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Mocha running top with hand mitts

I don’t stop running just because it’s cold. Last winter I tended to run in jackets over top of my sleeveless vest tops, but my weight loss over the summer means that my running jackets are all a bit baggy and stuff in my pockets tends to bounce as a result. I’m also too cheap to spend £60+ each on several new jackets!

So I’ve been favouring running in the only two long sleeved running tops in my stash – the purple one I made last December, and also the one I won at Bacchus in September. Two tops is clearly not enough for the 5-6 times a week I’m running now in preparation for London Marathon in April, so I decided to make a clone of my purple running top, this time in mocha.

Again I used the Christine Jonson Travel Trio Three raglan top pattern, altered to have a half-height collar and my own addition of hand mitts on the sleeves. This now makes the fourth garment I’ve made from this pattern across three of the four views (I don’t really need the “Ruana” wrap shawl!) so I consider it to be very good value!

The fabric here is special Under Armor “Cold Gear” fabric Cidell very kindly picked up for me from a shop in Baltimore last year. This UACG fabric is a totally different weight and hand-feel to the green ones with a brushed black reverse I’ve used for leggings, though, even though both bear the “Cold Gear” name. At first I wasn’t sure what to do with it but now I see it’s pretty much perfect for tops as it’s lightweight, warm, silky, and just generally really high quality stuff. It figures I have no way of ever getting more! (Said shop closed down, too)

Manequim magazine November 2013

I really should complain about my magazines not arriving more often – right after I mentioned that it hadn’t arrived yet, the (first) November Manequim turned up in my postbox! Let’s see if the second November issues makes its way to me soon… (Yes, Manequim has two issues in November. No, I don’t know why that is.)

In any case, it must be hoiday party season, because there’s a SEQUIN JUMPSUIT on the cover! Hooray everyone, let’s all dance in sequin jumpsuits!! (or, you know, chase after a toddler or do the laundry or sit in a cubicle…)

You wouldn’t know it unless you flipped to the back to check out the line drawing, but omg this jacket has incredible seam lines! I also love that it’s got the tuxedo-style notches, but no collar so therefore no roll to worry about either. Even the back looks amazing, with the extra seams around the sides. I reckon I could fit into a size 42 now….

On the very next page they’ve got another pattern with great seaming details – this time a corselette! Something like this would probably require a lot of muslins to get it fitting precisely to your own curves, but the payoff would be worth it.

Better with friends

Last week I had the unusual pleasure of meeting not one but two fellow sewists who were visiting London, separately, and on consecutive days!

First the amazing Dilly came to the boat, bring not only cake but this incredibly luscious silk twill!

Silk twill is something that is really difficult to find in London (unless you want it white and/or £50+/m!), and the monochrome nature print is so me, too. This definitely falls into the “too good for linings” category, so I think I’ll need to narrow down some of the amazing blouse patterns Manequim’s been printing and sew this up.

After hours of chatting and showing her around the moorings, I think I left her with a desire to live on a boat, and she left me with a renewed fire to go visit CERN! I’m also very impressed that she’s been keeping up with her own Burda Challenge this year, too!

Then, on Thanksgiving Day I met up with lingerie sewing guru Norma for a visit through the new Isabella Blow exhibit at Somerset House. I always find it’s best to see this sort of thing with someone who can share in your total geekery for seam lines and fine details, and there was plenty to geek out over, too! Really, this was an early Alexander McQueen and Philip Treacy exhibit, as those were the majority of the designs. They even opened up the back room upstairs for this, so it was much bigger than the recent Valentino exhibit there.

Burda magazine December 2013

I had high hopes for this issue after the stellar November issue and the sneak peek at the back of that, but when I saw the line drawings it became apparent this could’ve just been entitled “The Dolman Issue” for the number of dolman sleeved garments in it! I’m not sure if someone at Burda HQ gave down the commandment that set-in or raglan sleeves weren’t beginner friendly or what, but there sure are an awful lot of fabric-guzzling designs in here, but it’s not all bad…

First up, no surprises for guessing – it’s a dolman sleeve tee! Actually this design isn’t so bad, it’s a nice twist on a casual, long sleeved tee, and the narrow sleeve cuffs help control some of the volume in the underarm/side seam area.

Since this is the holiday issue, the crafts are spread throughout the magazine and are way better than Burda’s usual “stick some glitter on twigs and call it interior design” school of crafts. For instance, these box bags are actually really nice little gifts, and a great way to use up scraps of nice, hefty home dec or other fabrics. There’s also a pattern for little moccasin slippers that uses wool and thick fleece that might be worth making as gifts too.

Now you’d think that, because this is a cowl dress, I’d be all over it, but I’m actually lukewarm. There’s something about that long pleat running into the cowl that just looks messy and haphazard, and from the cutting diagram I can see that the front is cut entirely as one (including the kimono sleeves, which have a gusset thrown in so you can actually lower your arms!), and then the pleat is just folded over. I know fabric is cheap these days, but the layout just makes me wince at the amount wasted to make a dress that way!

There are a few good trench coat patterns in this issue, but I particularly like this one because it shows that you can make a nice boucle coat without it being the same, ugly, tired, Chanel-alike design.

Again with the cowl neck and (nearly) dolman sleeves! This one looks like it’s just asking for a wardrobe mishap, along with showing off every little lump and bump in that fabric, but the top version of this doesn’t seem much better.

Opportunistic restocking

I kept it kinda quiet since I wasn’t able to meetup at all, but I was in Virginia last week for some quality family time. I got a good amount of running and working in alongside all the familying, and I also took a trip to the local Hancocks while I was there, too.

The sign outside did not instill much confidence.

I knew I had both limited suitcase space and funds, so I really tried to stick to my list and only buy fabrics I knew I’d use. Thanks to Stacy, I also had the new Vogue Donna Karan leggings pattern waiting for me on my arrival, so I was keen to get some ponte for those, but alas, the pontes in stock were very poor quality!

In terms of fabrics, I picked up two really nice viscose lycra jerseys which had a nice, soft hand and great recovery – one in turquoise blue, and the other with a black, mustard, and orange splatter print. Both ended up being on sale (the blue for about $5/yd and the print for about $7/yd) at the counter, too!

A silver cowl top

You saw some photos of this top on Susan a week or so ago, but I’ve finally had the opportunity to do a proper photoshoot and not freeze!

If you recall, I out this MyImage cowl top pattern before we went to Mexico, thinking I might have enough time to quickly sew it up before we left. I would have, too, if I hadn’t decided I needed to make that quick travel bag. It was still waiting for me when I got back to cold, grey London, mocking me with its sleeveless-ness. I finally just sewed it up so I could have the space back in my sewing room, though I’m afraid I won’t really get to wear this until next year.

I made it out of some absolutely glitter-tastic jersey I bought at Tissue Reine in Paris a few years back, and it wasn’t cheap €12.99/m. So it was even more disappointing that it left a trail of silver all over my sewing room… Boo.

It might be hard to see, but there’s princess seams in the front and back even though this is a knit top – there are also facings for all the pieces apart from the centre front, where there’s a fold-on facing.

A colourblocked Cynthia Rowley satin jacket

Last week I mentioned a few projects I’d been working on, including a little satin jacket to wear with both my purple Matthew Willamson birthday dress and my swirl sheath dress. Well, the Welsh wedding was over the weekend and we managed to squeeze in some photos in the hotel room before the big bash so you all can see how it coordinates with the Matthew Williamson sheath!

As I mentioned before, the pattern is the same Cynthia Rowley Simplicity pattern I used for my fuschia party dress – a simple, loose, open jacket with dropped shoulders and wide sleeves.

I didn’t have enough of either satin to make the entire jacket in one colour so I decided to colourblock it. Since there weren’t many seams in the jacket itself, I just drew some extra seamlines onto the pattern pieces for my colourblocking.

Roundup of updates

I appear to have found myself again in the position where I’ve been doing an extreme amount of sewing and sewing-related activity, but I can talk about only a small portion of it, and I don’t have any proper photoshoots for the things I can talk about… Bad, Melissa, very bad!

So consider this a little roundup post to let you know what I’ve been up to, until I can get my act together properly…

Silver cowl top

I cut out this MyImage cowl top pattern before we went to Mexico, thinking I might have enough time to quickly sew it up before we left. I would’ve, too, if I hadn’t decided I needed to make a quick travel bag. So it was waiting for me when I got back to cold, grey London, mocking me with its sleeveless-ness. I finally just sewed it up so I could have the space back in my sewing room, though I’m afraid I won’t really get to wear this until next year.

I made it out of some absolutely glitter-tastic jersey I bought at Tissue Reine in Paris a few years back, and I recall it was on the pricey side. It also left a trail of silver all over my sewing room… Boo.

Burda magazine November 2013

Woo! I knew if I waded through enough mediocre issues we’d get to a good one again! This November issue is the Fall fashion spectacular I’ve been waiting for, and it’s so good I’m even lusting over half the Plus pattern…

First to catch my eye was these foldover trousers, sized for Tall ladies. They really remind me of my KnipMode foldover trousers, which I still wear every winter and still get compliments on!

I love this biker jacket with its off-centre zipper and dramatic collar! It simultaneously reminds me of both my purple MyImage coat and that designer Manequim leather jacket (which I still want to make!), though this is designed for ponte knits in the body, and stretch leather in the sleeves. On closer inspection of the instructions, I noticed it’s unlined (apart from the sleeves) so that big collar is only just one layer of jersey. Also, I think the collar looks way more wearable in the catwalk comparison photo than on the model!

Here’s an example where it pays to really have line drawings and photos of a pattern – I initially loved the tech drawing, but when I saw it on a live model, I realised those pleats right over the hips would probably not be the most flattering…

From the Little Black Dress feature, I really like this sheath dress for stretch wovens – the slim, zippered sleeves are a particularly nice detail, and a great way to show off some short, posh zippers (hello Riri!). The vertical skirt seams might be a touch overkill though, but they don’t appear to be for shaping anyway so could be eliminated I imagine.

I'm in Burda magazine!

I’m in the German edition of Burda Style magazine this month! I’m so excited!!


See? There I am right in the middle, along with the quote “I was immediately entranced by the draping”!

Someone at Burda HQ dropped me an email months ago asking if they could have some hi-res versions of my pale pink twist dress photos to use in the magazine, but it was so long ago that I’d assumed they dropped the feature or something. But no, a German edition of the fabulous November issue appeared in my postbox on Friday!

I had already scanned my subscription English edition for my review (going live tomorrow – it’s worth waiting for, I promise!), so I flipped through the German version to see what differences there were. The first thing I noticed is that it’s a heftier magazine, and there are ads in it, along with more editorial pieces (like a feature on a Philadelphian artist), more fashion spreads (like this season’s ankle boots), and that all the pattern instructions and pattern sheets were pushed to the back, and in their own separate magazine!