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Patrones 306 & 307 (and Plus-sized giveaway!)

Patroneses are just like buses – you wait ages for one and then they all come at once!

I was very lucky to win a copy of issue 307 from Jacquie, who bought it while she was visiting in Spain, and then right after that, my friend Pip (aka the bridesmaid in purple) went away to Madrid on business. Even though she was on Spanish soil a good month after Jacquie, she managed to find 306 and no.8 on a newsstand there!

So let’s take a look inside…

Patrones 306

This edition was the last of the summer clothes, which isn’t too practical for me in London. I don’t go out of my way to buy the summer issues, but there is some good stuff to be had amongst the shorts and sundresses…

Skipping past the beach wear, this unstructured, reversible jacket and slim trousers is very nice.

I think my favourite in this issue is this strappy dress with an added drape portion. I can just imagine it moving in the wind (I’m going to ignore how cold that wind would be right now!).

I also totally love the seaming on the strapless cocktail dress on the right (the dress on the left? ick.). It’s difficult to see in the navy fabric with the belt on top, but the tech drawing is luscious!

Independent pattern purchases

I went on a wee pattern spree last week! With my monthly supply of pattern magazines, I don’t tend to buy one-off patterns very often, but I’ve been very tempted by some new offerings from independent companies, so I decided to splurge and buy a few.

First, I bought two recent designs from Colette Patterns (though I bought from SewBox in the UK for faster, local shipping!):

Cinnamon is a bias-cut camisole or dress, and it’s from their previous lingerie collection. Reading through the instructions, there are a few changes I’m going to make to the cups to improve the finish, but I’m really keen to give this a go, and I don’t have anything similar in a bias-cut already in my magazine archive.

Clover is their first trouser pattern from the newest collection, and I was so excited to try this that I’ve already made up a muslin and my first pair! I knew it was Meant To Be when I tried on the muslin and had zero fitting wrinkles, but even crazier is that I’d accidentally made my muslin in fabric with zero width-wise stretch, which means the pattern is that awesome on me with no stretch to help it along!!

How to finish a cowl neckline

As promised yesterday, here’s a really cool technique I used to sew the shoulder seams and get a clean finish at the neckline of my MyImage cowl tee (M1152 from the Fall/Winter 2011 issue) all in one go.

It’s a variation of “the burrito method”, and you can use it on any top where you’ve got a facing on one side, and a folded edge on the other. So it doesn’t have to be cowl necks, it’ll also work for surplice or wrap necklines with a self-facing, too!

This comes fairly early in the construction of your garment, but by this point you should have already sewn your facing (in this case, my back neck facing) to the body of the garment (the back here), right sides together. You should also stabilise your shoulder seams, either by using Vilene bias tape like I have, or with strips of knit interfacing or clear elastic – whatever your preferred method is!

In my example, I’ve got a back neck facing which is a separate piece, and a folded (ie: integrated) facing on the front.


Step 1. Pin the shoulder seams together from the shoulder edge to the back facing stitching line, right sides together. Keep the front facing and the back facing out flat (ie: don’t pin them!)

KnipMode November 2011

I currently subscribe to three different sewing pattern magazines: Burda, Manequim, and KnipMode. I don’t post reviews of Burda because so many other blogs do already, and also because Burda are great about publishing all the line drawings in advance, so you probably already know whether you like an issue or not without me harping on at you. All three have reliable delivery schedules, with Manequim appearing in the first week of the month, then KnipMode around the middle, and Burda bringing up the rear at the end of the month, or the beginning of the next. This month I ended up getting KnipMode only a few days before Burda, but I think it was just a combination of Knip being a bit late and Burda being a bit early. What it’s meant for me is that I’ve been a bit overwhelmed with breakfast reading so I’ve only just now been able to properly digest each issue along with my porridge, let alone get out the scanner!

As a total aside, I find it interesting that Manequim is the cheapest year subscription at about £65, then Burda at £70, followed by KnipMode at about £90. All I’m saying is, KnipMode has been alright since their new editor took over, but they better step up to awesome territory again soon if they want to stay in the sewing budget…

The first ten or so pages of this issue are taken up by the wide array of styles you can create with their mix & match coat patterns. They’ve done this in the past with dresses and cocktail dresses but essentially you choose the various sleeves, bodice, collar, etc, and build your custom coat pattern that way.

Upcoming Fall 2011 sewing – the fabric

I posted about my Fall sewing pattern plans weeks ago, but I never quite got around to showing off my lovely Fall fabrics at the same time, and then I went and bought a little more since I sewed through enough of my stash over the past year to make space for more.

Indeed, the first two fabrics were bought long enough ago from the superlative Ditto Fabrics that I’ve actually already used them!

This grey stretch wool suiting is finding a life in my Draped Jacket and Skirt Suit you’ve heard so much about lately, and I’m sure you remember this peach silk habotai from my recent blouse, right?

Well, the day after I bought the above from Ditto’s website, we determined I’d actually be going down to Brighton later that week, so I stopped into their store on the Saturday morning and picked up two more fabrics (along with a good gossip with Ditto’s lovely owner, Gil!).

