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A vintage painter's smock

I’m pretty sure this isn’t supposed to be a painter’s smock, but that’s certainly what this feels like to me! In the October edition of BurdaStyle magazine Burda call it a “retro short coat” – a reprint of a vintage pattern that originally appeared in 1952. From the magazine and original sketch, it reminded me loads of a coat Bel wore to the country house party in the first season of The Hour, so I was keen to make it to inject some vintage styling into my usual modern wardrobe.

(It’s available to download from Burda’s English site if you like it, or just fancy reading the instruction pdf)

I made it here in some silver-grey linen gifted to me by Veronica when I was in Paris. It’s nice fabric, but I think the colour isn’t helping the smock comparisons! Maybe it needs something brighter…

Burda’s patterns are very nearly always well-made, but this one in particular is impeccable drafted (well, except for the curved collar), with tons of inset corners that joined up perfectly. It’s one of those patterns that’s a joy to sew, when everything matches up and just comes together like a little puzzle – match up corners and notches here, a bit of gathering there, pieces join to be the Centre Back in unexpected ways – that sort of thing! If I wanted to be picky, there’s some generous gathering across the back, but there wasn’t quite enough gathering on the front seams for my liking. Personally, I’d rather the gathering be concentrated in a smaller area than have it be wide and hardly any gathers.

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Parisian jeans and a geometric Wiksten tee

As some of you may have guessed from my FW2012 shortlist I posted yesterday, I’ve made the Wiksten tank, using the pattern and geometric Mood jersey Kollabora gifted me and also another pair of Jalie jeans! I wasn’t actually planning that they’d go together, but they were a perfect pairing for a relaxed Sunday roast at a cosy pub near the moorings.

Let’s start with the jeans – as I said earlier, my NY-Lon jeans are easily my most-worn item of clothing ever since I made them last year, but they’re starting to fade and I want to have a replacement pair ready before they totally die. The denim I used there was from Mood in NYC, but I’d found some great stretch denim at the Tissues Dreyfus coupon shop in Paris in March, and only €10 for a 3m length, too. I wouldn’t normally buy that much of the same fabric if given a choice, but it means that I’ve got enough left over to easily make another pair. I find it really difficult to find good stretch denim in shops, but this has good stretch and recovery without being too flimsy, so I snapped it up when I saw it.

I constructed these exactly the same as my NY-Lon jeans – again, my main deviations from the Jalie pattern were to use a Burda curved waistband (instead of their rectangular, bias-cut waistband that was just awful in my muslin pair), and extended the pocket linings to the centre front for a non-stretch “gut slimming” panel, as before.

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Boat skylight covers (again!)

Remember when I sewed some covers for the boat’s skylights back in January 2011? Frankly, I tried to put it out of my mind and certainly never have to make them again, but the larger of the two covers blew away (presumably – we’re not entirely sure what the ex-tenant did with it, grumble grumble), so I was forced to revisit these.

To me, home dec sewing is the worst – lots of boring rectangles and straight lines, measuring, unexciting fabrics, and then you don’t even get to wear it in the end! But as I discovered last time, outdoor home dec stuff is even worse!

To say I was dreading sewing this is a total understatement. But I sucked it up, brought out the remains of the waterproof vinyl from the dark hole I’d shoved it into, and then ordered another 1 metre of the green vinyl from Pennine Outdoor. Luckily, there was just enough clear vinyl leftover from before so it only cost me a tenner all in to complete this replacement one, even though the new green is a totally different shade to the previous one!

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A chic little… sweatshirt?

It’s not the first time I’ve done the “upmarket sweatshirt” thing before – some of you may remember my Haute Hoodie back in 2008, but I think this new take has got even less in common with the usual sweatshirt idea than my earlier one!

The pattern here is Burda September 2012 #106 but it’s also available as purchased download pattern, too. I’m really liking that the English BurdaStyle.com site is finally getting the magazine patterns up more quickly these days, sometimes even before my print edition arrives!

