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Peach silk shell blouse

As I mentioned last week, I made this blouse the weekend we got back from Hungary. It was a really quick make, with only a few seams and minimal closures, so even including some thread tracing and french seams didn’t really lengthen the project time. In other words, it was exactly the sort of project I needed right after a holiday!

Burda 09/2010 #110 is the sleeveless version of this top and one of the, oh, eleven must-sews for me from this September 2010 issue. It’s been one of my absolute favourite issues since the moment it came out, so it was nice to make something other than the cover dress for once!

I mostly made this to coordinate with my upcoming grey wool skirt suit, but with our unexpected hot and sunny October (29C/88F!!!) in London, you’ll get it see it worn now in a summer style, paired with my silver tweed KnipMode skirt. I imagine the weather will cool off enough by the time I finish the suit that you’ll get to see it layered underneath the jacket as I intended!

KnipMode October 2011

I haven’t really been terribly excited about KnipMode magazine for the past few months, since the new editor took over, but things are starting to look up this month, thankfully…

I love the lines of this jacket (and the retro styling!) but for me, this is kinda ruined by the poor fit on the model and that awful plastic zipper!

For me, the best design in this issue is this new take on the twist top (no, hear me out!). This interesting neckline plus long sleeves in an easy knit, this is a pretty likely addition to my winter wardrobe, I’m guessing, especially since there’s photo instructions in the magazine for that twist!

Hungarian holiday report

We’re back from our Hungarian holiday and feeling wonderfully relaxed, though it’s debatable how long that’ll last! This was my fourth time in Budapest in the last ten years (and James’s third!), but it was the longest we’ve been able to spend there and our first trip outside the city.

Our main reason for going was so we could celebrate our first anniversary at our favourite restaurant, Karpatia (last time we were there, Michael Palin and his film crew were in the other room!), but to also soak away our boat work aches in the city’s plentiful hot spas! In four full days in Budapest, we visited three different hot spas: Szechenyi, Palatinus Strand on Margaret Island, and Hotel Gellert. Think swimming pools, but filled with bath-water warm mineral water (no chlorine!) with assorted jets, bubblers, massaging fountains, wave pools, slides, and whirpool baths and you’re still only halfway there…

In an astounding bit of coincidence, we enjoyed amaaaazing traditional Hungarian food, tokaj, and palinka stalls at the Nemzeti Vagta (“National Gallop”) festival. It was mostly about Hungarian horsemanship with incredible costumes, chariot races, and Heroes’ Square set up like a Ben Hur set, but there were also stalls representing every region in Hungary, some showcasing amazing embroidery:

I really like that you can focus on the stitching when you only use one thread colour! Unfortunately, I didn’t see any needlework kits for traditional designs on sale anywhere.

Then we took the train out to Balatonfured on Lake Balaton for a few days, and I made great use of the train time to finish the last hand sewing on my trench jacket! (I’m also wearing my silk jersey Lekala cowl top here.)

While we were there, we rented bicycles from our hotel and cycled the 6km to the next town, Tihany, and back along the river. My trench jacket and my navy riding trousers came in very handy here as it was the only cool and cloudy day of our trip!

Even designers make muslins!

Sometimes the drudgery of sewing a muslin really gets me down. I like to sew fast, so I don’t sew muslins for every single project, but if I have expensive fashion fabric, or if I’m working with an untrusted pattern brand (or both), I always think it’s wise to do the extra step, no matter how boring it may be.

But part of me always just wants to get on with the good stuff (and the pretty fabric!), so I was thrilled and inspired to see feature called “Give Us a Toile” in the Sunday Times “Luxe” magazine recently. My inlaws subscribe to the Times and they always thoughtfully save their Style magazines for me along with other one-offs like this that they think I’ll enjoy. I love it because they give me something fluffy to read over breakfast and they keep me from needing to buy too many glossy magazines! This particular supplement was published in May 2011, but only recently came to me in a big, collected stack.

The feature took a few couture dresses and displayed them alongside the designer’s original muslin for the garment, which I found utterly fascinating and totally inspiring, especially to see them scribbled over with marker pen just like I do!


Dior coatdress, price on application from Dior couture
“Artfully cut cotton folds take on dramatic effect in layers of black and red shantung silk”

Manequim September 2011

After August’s silk blouse bonanza, I was expecting September’s issue of the Brazilian pattern magazine Manequim to be a disappointment in comparison, but hoo boy, was I wrong! This is a fantastic issue, as evidenced by my enthusiasm with the scanner…

First off there’s a pattern for a simple leather envelope clutch. My friend Cindy recently sent me a tutorial for a similar leather clutch bag, so the need for a pattern is really up for debate!

What a great jacket with such interesting seaming! I’m not so convinced about the dropped waist sheath dress though…

No, not deja vu just yet – I wanted to show you the tech drawings for the cover look, as the skirt is just lovely!

