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Sewing book review: Pattern Magic 3 – now in English!

I don’t buy sewing books very often these days, usually preferring to get my information and inspiration from the internet and sewing pattern magazines, but I’ve found so much inspiration from the Japanese design schools lately that I just can’t say no when these are translated into English.

If you recall, I reviewed the first two Pattern Magic books here, and then, just recently the first Drape Drape book was also released in English (with the second coming out later this year).

Drape Drape uses included patterns which you trace off and sew, but the Pattern Magic books all rely on instructions for altering your existing sloper, so they can work for pretty much any size or shape person.

The big difference in this third book is that all the patterns here are designed for stretch fabrics, which adds a whole new level of fun! But of course, this doesn’t mean you can’t use stretch fabrics for the designs in the first two books – I’ve already made the flip-turned top twice as teeshirts, though I did have a great boost in understanding the Pattern Magic instructions on the Morley College “Pattern Magic” course I took earlier this year (I’m eagerly awaiting the new course guide so I can sign up for the rumoured class on this new book next year!).

So enough intro, let’s have a look at some of the wonderful (and weird!) designs in this instalment!

Hooray for the Vogue 1280 DKNY sheath dress pattern!

Even though I live in London, I grew up in America, and my family all still live there. A week or two ago, my mom saw there was a pattern sale coming up and very kindly offered to buy me a few if I wanted! There were two Vogue patterns on my Wish List – one was a Michael Kors knit dress that’s now OOP (and her Hancock’s didn’t still have it), but she was able to buy me one of the new DKNY Vogue patterns I was after, plus ship it to me, all for less than half the price we pay for Vogues in the UK on sale!

(Ever wonder what sad souls pay the full list price printed on envelope patterns? Yeah, that’s us. Little wonder I mostly sew with pattern magazines!)

So Vogue 1280 arrived in the post yesterday, and I immediately set about devouring the instructions and construction details of this.

It’s a really interesting, asymmetrical knit sheath dress with a characteristic (for DKNY) lack of side seams, so there’s a lot going on here!

Here’s a better shot of the tech drawing from the envelope. On Vogue’s site, the tech drawing is really too small to see that nearly all the seams are lapped, with a raw-edged piece of trim inserted, and then double-stitched (hello, coverstitch!) on top.

The Liberace Leggings

Viewers of a gentle, tasteful disposition, you best look away now…

My previous pair of purple leggings are my FAVOURITE running running bottoms – so wonderfully comfortable, and the natural waist means they don’t shift around a bit as I run. They’re so comfortable I actually raced in them the other week (and any runner will tell you that if you have any doubts whatsoever about your kit, you don’t wear it on race day!).

So after a full day of finishing up the Run dem Crew refashion challenge, plus finishing up a skirt, I found myself with a few hours and an inexplicable desire to sew up another Papercut “Ooh La Leggings” pattern (UK stockist here) in the audacious lycra/foil in my stash:

I bought this crazy-ass fabric at Suzi Spandex when I was in Montreal, 80/20 nylon/lycra mix, which they call “Spirographix” (mine’s the charcoal colourway, though it’s much more teal in real life). The hand of these feels quite “leotard” or “costumey” really, but it’s fine for short bursts of exercise IMHO. Certainly nowhere as nice as the Suziplex I bought, through strangely 50% more expensive. Go figure.

KnipMode and Burda June 2012

KnipMode June 2012

Let’s start off with the best from across both issues – this asymmetric, flounced top is just fantastic! I really like it paired with skinny jeans like they have here, too. It’s really important when you’re wearing volume up top to balance it with something slim below, or vice-versa!

In my mind, this A-line midi skirt was almost identical to one in last month’s Burda magazine that I really liked (and already traced, but when I’ll sew it is another matter!), but when I place the tech drawings side-by-side, they’re actually not as close as I remembered…

None of this combo of jacket, shell, or trousers is particularly earth-shattering, but I really like the look of pairing a cropped jacket (my forte) with a longer layer underneath. And beautiful, shimmering jewel tone solids are always a good choice!

This is a bumper issue for Plus sized patterns, with something like 15 on offer this month, but the one that really caught my eye is that they’ve released a favourite of mine from last summer in larger sizes now!! This is one of my favourite casual tops, despite the tunic-length, and I’m really chuffed to see it made more widely available now.

Diamond Jubilee Bunting Prep

Apologies for the radio silence – the past week has been dominated by our preparing to leave the boatyard, and then actually sailing our boat back home again. Everything went incredibly well, but I’m still sorting through piles of stuff as we merge our temporary living quarters back into home again, plus I ran a 10k race (new PB of 50:27, wooo!) the morning after*, plus switching over to my summer wardrobe finally, and my sewing room is in a shambles as a result.

Amongst all this, we’ve got a massive four day weekend coming up this weekend for Liz’s Diamond Jubilee, and because we’re moored on the Flotilla route, we have to look extra pretty in exchange for getting an official flotilla pennant.

Boat prettiness can mean only one thing – bunting!

So while we were sat in a muddy boatyard in Kent on Friday, I took some rare downtime to cut up enough bunting flags to occupy 22 metres of ribbon – long enough to stretch from our front mast to our garden decks on both sides.

This meant cutting up 116 flags! It actually made a depressingly small dent in my scrap stash…

Weekend bits & pieces

Sorry for the stream of consciousness, but I’ve had a busy few days of sewing activity, but in more disjointed areas than any one common goal.

Burda and KnipMode magazines & PM3

The June editions of Burda & KnipMode arrived on the same day and made for a nice comparison. I loooooooved the May Burda, but the June one is way too summery for me, and I’m not really feeling it. I’ll review the KnipMode shortly, as soon as I can get the scanner going. I almost feel like I should start doing Burda magazine reviews since their online previews are getting more and more cumbersome to use, now that they’re eliminating the French site, the German does is a total PITA to view on mobile devices, and the English site only gets a third of the patterns a month after everyone else. But then again, so many other bloggers already do this so I don’t want to create a “New Vogue effect” where every sewing blog suddenly shows the same five pictures all at once.

What do you think? Is Burda niche enough that you want to see my picks like I do for Manequim and (soon to be much less frequently) KnipMode?

Also at the same time, my KnipMode renewal notice came through. I don’t want to renew, but I want to make sure I don’t need to do anything in order to cancel (ie: I don’t want it to renew me automatically). Could I pretty please send an image of the latter to a Dutch speaker just to confirm what I need to do? (Volunteers, please leave a comment) I don’t need a full translation, just someone to tell me whether I need to formally cancel or not.

My copy of Pattern Magic 3 (in English) also finally arrived, after the first copy got lost in the post from Amazon! There are some Must Sews in there (including one I’ve started drafting already) but also some hi-LAR-ious things in there. A review will be coming soon for this, too.

Underwear!

On Saturday, after my long run with friends, I made some new pants (underwear). As per usual, I used my TNT thong pattern, which originally came from a KnipMode magazine from 2007 or 2008.

Manequim May 2012

Hooray! It’s a new issue of our favourite soap opera-obsessed, Brazilian sewing pattern magazine, Manequim!

Oh look – it’s a shopper tote bag that folds up into it’s own zippered pouch! This is something I’ve seen a bunch in shops, but not in pattern form before.

I really like the square neckline and offset zipper opening to this shirtdress. On first glance, it looks quite standard, but the more I stare at the tech drawing, the more cool details I see in this!

Golden silk asymmetric blouse

From a total loser of a silk blouse to a triumph of a silk blouse, all in one afternoon! After the Burda FAIL, I turned around, cut into my gorgeous butter yellow floral silk charmeuse I bought at Ditto in Brighton last weekend, and sewed up this blouse in about two hours flat!

The layout of this blouse is really cool, and the entire blouse is just one piece, with only one side seam (and two shoulder seams). I took a photo of my fabric when it was laid out on the floor, and I added some annotations in pink (below) to help show where the drapey side comes into play. I hadn’t realised it from the diagram, but the CF neckline is on the straight grain, and the CB neckline is on the cross-grain, with the only side seam on the bias. Very cool, and the design feels quite Bunka.

