Blog

Surf to Summit Top – Winter Merino version

Wow, thank you all so so much for your enthusiasm on the launch of my latest patterns! More than one person went and bought all seven of my patterns in one go, too, which is just crazy wonderful! Can you imagine the fun weekends of sewing them all up?? I’ve been totally bowled over by your comments, encouragement, and enthusiasm, and I haven’t even shown you all the great versions I’ve been busily sewing over the past few months yet, either.

I’m going to start with one of the more basic versions, but one that should particularly appeal to those of you experiencing a North American winter right now, as it’s perfect for winter base layers. I sewed this one up in a freaking fantastic merino jersey which has a wicking backing fused onto it. It came from Mill Yardage in America, and I also bought the mustard colourway, too, which I actually love even more than the teal! I highly recommend grabbing 2yds of this if you’d like your own version (I have no affiliation whatsoever!).

Let me first take a minute to introduce Emily, my athlete-model for the ladies’ version of the pattern. Emily runs with me every week at Run Dem Crew, but we also ran the Copenhagen marathon together a few years ago, too. But Emily is a truly talented, multisport athlete – she’s not just a runner, but an avid Cornish surfer, snowboarder, and skateboarder, too. She also cycles just about everywhere in London, so she was the perfect choice to show the versatility of the Surf to Summit Top pattern!

On sale now – Surf to Summit Top pattern for men and women

It’s finally here! After months of hard work, dozens of pattern revisions, ten sewn samples, three athlete-models, and meters upon meters of spandex, the Surf to Summit Top is on sale now!

Both the men’s and ladies’ versions feature princess seams, side panels (so no side seams!), your choice of long or short raglan sleeves, optional sleeve mitts for keeping your hands warm without fiddling for gloves, a tall integral collar to keep your neck covered, and your choice of two hem lengths. An optional half zip and back cycling-style pocket are also included.


Click any image to make it bigger!

This pattern truly does cover all seasons and a multitude of sports – everything from a rashguard for surfing, to a winter base layer for skiing! Plus you can make a traditional cycling jersey with it, and I absolutely love it for winter running.

Coming soon: The Surf to Summit Top pattern

My next sewing pattern is very nearly ready to release, so it’s high time I gave you a pre-release look at what I’ve been slaving over the past few months, right? I’ve been dropping hints all over, but this pattern will be released simultaneously for women and men for the first time ever! I’ve been wanting to release menswear patterns since the very beginning and I’m super proud that my first is such a versatile one, too.

My official description is:
A top with long or short raglan sleeves with optional sleeve mitts, tall integral collar to keep your neck covered, princess seams with side panel, and your choice of two hem lengths. An optional half zip and back cycling-style pocket are also included.


Click any image to make it bigger!

This one’s called “Surf to Summit” because with all the optional extras, you really can wear it for surfing, running, cycling, and skiing or snowboarding, as well as just as a regular casualwear base layer, too.

The men’s version has the same style lines and optional extras, but has a completely separate draft, with a straighter cut which a lot of men tend to favour over the ultra slim-fitting fitness tops.

Mustard ponte seamed sheath dress

Like many of my most well-loved dresses, this one was quite a long time in the making. A few years back I’d bought a yellow ponte sheath dress from ASOS that had some amazing seamlines. I don’t often buy clothes anymore these days (preferring to spend my time sewing than fighting my way to the shops, or waiting days for an internet purchase that’s low quality or not quite right), but I really liked this dress, and wore it often despite the sleeves and hem being too short. Inevitably, the yellow also got dingey and pilled over time, but I still liked the overall design.

So I traced it! I literally just laid the dress over brown paper and ran a serrated tracing wheel over the different sections, leaving an impression underneath, just like how I trace patterns. I remember I traced James’s well-loved linen shirt at the same time, so it was a few months ago, and even though I had this mustard ponte in my stash for even longer, it took me a while to get around to sewing it up.

It may look like a complicated design, but it’s actually really quick to sew up on the overlocker, and only the back invisible zipper takes a little bit of sewing machine time.

Here you can see me holding the original dress, whilst wearing my copy!

All the things I loved about the original dress are present here – the figure-hugging design, the flowing, curved panels, the vibrant colour – but the sleeves are nice and long instead of “unintentional bracelet length”, and the hem doesn’t go scandalously short when I bend over!

Patrones 343

What a nice surprise! I wasn’t expecting this magazine at all, but my in-laws were visiting Spain recently, saw it on a newsstand, and grabbed it for me. I’m so glad they did, too, as not only is it a great issue with a bunch of wearable separates (much better than dozens of holiday dresses), but it also sees the return of the designer names!

Granted, it’s been a while since I’ve had a Patrones magazine (18 months by the look of things??), and to be honest, I’d gone off them a little bit. But this one has me excited again that they might be turning things around and getting back to their heydey of a few years ago… But let’s not get ahead of ourselves – let’s take a peek inside, shall we?

There are a ton of button-down shirt patterns in this issue – some traditional, some more blouse-like for flowing fabrics, and some more unusual, like this one with the attractive yoke panelling, dolman sleeves, and unusual centre front invisible zipper. I’d need to do a muslin first, of course, but I’m keeping this one in mind for the unusual Liberty lawn I bought earlier this year, especially since this shirt needs less than the 1.5m I bought.

To run the risk of sounding entirely predictable – ooh! A short coat! Yes, I know I’m consumed with short coat/jacket patterns right now, but this one is a good example of a design I rarely see outside Patrones (and the seamlines are really similar to the grey tweed jacket I made a few years ago that I’ve worn to death!).

There’s a fantastic feature in this issue which contains a ton of designer dresses and jackets, but ones that would be not only quick to sew, but could easily work for office attire. First up is this Joseph sheath dress – quite plain in the front with only two horizontal seams, but the back features a flounce from shoulder to knee. Also shown here is a Zadig & Voltaire jacket, which has a pretty traditional tech drawing, but made more interesting for leaving some of the edges unfinished to fray.

A Tour de France inspired box bag

Today is James’s birthday!!

I recently noticed his dop kit (toiletries bag) was getting a bit ratty, and I thought it might be nice to make him a replacement, and I stored the idea away in the back of my brain for a while. Then I saw that Spoonflower were having a BOGOF sale on all fat quarters, so I jumped at the chance to buy him some nicely coordinated Tour de France fabrics, since he loves Le Tour!

Since you could mix and match the base fabrics, I bought one fat quarter of “Vive Le Tour de France!” printed onto recycled eco-canvas for the exterior, and a fat quarter of “Les Montagnes” on quilting cotton for the lining. The colours are nice and manly, the prints coordinate perfectly, and it was a pairing I really hoped he’d like.

I then went in search of a good, free boxbag tutorial that wouldn’t use more than a fat quarter, was lined, and looked good, and I settled on my friend Stacy Sews’ free box bag tutorial, which also comes as a pdf if you’d rather view it on your tablet as you work (like me!)

Designer colourblocking inspiration

My next pattern is off with the pattern testers right now and I’m frantically sewing up final samples for photoshoots, filling in missing illustrations, and responding to comments as they come in, but I’ve managed to occupy my brain with the thought of things I might sew for fun next!

I did indeed wear my traced-from-RTW mustard yellow sheath dress to Number 10 Downing Street last week, and even managed to get some photos with the famous door(!) afterwards, but you’ll have to wait for those until the proper photoshoot is done showing the rest of the dress details in some decent lighting.

But I can say already that I love the dress! It needs some slight tweaking to the shoulder area, but apart from that, my tracing was spot-on, and I’m so chuffed it turned out so well without a muslin.

The crazy seaming really started getting my brain thinking about all the ways it could be colourblocked, though, and I looked up and suddenly found inspiration from a magazine photo I’d cut out years ago and had hanging on my sewing cave wall!

So I rummaged through my ponte scraps and realised that I had the most perfect shade of teal viscose ponte leftover from a client commission, and together with the leftover mustard scraps (and some newly-bought white ponte), I could make my very own Chalayan-inspired sheath dress!

I whipped up a tech drawing in Illustrator so I could play with the different colourblocking combinations, and I’m not sure which I should go for.

I’ve only got 1.2m of the teal and even less of the mustard, but I could buy whatever white I need to make up the rest. I think I have enough to make any of these combos, but I will of course double-check with my pieces before I order the white.

I also finally sewed up a muslin of this short coat from the Sept 2010 Burda (also known as one of my favourite issues Of. All. Time.):

Triathlon Leggings and Three Molehills

I’ve been a fan of FunkiFabrics for a long time (ie: before it was cool!), having made a sports bra, shorts, and leggings from their digital print lycra back in 2013. I’ve been meaning to get some more to use for myself, but it always felt like I was buying it on request for clients and students and never for me!