I know there are instructions for a similar twist dress in one of the Pattern Magic books, but I really like that Manequim took an extra step in the instructions for this dress and gave a secondary drawing showing how the pieces fit together. It’s almost like they saw what I did for the Vogue DKNY top and thought they’d do the same!

The Burda trench jacket

I’m so pleased to finally show you the first piece from my Fall 2011 sewing aspirations – the trench jacket!

As you recall, I was restricted in my pattern choice since I bought the last 2.5 yards of this waterproof gabardine from Mood when we were in NYC last Fall, but in the end I settled on Burda 02-2009-112. The gabardine feels great – it’s not coated with anything and it doesn’t feel plasticky – it’s just that the weave is so tight that water beads on it! Perfect for London!

This is a Burda Petite pattern, but the only change I needed to make to the muslin was to lengthen the sleeves! I’ve been busy sewing this in tiny increments over the past few weeks because I’ve been so busy, and you can see that we had to squeeze in this photoshoot after work, too!

I really love the overall shape of this totally curvy jacket, but I especially love the pleated back vent, which was surprisingly very easy to sew! I cut the same pieces in the lining, and I cleverly waited to sew the diagonal topstitching to keep the folds in place until after the lining was in so the two layers stay together nicely.

When you need thread fast…

I’ve literally been sewing my trench jacket in tiny sessions – 10 minutes before work here, 5 minutes while dinner cooks there – you get the idea. It doesn’t seem like much, but when you add up all the short bursts, it really does mean I’ve made progress in a week where I’ve had social plans every single night, and huge amounts of exhausting boat work every weekend.

But on Saturday night I realised that I’ve come to a bottleneck that couldn’t be fixed with time management – I was nearly out of beige Gutermann thread, and I still had quite a bit of topstitching and a bunch of buttonholes yet to sew. Ordering online would take several crucial days, so I tried to rack my brain for any London shops that stock Gutermann thread and are open Sundays… Hrmmm…

Yes! Of course!

So Sunday morning I got up early and combined my weekend run with a trip to Beyond Fabrics on Columbia Road to restock on No.464 All Purpose thread!

I ended up arriving there a little too early for their 9:00 opening so I ran a few laps around the little triangular park on Quilter Street (yes, Quilter Street!) to fill time before they opened up. Then I just peered in the windows until they laughed and let me in. ha!

I thought for sure the spool would fit in the little elastic space on my arm band where my chapstick usually fits, but it was slightly too big (how dare they not design these things with thread in mind, eh??) so I had to ask for a paper bag to protect the thread from my sweaty fist on the run home.

Upcoming Fall 2011 sewing – the patterns

It’ll be no surprise to you that I’ve already started on my Fall sewing, since you’ve just heard all about my upcoming trench jacket, but I’ve been thinking about the rest of my Fall sewing ambitions over the last few weeks. Having August temperatures mostly in the 50sF (16-20C) meant that I was mentally ready for cooler weather a long time ago!

I’ve got the fabric for all (but two) of these already, too, so I’m sure to get through a lot of my stash this way, too… Though I did just buy some new fabric in order to make four of these, oops. More on the matching fabric later.

The Burda trench jacket – in progress

I am on fire for Fall sewing right now, and the latest object of my desire is my beautiful little trench jacket. I’d bought some waterproof gabardine from Mood when we were in NYC last Fall, but it was the end of the roll so I only had 2.5 yards to play with while selecting a pattern.

With several years of various pattern magazines to choose from, I was in no short supply of trench coat patterns. However, many of the traditional, double-breasted, longer length trench coats require at least 3 yards/metres of fabric, so my fabric shortage helped me narrow down the possibilities immensely. In the end, it was down to Burda 02-2009-119 and Burda 08-2007-111, and I figured I’d get more years of wear from a stylish jacket than I would a cape.

So the curvy, feminine, petite pattern won out!

I did make a muslin of this (I’d be mad not to for a petite pattern), but surprisingly, the only alterations needed were to lengthen the sleeves. Despite being 5’8”, I tend to find that Burda’s Petite patterns fit me waaaay better than Burda’s Tall patterns (which seem to be grotesquely oversized whenever I try them).

The Burda Armani coat strikes again

Remember back in November when I made a muslin for the Burda Armani knockoff coat and found it to be absolutely, unforgivably awful? Well, even at the time, I could see that my main problems with the coat weren’t necessarily likely to be problems with the shorter, jacket version of the same pattern (Burda 09/2010 #117).

So while I’ve been contemplating my Fall sewing options, going through my stash, and tidying up my tiny sewing room, I decided it was time to alter it to evaluate the jacket.

The main differences from the coat are:

  • It has no collar
  • It has extended sleeve bands instead of the awful dropped sleeves
  • It’s cropped at the hips

Believe it or not, I still had the muslin tucked away from last year’s coat FAIL and I came across it again when I was tidying up my sewing room. In about 15 minutes I had adapted the earlier muslin to be the jacket – and most of that time was spent pressing 10 months of wrinkles out of it!

The front view kinda looks okay: