Category: In Progress

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In Progress

Draped jacket – no ordinary lining

There’s been only slow and steady progress on my draped suit (Burda September 2011 #126 and 127) this week as there’s been little time to sew, but I did get a few hours of “me time” in on Sunday evening after my insulation work was done for the day.

Those few hours were enough for me to finish the entire shell of the jacket and skirt, but I needed a clear surface to cut out the lining fabric, so that was delayed until last evening (since my running group was cancelled). Since the wool suiting has stretch, I didn’t want to negate the benefits of that with a non-stretch lining, so I pulled out one of the few stretch wovens in my stash – a blisteringly hot pink stretch satin I’d bought from Fabric.com last year (and came across in my mom’s suitcase before the wedding). Despite it being polyester, it actually feels wonderful and it was worth the price to be such a high quality lining.

In Progress

Draped jacket – in progress

Last weekend I cut out all the pieces for my upcoming draped suit, Burda September 2011 #126 and 127, in the beautiful grey stretch wool suiting I’d bought specifically for it.

Since then, though, progress has been slow. I’ve got an evening class for work every Monday night, I’ve found a wonderful, brilliant amazing running club I go to on Tuesdays, and our weekends are still chock full of boat DIY work as we scramble to get the last outside work done AND the insulation up before the weather turns. Which leaves exactly three evenings left for all of our social activities, and any sewing left to squeeze in. This week I’ve got something on all three of those evenings, too.

So this really leaves progress to be made in very small segments. I’m very good at finding spare ten minute pieces of time here and there, but lately even these have been thin on the ground. Over the past week, I only managed to work on this jacket twice – on Wednesday night I fused all the necessary pieces with Pam’s weft-insertion interfacing and vilene bias tape, and then Sunday afternoon I actually managed to get a few hours of sewing done once I’d done 3 hours of insulation work and the dust settled enough in the hold for me to get out my ironing board.

Beyond that, while we were working on the construction part of the boat, something happened to the 24v cabling and so the lights in the bedroom, sewing room, and one other area no longer work. So my sewing room is very dark now, even when it’s light outside! Please accept my double apologies for the quality of these photos – I had to light the area with a headtorch while taking these on my (soon to be upgraded, yayyy!) old iPhone 3G camera.

In Progress

When you need thread fast…

I’ve literally been sewing my trench jacket in tiny sessions – 10 minutes before work here, 5 minutes while dinner cooks there – you get the idea. It doesn’t seem like much, but when you add up all the short bursts, it really does mean I’ve made progress in a week where I’ve had social plans every single night, and huge amounts of exhausting boat work every weekend.

But on Saturday night I realised that I’ve come to a bottleneck that couldn’t be fixed with time management – I was nearly out of beige Gutermann thread, and I still had quite a bit of topstitching and a bunch of buttonholes yet to sew. Ordering online would take several crucial days, so I tried to rack my brain for any London shops that stock Gutermann thread and are open Sundays… Hrmmm…

Yes! Of course!

So Sunday morning I got up early and combined my weekend run with a trip to Beyond Fabrics on Columbia Road to restock on No.464 All Purpose thread!

I ended up arriving there a little too early for their 9:00 opening so I ran a few laps around the little triangular park on Quilter Street (yes, Quilter Street!) to fill time before they opened up. Then I just peered in the windows until they laughed and let me in. ha!

I thought for sure the spool would fit in the little elastic space on my arm band where my chapstick usually fits, but it was slightly too big (how dare they not design these things with thread in mind, eh??) so I had to ask for a paper bag to protect the thread from my sweaty fist on the run home.

In Progress

Upcoming Fall 2011 sewing – the patterns

It’ll be no surprise to you that I’ve already started on my Fall sewing, since you’ve just heard all about my upcoming trench jacket, but I’ve been thinking about the rest of my Fall sewing ambitions over the last few weeks. Having August temperatures mostly in the 50sF (16-20C) meant that I was mentally ready for cooler weather a long time ago!

I’ve got the fabric for all (but two) of these already, too, so I’m sure to get through a lot of my stash this way, too… Though I did just buy some new fabric in order to make four of these, oops. More on the matching fabric later.

In Progress

The Burda trench jacket – in progress

I am on fire for Fall sewing right now, and the latest object of my desire is my beautiful little trench jacket. I’d bought some waterproof gabardine from Mood when we were in NYC last Fall, but it was the end of the roll so I only had 2.5 yards to play with while selecting a pattern.

With several years of various pattern magazines to choose from, I was in no short supply of trench coat patterns. However, many of the traditional, double-breasted, longer length trench coats require at least 3 yards/metres of fabric, so my fabric shortage helped me narrow down the possibilities immensely. In the end, it was down to Burda 02-2009-119 and Burda 08-2007-111, and I figured I’d get more years of wear from a stylish jacket than I would a cape.

So the curvy, feminine, petite pattern won out!

I did make a muslin of this (I’d be mad not to for a petite pattern), but surprisingly, the only alterations needed were to lengthen the sleeves. Despite being 5’8”, I tend to find that Burda’s Petite patterns fit me waaaay better than Burda’s Tall patterns (which seem to be grotesquely oversized whenever I try them).

In Progress

The Burda Armani coat strikes again

Remember back in November when I made a muslin for the Burda Armani knockoff coat and found it to be absolutely, unforgivably awful? Well, even at the time, I could see that my main problems with the coat weren’t necessarily likely to be problems with the shorter, jacket version of the same pattern (Burda 09/2010 #117).

