Search Results for: a black travel skirt

Digital-print Cowl neck top

Every now and then, I feel like I really crack a garment – I end up with something that truly blends the most perfect fabric with the perfect pattern. I wasn’t entirely sure until I wore it for a day, but this top really nailed it! It feels 100% designer, special, and yet me at the same time.

The cowl-neck tee pattern is from the October 2014 issue of Burda magazine or available to buy individually as a pdf, and it came in three versions – a plain top (which is the one I made) – a tee sliced into various colourblocks, or a plain dress.

But this garment is really all about the fabric, and the pattern itself plays a supporting role. In fact, most of the time, care, and attention to the entire process was in placing the pattern pieces! Look what I had to start with:

I bought this digital print lycra from Ditto Fabrics when I was down in Brighton this summer (an Italian designer offcut that I snagged for £15!). Originally I thought I’d have the main body in the trompe l’oiel knitted houndstooth as that was what drew me to the fabric, but the houndstooth portion wasn’t quite long enough for the front and back, so I placed those over the “lace” portions and cut the sleeves from the houndstooth instead.


Worn with my Colette Beignet skirt I made back in 2010 that’s sadly, a bit too big for me now (it’s really relying on cinching that belt!

I used a size 40 for the first time here, which is my “new” Burda size since I’ve lost a few cm through training, and the fit is just as I’d like it, really. I loooooove the slim fit sleeves in particular on this pattern. They’re extra long here, too – it’s noted in the instructions are that the sleeves are 10cm longer than normal. I wasn’t sure if I’d keep them extra long or not, but as I was laying out the sleeves, I saw that the piece overlapped into the lace print area nicely, creating a sort of cuff-effect at the sleeve that I really liked the look of:

My day on set

I wrote this post back in October, but couldn’t talk about it until now!

I got a call on my mobile and in less than two hours I found myself on the set for The Great British Sewing Bee, rifling through the on-screen sewing supplies and marveling at the endless array of haberdashery available to the contestants! The next day I was whisked off for an emergency manicure, and before I knew it, I was demonstrating sewing techniques in front of two cameras under the bright lights on set!

Now, before you jump to any conclusions, no, I was not a contestant! (I did apply again this year, but my Mexican holiday fell right over their filming dates). I stepped in at short notice to help the production team with some extra “how-to” videos they film for BBC Learning, to teach people how to sew projects that relate to the challenges made in the show. Kinda like saying “You know that cool thing that you just saw a contestant make? Well, look how simple it is to make something similar!”

For this, they needed someone who could sew (obviously!), write sewing instructions which could then be translated into cues for the cameramen, editors, and voice over artists, and also perform well in front of the cameras. And those three things are pretty much what I excel at and enjoy doing, so it was a massively enjoyable day for me!

The current Sewing Queue

I’ve found myself at the end of yet another extraordinarily busy week, one where we’ve been out pretty much every single night, and we’ve had a friend over from the States, too. However, I have managed to make progress, albeit slow, on my swirl sheath dress in a series of 10 minute segments snatched here and there.

Since I bought my silver stretch lining fabric on Goldhawk Road last Saturday, I’ve managed to sew and press all the darts (the lining uses the original base pattern so no swirls inside), attach it to the facings, sew the side seam, and attach it to the invisible zipper.

Here’s the back of the dress hanging flat in my sewing cave:

I did the lining hem by machine, but the coral fabric hem needs doing by hand, possibly in the car this weekend. The right side strap also needs a little bra keeper snap strap to keep it in place as it’s a pinch too long. Otherwise it’s done!

It doesn’t quite fit as well as the muslin did when I made it last summer though, but that’s down to me rather than the pattern – I’ve got a big track race next weekend in Sheffield for the British Transplant Games and my trainer has put me on a training diet to shed as much excess weight as possible before the race, as this translate directly into seconds on the track.

She and I were both taken aback by how successful this has been – I’ve lost 4cm (1.5 inches) off my waist and hips and 4.5kg (10lb) in four weeks! If it wasn’t for the hours of running up hills I’d suggest she sell it as a diet plan (the running would reduce its popularity somewhat!). And really, don’t be concerned, as I’ve been stuffing my face with fruit and veggies and lean meats pretty much continuously all month, so I’m not on some idiotic juice cleanse starvation diet or something.

The downside of this is that all my trousers and skirts are hanging off me (my poor Beignet skirt has a cinched paper bag waist now!) and I’m in desperate need of new bottoms. I was planning on sewing up a few pieces for our upcoming Mexico trip next month(!!) but now it’s clear I need to sew as many bottoms as possibly and just pack tops I’ve got already.

I’m still mentally putting together a nice travel wardrobe plan (which I shall reveal in good time), but my immediate sewing plans are thus:

Goldhawk Road meetup & acquisitions

I’m lucky to live in London for a lot of reasons, but one of them is certainly the access to great fabric stores and the frequency of meetups at said stores with other like-minded sewists. They usually occur every few months, but with my crazy social and running events calendar, it’s usually really difficult for me to attend. However, this time around, the meetup coincided with a “stepback week” in my running (a planned lower mileage week to give your body a break) so I only had a one hour run on Saturday morning before the meetup. Yes, I realise the craziness of using “only” in that sentence.

In any case, you should go read Claire’s writeup of the day as she organised everything down to a meticulous degree and posted some amazing photos taken by herself and also Dibs!

This post is more about my own shopping and acquisitions from the day, and I know from past trips to Goldhawk Road that I really need to be strict with myself or risk returning home broke and dragging binbags full of fabric behind me. So I came prepared with a shopping list and only £50 cash to spend (in the past I’ve actually left all my cards at home, too!).

Things on my shopping list:

  • Stretch lining for the swirl sheath dress

  • Power mesh in black & beige (for both lingerie & activewear linings)

  • 2m heavy jersey for a travel skirt

Here’s a shot of my total haul. Not only did I get everything on my list, but I stayed within that £50 budget for the day (which included lunch & drinks!).

My first purchase was the power mesh – 1m of both black and beige from A-Z Fabrics for £4.95/m. They had loads of colours, too, and I was glad I bought it there when I saw shortly afterwards that Classic Textiles was asking £10.95/m for theirs! I didn’t buy anything at Classic this time around, but I was tempted by the ponte knits by the door.

Open-backed Splatter tank top

It’s not quite a “Quick Knit Top” in my eyes, but I wanted to try out one of the running top patterns I selected in my Spring/Summer 2013 Sewing Ideas before I jumped headfirst into sewing another pair of jeans. I pulled out KwikSew 3672, which my mom bought for me a while back in one of the pattern sales you all get in the US. Otherwise KwikSew tend to be pretty expensive over here and I’d probably never got around to trying it!

Despite being a fairly recent pattern, it’s already OOP so act fat if you like the design lines! I’ve only made the top this time, but I think the skirt could be perfect for travelling if made in a hefty jersey. The splatter-print jersey I used here is from Minerva – it’s a bit 80s but I thought it’d do nicely as a test-top as its soft and has a nice weight. For the shelf bra lining I used a lingerie nylon(?) but in future I’d suggest something more supportive yet breathable like power net. Obviously for heavy-duty running I’d use a wicking supplex for the exterior, but for several reasons I’ll go into below, this pattern isn’t suited for running anyway.

I never trust Big 4 sizing any more so even though my measurements matched up perfectly with size Large, I still laid my jersey sloper over the nested pattern and ultimately decided Large was probably the best bet anyway.

Even though my fabric isn’t anywhere near as stretchy as the guide on the pattern envelope (who actually uses those, anyway??), the fit is still very nice, and as far as I can tell, very true to size considering I was smack-dab in the Large measurement range! I’d definitely describe this as close-fitting though, and the length feels just about perfect to me, too. The only fitting issue that surprised me is how high the neckline is in front! This feel seriously matronly to me – I’d normally have this at least 3 or 4 inches lower in a running top!

This pattern has an shelf bra, which contains the bulk of my problems with the pattern: the finishing of the under-bust elastic leaves exposed elastic against the skin (what?), an unfinished (albeit small) top edge inside, and unflattering and bad gathers that neither support nor make for clean finishing.

Burda magazine June 2013

I’m a tad late with my review of the latest Burda magazine (or as it’s known these days “Burda Style” – but that just makes it too confusing with the other zillion things they do with the same name), but a) it arrived in the midst of my World tour, b) it’s competing with both the April and May Manequim magazines, and c) well, I have made something from it already so I think I’ve earned a pass!

In any case, this is a surprisingly good issue, despite being a summer one!

First up is this sheath dress with angled side panels and hand-stitched details. On first glance it appears quite vintage-inspired, but the sharp seaming in the line drawing actually shows it’s a pretty modern draft!

I chose this next image not really for the batiste skater skirt (which isn’t really my style), but because OMG is this the first black model Burda have ever used?? And I realise this is the “street style” section so she’s not really a model per say, but seriously, I cannot believe how white Burda’s models are, even when they’re showcasing African or Moroccan or Asian inspired patterns they still use white models!*


A bit of an aside, but as I was travelling the other week I saw a massive advert for the German Wings budget airline with three cabin crew ladies: a blonde, a brunette, and a redhead. To which I chuckled to myself “oh, it’s German diversity!”

Next up is a nice figure-hugging knit dress with a cowl neck and gathered side seams. It’s also available as a top, which I think would be an excellent summer basic, or even for layering under jackets.

Inspiration from all angles

I’ve got lots of bits and pieces on the go right now, and I’m finding that I’m being inspired by lots of little things – not just from the fantastic last few issues of pattern magazines (hello, August Burda!), but also some supplies which have found their way to me, like this amazing laser-cut eyelet zipper from my friends Alex & Liz, bought at the V&A shop!

Mine’s skirt-length and now I totally want to make a pencil skirt with an exposed zipper just so I can show this off! After I got mine, I’ve since seen that they’re available on etsy in a bunch of different colours, too.

Not long after that, I was approached by the owner of Lots of Buttons asking if I’d like to try their shop for free. My initial reaction was that the prices in dollars surely meant exorbitant shipping to the UK (boo!) BUT as it turns out, all the orders are fulfilled in Hong Kong so the shipping is the same anywhere in the world (great for the Antipodeans, too!).

So I picked out some basic black horn buttons (just like the ones my stash was missing for my black knit trousers the other week), and some gorgeous overlapping metal buttons I thought would go really nicely on a jacket. All in, these would’ve cost me $10 total (with shipping), which is like half the cost I pay to get nice buttons in central London, with a travelcard cost on top of that!

These arrived in 7 days, too, along with a discount code for my next purchase. I also really like that they seal off each button type in its own clear plastic bag, so you can see what’s inside without them all getting jumbled up together. Genius! So I went from being skeptical to totally pleased and very happy to recommend them in the space of about 10 days!

Temporary sewing

While our boat is in drydock for maintenance, we’re temporarily living on a very kind neighbour’s boat. Packing for a month (though possibly 2 weeks) was a challenge in itself, as you want to to give yourself choices (in clothing, entertainment, comforts, and cooking), but yet you’ve still got to physically move everything, so you don’t want to overpack, either.

I brought the bare minimum of sewing supplies, which for me means my JL Mini sewing machine, which is great for travel and beginners alike (speaking of, I have a friend who’s selling her identical red JL Mini as she’s upgraded to a fuller-featured machine. If anyone’s interested in buying it from her for £30, please leave a comment and I’ll put you in touch!).

I also brought a few patterns and the fabrics to go with them, and I set up a temporary sewing station in the bedroom we’re staying in:

I thought it was quite amusing that the only place in the boat that was suitable for sitting and sewing was a pretty dressing table, and my boudoir sewing station inspired me to start one of my transported projects last weekend – another Ruby Slip!

My first Ruby Slip was seafoam green with brick red lace and I loved it so much that I knew I’d be making another. If you missed the discussion then, Sherry offered a free pdf pattern and fantastic photo tutorials, which I highly recommend, even for beginners, as it’s beautiful and quite easy to sew (especially if you choose a thin cotton lawn).

To match my sewing station, I set up a pressing station in the kitchen, with a travel iron and mini ironing board which live on the boat.

Post-coat winter sewing plans

Now that I’ve got my big winter coat sewing out of the way, I can turn my attentions to filling in a few gaps in my winter wardrobe. Sewing these things now means I can get another good 3-4 months of wear out of them before moving on to short sleeves and lighter jackets (no really, for the past few years we’ve had flurries and hard frosts in April or May).

So I’ve gathered together the patterns I’d most like to sew along with fabrics I’ve got in my stash that would help fill my wardrobe voids…

Starting at the top of this collage, we’ve got: