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Before New Year's…

… I want to make:

  • Clover jeans – I love the fit of my Clover trousers so much, but I don’t like the pockets or side opening. I’m altering the pattern to be more like jeans! (oh yeah – I did fix the zipper in the end…)
  • Ruby Slip – The pattern is printed and taped, but not yet traced. I have the perfect silk in my stash, and I bought some to-die-for wide lace at MacCulloch & Wallis on Friday
  • Paco’s Drape Collar Tunic – This is already traced and I’ve got the perfect purple sweater knit hanging around from last winter. This should be a quickie on the overlocker
  • Holly’s maternity maxi-dress, Burda 08/2008 #125 – The bodice is traced, I’ve done a first muslin, and the fabric is ready to go. Her birthday’s on Boxing Day, so I’m aiming early!

I’ve got to go into work on the 27th-29th, but I’ve still got a lot of days off to hole up in my sewing cave. Most years I end up making a coat over the Christmas break, but I don’t really have much need this year so I thought I’d focus my attentions elsewhere instead.

Burda's Roland Mouret "Macha" knockoff dress pattern – detail photos

First of all, thank you all so much for all your comments and praise on my Charcoal pinup dress! I knew I really liked it, but it’s nice when so many others agree.

One thing that I hadn’t realised in the magazine discussion, nor sewing, nor wearing it out, however, is that this dress pattern is a very close knockoff of the Roland Mouret Macha dress, which was shown in his Spring 11 RTW show!


(Photo from Style.com)

Really, the bodice seaming is all identical, but there are a few differences:

  • Burda’s pattern is for wovens, RM’s dress is a stretch woven
  • Burda’s has long sleeves, RM’s is sleeveless
  • Burda’s has a back V neckline, RM’s has a square back neckline
  • Burda’s is princess-seamed in the skirt, RM’s appears to be one panel in the skirt
  • Burda’s has a centre back invisible zipper, RM’s has a centre back exposed zipper

The charcoal pinup sheath dress

I feel like this post should have a warning, like those awful, dated jokes – Dangerous curves ahead! But to be honest, I’ve been running like a mad woman for the past few months, finally running much faster and further than I ever did before I got ill, so I’m relishing the chance to show off my running body right now*.

This dress was in the Sept 2011 Burda magazine, but it’s also available to buy as a download pattern on Burdastyle.com if you missed that issue (or believed the blog hype that it was a bad issue, gasp!). I really loved this pattern from the second I saw it, and all I really needed was a little nudge from BurdaStyle and I was totally sold on making this as my double-duty James’s birthday dinner and Christmas party dress.

Though on reflection, it might be a bit too sexy for my office party.

As this was a close fitting sheath with a non-stretch fabric, I opted to go right ahead and make the only fitting alteration I ever make with Burda patterns, and even then it’s only occasionally – I removed 2cm above the waist line across all the vertical panels so the waist of the dress is more in line with my own.

Revisiting my John Lewis JL Mini sewing machine – a review for beginners

I’ve noticed that there’s a lot of talk online about sewing machines for beginners (especially with Christmas coming up!), and I’ve been asked several times online and in person about my opinion on the John Lewis JL Mini sewing machine and I realised I’ve never done a proper review of it.

I’ve had my JL Mini machine (in red – they change the colours a few times a year, but right now it’s offered in white, red, yellow, pink, blue, and purple) for nearly three years now and I’ve recommended it a lot for beginning sewers. On our moorings so far we’ve got my red one, a purple one, and a mint green one! I use mine as my travel machine (I originally got it when I was going into hospital so I could sew through my transplant!), but it’s a good, sturdy machine made by a good brand (Janome), and it has enough features that you should know in a year or two whether you’re into sewing or not and you can upgrade to a machine with more features. Or if you decide sewing’s not for you, you’re not out much money.

Grey flannel outlook ahead

My next two sewing projects to share with you both use the fantastic, charcoal grey, ex-designer poly/viscose/lycra flannel that Neighbour Helen gifted to me just before they set sail for the continent. If I didn’t have the fibre content tag still attached to the fabric, I’d assume it was a cashmere or wool flannel, it’s that lovely!

The first use of the flannel is actually already finished and could’ve been spotted in the swankier parts of Spitalfields on Saturday night – an amaaaaaaazing sheath dress from Burda magazine:

I’ll avoid a long story to explain the Why, but you’ll have to wait til next week to see the photos. But trust me when I say it is a truly stunning va-va-voom dress!

