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A camisole from the ashes of failure

It all started back in March when I received for my birthday both the royal blue ponte knit fabric and a Marfy pattern I’d requested (#2935). I was enthusiastic about both, so much so that I spent the day after my party making up the dress.

The first issue came about when I realised that the pattern was missing a piece for the horizontal waist sash. It was pretty obvious it was just a rectangle, but the dimensions of it would be useful to get the gathering right, so I emailed Marfy, and got the following unhelpful reply when I asked for the dimensions of the missing piece:

“you are right, sorry. The important thing is to cut the piece on the bias so that it will follow the body. You can decide the width you prefer, and you can close it on the back.”

Ummm…

But that was just the start, because the horizontal sash was really the least wrong this about the dress. It’s a basic, long sleeved knit sheath dress with front and back darts and waist seam, but then there’s a weird set of gathers above the bust at the centre front that just reminds me of a vagina no matter how much I look at it, and this created a weird lump of fabric just above the bust that had to be pinched out.

But it goes on, because the diagonal sash was angled incorrectly and way too long, but if it was pulled tight enough, it started to bring the neckline down, too. The length was really dowdy, and overall, it was just a really unflattering dress. Somehow it looked straight out of the 1940s despite being modern, and it’s pretty much impossible to have a fabric that is both thick enough to wear on the body but thin enough to stand up to all that draping. Big, big thumbs down for Marfy 2935. This is actually my second Marfy pattern, and the second that hasn’t worked for me, so I’m kinda washing my hands of the whole company now…

But I still really liked the fabric, and wanted to do something with it to reclaim it, so this monstrosity of a muslin stayed on Susan (my dressform) literally for months. My friend FJ would come by and be like “Is that thing still there? You have got to do something with it or get rid of it – it’s bringing you down!” and he was totally right.

But despite being a big dress, the uninterrupted pieces weren’t very big so I had to choose my pattern carefully – and I pulled out the Seamster Patterns Yellowtail Camisole pattern that I’d bought and printed out last summer but hadn’t quite gotten around to making before the weather cooled off.

I was able to fit the pieces into the Marfy dress (plus it felt quite cathartic to cut the sucker up!) and it was really quick to sew!


Seen here with my Donna Karan leggings from earlier this week…

Donna Karan denim-look leggings

Yikes! I actually made these leggings back in early July, but then it was so hot and sunny for weeks that I couldn’t bear to do the photoshoot, even though I was wearing them in the evenings a lot. The impetus for these was that my beloved pleated “denim-look” leggings had come to the end of their life through heavy use. I’ve been trying to find the time to sew a new pair of denim-look leggings over the entire summer, even buying in the fabric ahead of time so it was all ready to go, but alas, other work had gotten in the way.

But then I finally had some spare time so I pulled out my denim-look jersey and Vogue 1378 – the Donna Karan separates pattern.

I’d made these leggings a few months ago in grey ponte, and I really like them – except for the floppy ankle opening things. Those really annoy me, limit my shoe choices to heels, and generally just don’t work for me. So I’d already altered the pattern by overlapping the two ankle pieces and drawing a new seam line where they intersect, and I used the modified pieces here.


Seen here with my new Yellowtail Camisole – more on that later this week!

Fehr Trade x Laurie King fabric – first samples

Thank you all so, so much for your enthusiasm and compliments on the launch of our fabric designs last week! I’ve been swamped with work (which is great!) but managed to squeeze in some time to sew up the first two samples – a VNA Top and Duathlon Shorts (booty length) in the coordinating “Maps” citrine & black colourway.

So if you buy one yard of the “Maps” citrine/black VNA fabric and one yard of the “Maps” citrine/black Duathlon fabric, this is what you get! Cool, eh? There’s more photos of me modelling at the end, but I know loads of you were waiting to see finished versions first before taking the plunge!

Having cut out and sewn both, I took some photos throughout the process, and have a few tips as well. The previous post shows you how to lay out your pieces onto the different zones, but in real life, I know my makeshift cutting table (err, desk!) isn’t big enough to hold the full yardage.

So the first thing I recommend is to cut the fabric apart along the different zones and trim the white borders.

This makes it a lot easier to match up the edges so you can fold the zones in half and cut on the fold (or in the case of the Duathlon shorts, cut two layers at once). It also means I can fit the fabric onto my cutting table!

A speedy weekend

Wow, thank you all so much for your enthusiasm and support for the new fabric designs – I’m so glad you all are as excited by the idea as I am!!

Unfortunately, however, I didn’t get a chance to sew them up into samples over the weekend because I was up north in Bolton competing in the British Transplant Games! On Saturday and Sunday I raced in the 3km “mini marathon”, 1500m, 800m, 400m, and 200m (my planned mixed relay race was cancelled due to poor weather).

The bulk of my races were on Sunday (in the sideways rain!), and I’m proud to say that I competed in my own designs – a VNA Top and a pair of Duathlon Shorts, booty length. I must say, this particular combo makes me feel so speedy and confident that I just loved racing in it. Also, if you haven’t tried the booty length, adding silicon “gripper” elastic to the hems makes a world of difference – they don’t budge at all, and were comfortable enough to wear under my team tracksuit all day.

Introducing… FehrTrade x Laurie King fabric designs!

By far the single biggest question I get with my exercise sewing patterns is “Where do I buy good fabric?”. Despite compiling a list of global stockists of exercise fabric, I totally get your frustration – it’s getting a lot easier to buy nice colours and quality wicking lycra, but prints are still difficult to get a hold of, and when you can, it’s often costly and difficult to match colours.

But what if you could buy just one yard of fabric and be able to sew up one garment with coordinating colours and stylish prints, and mix and match to make outfits that coordinate together, too?

I’m super pleased to announce that this is exactly what I and illustrator Laurie King have made happen! Laurie is an avid cyclist and dad to two small boys, and I’ve been a massive fan of his hand-drawn style since before he made that amazing couch on ITV’s The Cycle Show!

I’ve had this idea brewing for about 6 months now, but it took a design session with Laurie before the idea really came to life. Since I know the exact size and shape of all the pieces for my sewing patterns, I’ve created “zones” of print and colour on one yard of fabric using two of his prints in three different colourways. These prints are exclusively for your fabrics, too!! So there’s very little chance you’ll be exercising and catch someone across the room wearing the same thing!

The first collection is comprised of two prints – “Zigzag” and “Maps”, using three different colourways – “citrine/black”, “purple/citrine/teal”, and an “earthy” mix of forest green, slate blue, and muted red, which should be perfect for Fall and Winter. The idea is that we’ll be changing these up and releasing different designs a few times a year, too, so we’re open to ideas on colour combinations you’re loving!

Very many VNAs (And other FehrTrade Patterns!)

Wow, has it really been over three months since I did the last FehrTrade patterns roundup post? Well, in that time it’s clear that neither you nor I have been taking it easy, because I have so many amazing sporty garments to show you!

Frau Fleur’s triple Duathlons

Fleur Hoare liked her Duathlons so much that she made no less than THREE pairs, including one made up in crazy cat-print lycra (that I am also now the proud crazy cat lady owner of)!

She also gave a great tip about creating a fold at the top of the pockets if you want a bit of extra security, which is totally worth checking out.

Sarai & Kristen’s coordinating cat-print race gear

But if you thought these would be the last cat-printed exercise gear you’d see all day, then friends, prepare to have your expectations exceeded. The Colette Patterns ladies went and sewed an XYT Top, Duathlon Shorts, and RTW-knockoff, all in coordinating cat-print wicking lycra.

And then ran a half marathon in them. BOOM!

Amélie’s star-print VNA & Duathlons

Amélie wrote me the loveliest email recently, telling me that she had once been very fit and active in a variety of sports, but had fallen out of the habit. But when she saw my pattern designs, she was inspired not only to sew them up, but also head out on her first run in years! How amazing is that?!

To start, she made a gorgeous red and grey star-print set using the VNA Top and the Duathlon Shorts, and she’s already got an XYT Top in the works, too!

StyleArc Pamela – the perfect summer dress?

I must be the only sewist on earth without enough casual dresses, but alas, the weather has turned very hot and summery and I’ve taken to just wearing the same jeanskirt and pair of 17 year old shorts (no, really) around the boat while I work from home. I realised I could just make any number of knit dresses, but that’s too easy, and besides, my knit stash is a little low and my woven stash is spilling over.

So I decided to pull out the StyleArc Pamela dress pattern I originally planned to make for my Mexico travel wardrobe last year, and pair it with the same blue linen (blend?) that was gifted to me by Veronica back in 2012.

It’s been ages since I sewed a woven for myself, so of course I forgot that they require pressing, which means heat and steam standing by the iron, ugh! But let me tell you, it was all worth it in the end because I totally love this dress. I think it might be the perfect summer dress, as it’s both casual and a little different, and you can change the look just by tying it either in front, or in the back.


(Yes, I had been wearing the dress all day before these photos – including two lots of treadmill running to whilst shopping for new racing flats!)

I bought the pattern when I was a StyleArc size 14 (I’m closer to a 12 now), so the dress is a little bigger than usual on me, but this works for summer because you can get a looser fit by tying the integrated ties in a bow under the bust. Or, if you want, you can also cinch in the waist by wrapping the ties around to tie it in the back. I’ve been wearing it about 50/50 according to my whims.

There are a lot of great little details in this pattern – the shawl collar extends to the centre back neck, falling nicely into an inverted pleat at the inset corner.

Burda magazine August 2014

Many thanks for your get well soon messages – I think it definitely worked, because no sooner did I post that than I started to feel a little better! I’m still not back to 100% right now, but I felt well enough to try a very easy and short run this morning, so thank you!

To show my thanks, I’m going to share my picks from the latest Burda magazine, which arrived this week. Usually the August issue is the start of the Fall fashions, but this seems more like a transitional issue – lots of summer wear but some great long-sleeved pieces, too.

First up from the “macaron pastels” feature is omg I must make this pieced sheath dress! Burda clearly love it, too, since they made it three times in this issue. My only letdown is that the back is very boring indeed, so if when I make this, I’ll be slicing up the back and adding similar diagonal seams like I did with my swirled sheath dress (still one of my favourites ever, I might add!).

The dress on the left really reminded me of the RTW dress I wore to a wedding recently – though you didn’t see the back, it too had a lower back cutout! I also rather like the pleated teeshirt on the right. It also comes in a solid-sleeve version and the pleating detail reminds me a lot of the pleats on the neckline of my favourite Manequim silk blouse pattern.

Now, I really hated the shiny, glittery, tacky disco fabrics they used in this feature with the “DJane” (a term which I’ve never, ever heard before. Nor had any of my music-industry friends – though urban dictionary has some feelings on it!). But, if you look beyond the gold lamé here this surplice-neck top has a lot of great design lines, and I love the idea of a pleated band, too.