But recently I decided enough was enough ad I splurged on some luuuuuuuuuscious Funki Fabrics lycra in the “triathlon” print (bought with my own money). This fabric could not be more me – geometric print with turquoise and purples?! (It also comes in a red/orange/pink colourway).

I teamed it up with the basic, one-piece Kwik Sew leggings pattern that I’d recently altered in strange places to suit my runner’s legs, so I knew that the pattern would work well on the run and not bother me by shifting around! I’d made these with an eye to wear at the Three Molehills race, but the old adage “Nothing new on race day” lives deep within my psyche, so I took them out for a test run through Hampstead Heath (and the infamous Swains Lane) the weekend before:

It was only a short loop round the Heath, but long enough for me to tell they were going to be great (and that the mud washed out of them just fine on a cold sports wash!).

When I got home and put a sweatshirt on to warm up, I realised how well the print teamed with royal blue as well as purple! It’s a definite bonus for me when I can pair leggings with a number of tops in my running wardrobe…

So when the morning of the Three Molehills race arrived, I wasn’t even all that concerned that the forecast was for heavy downpours the entire day – at least I had fun leggings to wear round the super hilly, 16 mile course mudbath!


Photo credit: SussexSportPhotography.com

Burda magazine December 2014

It’s the last issue of the year, boo hoo! Oftentimes Burda have some easier projects (including menswear) you can make for gifts in their December issues, but this one’s just for ladies and girls. I initially wasn’t that impressed with this collection, but the more I looked through it, the more I found myself drawn to a few…

I’ve often admired the sequin tops other sewists have made, but I’ve never quite gone as far as to buy some sequin fabric for myself. This boxy jacket might change that, however!

This dress is the Tall offering this month, and even though the shorter, peplum top versions works fairly well, I pulled this out because the simple act of adding a straight skirt onto the curved seam means the model looks absolutely pregnant. Not really a look anyone wants, and it seems like a good idea drafting-wise. But in practice? No!

I’m really not a fan of the dress (square neckline, yes, but the puffy sleeves and awkward pleat at empire waist? Urgh.), but I love the little girl’s coat! Like the trench cape a few issues ago, I’d totally make this if it were in adult sizes!

This little boxy jacket for girls feels like the sister to the ladies’ sequin jacket above. They’re both for special fabrics and have a similar fit and seam lines, without feeling too “mini me”.

I utterly love the asymmetric collar on this coat, plus the off-centre closure, and (though it’s hard to tell in the garment photos) the hidden pleating just above the pockets would really give this some wonderful shaping. They’ve gone one step further and appliqued fancy lace over a portion of the wool coating, which I just love. Two thumbs up for this one, Burda!

In progress bits

Contrary to the amount of time I’ve been spending behind a computer recently, I actually have been finding some time here and there to sew, too. It’s just, well, most of it is for my next pattern, which is going well, but is still at least three weeks off going live (sorry!). It turns out that, even though I can reuse some parts of the pattern between the men’s and women’s versions, there still an awful lot of extra work involved in creating two versions!

You might reasonably expect that I’d have to make twice as many samples, but there’s other added time involved with “invisible tasks” like walking seam lines and measuring finished garments, for instance. While both are made considerably easier done digitally, and even moreso if you’ve organised yourself a nice little Excel spreadsheet to do the heavy calculating and imperial converting, there’s still an awful lot of measuring to be done. But it gives me a little thrill when I can see my finished garment measurements vs body measurements equating to ease, down to 1/100ths of a mm!


This is just a small portion of my spreadsheet – the other bits gave too much away!

If you want to be the first to hear details of my new pattern, then now is an excellent time to sign up for my FehrTrade patterns mailing list, which which you’ll find at the bottom of my Shop front page. If you ticked “Yes” to marketing emails when grabbing my free Running Armband Pocket pattern, then you’re already on it. And I absolutely promise you that the email volume will be really low volume and only important stuff, like sneak previews and special voucher codes.

So on top of getting my next pattern ready to send to my two teams of pattern testers, organising athlete-models, and sewing up more samples, I’ve been spending my office hours working on an upcoming sewing book (not mine!) for a publisher, too. So it’s good practice in double-checking instructions and illustrations, but it is rather brain-taxing to be doing all day!

I’ve managed to squeeze in a few “Fun Sewing” projects, though, including a pair of leggings made from some luuuuuuuuuscious Funki Fabrics lycra (bought with my own money).