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Run dem Crew Refashions – Ladies first…

This is probably the longest-running project I’ve done since my epic wedding gown refashion, but I’m really proud of the results and the fact that I can finally show them off after much hinting and whispering round these parts. This would’ve never happened at all without the spark from Charlie, the founder of Run dem Crew (the Tuesday night running family that has utterly transformed my life in the past year I’ve been a member). When he found out I sewed, he raised the idea of a refashioning project, then proceeded to gather together all the pieces to make it happen.

The idea was simple – start with 19 pieces of running clothing – some used, some promotional, and some brand new with tags on (including some ££££ Gyakusou designer gear!), and refashion them.

I started this project back in April, but stalled during the 5 weeks our boat was in drydock and I was without access to my overlocker and sewing room. Happily, I got some fantastic help with ideas from fellow RDC runner Jennie, who’s worked for years as a product designer for a well-known clothing company, and came over to sift through the clothes and it really helped for me to bounce ideas off her and vice-versa.

So her reward was some enforced modelling when the project was finished! Ha!

From the initial bag of clothes, I made 8 garments – tops and bottoms for two ladies and two men. I’ve been promised some modelled shots of the men’s clothing coming up soon, but here are the two ladies’ outfits, modelled by Jennie and I….

I had the fore-thought to take images of all the Before clothing, so I was able to do a nice collage like this, showing you what the various pieces turned into:

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Running arm band pocket (with tutorial!)

A few weeks ago, I was asked if I wouldn’t mind making two prizes for the RDC Mission Impossible event this Saturday, and I knew it’d be the perfect opportunity to try my hand at drafting some arm pouches while helping out my crew at the same time.

Essentially, I reverse-engineered a Y-Fumble I own to figure out how they constructed it (no Y-Fumbles were harmed – I just thought about it hard and made a prototype first!). The only problem is that they’re available in limited colours and the lycra feels quite flimsy to me, so if I can make my own I have a lot more freedom in the fabrics used.

It’s an arm band that has a pocket on one side, with a simple fold-over flap for keeping things like phones, keys, travelcard, etc nicely inside and tight against your arm while your run. There are no closures – the band just slips over your wrist and up your arm and the stretchiness of the fabric holds it in place. I wear mine on my forearm to hold gels for long runs, but you can also put them on your upper arm, too, if you’d rather. Even though the back doesn’t contain a pocket, it’s still double-sided so all the raw edges are nicely contained inside.

For these prize versions, I used leftover red bamboo jersey from my Donna Karan dress so they’re nice and soft, and should resist bad smells, too.

For those of you who are interested in my thought process, here’s the sketch I used when working out what pieces I’d need, and then how I’d construct it all together:

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The Donna Karan red vixen dress (Vogue 1280)

I don’t often sew Vogue patterns, but I am a massive fan of the Donna Karan patterns’ design and execution, so it’s no surprise that I added Vogue 1280 to my Wish List the second it was announced recently!

Happily, my mom saw there was a pattern sale where she lives in the USA and offered to buy a few patterns for me at US sale prices – she paid less than half the price for the pattern + shipping to the UK than I’m charged just in postage to the UK for the same pattern! I wasn’t planning on sewing a dress right now, but I got so excited when I saw Vogue’s numbered pattern marks for the first time (possibly in response to my complaints regarding Vogue 1259’s instructions), that this dress moved quickly up my Must Sew list.

Like all DKNY & Donna Karan Vogue patterns, this one’s a great mind puzzle to put together! It also has the joy and wonder of looking like a total mess until the very end, when it all comes together into a dress shape. I found it to be true to size, so go with your measurements, not some vague idea that all Big Four patterns have tons of ease. Most of the pieces are cut on the bias (not that it means much in a jersey!), and it hugs the body very closely. If you’ve got any lumps and bumps, though, this is not the pattern to hide them, and so you’ll probably be wearing Spanx underneath in addition to the strapless bra the bodice requires (Full disclosure: I’m not wearing Spanx in these photos!).

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Pattern Magic – Apple Peel leggings

I gave you a sneak peek of these yesterday, but I doubt any of you were looking at the leggings!! You’re forgiven, though!

This design is from the third Pattern Magic book, and was super easy for me because I didn’t have to draft anything! I already had a great legging pattern to start with, from an old KnipMode magazine I’ve made a few times before. Note that you need a legging pattern with a separate front and back pieces, so the two recent Burda magazine leggings (in the June and January 2012 issues if I remember correctly) won’t work as a starting point. Or you can just draft one from scratch as the book suggests.

All the work here is in the measuring, slicing, and spreading of the pattern pieces – I very cleverly wrote the size of the spread between each of the pieces, so when it came time to do the other pattern piece, I could easily make it the same amount so everything matched up.

I’m leaning, like the book’s pose!

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High-waisted jersey pencil skirt

This skirt was featured in the May 2012 edition of BurdaStyle magazine, but it’s one of the few that’s also available for purchase as a downloadable pdf if you missed this issue (a really great one, IMHO!).

This is quite an interesting pattern because of its simplicity – it’s only one pattern piece (the same for the front and the back), with a bunch of radiating pleats on one hip, and just two side seams to sew. There are three hem lengths suggested on the pattern, and I went with the shortest, Hem length A, which ends up right at my knees.

And that’s it – no zippers, no elastic, no nothing. So it’s a really quick and easy skirt to sew up in one evening!

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The Liberace Leggings

Viewers of a gentle, tasteful disposition, you best look away now…

My previous pair of purple leggings are my FAVOURITE running running bottoms – so wonderfully comfortable, and the natural waist means they don’t shift around a bit as I run. They’re so comfortable I actually raced in them the other week (and any runner will tell you that if you have any doubts whatsoever about your kit, you don’t wear it on race day!).

So after a full day of finishing up the Run dem Crew refashion challenge, plus finishing up a skirt, I found myself with a few hours and an inexplicable desire to sew up another Papercut “Ooh La Leggings” pattern (UK stockist here) in the audacious lycra/foil in my stash:

I bought this crazy-ass fabric at Suzi Spandex when I was in Montreal, 80/20 nylon/lycra mix, which they call “Spirographix” (mine’s the charcoal colourway, though it’s much more teal in real life). The hand of these feels quite “leotard” or “costumey” really, but it’s fine for short bursts of exercise IMHO. Certainly nowhere as nice as the Suziplex I bought, through strangely 50% more expensive. Go figure.

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Manequim May 2012

Hooray! It’s a new issue of our favourite soap opera-obsessed, Brazilian sewing pattern magazine, Manequim!

Oh look – it’s a shopper tote bag that folds up into it’s own zippered pouch! This is something I’ve seen a bunch in shops, but not in pattern form before.

I really like the square neckline and offset zipper opening to this shirtdress. On first glance, it looks quite standard, but the more I stare at the tech drawing, the more cool details I see in this!

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Golden silk asymmetric blouse

From a total loser of a silk blouse to a triumph of a silk blouse, all in one afternoon! After the Burda FAIL, I turned around, cut into my gorgeous butter yellow floral silk charmeuse I bought at Ditto in Brighton last weekend, and sewed up this blouse in about two hours flat!

The layout of this blouse is really cool, and the entire blouse is just one piece, with only one side seam (and two shoulder seams). I took a photo of my fabric when it was laid out on the floor, and I added some annotations in pink (below) to help show where the drapey side comes into play. I hadn’t realised it from the diagram, but the CF neckline is on the straight grain, and the CB neckline is on the cross-grain, with the only side seam on the bias. Very cool, and the design feels quite Bunka.

I used the leftover silk in the bottom left corner to make several bias strips about 4cm wide, as I prefer a narrow bias edge on my silk blouses instead of finicky facings. I also left off the shoulder bow, as I felt there’s enough going on in this blouse already!

We were very lucky to catch the “golden hour” on Monday evening, which just makes this silk come alive in these photos! I’ve paired it here with my grey leather skirt to try and give an edgier look to the twee floral of the silk.

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A rare dud of the highest order

Last weekend I cut into cut into one of the oldest fabrics in my stash, a dark turquoise silk charmeuse bought in January 2009, to make the cover top from the Burda April 2012 issue:

There are so many things wrong about this pattern that I’m going to revert to list form to get the rant out of my brain:

  • The recommended fabric is silk, yet the instructions don’t tell you to sew French seams, or indeed finish the raw edges at all. As far as I can tell, even if you follow their insane instructions, you’re left with a triangular area of raw seams at the shoulder. If I’d liked the top enough, I’d have had to make my own weird facing to handstitch on to cover this.

  • There’s a ridiculous amount of ease in the bodice – way more than Sorbetto, for example, and that’s also a non-bias, slip on shell. I ended up cutting this with the front and back pieces a centimeter or two off the fold simply to fit it onto my narrow silk, but I checked first to make sure it’d not be too small. And having completed the shell, I can say that it’s still on the loose side, even with my reductions!

  • Facings on a silk. WTFOMGBBQ? Why?? I said Nuts! to the facing and did a narrow bias edge (in leftover silk from my birthday top which I still had lying around) on the neckline, and did a two-step narrow edge for the hem.

  • Burda tells to to cut an extra wide hem allowance on the sleeve edges, press in and out (and shake it all about, do the hokey pokey- oh wait) and mess about with it until the sleeve is entirely completed… and then sew an invisible hem by hand. On silk. And it’s a reeeeeeally long hem. I’d rather eat glass, Burda. The much better option here would be to cut a regular hem allowance, and machine-stitch a narrow edge or rolled hem before basting any of the sleeve pleats. Realising they’re crazy and trying to do this later is much more difficult (ask me how I know).

  • The sleeve instructions are absolutely incomprehensible. Burda would have you flip the entire pleated edges around the neckline and back to the armscye at the shoulder, which a) completely contradicts the photos, and b) there isn’t enough seam length to do. So I had to try and make the best of pre-basted pleats, attach to placement lines that may as well have not existed (since the pleated edges didn’t match up anyway), and a mess of raw edges (see above). My best attempt was not good enough.

  • And finally, when I tried the top on to see if I even wanted to carry on finishing the raw edges, the sleeves are just ugly. Less “quirky chic” and more “80s shoulder pads”. Ugh.

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Peach flip-turned top and slim brown trousers

In addition to my exercise gear you saw yesterday, I actually made another top and trousers the weekend I got back from Montreal! Since I wasn’t in a fit state for a photoshoot until now, I kinda feel like I’m clearing out the cobwebs here…

This top is another “Flip turned for a draped effect” top from Pattern Magic 2 (drafted on my Morley College course!), this time using the tulip sleeves from Jalie 2806 for a more Spring/Summer look. This is the third time I’ve used these tulip sleeves and I really love the look and love wearing them – they really make a top much more special than just your average short sleeve! I used a lovely orange marl viscose jersey from Tia Knight here that’s just sooooo soft and lovely to wear! Hurrah for an impulse purchase!

The trousers are from the March Burda magazine (#126), using some stretch cotton sateen I bought at Tissues Dreyfus in Paris last month. It looked black in the dark lighting of the shop, but I got it home to realise it’s actually dark brown, which was fairly annoying, as I wouldn’t have bought 3m of brown had I known!