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MyImage Purple coat – in progress

Yesterday I mentioned that I’ve started sewing the asymmetric, collared coat from the Winter 2011 MyImage magazine, and after a prep period that felt like forever (probably exasperated by the fact that my ironing station is hovering around 0C/30F), I’ve now got some progress to show you!

I’m sewing this up in a wonderful purple basketweave/boucle coating, which was another gift from Claire (she’s so good to me!) at the end of last winter. I always like to underline my coats when I can to just add that little bit of extra warmth, but it made even more sense here as it will help to stabilise the coating fabric and prevent any bagging out that might otherwise occur with looser-weave fabrics. The alternative is to block-fuse the coating with a lightweight interfacing, like I did with my Patrones duffle coat.

For this coat, all the facings were interfaced (the usual front and back facings, plus the front and back hip band facings), and pretty much everything else was underlined in black cotton flannel. This meant there was a lot of prep – everything but like 3 pieces needed underlining or interfacing! I love sewing, but prepping is dull dull dull work!

I machine-basted the flannel underlining to the coat pieces here, because frankly, the prep work was tedious enough as it was. I normally hand baste my underlinings, but in this case, the coating and the flannel “grabbed” each other quite nicely, so this, plus the walking foot, plus a long basting stitch meant it felt okay to do it by machine. I still made sure to never turn any corners though (when basting underlinings, you always stitch to the edge, cut the threads, reposition, and stitch the adjacent side so that you don’t create puckers at the corner)!

Morphing the Manequim sweater pattern to my size

If you remember from earlier in the week, my next project is to make this collared sweater from the June 2011 Manequim magazine:

Since the pattern is only in one size, “Small”, my strategy was to take an existing long sleeved teeshirt pattern that I know fits me well, trace that, then trace the neckline area from the Manequim pattern overlaid onto it and morph the two together. For simplicity’s sake, I wanted to keep the collar piece as unaltered as possible.

Here’s that wonderful diagram again showing how the Manequim pattern fits together, so we all have an idea in our head of what we’re aiming towards:

While overlaying the Manequim pattern onto mine, I wasn’t quite sure what I should use as the “frame of reference” to align the two patterns together – should I use the Centre Front & Centre Back? Or the shoulder seam/armscye corner?

In the end, it turned out that sorting out the Back first was the key to making the bigger changes on the Front piece work, since the Back of my teeshirt and the Back of this pattern were much more similar.


I’ve shaded my final pattern shapes in blue here to try to make it clearer. The original teeshirt pattern is (mostly) at the cut edge of the paper. Ignore the red lines – they were misaligned tracings!

Upcoming January sewing

I’ve finally emerged from the craptacular flu (which then turned into bronchitis) that I’ve been under since Dec 28 – thank you for all your well wishes! For me, it really feels like the new year, 16 days late!

The Ruby Slip was my first garment of 2012, but my second and third aren’t far away…

Grey flannel trousers

Just before Christmas, I met up with Claire for lunch and she gifted me a massive length of wonderful dark grey flannel. It’s so soft and lovely that initially I thought a dress, but then realised I’m likely to get much more wear out of a really chic, comfortable pair of dress trousers. So on Friday night I traced and cut Burda Jan 12 #122, mostly because the issue was handy, but also because they looked to be a great basic. These have the illustrated instructions for this issue, but I could sew trousers blindfolded by this point, so the instructions didn’t make much difference to me.

I sewed this on and off over the weekend and nearly completed these despite hardly being at home. As a nice tie-in to my previous garment, the pockets, fly underlap, and waistband lining are all done in the pale green silk leftover from my Ruby Slip.

New Year's Progress Report

Back on the 17th I set some bold goals to finish by New Year’s:

I thought it was time for a little progress report, seeing as how I only have a few days to go…

  1. Paco’s Drape Collar Tunic – I sewed this up in an evening before Christmas. Though I had to get very creative in order to get long sleeves out of the 2m of sweater knit I bought… Note to self: Buy more yardage, or shorten the body length next time!
  2. Clover jeans – I just finished these! I’m totally loving the fit and the (IMHO) improved pockets, too.
  3. Holly’s maternity maxi-dress, Burda 08/2008 #125 – Having no place to cut the fabric of the enormous skirt pieces, I actually took it along to work yesterday and cut it out on the big (and empty) lunch table at lunchtime! The few guys left in the office already think I’m weird anyway. Shrug. In any case, this is now ready to sew!
  4. Ruby Slip – I wanted to cut the skirt pieces at the same time I cut out the maxi dress, but the low table height was killing my back by the time I finished with the maxi dress. I don’t think this will take long to sew together if I can ever find somewhere to cut the single-layer, bias layout… A good cutting area is my new productivity choke point.

Piling up…

The number of posts I want to write is piling up at an alarming rate, and I have no time to do anything about it, what with work being crazy busy (I hate all of you who get tons of time off at Christmas – I only get 3 days off in total! And my days have mostly been solving one problem, and having five new problems pour in while I was fixing the one, then moving on to the next in a To-Do list which never, ever gets cleared.) and us spending all our weekends working on the boat (last weekend we spent 15 hours building the subfloor down there. No, don’t feel jealous – the boat blog is being neglected, too).

So rather than stress about the amount of things piling up, I’m going to present my pile to you in pictorial form.


This is what James’s desk looked like this morning. It’s supposed to be my temporary cutting table while we’re building in the hold. How can I possibly cut the bias Ruby Slip or Holly’s maxi-dress fabric on this?? I’m pretty sure Bosco isn’t responsible, though he does look a bit shifty there…


I finished my vintage midi skirt ages ago, but have had zero time to document, or photoshoot or anything. So here’s two photos to test the hem length (which is why it’s just basted here)


I sewed a little waistcoat for James’s nephew out of this Tardamask fabric on Spoonflower. It’s got hidden pockets inside! He’s 7, and the biggest Dr Who fan ever, so we’re excited to see his reaction on Christmas.

Grey flannel outlook ahead

My next two sewing projects to share with you both use the fantastic, charcoal grey, ex-designer poly/viscose/lycra flannel that Neighbour Helen gifted to me just before they set sail for the continent. If I didn’t have the fibre content tag still attached to the fabric, I’d assume it was a cashmere or wool flannel, it’s that lovely!

The first use of the flannel is actually already finished and could’ve been spotted in the swankier parts of Spitalfields on Saturday night – an amaaaaaaazing sheath dress from Burda magazine:

I’ll avoid a long story to explain the Why, but you’ll have to wait til next week to see the photos. But trust me when I say it is a truly stunning va-va-voom dress!

Then this weekend I decided to jump right in and use up the remaining ~2m or so of the flannel and make the vintage Maudella midi skirt pattern I bought in Sheffield a few weeks ago:

A wool maternity coat – nearly there…

As you recall, last week I underlined Holly’s maternity coat and created all five bound buttonholes, but I had the day off work on Friday so I was able to make loads of progress over my long weekend! In fact, her coat is now 95% finished and ready to hand over, so I thought I’d give you a rundown of what I got up to…

I’m making this maternity coat from the August 2008 issue of Burda, but after the first muslin we made some design changes (namely, eliminating the band and gathered sleeve caps) so it won’t look exactly like this tech drawing:

As I constructed the shell of the coat, I took the extra step here to catch-stitch all the thick wool seam allowances to the flannel underlining. I started off just doing this on the sleeve seams as I feel the bumps are most noticeable during wear there (and therefore most likely to get annoying quickly!), but I carried on and just catchstitched everywhere.

I wanted this coat to be as nice for her as one I would make myself, so why not? I also noted that Gertie was asking last week how to make the seam allowances lie flat on her coat – well, the answer is catch stitching!


(I forgot to take a photo of all my stitching before lining it, though, so you’ll have to make do with a shot through the “window”!)