I used the leftover silk in the bottom left corner to make several bias strips about 4cm wide, as I prefer a narrow bias edge on my silk blouses instead of finicky facings. I also left off the shoulder bow, as I felt there’s enough going on in this blouse already!

We were very lucky to catch the “golden hour” on Monday evening, which just makes this silk come alive in these photos! I’ve paired it here with my grey leather skirt to try and give an edgier look to the twee floral of the silk.

Sewing book review: Drape Drape – now in English!

The first book in the popular Japanese sewing series has just been published in English! It’s been out in Japanese for a few years now, but, like the Pattern Magic books, I bided my time until they were released in English before I added them to my collection. I can muddle my way through Portuguese, Italian, French, and Dutch patterns, but I’d be totally lost in kanji, with no means to type it into a translator!

A word about the sizing of these patterns, though – their “XL” size is still 10cm smaller (and 4cm shorter!) than me at the point of least difference.


(Note for the Americans – that XL size is 5’6”, B35 W27 H38 in inches.)

So going by their sizing, that’d make me a… 4XL. omg. Nothing like tiny Japanese sizing to make you feel enormous! Good thing most of the designs are really large and flowing, so hopefully I can get away with the largest size and not have it matter too much. Fingers crossed.

This is my favourite design in the book – it’s a dress with a gathered, dropped waist, and the only vertical seam is in the centre back. The construction of this is really cool – this dress is cut out in all one piece of fabric!

Not so cool is that Kristin made this a few years ago and it did NOT work for her, so I shall be muslinning and treading very carefully here. But this one’s the top of my list in this book, in any case.

This Grecian, V-neck dress is just beautiful! But keeping in mind the size chart, I’d probably need to grade up their bodice and waist band since they appear to be close-fitting.

A rare dud of the highest order

Last weekend I cut into cut into one of the oldest fabrics in my stash, a dark turquoise silk charmeuse bought in January 2009, to make the cover top from the Burda April 2012 issue:

There are so many things wrong about this pattern that I’m going to revert to list form to get the rant out of my brain:

  • The recommended fabric is silk, yet the instructions don’t tell you to sew French seams, or indeed finish the raw edges at all. As far as I can tell, even if you follow their insane instructions, you’re left with a triangular area of raw seams at the shoulder. If I’d liked the top enough, I’d have had to make my own weird facing to handstitch on to cover this.
  • There’s a ridiculous amount of ease in the bodice – way more than Sorbetto, for example, and that’s also a non-bias, slip on shell. I ended up cutting this with the front and back pieces a centimeter or two off the fold simply to fit it onto my narrow silk, but I checked first to make sure it’d not be too small. And having completed the shell, I can say that it’s still on the loose side, even with my reductions!
  • Facings on a silk. WTFOMGBBQ? Why?? I said Nuts! to the facing and did a narrow bias edge (in leftover silk from my birthday top which I still had lying around) on the neckline, and did a two-step narrow edge for the hem.
  • Burda tells to to cut an extra wide hem allowance on the sleeve edges, press in and out (and shake it all about, do the hokey pokey- oh wait) and mess about with it until the sleeve is entirely completed… and then sew an invisible hem by hand. On silk. And it’s a reeeeeeally long hem. I’d rather eat glass, Burda. The much better option here would be to cut a regular hem allowance, and machine-stitch a narrow edge or rolled hem before basting any of the sleeve pleats. Realising they’re crazy and trying to do this later is much more difficult (ask me how I know).
  • The sleeve instructions are absolutely incomprehensible. Burda would have you flip the entire pleated edges around the neckline and back to the armscye at the shoulder, which a) completely contradicts the photos, and b) there isn’t enough seam length to do. So I had to try and make the best of pre-basted pleats, attach to placement lines that may as well have not existed (since the pleated edges didn’t match up anyway), and a mess of raw edges (see above). My best attempt was not good enough.
  • And finally, when I tried the top on to see if I even wanted to carry on finishing the raw edges, the sleeves are just ugly. Less “quirky chic” and more “80s shoulder pads”. Ugh.