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Burda magazine April 2013

Well, it was bound to happen… We’ve had quite a few great Burda issues in a row, but to my eyes, this one’s a stinker. I mean, there are a few patterns that are okay, but an awful lot of ugly that I couldn’t bring myself to even scan. I’ve sifted out what I could from this issue though, so here are my picks…

I’ve never been a big fan of maxidresses, but this one looks nice, if a bit “only to be worn on holiday”-y. There exist maybe two days in the year you could actually wear something like this in London and not look unspeakably sad. Which is why I don’t sew many summer clothes…

Here are two versions of the same simple, boxy top with pleats around the neck (not that you’d know it from the pose on the left!). I like this top (and to a lesser extent, the belt-required dress version), but I swear I’ve seen this design over and over again before. I do kinda like the idea of having an all-lace back, but I’d do it in a teeshirt pattern or something.

My Matthew Williamson birthday dress

Thank you all so much for your patience! I finished sewing this dress in time for my 34th birthday on Monday (and I proved it by showing you dressform photos and talking in depth about the construction process!) but such a rich, dark colour really requires daylight to shoot properly, and today was the first opportunity we’ve had.

Another reason I wanted some great photos of this is because it’s an incredible pattern with some seriously striking design lines and beautiful details, and frankly, it deserves to be seen properly! In fact, it’s a true designer pattern, and from Matthew Williamson, no less! It was printed in the September 2012 issue of Burda magazine, but you can still purchase it as a pdf download if you missed it and want to make your own!

I made mine in some lusciously soft and supple “Ravissant Duchess Satin Plum” that’s been in my stash for three years just waiting for the perfect use, and paired it with a floral lining fabric gifted to me from Veronica when I was in Paris last Spring. Personally, I think these two make the most perfect pairing, even if it’s only me who sees the inside!

As I said on Monday, this pattern is a step up from the usual Burda patterns – more like a Vogue Designer pattern in all its wonderful details, but with the usual precise Burda drafting. I really wanted to do this dress justice, so I did quite a few things the long way, like the fell-stitched sleeves, walking vent, and all the matching seam intersections!

Birthday dress – just a peek!

Happy birthday to me! I’m 34 today, and to celebrate, I’ve been making myself a special sheath dress designed by none other than Matthew Williamson from the September 2012 issue of Burda magazine!

If you’ve been following along, then you know I’ve been super busy for the past few weeks and it was a bit touch & go whether I’d finish this dress in time to wear to my special Mystery Birthday Dinner tonight. I’m proud to say that I did finish it in time, thanks in no small part to the snow cancelling our Saturday afternoon plans and giving me time to huddle down and sew! (It did not cancel my run though – we still ran 19 miles in the snow & fierce winds)!

Unfortunately I didn’t finish in enough time to take daylight photos last night (plus it was snowing sideways & not exactly ideal photoshoot weather!), so I can only offer you some dressform photos right now, but hopefully we’ll be able to get a few shots of me dressed up before dinner tonight.

But — while everything’s fresh in my mind, I thought I’d tell you about the construction of the dress, and how I handled some of the trickier aspects of it.

I decided I didn’t want to fiddle about with a muslin for this dress, so I did the next best thing and sewed up the lining first, just to double check that my sole alteration of raising the waist 1”/2cm was right, and everything was okay.

After that I cut out the shell and facings from the purple duchesse satin, and the next hurdle was to attach the curved facings to the curved neckline and sleeves of the lining. The neckline wasn’t too bad, but the sleeves were a total bear! For this reason (and a bit that became apparant later, too), I’d recommend sewing the side seams dead last, after the lining and shell are joined at the neckline and sleeve edges, and then sewing the side seams. This means you can attach the facings flat, for starters…

My Satin & Lycra Weekend

My weekend mostly went like this…

Saturday

On Saturday morning I got up for a 2hr 45min (16+ mile) run in the rain with my two good friends, Chris and Juell. We got soaked, ran along Regents Canal to Camden and then through the heart of the city and back through Shoreditch to home. We were soaked to the bone, but had a great time and I furthered my knowledge of myself, my glycogen storage capacity, and my stomach’s ability to digest medjool dates as a gel alternative. That, and I feel a bit more confident now that I’ll be able to finish Copenhagen marathon now, having dialled back my expectations after being ill for so long.

Then Saturday afternoon I set out to do some more work on what will be this year’s Birthday dress (it’s next week, aaah!), the Burda Matthew Williamson sheath dress from the September 2012 issue:

The above uses the official photo from when I bought the “Ravissant Duchess Satin Plum” from Fabric.com three years ago, but below you can see the actual colour and exactly how much gorgeous lustre it gives off in the light. On the inside, I’m using a lovely floral lining fabric gifted to me from Veronica when I was in Paris last Spring.

Burda magazine March 2013

I’ve seen a lot of hate for this issue online, and after the fabulous February issue, well, it was certainly going to be a hard act to follow. But if you look beyond the bridal and the strange styling (ankle-length lace vest, anyone?), there are some truly great patterns hiding in these pages…

First up is something so good I’ve already traced it and mentally assigned stash fabric to it – a cardigan with a gathered front, shown here in stretch lace, but also elsewhere in a different jersey. Cardigans aren’t something I’m usually attracted to, and in fact, I’ve never sewn one that I can recall, but I really like the look of this one, and I even like the idea of a lace one as a dressy coverup for a few weddings I’ve got coming up…

I will probably never make them, but big up to Burda for including a pattern for leather trousers. Often sewists complain that there are too many “easy sew” sack patterns in magazines, but Burda really are including difficult patterns in here, too. (I’m not even going to mention the unspeakably ugly cape, though.)

And to go with the leather trousers, a biker jacket! Though not in leather, I still love the seaming and topstitching details in this, and it’s uncommon to see a biker jacket pattern with a centre-front closure instead of diagonal.

A gathered merino wool sweater

I’m not actually doing the Burda Challenge again this year, but I keep seeing so many great patterns in each issue that I want to sew – like this quick, gathered raglan merino wool sweater from the February BurdaStyle magazine (or to purchase as a pdf download here). And I am powerless to resist.

I bought this plum merino wool jersey on etsy along with some brown as well – the purple is sold out but there’s some brown merino wool jersey left and it’s luscious and so soft – nice and thing for layering but so warm, too. Amazing stuff! So cheap, too – 5m for £30 is an absolutely steal. I often see Antipodean sewists going on about how lovely merino wool is to sew, but it’s something I’ve never, ever seen for sale in Europe so I jumped on this when I saw it!


(Worn in these photos with the jeans I made in November)

A lavender chic sweatshirt for my mom

I sure hope you aren’t sick of chic sweatshirts yet, because despite showing you my wool one on Tuesday, I’ve got another for you today (which I actually made several weeks before my grey one).

When my parents were visiting in October, my mom looked through all my recent makes and decided she’d like a chic sweatshirt for her belated Christmas gift, and she picked out a lovely lavender sweatshirting for it while she was here. Remember how lovely she looked in this lavender dress I made her a few years ago?

The pattern is again from the the September 2012 Burda magazine (or you can purchase the download pattern here) but the pattern only goes up to 44, and she decided she needed a size 46, so I had to grade it up. With multi-size patterns, it’s not too difficult – just measure the space between the size lines, add that onto the largest size, and connect the lines at the corners.

Here’s a good tutorial on grading up a pattern, and thankfully, this particular one happened to be the pink shaded pattern for this issue so it was easier than usual. It probably took me about 15-20 minutes to grade up all the pieces on the pattern sheet (of which there’s only 4!), then another 10 to trace them off, so it wasn’t nearly as painful as grading up a pattern that isn’t multi-sized.


(Big thanks to my brother for taking the photos for me!)

Wool sweatshirt & denim-look pleated leggings

I’ve been meaning to sew both of these pieces for a few months now, but it didn’t occur to me exactly how well they work together until I went to do the photoshoot and realised, hey – these make for a great transitional weather casual outfit!

The wool sweatshirt

I mentioned it in my Burda Challenge roundup but I abolutely adore my turquoise chic sweatshirt from the September 2012 Burda magazine (or you can purchase the download pattern here), and I wear it so much I’ve been plotting another ever since. I’ve had this wool blend fabric in my stash since our honeymoon in 2010, when I bought it at Elliott Berman in NYC. I’m not sure if it’s a jersey or a woven, and it’s got a bit of loft and stretch, but it’s not as spongey as your typical loden. And for a wool, it’s super soft and not scratchy in the slightest.

So I made another “chic sweatshirt” out of this wool – does this make this one my “luxe sweatshirt” or something?

As before, you’ve really got to baste those curved front darts carefully so they’re accurate when you sew them. I always do my hand basting with silk thread (hot pink so it stands out against pretty much everything I sew) because it pulls out so much easier than polyester or cotton thread when you’re done.

I really like the detail of the curved, darted sleeve head, which makes the construction of this more like a raglan sleeve than a set in one.

Catching up…

A month on, and I’m still ravaged by the shingles attack that hit me in mid-January. Absolutely everyone who saw my torso said it was the worst case they’ve ever seen (doctors included), and lucky, lucky me, the little bugger caused nerve damage, which means the pain in my side could continue on for months or possibly a year (again, lucky, lucky me). I’m on four different prescription painkillers until the neural-specific one hopefully starts working soon, so I’ve been stuck at home Resting (I hate resting.). The good news is that the doctor says I can now go do the odd half day at work and very easy run here and there as it’s driving me crazy not to, but I’m not to overdo things. But even that’s better than being chained to a couch!

Anyway, I’ve done as much resting as it’s humanly possible for Melissa to do, which means I’ve been lying flat on my back and sleeping for most of the days, but I managed to squeeze in some sewing, almost entirely in 5 minute segments, followed by 20 minutes of rest. Rinse & repeat… These will have photoshoots and proper posts coming hopefully next week!

The amazingly simple-to-sew Style Arc Marita dress:

A grey wool “chic sweatshirt”:

A pair of pleated, My Image denim-look leggings:

A quick, gathered raglan merino wool sweater from the February BurdaStyle magazine: