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The "Eyelash" black lace bra

After I completed my world tour, I had four and a half days at home to recuperate, so I of course spent a good portion of that in my sewing cave! The first of my finished garments is this bra, which I’m calling the “Eyelash” one because the layer of black lace on the top just made me think of the bra batting its eyelashes at me!

I used the same self-drafted/traced pattern as my third muslin, but with zero-stretch silk-cotton woven leftover from the slip I made almost exactly a year ago, and some black stretch lace I’ve had in my stash (not the same as I’d used in the slip, but that’s only noticeable if you squint really hard!).

The cups are fully lined and the wings/backs are made from a black power mesh that was in my lingerie sewing stash.

First I made each cups separately (two fronts and two linings). Then I basted the lace across the fronts and joined the fronts to the linings along the top edge. I could’ve then topstitched, but I opted to understitch instead, then basted around the other edges so the fronts and linings could then be treated as one for the rest of the construction.

Here you can see the cups as I was constructing them. You can see that the lace is hanging free, only really attached at the top edge, and for an inch or so at the sides. I carried on the lace motif over the bridge so it looks fairly seamless from afar.

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Two pairs of marathon leggings

Word got round my running crew that I was starting to do some custom drafted leggings for a few people and my friend Lee Ann immediately came up to me and said “I want you to make my leggings for London marathon.” Holy crap – what an honour! It’s her first marathon, and the biggie, and she trusts me to make them for her?! I couldn’t say no to that, so I measured her up right then and there, then drafted out her pattern using the Shin book, and made her a test pair using some cheap thin lycra. She came round the boat and tried them on and amazingly, the fit was perfect, with no alterations needed, woo!

With the fit out of the way, I could then start in on the design lines, which she said she wanted to have a stripe/ribbon that started on her right hip and wrapped around to her right calf, and in navy and red to match her charity vest.

So, as I do, my first step was to draw myself a little plan:

Sorry for the crap quality there, but essentially I drew out the four big pieces (front right, front left, back left, back right) and the rough stripe shape, and realised I’d need 12 pieces in total, and as it’s asymmetric, I’d need to cut everything in single layer.

Organisation was the key, keeping the three pieces for each quarter pinned together on my sewing room clothes line!

I assembled each quarter first (ie: I sewed the front right top to the front right mid, to the front right lower until I had a full leg, and moved on to the front left). The cutting was really the most difficult here, but I managed to just barely squeeze everything out of 1m each of Tissu’s navy blue and red supplex lycras. Assembling it was much easier, but I had to be careful that the seam lines matched up over the left side seam!

I was so chuffed to see them on LeeAnn when she ran past me during the race, and she said they were a dream to wear on the day, too! No tugging, no baggy ankles, no nothing, hurrah!

Don’t they look great on her?? And she’s totally caught the bug, too – already planning her second marathon!

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Mustard and Grey slouchy Ivy tee

How great are Style Arc patterns?? One thing I love about them is that each month there’s a free pattern that comes with every order. In February, it was the Ivy tee. With its angled side seams, dropped shoulder, slightly forward shoulder seam, and banded sleeves, it’s so great for colourblocking that I just couldn’t resist! The good news is, like all of their freebies, it’s available to buy after the month is done, so you can go and get your own now, too.

I ordered a size 14 as per usual (I’m a Burda 42, for comparison), since StyleArc patterns are single-sized. This is my 3rd Style Arc pattern and I can totally understand how they’ve gained so many fans so quickly! Each one has come together beautifully, and is as comfortable and enjoyable to wear as it was to sew.

I did have a bit of trauma in the making of this, however. I did something I haven’t done in 9 years of sewing – I lost a pattern piece!! I checked everywhere, but I think the sleeve piece must’ve accidentally gone into the recycling when I threw out the paper scraps. This pattern has a dropped shoulder, otherwise I would’ve just used the knit sleeve off my Marita dress or Marie jacket patterns, so in desperation I emailed Chloe at StyleArc asking if she could possibly send me just the sleeve piece by pdf… and she did, so quickly, saying she knew I’d probably want to work on it at the weekend! How great is that?? Anyway, her scan plus some added measurements worked like a charm, and I have a completed Ivy tee!

I used two of Tissu’s viscose lycra jerseys here (again!!) – the Mustard colourway leftover from my Drape Drape tee, and 1m of Marl Charcoal I bought specifically to coordinate with the mustard.

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Asymmetric Drape Drape tee

Happy Friday! To celebrate, I’ve got the last of my made-on-Easter-weekend, photographed-in-Baltimore makes to show you!

This one’s from the second Drape Drape book, which I received as a Christmas present this past year. Even though I’ve had the first two books for a while (and just received the third this weekend!) this is the first thing I’ve made from the series.

I think part of my hesitation comes from the very Japanese sizing – this is drafted for ridiculously tiny Japanese ladies – in their sizing I am an XXXL!. For this pattern there were only two sizes, though: S-M and L-XL. I made the larger and just crossed my fingers that my Burda size 42 body would fit in okay at the hips (the only even remotely fitted area).

Unlike the Pattern Magic books, these patterns are traced from sheets at the back of the book rather than drafted from a block, so it’s not as easy to just adjust the design around your own measurements.

But anyway, I needn’t have worried, because the L-XL size fits me beautifully, hooray!

In case you’re wondering, the Drape Drape patterns do include seam allowances but seamlines are also indicated, so if you would rather trace along the seam lines and add your own allowances later, it’s an option. I always like it when patterns do this, but obviously it’s something you can only do if you offer a few sizes, otherwise it really clutters up the pattern sheets!

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My wildest running leggings yet

I try to show you all my finished garments in the order I make them, but I just can’t wait to show you my wildest running leggings yet! I only finished the hems on Monday night and stuffed them into my running bag to wear to Run dem Crew last night, and WOW, they got a glowing reception!

I made these with Funki Fabrics’ digitally printed lycra in “Tribal white on black”, plus fluorescent yellow lycra from Minerva Fabrics, inserted above the knee (and is WAY brighter than it appears in these photos!).

I liked the design lines of this McCalls leggings pattern, so I adapted my self-drafted leggings pattern to have similar sections above the knee, with angled thigh seams to be a bit more flattering (or, as flattering as you can get in neon yellow, ha!).

I had a friend take these photos after our run last night (a very fast 10km run with the Cheetah group around Victoria Park! Geeky stats here if you’re interested)

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A Royal Blue Chic Top for my Mom

Remember the lavender “chic sweatshirt” I made my mom a few months ago? Well, she wears it so much that she asked if I’d make her a lighter weight version for Spring and Fall. Since I’d already done the pattern tracing and grading, I figured sewing up another would be a fairly quick job.

As you recall, the pattern is from the fabulous the September 2012 Burda magazine (or you can purchase the download pattern here) but the pattern only goes up to 44, and she decided she needed a size 46, so I had to grade it up for the lavender version. This time around I just needed to cut out the fabric and sew a few seams!

Since my mom saw a flyer that one of the fabric stores near her had pointe jerseys on sale, she opted to select this blue colourway in person, pre-wash it, and post it over to me. Then I made it a few weeks ago while I was ill (hey, it was a quick make!) and brought it along to Baltimore with me in my suitcase!

I really like this vibrant blue on her – I think the colour is a really smart choice as it’ll work equally well in Spring and Fall, too.

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Gold Medal Running Leggings

I’ve had the idea of these “Gold Medal Leggings” in my head for months now.

I’d originally envisioned myself swooping through the Paris half wearing them, making Chanel-ed sunglasses tilt down as I sped past in a blur! “Oh my! Who eez zat magnificent femme with ze gold leggings??”

Or something like that. But then I got ridiculously sick with the shingles in January and still couldn’t run it come March, so these got their debut in the East London half on Sunday instead. Not quite as glamorous, but they did cause quite a stir.

I used my leggings draft from the Kristina Shin book again, teamed with Suzie Spandex “Spirographix” lycra in yellow. This makes these sister leggings to my Liberace pair (which were in the comparatively sedate “charcoal” colourway!), which I wear ALL the time. I had Arielle buy this fabric, plus some Suziplex for me when she was in Montreal and they were hand-carried in a series of suitcases across multiple borders, so I’m very glad to make good use of it!

It also appeared that Suzie Spandex cut a very generous length because it was more like 1.4m than the 1m I ordered, woop (so there’s plenty left for accents on Jalie running skirts or tops). Believe it or not, I sewed these up on my jet lag day after our red-eye flight back from the States when I was trying to stay awake until local bedtime!

