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A rare dud of the highest order

Last weekend I cut into cut into one of the oldest fabrics in my stash, a dark turquoise silk charmeuse bought in January 2009, to make the cover top from the Burda April 2012 issue:

There are so many things wrong about this pattern that I’m going to revert to list form to get the rant out of my brain:

  • The recommended fabric is silk, yet the instructions don’t tell you to sew French seams, or indeed finish the raw edges at all. As far as I can tell, even if you follow their insane instructions, you’re left with a triangular area of raw seams at the shoulder. If I’d liked the top enough, I’d have had to make my own weird facing to handstitch on to cover this.

  • There’s a ridiculous amount of ease in the bodice – way more than Sorbetto, for example, and that’s also a non-bias, slip on shell. I ended up cutting this with the front and back pieces a centimeter or two off the fold simply to fit it onto my narrow silk, but I checked first to make sure it’d not be too small. And having completed the shell, I can say that it’s still on the loose side, even with my reductions!

  • Facings on a silk. WTFOMGBBQ? Why?? I said Nuts! to the facing and did a narrow bias edge (in leftover silk from my birthday top which I still had lying around) on the neckline, and did a two-step narrow edge for the hem.

  • Burda tells to to cut an extra wide hem allowance on the sleeve edges, press in and out (and shake it all about, do the hokey pokey- oh wait) and mess about with it until the sleeve is entirely completed… and then sew an invisible hem by hand. On silk. And it’s a reeeeeeally long hem. I’d rather eat glass, Burda. The much better option here would be to cut a regular hem allowance, and machine-stitch a narrow edge or rolled hem before basting any of the sleeve pleats. Realising they’re crazy and trying to do this later is much more difficult (ask me how I know).

  • The sleeve instructions are absolutely incomprehensible. Burda would have you flip the entire pleated edges around the neckline and back to the armscye at the shoulder, which a) completely contradicts the photos, and b) there isn’t enough seam length to do. So I had to try and make the best of pre-basted pleats, attach to placement lines that may as well have not existed (since the pleated edges didn’t match up anyway), and a mess of raw edges (see above). My best attempt was not good enough.

  • And finally, when I tried the top on to see if I even wanted to carry on finishing the raw edges, the sleeves are just ugly. Less “quirky chic” and more “80s shoulder pads”. Ugh.

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Peach flip-turned top and slim brown trousers

In addition to my exercise gear you saw yesterday, I actually made another top and trousers the weekend I got back from Montreal! Since I wasn’t in a fit state for a photoshoot until now, I kinda feel like I’m clearing out the cobwebs here…

This top is another “Flip turned for a draped effect” top from Pattern Magic 2 (drafted on my Morley College course!), this time using the tulip sleeves from Jalie 2806 for a more Spring/Summer look. This is the third time I’ve used these tulip sleeves and I really love the look and love wearing them – they really make a top much more special than just your average short sleeve! I used a lovely orange marl viscose jersey from Tia Knight here that’s just sooooo soft and lovely to wear! Hurrah for an impulse purchase!

The trousers are from the March Burda magazine (#126), using some stretch cotton sateen I bought at Tissues Dreyfus in Paris last month. It looked black in the dark lighting of the shop, but I got it home to realise it’s actually dark brown, which was fairly annoying, as I wouldn’t have bought 3m of brown had I known!

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Sequin running vest and purple leggings

I’m going to break from tradition here and actually post my next two outfits out of sequence from when I made them, mostly because I just shared my elastic waistband tutorial with you, but also because I’m really freaking excited about sewing exercise gear right now. Honestly, it’s starting to become nearly lingerie-levels of hysteria with me – super quick to make, easy to fit, and lots of wild colours and patterns in small doses! But you’ll get to see my “civilian” top and trousers later this week, so no worries if you’re starting to glaze over at all the lycra…

For this set of running gear, I’ve paired up the Papercut “Ooh La Leggings” pattern (UK stockist here) with my self drafted knit block (from Metric Pattern Cutting). And in the case of the top, I altered the seam lines and armhole shape to suit!

You may remember the ex-Prada sequin trompe l’oeil fabric from a few years ago when I used it to make a cowl top. I wear that all the time, but I only had a small piece leftover in my stash, and it was far too lovely to throw away. But with a bit of creative thinking, it was enough for this! Though I think I’ll lower the curve a bit for my next running vest so the peak is just at my underbust…

As you can see with the leggings (or maybe not, the purple fabric is quite dark!), there are no side seams here! The shaped front and back yokes give some really cool, curved seams, and they merge nicely into front- and back-leg seams instead.