Then this weekend I decided to jump right in and use up the remaining ~2m or so of the flannel and make the vintage Maudella midi skirt pattern I bought in Sheffield a few weeks ago:

A wool maternity coat – finished photos

Last week I was nearly finished with Holly’s coat, and the week before that l told you all about underlining it, but finally I can show you completed completed photos!

If you recall, I used this maternity coat from the August 2008 issue of Burda, but after the first muslin we made some design changes (namely, eliminating the band and gathered sleeve caps) and an added dart as a consequence of an FBA (full bust adjustment) so it’s not quite the same as you see in the original tech drawing below…

Apologies for the slight blurriness and busy background – this is why I try not to do photoshoots after dark, but it couldn’t be helped this time around! At least you can see how it fits her, even if the photo quality isn’t great.

KnipMode – December 2011

Oh KnipMode. What happened? You were so awesome in 2010, but then these last six months or so have just been so… blah.

If it carries on like this, there’s no way I’m renewing next year, especially as this is by far the most pricey of my three pattern magazine subscriptions (thanks to the exchange rate, it’s almost twice the price of Manequim or Burda).

There was a feature on winter white that had nothing to inspire me, so let’s move on to the pretty party dress feature. Surely there will be something there for me… and yes! This dress with criss-crossed chiffon is lovely, especially in these colours.

This dress, however, is a whole heap of hot mess. The fabric is terrible for this pattern, the princess seams are lumpy, and the colour just looks cheap and nasty on this model’s colouring. Eugh.

You know how much I love lace, right? Well it should tell you something that, in an entire feature on lace, the only thing I liked was this totally non-lace asymmetrical pleated skirt.

A wool maternity coat – nearly there…

As you recall, last week I underlined Holly’s maternity coat and created all five bound buttonholes, but I had the day off work on Friday so I was able to make loads of progress over my long weekend! In fact, her coat is now 95% finished and ready to hand over, so I thought I’d give you a rundown of what I got up to…

I’m making this maternity coat from the August 2008 issue of Burda, but after the first muslin we made some design changes (namely, eliminating the band and gathered sleeve caps) so it won’t look exactly like this tech drawing:

As I constructed the shell of the coat, I took the extra step here to catch-stitch all the thick wool seam allowances to the flannel underlining. I started off just doing this on the sleeve seams as I feel the bumps are most noticeable during wear there (and therefore most likely to get annoying quickly!), but I carried on and just catchstitched everywhere.

I wanted this coat to be as nice for her as one I would make myself, so why not? I also noted that Gertie was asking last week how to make the seam allowances lie flat on her coat – well, the answer is catch stitching!


(I forgot to take a photo of all my stitching before lining it, though, so you’ll have to make do with a shot through the “window”!)

Patrones 306 & 307 (and Plus-sized giveaway!)

Patroneses are just like buses – you wait ages for one and then they all come at once!

I was very lucky to win a copy of issue 307 from Jacquie, who bought it while she was visiting in Spain, and then right after that, my friend Pip (aka the bridesmaid in purple) went away to Madrid on business. Even though she was on Spanish soil a good month after Jacquie, she managed to find 306 and no.8 on a newsstand there!

So let’s take a look inside…

Patrones 306

This edition was the last of the summer clothes, which isn’t too practical for me in London. I don’t go out of my way to buy the summer issues, but there is some good stuff to be had amongst the shorts and sundresses…

Skipping past the beach wear, this unstructured, reversible jacket and slim trousers is very nice.

I think my favourite in this issue is this strappy dress with an added drape portion. I can just imagine it moving in the wind (I’m going to ignore how cold that wind would be right now!).

I also totally love the seaming on the strapless cocktail dress on the right (the dress on the left? ick.). It’s difficult to see in the navy fabric with the belt on top, but the tech drawing is luscious!

A wool maternity coat – basting and buttonholes

If you recall from last week, my next project is this maternity coat from the August 2008 issue of Burda, which I promised a very good friend:


(The issue date is still wrong above – it is indeed in the 2008 issue…)

After we sorted out the fitting and design alterations (including a second, quick muslin fitting of just the upper bodice in the pub toilets on Saturday night!), my first step was to cut out all the pieces in the green wool and then again in the black cotton flannel I’d bought to underline the spongey wool coating and give it a bit more structure. The coating is wonderful, but I’m a bit concerned about it bagging out in places, and I wanted to give it some added stability as well as a bit of extra warmth (though if warmth were my primary concern, I’d call it “interlining” and attach it a bit differently!).

Here’s all the pieces hanging on the line in my tiny sewing room:

I then hand basted all the layers together around the edges of the pieces, plus through the darts, and then also marked out the placement lines for the five bound buttonholes: