, and distinctive angular seaming in back. Neckline and armhole edges are finished with binding, and there are no side seams.

$10.99USD (£6.65)
buy!

A green cropped blazer

I’ve got a wedding rapidly approaching, and for once in my life, I actually bought a dress instead of sewing it (ok, technically James bought it for me when we were in France!). But I couldn’t let this occasion go by without sewing something so I decided I wanted a little cropped jacket to go along with it. Luckily there are a lot of colours in the dress to pick out, and a good friend gifted me this green, ex-Karen Millen piqué specifically for this purpose!

I sifted through my pattern magazine archive (made easier since I’ve got each issue overview online) and decided on a sharp little cropped blazer pattern from the September 2013 Manequim magazine (curiously I’d overlooked it when I reviewed the issue!).

I love that this jacket is short in the body so it won’t interrupt the full skirt on my dress, has got 3/4 length sleeves which are so nice for summer evenings, and best of all – a shawl collar with little tuxedo styling at the bottom. There’s no front closure, either, so it’s a nice one to just slip on over the dress and not have it look like it should be buttoned or something.

Many of you ask how I deal with Manequim patterns that aren’t in my size – the short answer is, I don’t. I’ve got so freaking many issues and patterns to choose from that most of the ones I want to sew either either in a 44 or 42 (this one’s a 44), or if they are significantly smaller, I just graft the interesting features onto an existing base pattern that fits me.

Two tiny baby jackets

My go-to baby present for many years has been a changing mat – hand towel on one side, fabric and pockets on the other, and it all folds up nicely and fastens with ribbon. I still enjoy making these (and I get great big thumbs up from the parents!), but I wanted to make something different this time around, and I had two lots of Spoonflower organic cotton jerseys I fancied using.

I actually made these way back in early April, but since they were both gifts, I needed to wait until both sets of parents received them before I could share them with you. But since I made them so long ago, the details are a little hazy in my mind, so apologies for anyone looking for a particularly useful pattern review here!

I sifted through my digital pattern archive and selected #145 from the March 2011 Burda magazine (it’s not on the US Burda site so you’ll have to refer to the Russian archive). I liked the versatility of the design, that it looked quite handy to wrap a baby up in, but that it was also easy to sew and could fit into the two fat quarters I had of each of the fabrics.

For our local friends’s newborn baby girl, I selected the meat fabric and used the 3 months size. I knew the parents would laugh their heads off and be happy that it wasn’t predominantly pink, too. I didn’t actually get to see the baby wearing it since she was asleep at the time, but I’m just going to assume she’ll grow into it!

Angel's Duathlon Capris

You’ve already seen my first athlete-model, Claudia, rocking the Booty Short length, plus a ton of different versions from around the sew-o-sphere, but I wanted to show you a pair of my Duathlon Shorts pattern I made in the Capri length for my friend, hero, and inspiration, Angel Dee!

Angel’s not only a super fit runner (she just ran London marathon, too!), but she’s also finishing her personal trainer certification after years of dreaming and working office jobs. Sometimes it’s all too easy to assume that super-fit people have always been that way (I know I’m guilty of that, too), or just “have great genes” or something, but Angel works hard – not only is she a mum to a teenage boy(!), but she’s overcome her fair share of serious health problems, too, which makes her enviable abs even more laudable! (Seriously, check out the #AbsLikeAngel hashtag on Twitter!)

Grey Donna Karan leggings (Vogue 1378)

I don’t sew many “Big Four” patterns these days, but when I do, they’re invariably Vogues, and even then, they tend to be the designer patterns. The Big Four are really bad value in the UK, for starters, but then I also hate fighting with massive sheets of tissue paper, playing the “how much ease?” roulette, and dealing with outdated construction techniques. Give me a magazine maze to trace or pdf to tape together any day!

But I do love great and interesting seamlines, so when the Donna Karan coordinates pattern, Vogue 1378 was announced, I immediately wanted to make those leggings (the wrap top? Meh. I’ve seen a thousand like it).

Since there was a sale on Vogue patterns a few weeks before I was due to visit my parents last November, Stacy very kindly bought it for me at sale price (even without shipping, it was like a third of what I’d pay here) and it was waiting for me when I arrived! Thanks Stacy!

But for all the aforementioned reasons, I never quite got around to making it until now – the thought of unfolding all that tissue to trace the tons of pieces just made me choose other patterns instead. But eventually I realised that I really needed some basic, all-around trousers, so out they came! By my measurements, I should be a size 16, but I opted to throw all caution to the wind and make a size 14 instead, as I wanted them to be close fitting, like leggings. Having gone down a size, I now think the ease is just right – not stretched tight, but not baggy either.


(Photos shot whilst holidaying in the medieval Breton town of Dinan, in France! Paired with my Manequim birthday silk blouse)

The Bunka-esque asymmetric Burda top

This might be the quickest turnaround for a pattern I’ve made in ages, but last weekend I put together the weird, conceptual “tube” tee from the April 2014 Burda magazine (I’m so current!!) and some splatter-print viscose lycra jersey I bought at Hancocks when I was visiting my folks in Virginia in November. Or it’s up on the US Burdastyle already should you wish to buy the pdf.

The pattern itself is rather avant-garde – it’s really just one big rectangle! On the right-hand side (as worn) there’s a side seam and a pretty normal, set-in sleeve. But on the left it’s just a fold instead of a side seam and a horizontal slit is cut in, where a sleeve with the sleeve cap chopped off (no, really!) is set into that. The neckline is just the top of the rectangle and is only an inch or two narrower than the hem!

I wasn’t so sure that the weird left sleeve would actually be comfortable, but it really is! I don’t even notice it when I’m wearing it, and it doesn’t really look strange when worn, either.

The body feels super voluminous and quite long to me – I’m tempted to narrow it and the cowl neck as well. I made a Burda size 40 which should be true to my new measurements, but everything is super wide – I’d definitely consider going down a size in the rectangle, but keeping the sleeves at your true size.

The Sherlock coat

Sewing a coat is always a big accomplishment, but this coat in particular has been a long time in the making. I first told James I’d finally make him a coat like Benedict Cumberbatch wears in BBC’s “Sherlock” for his birthday back in early December. I drafted up a pattern using the details provided in this livejournal post, then made a muslin for him later that month. With only a few tweaks needed for fit and style (I made the lapels too big, for starters!), I then moved on to purchasing the wool coating, cotton flannel underlining, and black acetate lining.

But this is also where the first delay came in, as he wanted a black wool coating with faint blue and brown checks from Crescent Trading, who turned out to be closed over the full Christmas period, when I was hoping to get a lot of the work done. All of the above are detailed more
in this “progress report” post from January.

I then had more hurdles involving the hem bubbling (which meant I had to baste it in place, flip it back wrong-side out, handstitch, re-press, etc), waiting for some woman on Etsy to make more replica buttons (which we finally gave up on and just made our own with gold enamel paint), and getting the right upholstery thread to do all the buttonholes.

But it’s finished, it looks fantastic on James, and the proportions are really flattering on him, too! So the lengthy making process shall soon fade away in the light of the finished coat. He definitely prefers it open (as dos Sherlock himself), but it can be buttoned up in the coldest of days, too:

It’s a very warm coat, having underlined the body and sleeves in flannel, a trick I picked up in previous coats to stop the wind.

I can’t take the credit for these, as James was having fun with photoshoot ideas!