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Neon tribal running shorts and sports bra

Wow, thank you all so so much for all your hearty congratulations on my double gold medals at the British Transplant Games! It was definitely a confidence boost winning the first one, enough that I had the courage to wear my rather-more-revealing-than-I’m-used-to new running shorts & bra set for the second days’ track races.

I used the Jalie 2563 pattern for both the sports bra with racer back (View A) and the shorts with thigh insert (View C), and there’s also another bra view included in this pattern, too, so it’s great value to get three usable views in one!

I’d made this set after completing the swirl sheath dress, but before the super simple skirt, so I’m glad we waited for a photoshoot to be able to use Sheffield’s amazing Don Valley Stadium as the backdrop, even though it’s scheduled to be demolished next month for lack of maintenance funds (so, so sad!).

Even though I’m wearing these as a set on their own here, I think for regular runs I’m more likely to wear them as separates – a great sports bra to wear under a low-cut vest to let a pop of colour peep through, and a great pair of running (or cycling!) shorts I can pair with a longer top.

Jalie actually call this a “crop top” and not a “sports bra”, but I found it really easy to turn it into a compression-style sports bra that’s actually supportive enough to run in! If you’ve got a larger bust, your mileage may vary, but for me, this is the perfect mix of support, style and comfort.

My first change was to line both the front and back in power mesh. However, when I tried it on (before adding the elastic edges), it didn’t pass my “bounce test”. So I consulted with a sewing/running industry friend, who recommended I try adding a second layer of power mesh lining, with the stretch running in the opposite direction to the first layer (power mesh is stretchy in one direction, but rigid in the other).

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An incredibly simple skirt

Last night I reconnected with the magic of sewing. I’d already done a bunch of boat chores, done some alterations to take in a pair of leggings that are now too baggy (great result, but so tedious!), and I wanted something quick to wear. Since I upped my training regime for the British Transplant Games track race tomorrow (omg), I’ve lost a rather incredible amount of weight and girth so nothing fits me anymore. Which feels nice for about 5 minutes, and then it’s annoying because you have nothing to wear in the morning!

So I pulled out a bit of the black and silver lurex ribbed knit that I’d had leftover from my Marie jacket. The fabric was originally from Minerva, but is sold out now in this black colourway. I nearly gave it up in the Goldhawk Road swap, but then I had second thoughts and pulled it out of the bag. I’m glad I did, because it’s become a cute and very simple skirt!


Sorry about the quality – quick photos before work and it was raining, and my hair’s wet from the shower still!

This is literally the quickest, simplest skirt you could possibly make. Not only is there no pattern, but there’s no measuring or drafting, either! I simply took the fabric, wrapped it around myself like a skirt, marked with pins where the overlap was, then cut along the pins.

This gave me a long rectangle, and I sewed the sides together to form the only major seam of the skirt. I wear the seam at the back, but it could easily go at the sides or front since it’s all the same!

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The Swirl Sheath Dress

This dress has been an awfully long time in the making. The idea started back when I took the Pattern Magic 2 class at Morley College last winter, where we learned a technique called “Fundamentals: Create three-dimensional forms with design lines only” (it just rolls off the tongue, eh?).

Essentially what this means is you sew up a muslin, draw design lines all over it, cut along these lines, then introduce snips of ease until the pieces lie flat, and there’s your new pattern! I did all this (based on a sheath dress from the June 2012 Burda magazine, which doesn’t appear to be on the US BurdaStyle, sorry) last summer, but then the project stalled when I couldn’t find any heavyweight stretch satin anywhere in Europe, and had to import this gorgeous salmon stretch duchesse from Gorgeous Fabrics.

Then there were further delays as I didn’t have a wide enough cutting table to lay out the asymmetric and strangely-shaped pieces, until a few weeks ago when the Thrifty Stitcher invited me to pow-wow at her studio and suddenly my swirl sheath dress was back on track!

Because all the darts from the original pattern (bar one) are now incorporated into a bunch of curved seams, this means there’s a lot of easing going on, so if you don’t like easing princess seams, for example, you really won’t like sewing this. My easing motto is “pin the crap out of it”, and I’m proud to say that I didn’t have any tucks or unpicking in any of these seams. Though I did use 58 pins on just the lower semi-circular seam!

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Open-backed Splatter tank top

It’s not quite a “Quick Knit Top” in my eyes, but I wanted to try out one of the running top patterns I selected in my Spring/Summer 2013 Sewing Ideas before I jumped headfirst into sewing another pair of jeans. I pulled out KwikSew 3672, which my mom bought for me a while back in one of the pattern sales you all get in the US. Otherwise KwikSew tend to be pretty expensive over here and I’d probably never got around to trying it!

Despite being a fairly recent pattern, it’s already OOP so act fat if you like the design lines! I’ve only made the top this time, but I think the skirt could be perfect for travelling if made in a hefty jersey. The splatter-print jersey I used here is from Minerva – it’s a bit 80s but I thought it’d do nicely as a test-top as its soft and has a nice weight. For the shelf bra lining I used a lingerie nylon(?) but in future I’d suggest something more supportive yet breathable like power net. Obviously for heavy-duty running I’d use a wicking supplex for the exterior, but for several reasons I’ll go into below, this pattern isn’t suited for running anyway.

I never trust Big 4 sizing any more so even though my measurements matched up perfectly with size Large, I still laid my jersey sloper over the nested pattern and ultimately decided Large was probably the best bet anyway.

Even though my fabric isn’t anywhere near as stretchy as the guide on the pattern envelope (who actually uses those, anyway??), the fit is still very nice, and as far as I can tell, very true to size considering I was smack-dab in the Large measurement range! I’d definitely describe this as close-fitting though, and the length feels just about perfect to me, too. The only fitting issue that surprised me is how high the neckline is in front! This feel seriously matronly to me – I’d normally have this at least 3 or 4 inches lower in a running top!

This pattern has an shelf bra, which contains the bulk of my problems with the pattern: the finishing of the under-bust elastic leaves exposed elastic against the skin (what?), an unfinished (albeit small) top edge inside, and unflattering and bad gathers that neither support nor make for clean finishing.

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Shocking Pink Trousers and a Cream Lace Tee

Summer in England is a rare thing, but we have had an overflowing bounty of gorgeous, sunny, and hot weather for the past three weeks and counting! So it’s natural that the heat would go to my brain and cause me to make some out-of-character sewing choices, right?

As I revealed last week, this manifested in the form of some super-bright pink trousers, and a teeshirt made from cream stretch lace:

The lace teeshirt was ridiculously quick to sew up – I’ve had the lace in my stash for several years now after buying it at Tissu Dreyfus on one of my Paris trips, and some of you may even remember it from when I used it on a long-sleeved KnipMode tee. I love that those photos were in the snow and now I’m using it again in a heatwave! I just used my knit sloper I’d drafted from the Kristina Shin book, only I levelled off the sleeve hem rather than the usual scoop.

The construction was identical to any other teeshirt, and the only real point of note here is in the neckline binding – I didn’t have any matching cream jersey, and I didn’t want to just fold it under and topstitch, so I had the great idea to use the selvedge as a band, and just overlocked it in place. It matches, it’s lightweight, and it’s guaranteed not to fray!

The trousers were much more interesting from a construction standpoint! I had a bunch of Mood fuchsia stretch cotton sateen leftover from my fuchsia party dress (which is still my go-to party dress btw – I’m getting lots of wear out of that!) and I knew I wanted some fun Spring/Summer trousers. In my original Spring/Summer 2013 ideas, I thought I’d reuse the Burda Jan 12 pattern I’d made in grey flannel, but then I really wanted to try a StyleArc trouser pattern, and I already had the Jasmine pattern to hand, and it’s for stretch wovens. Perfect!

Things I like about the Jasmine pattern:

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Striped Cabarita collared tee

As soon as I saw Cabarita, I knew I had to sew it. It’s got some really unique features I’d not seen in other knit tops – the vintage-inspired collar is the most obvious one, but the back V-neck and choice of short or long dolman sleeves really do make this a cut above the average teeshirt pattern.

Cabarita is the first of the “RiFFs” range from Cake Patterns and is available either printed or as a pdf from Etsy (I opted for pdf!) (Though note that if you ordered the printed version, you need to download the back neck binding piece here as it was accidentally omitted!)

Cake Patterns usually have lengthy and descriptive, very beginner-friendly instructions, but Steph started a side-range of “RiFF” patterns that have the same level of professional drafting, but with brief, text-only instructions and no layout diagrams, intended for more advanced sewists who just want the pattern (hello, that sounds like me!). Crucially, though, they still feature the (now signature) “draw your own side seams” method. When I compared my drawn pattern pieces to my knit sloper, they were scarily close (from the bust down), so this method really does work!

Now, a bit of a confession: I wasn’t entirely sold on the the collar at first. I thought maybe it might look a bit too costume vintagey, and might get in the way or flop around a bit. But I’m glad I included it as I really like it now, and it really does add to this pattern, which might be a bit too plan in front otherwise.

When I sew this top again, though, I’ll a) use lightweight knit interfacing on the collar so it stays in place a bit better (rather than the edges folding over, like you can see below right) and b) attach it so that the seam is on the right side and therefore hidden under the collar as it hangs, negating the need for any understitching on a narrow serged seam allowance.

This fabric is a lovely and soft viscose jersey in brown and turquoise from Minerva (and also comes in brown/pink and brown/orange colourways). Minerva don’t do half metres so I took the plunge and only ordered 1m, and I’m happy to report that I could easily fit the shorter-sleeved version into it.

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Bridge the Gap refashioned race tee

Following on from yesterday’s Boston Street Running refashioned top, I thought I’d show you the other refashioned race tee I made from my starting pile, the “BTG” one in the centre:

This one has a whole lot of meaning for me – the urban running crew I’m part of, Run dem Crew, has a bunch of sister crews all over the world with a similar ethos, so when we go to races in other countries, the host crew lays on parties, sightseeing, and pre-race hospitality. When crews get together like this, it’s called “Bridge the Gap”, and the Copenhagen crew even designed special shirts to commemorate the Copenhagen marathon weekend.

But I was a bit late to the Expo, and they ran out of Medium shirts, so I asked to be given the largest size they had, which was XXL! (Why they thought they needed to print any that big for marathon runners is another question entirely!). So this one was ripe for refashioning, and I had a lot of fabric to work with, which was great.


When I Bridge the Gap, I really bridge the gap!

The original shirt had the blue NBRO man on the front, with BTG and the date underneath, and the back had “The Peloton of Awesome” and all the participating crew logos across the shoulders. There were also mesh panels running down the sides, which I used in the Boston Street top instead. Unlike that top, however, here it was absolutely essential that I preserved the original designs.

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Refashioned Boston Street running top

One practical aspect of being a sewing runner (or a running sewist) is that I can take all those oversized race tee shirts that seem to accumulate and refashion the nice technical fabric into something more suitable. Oftentimes I just trim down the front and back based on my knit sloper (like I did with my Paris race tee), but this time around I thought I’d change things up and use a Burda pattern instead of my usual sloper, since one presented itself nicely in the form of the “scuba set” in the June 2013 Burda magazine (or you can purchase as a pdf here).

I started by pulling out a pile of race tees I wasn’t 100% happy with (though in reality I only did two of these four)…

This particular shirt was always destined to be refashioned – I visited tons of running shops when I was in Baltimore in April, but my favourite was a small, very friendly shop run by a very enthusiastic runner, Boston Street Running (Baltimorians, it’s down by the big Safeway in Canton). I ended up chatting to him for ages about nutrition, races, running fashion, and he despaired that he only had one of their shirts left, and it was XXL with a printing mistake, as he really wanted to give me one!

I assured him I’d refashion it down, and send him photos of me wearing it in front of Tower Bridge…

One thing I really like about this pattern is that there are no side seams – it uses side panels instead!

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Orange and Pink tie-back teeshirt

I’ve got so many finished garments to show you this week, and I thought I’d start with one that I actually made back in February (while I was in a drug-addled shingles haze of pain). This top was a gift for my niece, from the Young Image SS2013 magazine.

I loved it as soon as I got this issue, and I went and traced and sewed it right away! The front has got a subtly curved yoke seam, but the back is where all the action is – a double layer with a tied yoke! It’s kinda hard to tell in the magazine photos though, because they don’t show the back at all, even though it’s the standout feature of this pattern!

I made size 164 and lengthened it as everyone says she’s so tall and thin, but those were the only changes. The only thing I’d change in future is to remove a ton of ease from the sleeve cap – there’s way too much in there, arrgh! Jersey tops really don’t need any ease at all, let alone several inches!

So even though I made this back in February, I had to hold onto it until I visited her in Baltimore in April. The shirt was a big hit, but I didn’t want to impose a photoshoot on the kids there and then, so my dad took these back in Virginia, and they only just came through a week or two ago. Thanks Dad!

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A gathered merino wool cardigan

It’s June, I hear you cry – why is she sewing a wool cardigan in June??!? Well, I selected this cardigan in my Spring 2013 Sewing Ideas because I’m a realist, and I recognise that I need a lightweight cardigan for 80% of the British summer! I’m grateful to not have the disgustingly hot & humid East Coast summers I grew up with (nor the swarms of mosquitoes everywhere!) but it does mean some wardrobe concessions must be made.

This cardigan appeared in the March 2013 Burda magazine (or it’s available for purchase as a pdf here) and I thought it was one of the nicest, prettiest, and most versatile cardigan patterns I’d seen in a long, long time.

This is a basic, slim-fit cardigan with shaped, faced bands, front gathers, and button closure. I love the slim fit, the beautifully drafted, curved bands, and the delicate and pretty gathering. I get annoyed when patterns have skimpy gathering, but there’s a nice amount here, which is a great detail and offers bust shaping.

THIS PATTERN RUNS VERY SMALL! One reason I sew so much Burda is because they’re always so consistent, so I’m very, very glad I read the other reviews first.

When I compared the front and back to my self-drafted knit sloper, which has 10% negative ease (perfect for tight-fitting running tops, which is my usual usage), this cardigan pattern was even smaller still! If you can – go up a size, but if you’re the largest size already, like me, I recommend cutting larger seam allowances throughout the waist and hips at the very least. I personally tapered to about 1” allowances on the waist and hips in the side seams, then sewed ~3/8” (1cm) from the edge.