A wool maternity coat – basting and buttonholes

If you recall from last week, my next project is this maternity coat from the August 2008 issue of Burda, which I promised a very good friend:


(The issue date is still wrong above – it is indeed in the 2008 issue…)

After we sorted out the fitting and design alterations (including a second, quick muslin fitting of just the upper bodice in the pub toilets on Saturday night!), my first step was to cut out all the pieces in the green wool and then again in the black cotton flannel I’d bought to underline the spongey wool coating and give it a bit more structure. The coating is wonderful, but I’m a bit concerned about it bagging out in places, and I wanted to give it some added stability as well as a bit of extra warmth (though if warmth were my primary concern, I’d call it “interlining” and attach it a bit differently!).

Here’s all the pieces hanging on the line in my tiny sewing room:

I then hand basted all the layers together around the edges of the pieces, plus through the darts, and then also marked out the placement lines for the five bound buttonholes:

A beginner's knit maternity dress

Just to make things absolutely clear – no, I am not pregnant!

But my very good friend (and beginning sewer!) Holly is, so I’m doing some maternity sewing for her over the next few months, and helping her to sew a few things for herself, too. We’ve already had an afternoon session converting regular trousers to maternity versions (and I’m thrilled to report that she’s since gone home and done a few of these herself, too!), but it’s down to me to start the “from scratch” garments.

The first project was to make a “wearable muslin” of this Burda knit dress from June 2010. She picked this pattern out of a lineup, and it’s actually great for a beginner. The seamlines and construction are pretty straightforward, and you get a lot of bang for your buck with this, as there are two sleeve variations and two length variations!

I traced off all the different versions, and used the double tracing wheel I picked up in Budapest to even add the seam allowances on for her, too (something I never bother to do for myself, as I prefer my patterns without).

For this muslin I used some viscose jersey donated by Claire (Seemane) specifically for muslining purposes. The print is definitely too wild for me, but it might come in handy for Holly while she’s got a limited wardrobe. I don’t think it’s an ugly print by any means, and I could see her toning it down with a black or navy jacket or cardigan.

Mobile sewing weekend report

I’m beginning to feel like my draped suit (Burda September 2011 #126 and 127) is dragging on forever, so it’s good that I am making progress in the few snatched snippets of time available to me over the past few weeks. I hope you’re not getting too bored yet!

We were out of town this past weekend, up in Sheffield visiting two very good friends of ours in their new place (a house with his’n‘hers sewing machines! We slept in a room with a vintage Bernina!). It’s about a 3.5 hour drive from London, so there was ample time in the car for handstitching, but it did require some planning ahead to get the suit in a state ready for it.

Going back to my earlier To-Do list from last week, I was able to finish the following on Friday night before we left:

  • Construct and attach the sleeve linings to the rest of the lining
  • Interface the jacket hem
  • Attach the lining to the jacket around the front facings and neck edge
  • Construct the skirt lining and baste to the skirt at the top edge
  • Attach the waistband
  • Machine-hem the skirt lining
  • Machine-stitch some grey lace tape to the bottom skirt edge

I also prepped about 5 lengths of grey and pink thread with beeswax before leaving so that I wouldn’t get horrible tangles while doing all the handstitching. I never used to bother with beeswax, but it seriously does help cut down on the excess tangling, so the time spent waxing and pressing the thread in advance really does save you time and frustration in the long run.

Then, in the in the car ride up to Sheffield and back (and, err, also in the KwikFit waiting room while we had new tires put on) I was able to:

  • Anchor the lining to the seam allowances at the underarm
  • Baste and hand stitch the jacket hem
  • Hand stitch the lining hem to the jacket hem
  • Hand stitch the sleeve lining hem to the sleeve facing
  • Baste and hand stitch the skirt hem

I just love how that hot pink satin piping turned out! You can also see my lace hem tape on the skirt here. This was a pack of lace tape I’d bought at the Amish dry-goods store in Perry County last year, paying 50 cents for it, and with a 1986 copyright on the package!