I bought this turquoise sweatshirting back in 2010 from Fabric.com and had my parents bring it in their suitcases when they came for the wedding – it’s so difficult to find sweatshirting in non-traditional colours here in the UK! I’m not quite sure why it took me so long to sew this, as I love the colour and the sweatshirting is really nice quality, too.

Happily, I finished sewing this just before we left for our week’s holiday in the Loire Valley, so you get to see this top in a French pastoral setting rather than the usual London maritime one!

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The reversible disco jacket

I don’t often sew for James (preferring to fill my own wardrobe instead!), but every now and then he either sees something online that he’ll take inspiration from, or have a fully formed idea in mind that he’d like me to bring into reality. So this one is another fantasy jacket, this time modeled heavily on Betabrand’s reversible smoking jacket.

When we were in Paris in March, he bought a wonderful wonderful wool/poly blend corduroy at the Tissues Dreyfuss Coupons shop for €10 total (a complete bargain!) as well as some red chinese brocade to use for the other side.

I started sewing this when we were in drydock in April/May, then I stalled at the bound buttonhole stage since my little red machine isn’t great for precision jobs (no speed control!). Then the pressure was off during summer, but the cooler weather meant I really did want to finish it for him!

Even better – James surprised me buy buying Betabrand’s “open source” disco fabric, so now the jacket changed slightly in that the reverse will be PURE DISCONIUM!

What I’ve made here is the ultimate day-to-night jacket!


(Thank you to Kerry for the photo on the right!)

I started with his last fantasy jacket as the pattern base (which, in turn, started life as Burda 10/2008 #134) since it fit him really well, then James had a bunch of style changes to make to this one:

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The Peplum Top

It should come as no surprise that I’ve been sewing this peplum top – after all, I shared my instructions on how to line this top already! But for those of you who are short in the memory department, this is #113 from the August 2012 Burda magazine, which is also available to purchase as a pdf download here (and you can look at the full instructions and layout diagrams on that site for free). There’s also versions with long sleeves or with a much longer peplum, extended into a dress, so there’s quite a lot of versatility here.

A lot of peplum dresses just feature a ring of excess fabric around the hips, but here, the curved waist seam plus the sloped hemline and bias-cut peplum on this particular pattern really sets it above the rest. I also like that it’s separates, so I can pair my top with a skirt, slim trousers, or leggings and get much more wear from it than just a single dress.

This is how I wore it to Karen’s V&A Ballgowns meetup, worn with my denim-look leggings I made a few months ago. I know peplums are really trendy right now, but I really like how retro 1950s this outfit looks even when made with completely modern patterns and fabrics!

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Sew like a sailor, Run like a sailor!

I did indeed finish my peplum top in time to wear it to Karen’s V&A Ballgowns meetup on Friday, even though it meant sewing the hem over breakfast on Friday morning! You can see a sneak peek of it in the top photo on her site, though the peplum itself is hidden by my knees! Fingers crossed I can get a photoshoot done one evening this week, because my weekend was full of other activities…

As I shared with you last week, part of my preparation/reward for my marathon training was to run the Bacchus half marathon this weekend. It’s a half-trail, half-road, fancy dress (costumed) race through a vineyard in Surrey with wine tasting every 2 miles, plus a free glass of wine and hog roast at the end. See why I signed up??


Isn’t it funny that the sailor outfit is the first photoshoot in ages not to occur on a boat??

You’ve probably spotted it already, but the skirt is another Jalie running skirt – this is my third, and this is definitely my go-to for warm weather running bottoms (for cooler weather, you can’t beat the Ooh La Leggings!)

The top/vest/singlet is self drafted from my tweaked knit sloper, plus an added kerchief that I drafted from the sloper’s neckline. The kerchief is double layered, and attached to the neckline by overlocker, with the seam showing on the “right” side, which in this case is hidden under the kerchief. I tacked it down at the shoulders and that was enough to keep the seam hidden. Rather than physically tie a knot on the front ties, I instead made a loop to make it look a bit neater, and the “grabbiness” of the supplex was enough that it didn’t slip at all.

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The Fuchsia party dress

Ooh I am so excited to show off this dress to you, and even moreso because it has a great origin story!

Did you know there’s a new sewing, knitting, and jewellry-making social network in town – Kollabora? It’s from some of the people behind the original BurdaStyle.com and I helped beta-test their new site a few months ago.

As a big Thank You for sending in tons of detailed bug reports (a nice side-effect of my day job, which involves a lot of online testing, is that I can write a mean Steps to Replication!), they offered to send me any fabric and pattern combo from their shop! They stock loads of great independent patterns like Colette, Wiksten, and Sewaholic, but I thought I should pick something I wouldn’t normally buy myself. So keeping that in mind, I chose this very! bright! fuchsia stretch cotton sateen from Mood + matching thread + Simplicity 1873 (one of the Cynthia Rowley designer patterns).

I made View C – the low neckline & short hem option, but without the button tabs at the waist. I ended up making size 14 instead of my usual Big Four size 16 because 14 was the biggest size in the envelope I was sent, but it turned out just perfect in the end – nicely snug at the waist, but not overly tight. With a skirt this full and pleated, I really think it needs a nipped-in waist, and that’s another reason I didn’t want to add any bulk in the form of the button tabs there, either.

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My first running skirt

This is definitely turning into The Year of Lycra for me, and it’s barely halfway finished, so I hope you’re not too bored yet (wonderfully, I’ve even inspired some of you to start running Running has been a part of my life for about 8 or 9 years now, but training for a marathon is now really upping my enthusiasm to sew cute clothes for the approx 5 hours every week I’m actively running (wow that’s a lot!).

I’ve had the Jalie multisports skirt (2796) pattern in my stash for several years now, but English summers are never particularly hot anyway, and I usually run in the early mornings, meaning it’s rarely too warm for running tights. But I’ve got some mid-day races coming up, and sometimes it’s warm in the evenings for Run dem Crew, so while I was ill in the latest bout of hot weather, I made up what will be the first of many running skirts!

There’s lots of mix & match options in this pattern- briefs or compression shorts on their own (with either wide or narrow waistband), or you can have the skirt with either briefs or shorts underneath (again with either a wide or narrow waistband). I do not run in shorts normally (or wear them outside the boat, to be honest) but I went for the shorts under the skirt, with the wide waistband.

I’ve loved every single Jalie pattern I’ve ever sewn, and this is no exception. They’re fantastic to sew, but what keeps me coming back is that these are equally fantastic to wear – Jalie totally “get” exercise gear.

The pattern itself is great – tons of sizes, great instructions (I love that they’re available as pdfs so you can view them on your computer or tablet, though I used Jalie’s excellent iPhone app to read them this time around). They’ve really thought about how they’ll be worn when moving, too – the constructions steps mean that seams that might chafe are concealed as much as possible.

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Don't dare calling them "jeggings"…

There are two main reasons I choose to sew something – either because I’m mentally intrigued by the pattern and want to sew something new and engaging (90% of my sewing), or because I really want to wear something that fills a hole
in my wardrobe.

If you’re keeping track, this is the fifth time I’ve sewn the Papercut “Ooh La Leggings” pattern (UK stockist here), so clearly it’s not because I want a mental challenge – seriously, I could sew these in my sleep by now!

So far, I’ve got the purple Suziplex pair, the Liberace leggings, the Run Dem Crew Refashioned pair, and most recently my pale grey Suziplex Olympic leggings. But these were all for running, and I really, really wanted a pair I could just lounge around in!

Long-time readers will know that I very rarely make a pattern twice, let along five times, so you can infer how much I love wearing these! This might be my new personal record for Pattern Sewn Most, come to think of it…

I made this pair in some “denim-look jersey” from Tissu Fabrics (aka Tia Knight on eBay – same stock, same owner, just a different interface!). It’s a jersey that cleverly really looks like it’s got a denim weave, and it’s absolutely perfect for making leggings that appear to be made from denim (I just really hate the j-word is all!).