The leggings certainly got the reception I was after – I’m not exaggerating when I say that my leggings got more cheers on the route than I did, I swear!

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My sparkly StyleArc Marie jacket

Right – where were we? I mean, I know I’ve been away so my brain is fuzzy and perhaps a little jet-lagged… Right! Easter weekend sewing! I had a four day weekend and most of it was spent in my sewing cave, so I’ve got an awful lot to show you, starting with my Stye Arc Marie jacket, which I made in that gorgeous black and silver heavy jersey from Minerva. It’s hard to tell from the description, but this is a little heavier than a ponte, with good stretch and recovery, and a slight rib to it. The exterior have little silver lurex threads running through it, and the reverse is a simple grey and black stripe (and, as you recall, Minerva kindly sent this to me as a gift).

I was really surprised with the shape of the pattern pieces when I opened it up – it’s not obvious from the tech drawings but this has a shawl collar and the centre fronts also double as the facing pieces, meaning you get a lovely turn on that cowl neckline, too, but the shoulder is kept nice and fitted. Genius drafting from Style Arc again!

I took the opportunity to use some different locations for photoshoots while we were away, so these were taken at my cousin’s house in Baltimore. Down there, it’s really popular to build a deck over the roof of your house, but it does mean you get the wind as well as the views!

I wasn’t really in a wind tunnel, but it certainly felt like it that evening!

I really like that this is a perfect spring-weight, unlined knit jacket which can be worn open or closed. With this fabric, I wore it over jeans during the day, and then again over dresses at night, too. The only downside to this pattern is that there are no pockets (nor really anywhere to add your own), which I really kinda need in a jacket.

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My Matthew Williamson birthday dress

Thank you all so much for your patience! I finished sewing this dress in time for my 34th birthday on Monday (and I proved it by showing you dressform photos and talking in depth about the construction process!) but such a rich, dark colour really requires daylight to shoot properly, and today was the first opportunity we’ve had.

Another reason I wanted some great photos of this is because it’s an incredible pattern with some seriously striking design lines and beautiful details, and frankly, it deserves to be seen properly! In fact, it’s a true designer pattern, and from Matthew Williamson, no less! It was printed in the September 2012 issue of Burda magazine, but you can still purchase it as a pdf download if you missed it and want to make your own!

I made mine in some lusciously soft and supple “Ravissant Duchess Satin Plum” that’s been in my stash for three years just waiting for the perfect use, and paired it with a floral lining fabric gifted to me from Veronica when I was in Paris last Spring. Personally, I think these two make the most perfect pairing, even if it’s only me who sees the inside!

As I said on Monday, this pattern is a step up from the usual Burda patterns – more like a Vogue Designer pattern in all its wonderful details, but with the usual precise Burda drafting. I really wanted to do this dress justice, so I did quite a few things the long way, like the fell-stitched sleeves, walking vent, and all the matching seam intersections!

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My refashioned Paris race tee

As I mentioned earlier this week, one of the projects I wanted to work on was refashioning the free (but too large) shirt given out at the Paris half marathon a few weekends ago. Pretty much every race these days gives out a shirt, and usually they’re in nice wicking fabrics, but very rarely are they nicely designed, or vests. I prefer to run in vests instead of teeshirts (even if I’m wearing a jacket over top), so after I finished sewing my mom’s latest chic sweatshirt, I set to work on the race tee.

Here’s a “Before” shot, with my friend Daniel holding up his at the race expo (this is the “Medium”, but it’s massive, like a men’s large!)

I really like the Paris logo, so I wanted to keep that on the front, but I didn’t care about the adidas stripes on the sleeves or “boost” on the upper back (the new shoe they’re promoting). So the first step was to carefully cut along the sides of the shirt and sleeves, so I could lay the shirt out, folded along the centre front and centre back and pin my (self drafted but based on the Kristina Shin sloper) vest pattern pieces down:

I then cut the pieces out, with seam allowances at the sides and shoulders, but none at the neck and arm edges, since I planned to bind those with some of the black technical strips I used with the disco running top.

These were the only bits of the shirt I didn’t use!

First step is to use my little pizza wheel measuring device along the bound edges to work out what length strips I need…


I caught my mistake before binding – the neckline length needs doubling, as I measured both on the fold!