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Birthday leather iPad case

Yesterday was my birthday, and I wanted to start the year off right, so I got up early and ran the Sport Relief 6 mile run down on The Mall, and I’m happy to report that I ran a new PB of 46:38 for the 10k! Though I have my doubts as to whether the course was entirely accurate, since this is a full 5 minutes faster than before…

Then I came home and enjoyed the glorious sunshine, cupcakes, and the pressies James had in store for me – luscious new Wolfords, a beautiful hardback copy of Habibi, and a cool lunchbag that mimics the old school brown paper bags.

Oh, but there was one more thing…

So of course I had to sew a case for it!

I wanted something more classy than crafty, so I used bronze/black leather from the obi belt (which I actually hardly wear and is too big now!) and it’s lined with black sweatshirting leftover from James’s sweatshirt from a few Christmases ago.

I measured up the ipad and then cut the leather to be two conjoined rectangles of 21cmx26cm, plus about 6cm more length on one side for a closing flap, plus a facing (only because I didn’t have enough leather to do a self-facing

I used long strips of velcro (sewn on) for the closure, making sure the soft loops are on the flap so the iPad doesn’t get scratched as you slide it in!

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Lycra & Lace running top and leggings

It feels like I’ve been talking about sewing my running gear for ages now, but I think that’s just because anything self-drafted and a bit custom tends to take a bit more time and head space than my average project! But I’m happy to report that two out of three of my first pieces are finished now (the sequin vest is awaiting more coverstitch binder practice, but more on that next week).

Both of these pieces are heavily modified (bordering on self drafted) from the originals, but the leggings are based on the Jalie 3135 skinsuit pattern and the top started life as my basic KnipMode long sleeved teeshirt.

You’ve seen a sneak peek of the leggings earlier, but now you can see them paired with my long sleeved top, though the different turquoise shades mean I probably won’t wear them together often in real life.

The long sleeved top needs three different fabrics in order to get a contrast on the upper body and again at the hip pockets. So I’ve used the black supplex for the top and sleeves, leftover turquoise for the lower back (which wraps around to the front hips), and the same turquoise but overlaid with olive green stretch lace for the front body.

The leggings use black supplex and dark turquoise “silk touch” lycra for the contrast panels. You can see my cool seaming on the thighs below, and in getting design lines to match up, I favoured the outer seams matching. It means it’s not quite as cool on the inner thigh seams, but it means I get a nicer overall panelling.

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A new sofa slipcover (and bonus cat photos!)

Home dec sewing is boring – there’s no two ways about it. To keep you from falling asleep while reading this, Bosco has helpfully decided to sprawl himself all over said slipcover to act as a diversion from the tedium!

James bought this purple and grey leafy brocade/damask fabric in Paris at Coupon St Pierre last weekend. The coupon fabric shops are a bit different from the usual “there’s a bolt I want you to cut this much of it” fabric stores – here instead, you rummage through piles and piles of pre-cut fabric at set prices, then take what you want to the till. You’re forced to get the full length, but at greatly reduced prices. Anyway, James was after some loud brocade for the interior of a fantasy jacket he’s got brewing for me (which I’ll be telling you more about soon) and bought this only to come across even better fabric later on.

So this lovely, shimmery brocade was left without a use.

Meanwhile, our faux-leather sofa was entirely covered in blankets to try and stop the cat from scratching off what little life was remaining in it (Bosco has the world’s shortest cat memory, and the Liquid Justice squirt bottle hasn’t stopped the problem). So James had the brilliant idea that I should turn it into a slipcover for the sofa!

Lucky for me, there was just enough fabric in the 3m to cover our 2m sofa, and the sofa’s an easy enough shape so working out a pattern wasn’t too bad:

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The MyImage Purple coat

This coat originally appeared on my Fall 2011 sewing plans, so it feels good to finally finish it just as the weather’s starting to defrost (I hope anyway!). I’ve been wearing my muted turquoise coat for most of the winter, but I’m hoping to wear this to transition into Spring!

I’ve used “coat” in the title, but is it really a coat? Is it a jacket? Where’s the line drawn, anyway? It’s short like a jacket, but wool and warm like a coat, so I’m not quite sure what to call this.

This pattern appeared in the Winter 2011 MyImage magazine (along with that awesome cowl top!) and it’s still available to buy if you fancy it (and holy crap, it’s on sale right now for €1.95/US$2.63, too)!.

You can see some in-progress photos of this coat here and here. The nice thing about working on a project for a while is that you get to see a lot of the “guts” as I work! The downside, of course, is that I have the attention span of a gnat and I get bored when projects stretch over the fortnight mark…

The first thing you notice about this coat is that Big! Collar!! It’s a “whole lotta look”, but I totally dig it. Your mileage may vary! I’ve worn it out twice over the weekend already and the collar is great – it’s substational enough and close enough to the neck that I don’t need a scarf!

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The Blue and Black Burda February sheath dress

I’m feeling pretty good about the past few issues of Burda magazine. For a while there (2010, I’m looking at you!) they really seemed to be only printing boring, shapeless and awful patterns, but I’m glad I stuck around because the past few months have really been a return to form, as far as I’m concerned.

There were quite a few patterns I want to make from the February issue, but only one demanded I drop everything and Sew It Now, the colourblocked asymmetrical knit sheath dress #117:

I know a lot of people complain about tracing Burda patterns, but I seriously don’t have a problem with it. Most patterns take me about ten minutes to trace, I have the pattern sheets on top so it’s not difficult to see the lines, and I do a few at a time.

This dress may have the illustrated instructions for this issue but WOW was this a total bear to trace! It’s printed in red lines, but this sheet also contains the “easy”, pink shaded pattern, so there are multiple points where you need to trace red lines over pink shading. Add to that the irregular shapes of the pattern pieces and you’ve got yourself a headache.

If you can get through the tracing pain, though, you’re really in for a treat, because the tracing took longer than the cutting or construction combined. I sewed this up last Friday night after work and wore it out to a friend’s birthday the next day!

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Manequim draped collar sweater

There came a point about midway through the construction of this where it suddenly dawned on me that I was creating my second draped collar sweater with pieced sleeves of the month. Clearly the sweater knits in my stash were calling out to me, and I’m naturally drawn to drapey styles. Though I really must remember when I’m in fabric stores that 2m really isn’t enough for long sleeves and a big collar!

This the Michael Kors-inspired, collared sweater from the June 2011 Manequim magazine. Last week I showed you details on the construction of the various pieces and altering the size “Small” pattern to my basic knit tee pattern.

The only problem was, when I was laying out the pattern pieces onto my awesome, ex-Versace sweater knit from Ditto in Brighton I realised that yet again, I didn’t have enough fabric to lay out the sleeves without piecing them, argh! I didn’t want to back down since I’d tried to use this fabric for something else last winter, but 2m of a really narrow fabric really limits your possibilities. So I carried on, introducing two seams in the lower arms. Frankly, sleeves tend to bunch up so much around the sleeves that I find the seams kinda get lost visually around that area anyway.

In the end, I was forced to cut the collar on the bias simply because the fabric was too narrow to place it on the cross grain!

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Great basic – grey flannel trousers

As I mentioned last week, I got gifted some wonderful grey flannel from Claire (however did she know I like grey? ha!). It’s so soft and lovely that initially I thought it should become a dress, but then realised I’m likely to get much more wear out of a really chic, comfortable pair of dress trousers.

I had just received the January edition of Burda magazine and so these jumped out at me – #122 (also now available as a pdf download if you missed this issue).

There’s nothing particularly earth-shattering about this design, but I just thought it looked nicely versatile, and something I could wear to business meetings as well as just team with a teeshirt if I fancied it. These also have the illustrated instructions for this issue, but I could sew trousers blindfolded by this point, so the instructions didn’t make much difference to me.

I did notice, however, that they do the particularly dumb construction technique of tucking one leg inside the other and sewing the crotch seam last – this makes NO SENSE to me, as it means you can’t check the fit until you’re 95% done. Whereas if you do the outer seams last, you can pin and adjust the fit in the thighs and hip before you sew it up…

These photos were taken after sitting in a car, then sitting through a big Sunday roast so there are more wrinkles here than I usually have! The fit on these feels a bit closer than with most Burda trouser patterns I’ve sewn, but it also might just be because I haven’t sewn trousers in a non-stretch fabric in a while.