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My aqua pleated skirt

I’ve been talking about making this skirt for months now – I really liked it when it first appeared in the September 2010 issue of La Mia Boutique (#26), and then I thought I’d make it this winter, but my chosen fabric seemed too summery… But finally, its day has come and I’ve made it a reality!

It’s hard to see in the magazine photo, but there are pockets integrated into two of those pleats, too, which I really like!

And then someone on Pattern Review was asking for a pattern suggestion to knockoff this Karen Millen skirt, and I realised that my LMB pattern was really very fashionable indeed!

My pattern has more pleats, plus the added pockets, so I think it’s a better design, but I still appreciate seeing similar clothes in high end RTW, especially if I already liked the design anyway!

Lucky Me

Well, aren’t I a lucky girl recently? First of all, I won interfacing and a metal seam gauge from Pam’s giveaway at Off the Cuff!

I’ve won Pro-Sheer Elegance and Pro-Woven Shirt Crisp interfacings, to be precise. Coincidentally, both kinds were the few I didn’t buy on my interfacing binge a few month ago! So now I’ve got an even greater biodiversity in my interfacing bag…

Then, hot on the heels of winning that – I may have lost Karen’s draw, but I ended up winning a copy of the novel “Laura’s Handmade Life” from craftycrafty.tv, too! A novel where the heroine bounces back from life crises through sewing? Yes, I think I’ll enjoy this… So now I’ve got three books in my reading queue, aahh!

And it was time again for another Google Adsense payout, so I thought this time I’d spend your hard-earned funds on something a great majority of you will want to see: the new DKNY Vogue pattern (1259), and 3m of this gorgeous mushroom-coloured viscose/cotton/lycra from Tia Knight aka “In Fashion Fabrics” on ebay. It’s ridiculously soft, lightweight, and drapey and just perfect for the gajillion gathers on this pattern, so when both arrived within a day of each other late last week, I set to work!

The grey marl Manequim big shirt

I chose the title “big shirt” as an homage to Burda’s strange predilection for calling any oversized top a “big shirt”. Looking at the size of this top, I think it definitely applies here!

This Manequim top was printed twice, as July 2010 #307 and again as May 2011 #259. I liked it enough the first time around to trace it off Susannah’s copy, but then when I saw it the second time, I knew it must be a keeper to be repeated and be in my size, so I gave this a go in some drapey, viscose grey marl jersey I’d bought from Totally Fabrics a while back.

You can see it’s a roomy fit from both magazine photos, but you can’t really tell exactly how large this runs – I measured the hem circumference at over 150cm!! I always make Manequim size 44, but this is over 50cm of ease! OMG! I’d say that if you are usually a Manequim 46, 48, or even a 50 or 52, you’d be absolutely fine in sewing this up, even though it’s marked as size 44.

Manequim say to pull the hem in with elastic in a casing, but I chose to apply inch-wide waistband elastic instead. I measured the elastic to my hips and then stretched it as much as humanly possible and it only just stretched to the fabric hem.

But the adventure doesn’t stop there – I had to introduce gathers in several places not indicated on the pattern in order to get pieces to line up. Namely, the bottom edge of the sleeve where it meets to sleeve band, and also around the neck edge. So in reality, I gathered all four edges of that sleeve piece. With all the gathers plus the bubbled hem, it’s vital that you have a lightweight, drapey knit for this top.

The Hour – my new Fall style inspiration

I have a new style crush – The Hour, a new BBC drama starring Dominic “McNulty” West and Romola “her that wasn’t Keira in Atonement” Garai. Yes, there are a lot of comparisons with Mad Men, but it’s a fantastic show in its own right, and being set in 1956 London, barely out of rationing and in the publicly-funded BBC, means there’s a lot more quirk and ragged edges than you find in the ultra-slick Madison Avenue counterpart. The best part is that this series isn’t even about fashion – it’s about the shift in the purpose of television news around the time, where it went from being a government puppet supplying newsreels to a subversive, investigative element in its own right. It’s a riveting, wonderful show, and James is just as addicted as I am.

Still not interested yet? Well, you soon will be – American viewers, set your DVR of choice to record BBC America on 17 August at 10pm Eastern, because I have a feeling the style blogs are going to go nuts for this once it’s gone international (and UK viewers, you can watch the latest episode tonight on BBC2, or watch the previous episodes on iPlayer as it’s a series catchup show).

The thing I love most about the fashions on show here are that they’re not what you imagine 1950s fashion to be – this is as far removed from June Cleaver as you can get! Just like Mad Men changed our view of 1960s fashion from hippies and go-gos, The Hour takes us out of the mentality that the 1950s was all about Dior’s New Look silhouette. Think more British vintage style – impeccable pencil suits with nipped-in waists, stylish blouses and power dressing, plus a nod here and there to more noticeable 50s styles like the teddy-boy “Grease” look and even a Marilyn Monroe-a-like!

KnipMode August 2011

As a subscriber, my KnipMode issues usually arrive in the first week of the month, like clockwork. But this month, I’d heard rumours that the August issue was delayed because of a printing error, so it wouldn’t be on Dutch news-stands until 15 July, meaning I probably wouldn’t get mine until a few days later. In hindsight, a few days here nor there really wasn’t going to improve this issue, as it’s a pretty mediocre one in my opinion. Lillian mentioned there’s a new woman in charge at Knipmode, so I certainly hope this is just a one-off boring issue instead of a worrying trend…

This issue starts off with a few lively Plus patterns, the star of which are these awesome jeans! They’ve got some great seaming on the leg, and the pocket edge is bias-bound, which I think is a nice feature, too.