So while I’ve been contemplating my Fall sewing options, going through my stash, and tidying up my tiny sewing room, I decided it was time to alter it to evaluate the jacket.

The main differences from the coat are:

  • It has no collar

  • It has extended sleeve bands instead of the awful dropped sleeves

  • It’s cropped at the hips

Believe it or not, I still had the muslin tucked away from last year’s coat FAIL and I came across it again when I was tidying up my sewing room. In about 15 minutes I had adapted the earlier muslin to be the jacket – and most of that time was spent pressing 10 months of wrinkles out of it!

The front view kinda looks okay:

In Progress

Lucky Me

Well, aren’t I a lucky girl recently? First of all, I won interfacing and a metal seam gauge from Pam’s giveaway at Off the Cuff!

I’ve won Pro-Sheer Elegance and Pro-Woven Shirt Crisp interfacings, to be precise. Coincidentally, both kinds were the few I didn’t buy on my interfacing binge a few month ago! So now I’ve got an even greater biodiversity in my interfacing bag…

Then, hot on the heels of winning that – I may have lost Karen’s draw, but I ended up winning a copy of the novel “Laura’s Handmade Life” from craftycrafty.tv, too! A novel where the heroine bounces back from life crises through sewing? Yes, I think I’ll enjoy this… So now I’ve got three books in my reading queue, aahh!

And it was time again for another Google Adsense payout, so I thought this time I’d spend your hard-earned funds on something a great majority of you will want to see: the new DKNY Vogue pattern (1259), and 3m of this gorgeous mushroom-coloured viscose/cotton/lycra from Tia Knight aka “In Fashion Fabrics” on ebay. It’s ridiculously soft, lightweight, and drapey and just perfect for the gajillion gathers on this pattern, so when both arrived within a day of each other late last week, I set to work!

In Progress

Totally discouraged…

I’ve been hard at work on my slow-moving self-drafted shirtdress, creating bound buttonholes for the spaces the collar passes through before tying, making french seams everywhere, double checking all the darts so they all line up, and finally I tried it on last night to check the hem and button placement.

And it’s horrible. Dumpy, unflattering, and just bad.

All I could think of was Trena’s “prison matron” dress, and like hers, mine’s got pockets, but that’s about it. I don’t even know if I can bring myself to finish it, but it’s sitting on my dressform for a while so I can mull over whether any of it is even salvageable. I just know there’s no way in hell I’m ripping out a million french seams! It’s got nothing to do with the Pattern Magic directions, as the collar is okay, it’s all down to the fit of the rest of the dress…

And the shirting is Prada, too! *whinge* And I made three muslins! *whinge* I did everything right, and the dress is just so very wrong. Which mostly discourages me from pattern drafting altogether. I mean, what’s the point in pattern drafting if the fit is worse than what I get straight off a pattern sheet? Because, really, Burda, Knip, and even Manequim fit me straight off the sheet, no alterations needed. Do I really need the extra hassle in my life to end up with a sub-par result even with all my designer finishing techniques? Am I happy to never be a pattern designer? These are the sort of questions I’m asking myself right now anyway.

In Progress

Muslins, muslins everywhere…

…but not the time to sew!

I’ve had an incredibly busy week and weekend, between my whirlwind social life, an influx of new work at the office, hardcore boat DIY, moorings duties, and keeping up with my running, so I’ve hardly had any time to step foot in my sewing room, let alone sew! It doesn’t help that pattern drafting moves at a glacial pace as compared to just tracing off a pattern and sewing it up!

If you remember, I’m using Pattern Magic and the Bunka draft to revisit pattern drafting. So far I’ve made my bodice sloper and drafted up this variation from the first Pattern Magic book, “Tying a Bow D”.

This is one of about five designs across the books that I’d really like to make, but it’s also by far the simplest draft so I thought it’d be a good place to start. The only difference is that I want to a dress from this instead of a blouse, so I’ve also drafted up a skirt sloper and am just now starting to match up the darts to the bodice and insert some flare to make it usable for a nice shirtdress.

In Progress

Revisiting pattern drafting and the vintage tab dress muslin

Remember the vintage dress pattern I graded down to my size a few weeks ago?

Well, I made up a muslin with my grading changes in place, and though I didn’t get any photos of it on me, I did get some on Susan. I realise that diagnosing fit issues on a dressmaker’s dummy is particularly futile, though, so you’ll just need to take my word for it!

On first glance, the worst issue is that there is way too much fabric in the upper back, but also I think I may need to raise the waist seam by an inch, and narrow the shoulders by an inch or so, too.

The skirt length is d-o-w-d-y so I’ll need to shorten all those panels, too (happily I’ve got a “lengthen or shorten here” line on both the bodice and skirt pieces).

While the sleeves themselves fit nicely, there is an unholy amount of excess ease in those sleeve caps, omg. So I’ll need to shave down those caps to take a good few inches out of there.

It wasn’t necessarily the list above that made me lose enthusiasm for this dress, but I can’t really put my finger on what it was. But it turned out that doing all the boring grading reawakened in me a desire to conquer pattern drafting, which I dabbled in when I received “Metric Pattern Cutting” by Winifred Aldrich last year, but didn’t get far.