Manequim October 2011

I was SO surprised when this issue turned up last week! This is the first time I’ve had a copy of Manequim in my hands before the month printed on the cover! Usually I receive it in the first week of the month, then Burda and Knip arrive somewhere around the middle of the month (though KnipMode publishes a month ahead of the others).

I’ve seen lots of variations on this horizontal-seamed shirtdress out and about in London! Just the other day I saw a lady wearing one with a navy and white stripe on the bottom and solid turquoise across the shoulders… It looked so good I made a mental note! Or I can see this as a great way to wear that difficult burnt orange colour that’s so popular right now – put it on the bottom half so a different colour is next to your face.

I’m not fond of the jacket on the right (way too much like a fussy Chanel jacket!), but I really like the vest on the left with the lace trim. It’s also a multi-sized pattern, which is useful.

For the last two issues, Manequim have been overloading me with totally amazing silk blouse patterns. I’m relieved to say this is the only one in this issue, but the tucks and twists here are so unique! I also really like skirt pattern and the colours they’ve chosen here – perfect for a Southern hemisphere Spring.

KnipMode October 2011

I haven’t really been terribly excited about KnipMode magazine for the past few months, since the new editor took over, but things are starting to look up this month, thankfully…

I love the lines of this jacket (and the retro styling!) but for me, this is kinda ruined by the poor fit on the model and that awful plastic zipper!

For me, the best design in this issue is this new take on the twist top (no, hear me out!). This interesting neckline plus long sleeves in an easy knit, this is a pretty likely addition to my winter wardrobe, I’m guessing, especially since there’s photo instructions in the magazine for that twist!

Hungarian holiday report

We’re back from our Hungarian holiday and feeling wonderfully relaxed, though it’s debatable how long that’ll last! This was my fourth time in Budapest in the last ten years (and James’s third!), but it was the longest we’ve been able to spend there and our first trip outside the city.

Our main reason for going was so we could celebrate our first anniversary at our favourite restaurant, Karpatia (last time we were there, Michael Palin and his film crew were in the other room!), but to also soak away our boat work aches in the city’s plentiful hot spas! In four full days in Budapest, we visited three different hot spas: Szechenyi, Palatinus Strand on Margaret Island, and Hotel Gellert. Think swimming pools, but filled with bath-water warm mineral water (no chlorine!) with assorted jets, bubblers, massaging fountains, wave pools, slides, and whirpool baths and you’re still only halfway there…

In an astounding bit of coincidence, we enjoyed amaaaazing traditional Hungarian food, tokaj, and palinka stalls at the Nemzeti Vagta (“National Gallop”) festival. It was mostly about Hungarian horsemanship with incredible costumes, chariot races, and Heroes’ Square set up like a Ben Hur set, but there were also stalls representing every region in Hungary, some showcasing amazing embroidery:

I really like that you can focus on the stitching when you only use one thread colour! Unfortunately, I didn’t see any needlework kits for traditional designs on sale anywhere.

Then we took the train out to Balatonfured on Lake Balaton for a few days, and I made great use of the train time to finish the last hand sewing on my trench jacket! (I’m also wearing my silk jersey Lekala cowl top here.)

While we were there, we rented bicycles from our hotel and cycled the 6km to the next town, Tihany, and back along the river. My trench jacket and my navy riding trousers came in very handy here as it was the only cool and cloudy day of our trip!

Even designers make muslins!

Sometimes the drudgery of sewing a muslin really gets me down. I like to sew fast, so I don’t sew muslins for every single project, but if I have expensive fashion fabric, or if I’m working with an untrusted pattern brand (or both), I always think it’s wise to do the extra step, no matter how boring it may be.

But part of me always just wants to get on with the good stuff (and the pretty fabric!), so I was thrilled and inspired to see feature called “Give Us a Toile” in the Sunday Times “Luxe” magazine recently. My inlaws subscribe to the Times and they always thoughtfully save their Style magazines for me along with other one-offs like this that they think I’ll enjoy. I love it because they give me something fluffy to read over breakfast and they keep me from needing to buy too many glossy magazines! This particular supplement was published in May 2011, but only recently came to me in a big, collected stack.

The feature took a few couture dresses and displayed them alongside the designer’s original muslin for the garment, which I found utterly fascinating and totally inspiring, especially to see them scribbled over with marker pen just like I do!


Dior coatdress, price on application from Dior couture
“Artfully cut cotton folds take on dramatic effect in layers of black and red shantung silk”

Manequim September 2011

After August’s silk blouse bonanza, I was expecting September’s issue of the Brazilian pattern magazine Manequim to be a disappointment in comparison, but hoo boy, was I wrong! This is a fantastic issue, as evidenced by my enthusiasm with the scanner…

First off there’s a pattern for a simple leather envelope clutch. My friend Cindy recently sent me a tutorial for a similar leather clutch bag, so the need for a pattern is really up for debate!

What a great jacket with such interesting seaming! I’m not so convinced about the dropped waist sheath dress though…

No, not deja vu just yet – I wanted to show you the tech drawings for the cover look, as the skirt is just lovely!

I know there are instructions for a similar twist dress in one of the Pattern Magic books, but I really like that Manequim took an extra step in the instructions for this dress and gave a secondary drawing showing how the pieces fit together. It’s almost like they saw what I did for the Vogue DKNY top and thought they’d do the same!