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Bridesmaids dresses – I pleat the fifth

While I’ve been showing you all sorts of books and magazine reviews and drafting up free bag patterns for you, what’s been going on in the sewing room, I hear you ask! Well, I set aside April and May to sew my two bridesmaids dresses, and after a long muslin period, I’ve been getting stuck in with the most time consuming portion of the dresses first – the pleated, silk satin (charmeuse) waistband/cummerbunds.

If you recall, I’m sewing the Gant exclusive design dress from the 09/08 Burda magazine:

The fabrics were bought over a year ago, so I fished out the bag and got to work on the reeeeeeeally long pleated sections using Burda’s magazine instructions (which are surprisingly helpful) and a bit of info from my The Art of Manipulating Fabric book (thanks, Cindy!). These are knife pleats, one centimeter apart, and Burda called for seven pleats down the band, but after my test piece, it looked a bit sparse at the top and bottom edges, so I decided to go for eight pleats in the final versions.

So in order to help any of you attempting this on your own (and sadly, a Perfect Pleater is way too narrow to help me here), or those of you wondering why professional designers outsource their pleating to professional firms, here’s what’s involved…

How to pleat

Step 1 – On the reverse of the fabric to be pleated, mark chalk lines exactly 3cm apart, one for every “mountain” pleat.

La Mia Boutique May 2010

Hooray! The first issue from my 6 month gift subscription from Magazine Cafe has arrived!!

The first feature of the magazine is nautical-themed (and not terribly subtly at that!). I absolutely love this tie-front teeshirt – I’ve got a ton of annoying “too short for a shirt yet too small for scraps” knit yardages so I’m quite keen to mix those up like they did here. That gajillion-gored skirt just scares me, though (yeah, those are all individually pieced!!).

I fell in love with this navy blue top from its tech drawing, but I’m actually less keen on it in real life. I think it’d look better without the central pleating, as it seems a bit over-designed. One thing to note, though, is that there are no shoulder seams – the top portion of the front actually wraps over from the back.

Free ruffled wristlet pattern!

This might possibly be my longest running project-to-post duration since I drafted and sewed up this cute wristlet last February using some scrap leather and some vintage lingerie fabric for a lining. I made it as a gift for a neighbour who wanted to remember a dear departed friend who left her a stash of vintage fabrics, and I loved the resulting wristlet purse so much that I felt compelled to share it with all of you! But I had problems digitising the pattern so it languished… but recently I was inspired to take another stab at it and I love the way it turned out!

The great thing is that because it’s a small purse, you can really make this out of leather scraps, or even an old leather skirt or jacket from a charity shop (thrift store or op-shop)! Or it doesn’t even have to be from leather at all, it’d work equally well in corduroy, denim, or even felt! And because it’s a wristlet, you can keep your hands free for drinks & canapes, or for beers & barbecues!

Download the free pattern by clicking the image below!

To anyone linking – please link to this page, not directly to the pdf file!

I hope you all enjoy this and please email me any photos if you make one for yourself! I’d rate this as an Advanced Beginner project just because of sewing the zipper, but it’d make a GREAT first leather project if you’ve never sewed with it before.

Illustrated instructions!

Text instructions are included in the downloadable file, but I wanted to provide photo instructions to make it easier for beginners to sew this, too. But when I put the photos in the file itself, it turned out way too big so I compromised and I’m offering them here instead!

Step 1


Using the exterior fabric, cut out two copies of the purse body, two copies of the flap, one of the ruffle, and one of the strap (or omit the strap for a ruffled clutch). The interior circle from the ruffle is unused and can be turned into a decorative flower by pinching the centre and securing with a few hand stitches.

Springtime Heidi dress

I’ve been doing so many bits and pieces over the last fortnight, between making and fitting the bridesmaids’ dresses, doing some experimental pattern drafting, and a huge amount of gardening that it feels like I started sewing BurdaStyle’s Heidi dress months ago! It really didn’t take very long to sew at all, it was more that I was doing in in small chunks around everything else that made it last so long from start to finish!

I bought this brushed cotton fabric in Brighton last June for (a rather expensive for me) £10/m, but I liked the print too much to care. I also lined this with a silk/cotton voile from Goldhawk Road which makes it really airy and lightweight for spring and summer.

Selvedge Magazine

I’m glad so many of you have been enjoying my recent book reviews, but I’m sad to say this is my last for a while. Selvedge is technically a bimonthly magazine, but with the page count it’s really more of a mini-book, kinda how (no longer in print) Craft: magazine was.

But that’s where the similarity ends, because instead of a bunch of how-tos, Selvedge focuses on the celebration of fabric and textiles, with a bunch of really interesting articles. It’s total fabric porn, written and produced by a small band of dedicated enthusiasts, and I came away not only reading it cover-to-cover, but feeling like I’d learned so much from it. I honestly can’t remember the last time I read a sewing/craft/fabric magazine or any magazine for that matter cover-to-cover! This was like 3 weeks’ worth of breakfast reading!

My scanner really doesn’t do these pages justice since the page size is bigger than my scanner size so a lot of cropping had to take place. The pages are nice and thick and the ink SMELLS amazing, so with the artistic layout, it really does feel like a treat to read.

This issue I have here is about quilting, but each issue focuses on something different in the world of textiles (the next one is “the romance issue” with lots of wedding stuff, hooray!).

This feature was celebrating the crisp cleanness of White fabrics. “Life is not an egg and spoon race”, indeed.

Which Sewing Pattern Magazine?

There have been quite a lot of people wondering about the various sewing pattern magazines out there and which they should buy or subscribe to. Since I’ve been primarily sewing with pattern magazines over the last few years, I thought some of you might appreciate my opinions on the major pattern magazines (and no, I’m not getting any kickbacks or referral money from any of these links, if it wasn’t obvious!).

For all of these magazines, you receive a glossy magazine with lots of nice photos of models wearing the various designs, and there will be a section containing the technical drawings, instructions, and fabric layout for each design. Patterns are included in a special folded bunch of papers (usually stapled in the centre so you can pull them out easily without damaging the rest of the magazine). The patterns come in a variety of sizes, but none of these contain seam allowances and you need to trace them off the sheets provided.

I trace my patterns using a serrated tracing wheel and brown kraft paper, but many others prefer to use tracing paper and pencils. I add my seam allowances when I cut out my fabric by simply cutting 5/8”/1.5cm away from the edge of my paper pattern, but there are double tracing wheels available to do this for you.

Bits and Pieces

Ok, so to take a brief break from reading material, I thought I should update you with what I’ve been up to in the sewing room…

Bridesmaids dresses

I had the first fitting of P’s muslin, and there are surprisingly little changes to be made – raising the neckline and armscye, pulling up the waistband by a centimetre, and that’s about it.

So I’m doing a second version of the bodice for her to try on this weekend, and then I unpick the skirt off that muslin and attach it to G’s bodice (the skirt is enormous and I didn’t have enough knit muslin for two!) and have her first fitting while I get down and dirty with the waistband pleating. I’m anticipating the pleating to be the most time-consuming part of both the dresses… (Earlier post about the dresses and colours here)

A spring dress

I finished a nice Springy version of BurdaStyle’s Heidi dress yesterday (finally!).

It was just waiting for a hem for nearly a week, which is a long time for me. It’s nice timing as Spring (or maybe even Summer!) arrived this weekend and it was gorgeous outside on deck with the barbecue going and everyone hopping from boat to boat. I’m hoping to do a photoshoot tonight now that we’ve got daylight for longer in the evenings…

KnipMode Spring 10 roundup

The flowers are out, the sun is shining, the geese have started nesting on our barges, and I’ve gone and bought the last few months of KnipMode magazines to see me through…

February 10

KnipMode often do celebrity style features, but this time it’s (squeal with me now—) Michelle Obama style!!

The first jacket/dress combo is a bit matronly for me, but I love the shirtwaister with the pleated hemline, as well as the layered skirt. Though, as NancyK learned with the Oprah celebrity-style dress, when Knip don’t sew up a sample themselves for the magazine, it’s always a good idea to make yourself a muslin first!

Ooh, look at this cute Plus jacket and jeans (yes, Burda, this is what Plus sized women look like. No, we are not afraid nor are we turned off the pattern because of it.)

In fact, this outfit totally reminds me of the jacket + jeans combo I liked in the November 09 issue:

Metric Pattern Cutting

It’s fitting that Neighbour Helen decided to buy me this book for my birthday, as she’s the one who got me interested in drafting recently, and she liked it so much she bought one for herself, too!

I’ve heard that this is one of the best pattern drafting books around (alongside the Armstrong book, but there’s a £60 price difference there, too!), and I can see why. It’s certainly not an easy book to get to grips with, but if you’re a visual learner like me, then you probably really only need the drawings to be getting on with anyway. The book is absolutely packed with different blocks and various sleeve, collar, skirt, dart, yoke, etc drafts, with precious little else included. It’s a book that doesn’t mess around and gets straight to the point, which is great as it doesn’t take up much space on the bookshelf, either (frankly, I’ve seen thicker magazines!!). There are no wasted pages here, and Winifred Aldrich certainly doesn’t mess around!

An IKEA sewing room

From last summer, just before my transplant… As Kristy pointed out last year, the Aneboda chest of drawers […]