I know Manequim do “celebrity” fashion a lot with their Brazilian soap stars, but it’s not really anything I go for in a magazine. If it’s a good pattern, it could be on a mannequin for all I care, and well, if it’s a bad pattern, putting it on a tango-orange glamour model isn’t going to make it any better. This was the best dress of the footballer’s wives collection of Z-list Dutch “celebrity” dresses…

Totally discouraged…

I’ve been hard at work on my slow-moving self-drafted shirtdress, creating bound buttonholes for the spaces the collar passes through before tying, making french seams everywhere, double checking all the darts so they all line up, and finally I tried it on last night to check the hem and button placement.

And it’s horrible. Dumpy, unflattering, and just bad.

All I could think of was Trena’s “prison matron” dress, and like hers, mine’s got pockets, but that’s about it. I don’t even know if I can bring myself to finish it, but it’s sitting on my dressform for a while so I can mull over whether any of it is even salvageable. I just know there’s no way in hell I’m ripping out a million french seams! It’s got nothing to do with the Pattern Magic directions, as the collar is okay, it’s all down to the fit of the rest of the dress…

And the shirting is Prada, too! *whinge* And I made three muslins! *whinge* I did everything right, and the dress is just so very wrong. Which mostly discourages me from pattern drafting altogether. I mean, what’s the point in pattern drafting if the fit is worse than what I get straight off a pattern sheet? Because, really, Burda, Knip, and even Manequim fit me straight off the sheet, no alterations needed. Do I really need the extra hassle in my life to end up with a sub-par result even with all my designer finishing techniques? Am I happy to never be a pattern designer? These are the sort of questions I’m asking myself right now anyway.

Hokey Croquis & Fashionary tech drawing help

Last year I was sent a complimentary Hokey Croquis fashion sketching notebook as a thank you for being a contributor to the BurdaStyle book, and I never quite got around to telling you about it. Not because the product isn’t nice, but mostly because I haven’t done much drafting or designing until now where Ive needed to make my own tech drawings!

Hokey Croquis is a very sturdy, nicely designed, spiral bound notepad with pre-printed female croquis (those are the little drawings of female silhouettes), which you just draw your designs on top of. Then, you can scan in the page, fiddle with the contrast on your computer, and their lines disappear.

HC have really paid attention to the little details here – the book closes with a nice, pink ribbon, and included with the book are some classy stickers to customise the cover. I’ve noticed that Fashionary.org have a similar croquis notebook for sale, but they also have some free pdf downloads, too. I’ve not had a chance to try their book, but the croquis included in the pdf are a bit small for my liking. I think they’re great for getting a bunch of ideas down without wasting precious, thick pages in a book, but for making the final tech drawings, I think the larger, HC forms are better.

A black and brown lacey lingerie set (and exclusive freebie!)

I think it was inevitable that I’d need a quick and fun distraction from all my pattern drafting and muslins, and nothing spells “quick” and “fun” like lingerie! Seriously, if you’ve never sewn lingerie, you won’t really understand the appeal, but playing with tiny bits of lace and trim is just so creative and rewarding, especially for ladies like me who really aren’t into embellishment elsewhere in their wardrobes.

Since it fit so well before, I used the same modified bra pattern from my purple hearts bra, though this time I used black, pushup foam cups and the black/brown Alice lingerie kit from The Sewing Chest.

The first step was to cover the cups with the rigid lace. The lace in the kit was 50cm long, with two scalloped edges, so I aligned a scalloped edge along the top of the cup, then pinned and smoothed and made a few needed pleats in order to get it looking nice. If the lace or covering material is stretchy, then you don’t need any pleats in it, but as mine was rigid, a few small pleats were necessary towards the bottom.

Here’s the covered and uncovered cups:

Then I did the same with the other cup, though I had to use the opposite scalloped edge so both cups were symmetrical. In bra making, symmetry is king!!

With a wide zigzag stitch, I basted the lace around all the edges and trimmed the excess. I actually went back later and added some stretched, narrow elastic on the inside of the top of the cups, but I’d recommend actually doing this, or applying FOE (foldover elastic) to the upper cup edge before stretching the lace over your cups to avoid a second line of zigzagging over the lace. Even if you think your cups are sturdy enough to not need the elastic, it really makes a difference in keeping the top of the cup close to your body and not getting any gaping.

A functional KitchenAid mixer cover

Back in March, I joined the ranks of the middle class aspirational home cooks when James bought me a KitchenAid mixer for my birthday. I asked for (and received!) yes, a white one, because, while I like the red ones, they’re totally not worth £100 more just for the colour! Anyway, we were finally able to rearrange our tiny galley space to accommodate it so I finally broke it out of the box to make macarons last weekend.

The macarons were a resounding success (I also discovered the sole thing on earth that’s tastier than macarons – macaron batter!), but the only storage space for the mixer is out in the open, so I needed to sew a cover for it, lest I have to wash the dust off it every time I want to use it!

I was feeling supremely lazy, so rather than measure it myself, I just used the
tutorial and pattern here to sew up a really quick cover.

I made a few changes from the above site, though, the main being that mine is not quilted (it’s not like the mixer needs to stay warm!), and mine has a seam at the top since my print is directional and I didn’t want upside-down people on one side.