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Burda magazine October 2012

The last two issues of Burda have been so spectacular that it was always going to be a hard act for poor October to follow, and it’s gotten a bit of a kicking online for so many lazy, square, and shapeless designs. Indeed, I couldn’t find anything to like in two entire features (the Pastels one and the Hippie-Outdoorsy Crappe one), but there was enough in the “New Sophistication” feature alone (photographed with the dressmakers dummies, see below) to justify this issue’s existence to me!

So let’s skip right to the afore-mentioned “New Sophistication” feature, shall we?

I’m not entirely sure why, as it’s wholly impractical, but I really like this long, wool waistcoat (which reminds me of the Sept 2010 jacket that was way too big and boxy). There’s another version in this magazine that’s longer and has integrated long, ponte knit sleeves, too. I know my arms get chilly before the rest of me, so a body warmer really isn’t very practical for me, but the addition of sleeves, well, that changes everything!

This surplice top is nice but nothing new (I’ve seen this design at least 3-4 times in Burdas over the years), and I even quite like the quirky “hip wrap”, which is somewhere between a kimono-belt and a waist pack. It’s definitely a good use for those odd-sized scraps of coatings and leather I’ve got lying around!

I like this cowl top but I hate how Burda flattens these to one side though, ugh! let the cowl free! These high-waisted, slim legged trousers would also be a great wardrobe staple.

The reversible disco jacket

I don’t often sew for James (preferring to fill my own wardrobe instead!), but every now and then he either sees something online that he’ll take inspiration from, or have a fully formed idea in mind that he’d like me to bring into reality. So this one is another fantasy jacket, this time modeled heavily on Betabrand’s reversible smoking jacket.

When we were in Paris in March, he bought a wonderful wonderful wool/poly blend corduroy at the Tissues Dreyfuss Coupons shop for €10 total (a complete bargain!) as well as some red chinese brocade to use for the other side.

I started sewing this when we were in drydock in April/May, then I stalled at the bound buttonhole stage since my little red machine isn’t great for precision jobs (no speed control!). Then the pressure was off during summer, but the cooler weather meant I really did want to finish it for him!

Even better – James surprised me buy buying Betabrand’s “open source” disco fabric, so now the jacket changed slightly in that the reverse will be PURE DISCONIUM!

What I’ve made here is the ultimate day-to-night jacket!


(Thank you to Kerry for the photo on the right!)

I started with his last fantasy jacket as the pattern base (which, in turn, started life as Burda 10/2008 #134) since it fit him really well, then James had a bunch of style changes to make to this one:

Manequim September 2012

Hot on the heels of August’s issue, it’s another Manequim magazine, this time celebrating the first of the Spring fashions down in sunny Brazil!

The model’s pose on the cover of this issue totally cracks me up. I thought it was the most corny, awful pose I’d ever seen until I saw the rest of her photoshoot inside, and I have a feeling now that she must be a real ham, and she’s doing the dorky poses to be funny, which I quite like now!

In the celebrity section there are four patterns for maternity dresses, including these two gowns. I’m not sure if they’re just regular gowns which are maternity-friendly, or whether they’ve actually drafted them to account for extra belly. The tech drawing would suggest they’re altered, but the pattern pieces in the layout don’t (the straight hems are a giveaway!).

You know me and shorts (ie: I don’t wear them, full stop), but how cute are these, with their retro hems, piped front seams, and integrated pockets?! So cute I almost overlooked the biker jacket in my size, that’s what!

The Peplum Top

It should come as no surprise that I’ve been sewing this peplum top – after all, I shared my instructions on how to line this top already! But for those of you who are short in the memory department, this is #113 from the August 2012 Burda magazine, which is also available to purchase as a pdf download here (and you can look at the full instructions and layout diagrams on that site for free). There’s also versions with long sleeves or with a much longer peplum, extended into a dress, so there’s quite a lot of versatility here.

A lot of peplum dresses just feature a ring of excess fabric around the hips, but here, the curved waist seam plus the sloped hemline and bias-cut peplum on this particular pattern really sets it above the rest. I also like that it’s separates, so I can pair my top with a skirt, slim trousers, or leggings and get much more wear from it than just a single dress.

This is how I wore it to Karen’s V&A Ballgowns meetup, worn with my denim-look leggings I made a few months ago. I know peplums are really trendy right now, but I really like how retro 1950s this outfit looks even when made with completely modern patterns and fabrics!

Let the disco begin!

Because I’m a good wife, I promised James I’d make his reversible smoking jacket after I’d finished my peplum top (photos coming next week, sorry – it’s been impossible to organise a photoshoot around both our social schedules!). This week has been rather busy, even by our standards, but I did get two evenings to work on it, and so far I’ve completed the entire corduroy shell (including bound buttonholes and no less than three welt pockets!) and moved on to the interior. Or, because this is a reversible jacket, I suppose it’s just “the other side”.

The other, disco side.

If you recall this is Betabrand’s disco fabric and it seriously is as bright and loud as the photos on their site suggest. I had to cut it with the black side facing out just so I wouldn’t go dizzy cutting it!

Manequim August 2012

August is a funny transitional month in the fashion world – for Burda magazine, August is traditionally the first issue full of Fall fashions, but for Manequim in the Southern hemisphere, this August issue is the last of the Winter fashions!

I’ve had this issue scanned and ready to share for a while, but it was receiving the (very Spring-y) September issue in the post this week that really gave me a kick to post about August. Sorry for the delay – the magazine review posts get slotted in around my other sewing escapades, since I assume you’re all more interested in what I’m actually making!

There’s only one Plus-sized pattern in this issue (with the inspiration dress modelled by the amazing Brazilian comedienne, Fluvia Lacerda!), and it’s a lovely shirt dress with pleated details around the neckline & sleeves.

I see a lot of classic button-down shirt patterns, but this one’s got an interesting twist – diagonal pleated inserts on both sides. It’d be an easy feature to add onto an existing shirt pattern you already have, too!

From the same feature, I totally love this sheath dress with square neckline where the bust pleats extend down from the neckline. It’s a really subtle bit of shaping, but I think this would translate nicely into a top, too.

Sew like a sailor, Run like a sailor!

I did indeed finish my peplum top in time to wear it to Karen’s V&A Ballgowns meetup on Friday, even though it meant sewing the hem over breakfast on Friday morning! You can see a sneak peek of it in the top photo on her site, though the peplum itself is hidden by my knees! Fingers crossed I can get a photoshoot done one evening this week, because my weekend was full of other activities…

As I shared with you last week, part of my preparation/reward for my marathon training was to run the Bacchus half marathon this weekend. It’s a half-trail, half-road, fancy dress (costumed) race through a vineyard in Surrey with wine tasting every 2 miles, plus a free glass of wine and hog roast at the end. See why I signed up??


Isn’t it funny that the sailor outfit is the first photoshoot in ages not to occur on a boat??

You’ve probably spotted it already, but the skirt is another Jalie running skirt – this is my third, and this is definitely my go-to for warm weather running bottoms (for cooler weather, you can’t beat the Ooh La Leggings!)

The top/vest/singlet is self drafted from my tweaked knit sloper, plus an added kerchief that I drafted from the sloper’s neckline. The kerchief is double layered, and attached to the neckline by overlocker, with the seam showing on the “right” side, which in this case is hidden under the kerchief. I tacked it down at the shoulders and that was enough to keep the seam hidden. Rather than physically tie a knot on the front ties, I instead made a loop to make it look a bit neater, and the “grabbiness” of the supplex was enough that it didn’t slip at all.

Coming up… peplums, sweat & booze, disco and smoking!

Lots of things going on at FehrTrade Towers, so it’s time for an update roundup!

Peplum top

After my last post outlining the lining instructions, there will be no points for guessing that this is coming along shortly! I’ve just got to handstitch the hem and the bottom of the lining and it’s finished, hurrah. Perhaps if I’m speedy I can wear it to the V&A Ballgowns exhibit meetup Karen is planning?

Bacchus half marathon costume

As part of my preparation/reward for my marathon training, I signed up to run the Bacchus half marathon this weekend. Not many people are familiar with this race, but it’s been rated exceptionally highly on Runner’s World, and the clue might lie somewhere in the description: a half-trail, half-road, fancy dress (costumed) race through a vineyard in Surrey with wine tasting every 2 miles, plus a free glass of wine and hog roast at the end. See why I signed up??

I’m regularly running much further than half marathon distance in my training runs, so even though this is only my second half marathon, I’m not that concerned about the distance, so instead I concentrated on the costume, making sure it’s entirely wicking and running-friendly!

I’m sure it will surprise none of you that I’ve also made another Jalie running skirt. Or, err, to be precise, two more, since I made another black one in parallel with my Bacchus one and forgot to photograph it! And a top based on my knit sloper (which I’m still tweaking after running in my sequin top for a few months now).

How to line the Burda peplum top

Peplums are a major AW12 trend and one that’s well within reach of most home sewists and high street shoppers. There are plenty of patterns out there, but one of the nicest I’ve seen so far is the cover design from the August 2012 Burda magazine, which is also available to purchase as a pdf download here (and you can look at the full instructions and layout diagrams on that site for free).

A lot of peplum dresses just feature a ring of excess fabric around the hips, but here, the curved waist seam plus the sloped hemline and bias-cut peplum on this particular pattern really sets it above the rest. I also like that it’s separates, so I can pair my top with a skirt, slim trousers, or leggings and get much more wear from it than just a single dress.

One thing I don’t love about this pattern, though, is that it’s unlined. Or rather, it has lined cap sleeves, a narrow bias edge on the underarms and a neck facing, but nothing further. It’s pretty straightforward to make lining pattern pieces from the shell and facings (see below), but the construction was more challenging to figure out. It is possible to do a nice clean finish almost entirely by machine (you still have to sew the hems by hand), but you have to do a bit of clever reordering of the construction…

Luckily for you, I made notes as I sewed so I can share my clever order of construction with you!

As mentioned above, you’ll need to modify your bodice pattern pieces after you’ve cut out your shell fabric. Place the neck facings on top of the bodice pieces (annoyingly, in this case they must be face-down so the shoulder seams and CB/CF edges line up), trace the neck facings onto your front & back bodice pieces and then cut these off before cutting your lining pieces. Remember to add seam allowances to these new cut edges, too!

Be sure to interface the facing pieces, then attach them to the lining pieces and treat as one for the rest of the construction.

Instructions for a clean-finish lining!

  1. Sew all darts, attach peplum pieces to bodice on the shell, and sew at shoulders (but keep it open at side seams and centre back!), ie: the follow the first few steps of Burda’s instructions, but stop before the zipper insertion!
  2. Do the same for the lining
  3. Sew the sleeve shell pieces & sleeve lining pieces together at the bottom edge of the sleeve. Understitch, then baste around the other (armscyce) edge
  4. Baste the sleeve onto the shell with right sides together (beware of excess ease!! Don’t skip this basting step!)

Burda magazine September 2012

Thank you so much for all your compliments on my Fuchsia party dress (and marathon legs, ha)! Apologies if any of you had trouble with the link – I’d originally categorised it wrong and had to correct it, which changed the URL.

Also, big thanks to everyone who entered my competition for the MyImage magazine – I was blown away by the number and wonderful variety of pattern request ideas in your comments! Now, if I ever had a chunk of time spare to draft them all, I’d be a rich woman… Anyway, the random number generator drew 32, which means Silvia is the lucky recipient!

The calendar might still say August for another day, but at least in London, there’s a definite crispness in the air that signals the return of Fall, and Burda’s already got this covered with another fantastic issue!

We had a similar (but A-line) dress in the May issue, but I actually prefer the lines on this petite dress instead, and that it can be worn with a bolero to give it sleeves is just a bonus!

Both garment here are really simple, but as you can see from the photos that you can really create a lot of interest just with fabrics. The top is really just a long sleeved teeshirt with inserted seams at the shoulders (like my Knipmode rose and lace teeshirt!) and the skirt is just a basic pencil skirt, but together, they really work, and are within reach of most beginner sewists.