Tag: bwof

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Refashioned Boston Street running top

One practical aspect of being a sewing runner (or a running sewist) is that I can take all those oversized race tee shirts that seem to accumulate and refashion the nice technical fabric into something more suitable. Oftentimes I just trim down the front and back based on my knit sloper (like I did with my Paris race tee), but this time around I thought I’d change things up and use a Burda pattern instead of my usual sloper, since one presented itself nicely in the form of the “scuba set” in the June 2013 Burda magazine (or you can purchase as a pdf here).

I started by pulling out a pile of race tees I wasn’t 100% happy with (though in reality I only did two of these four)…

This particular shirt was always destined to be refashioned – I visited tons of running shops when I was in Baltimore in April, but my favourite was a small, very friendly shop run by a very enthusiastic runner, Boston Street Running (Baltimorians, it’s down by the big Safeway in Canton). I ended up chatting to him for ages about nutrition, races, running fashion, and he despaired that he only had one of their shirts left, and it was XXL with a printing mistake, as he really wanted to give me one!

I assured him I’d refashion it down, and send him photos of me wearing it in front of Tower Bridge…

One thing I really like about this pattern is that there are no side seams – it uses side panels instead!

Inspiration, Magazine

Burda magazine June 2013

I’m a tad late with my review of the latest Burda magazine (or as it’s known these days “Burda Style” – but that just makes it too confusing with the other zillion things they do with the same name), but a) it arrived in the midst of my World tour, b) it’s competing with both the April and May Manequim magazines, and c) well, I have made something from it already so I think I’ve earned a pass!

In any case, this is a surprisingly good issue, despite being a summer one!

First up is this sheath dress with angled side panels and hand-stitched details. On first glance it appears quite vintage-inspired, but the sharp seaming in the line drawing actually shows it’s a pretty modern draft!

I chose this next image not really for the batiste skater skirt (which isn’t really my style), but because OMG is this the first black model Burda have ever used?? And I realise this is the “street style” section so she’s not really a model per say, but seriously, I cannot believe how white Burda’s models are, even when they’re showcasing African or Moroccan or Asian inspired patterns they still use white models!*


A bit of an aside, but as I was travelling the other week I saw a massive advert for the German Wings budget airline with three cabin crew ladies: a blonde, a brunette, and a redhead. To which I chuckled to myself “oh, it’s German diversity!”

Next up is a nice figure-hugging knit dress with a cowl neck and gathered side seams. It’s also available as a top, which I think would be an excellent summer basic, or even for layering under jackets.

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A gathered merino wool cardigan

It’s June, I hear you cry – why is she sewing a wool cardigan in June??!? Well, I selected this cardigan in my Spring 2013 Sewing Ideas because I’m a realist, and I recognise that I need a lightweight cardigan for 80% of the British summer! I’m grateful to not have the disgustingly hot & humid East Coast summers I grew up with (nor the swarms of mosquitoes everywhere!) but it does mean some wardrobe concessions must be made.

This cardigan appeared in the March 2013 Burda magazine (or it’s available for purchase as a pdf here) and I thought it was one of the nicest, prettiest, and most versatile cardigan patterns I’d seen in a long, long time.

This is a basic, slim-fit cardigan with shaped, faced bands, front gathers, and button closure. I love the slim fit, the beautifully drafted, curved bands, and the delicate and pretty gathering. I get annoyed when patterns have skimpy gathering, but there’s a nice amount here, which is a great detail and offers bust shaping.

THIS PATTERN RUNS VERY SMALL! One reason I sew so much Burda is because they’re always so consistent, so I’m very, very glad I read the other reviews first.

When I compared the front and back to my self-drafted knit sloper, which has 10% negative ease (perfect for tight-fitting running tops, which is my usual usage), this cardigan pattern was even smaller still! If you can – go up a size, but if you’re the largest size already, like me, I recommend cutting larger seam allowances throughout the waist and hips at the very least. I personally tapered to about 1” allowances on the waist and hips in the side seams, then sewed ~3/8” (1cm) from the edge.

In Progress

Spring 2013 Sewing Ideas

Thank you all so much for your lovely comments on my asymmetric Drape Drape teeshirt! A girl could get used to that level of flattery…

It also marks the start of my sewing short sleeves, which means it must finally be Spring, and hence, time to start thinking about marrying up the patterns and fabrics I’d like to sew for the next few months. I really do these only for my own benefit, and so they’re not a “SWAP” in the sense that everything must coordinate against each other (lord knows I have enough clothes that I don’t have problems putting combinations together!).

This is more just a set of ideas towards which I’d like to work, so when I get to the end of a project, I can quickly refer to this image and go “oh yeah, I want to sew that next!”

For the first time I’m also including running/exercise gear in my plans, since I’m wearing lycra as a significant portion of my weekly wardrobe, and I want to contain all of my sewing ideas together. So you’ll find all the running stuff on the bottom row, and the rest of life’s wear on the upper two rows!

Top row:

Inspiration, Magazine

Burda magazine May 2013

Here’s my “one liner” review of this issue – if you’re looking for Spring sewing inspiration, you probably won’t find it here!

I’ve felt the last few Burda issues were a bit lacklustre and this one is even worse. There are a few nice patterns, but most require alterations in order to make them wearable for most people, or are things we’ve seen before. I’ll leave it to Paunnet to tear apart all the horrible rectangle “patterns” in this issue!

First up we’ve got a retro-style bikini with a cute tie in the front and shirred elastic at the back, and elasticated briefs. I found it a bit strange that this is drafted for wovens, when it’d be much more comfortable in a traditional swimsuit lycra. I also saw an idea online that it’d be really cute lengthened into a dress or top! (PDF Pattern here)

There’s a bunch going on in this page – first a cardigan (rather a lot like Jalie’s new one, but for wovens), trousers that look way too much like pyjamas for my liking, and a quite nice dress (which also has a short sleeved option) if you leave off the cutesy patch pockets. (Cardigan PDF Pattern here)

This twist-top is probably my favourite in this issue, but it looks like it either requires a camisole underneath, or some extensive alterations. And I swear there’s a pattern exactly like this in one of the Pattern Magic books, so it’s hardly original.

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A Royal Blue Chic Top for my Mom

Remember the lavender “chic sweatshirt” I made my mom a few months ago? Well, she wears it so much that she asked if I’d make her a lighter weight version for Spring and Fall. Since I’d already done the pattern tracing and grading, I figured sewing up another would be a fairly quick job.

As you recall, the pattern is from the fabulous the September 2012 Burda magazine (or you can purchase the download pattern here) but the pattern only goes up to 44, and she decided she needed a size 46, so I had to grade it up for the lavender version. This time around I just needed to cut out the fabric and sew a few seams!

Since my mom saw a flyer that one of the fabric stores near her had pointe jerseys on sale, she opted to select this blue colourway in person, pre-wash it, and post it over to me. Then I made it a few weeks ago while I was ill (hey, it was a quick make!) and brought it along to Baltimore with me in my suitcase!

I really like this vibrant blue on her – I think the colour is a really smart choice as it’ll work equally well in Spring and Fall, too.

Inspiration, Magazine

Burda magazine April 2013

Well, it was bound to happen… We’ve had quite a few great Burda issues in a row, but to my eyes, this one’s a stinker. I mean, there are a few patterns that are okay, but an awful lot of ugly that I couldn’t bring myself to even scan. I’ve sifted out what I could from this issue though, so here are my picks…

I’ve never been a big fan of maxidresses, but this one looks nice, if a bit “only to be worn on holiday”-y. There exist maybe two days in the year you could actually wear something like this in London and not look unspeakably sad. Which is why I don’t sew many summer clothes…

Here are two versions of the same simple, boxy top with pleats around the neck (not that you’d know it from the pose on the left!). I like this top (and to a lesser extent, the belt-required dress version), but I swear I’ve seen this design over and over again before. I do kinda like the idea of having an all-lace back, but I’d do it in a teeshirt pattern or something.

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My Matthew Williamson birthday dress

Thank you all so much for your patience! I finished sewing this dress in time for my 34th birthday on Monday (and I proved it by showing you dressform photos and talking in depth about the construction process!) but such a rich, dark colour really requires daylight to shoot properly, and today was the first opportunity we’ve had.

Another reason I wanted some great photos of this is because it’s an incredible pattern with some seriously striking design lines and beautiful details, and frankly, it deserves to be seen properly! In fact, it’s a true designer pattern, and from Matthew Williamson, no less! It was printed in the September 2012 issue of Burda magazine, but you can still purchase it as a pdf download if you missed it and want to make your own!

I made mine in some lusciously soft and supple “Ravissant Duchess Satin Plum” that’s been in my stash for three years just waiting for the perfect use, and paired it with a floral lining fabric gifted to me from Veronica when I was in Paris last Spring. Personally, I think these two make the most perfect pairing, even if it’s only me who sees the inside!

As I said on Monday, this pattern is a step up from the usual Burda patterns – more like a Vogue Designer pattern in all its wonderful details, but with the usual precise Burda drafting. I really wanted to do this dress justice, so I did quite a few things the long way, like the fell-stitched sleeves, walking vent, and all the matching seam intersections!

In Progress

Birthday dress – just a peek!

Happy birthday to me! I’m 34 today, and to celebrate, I’ve been making myself a special sheath dress designed by none other than Matthew Williamson from the September 2012 issue of Burda magazine!

If you’ve been following along, then you know I’ve been super busy for the past few weeks and it was a bit touch & go whether I’d finish this dress in time to wear to my special Mystery Birthday Dinner tonight. I’m proud to say that I did finish it in time, thanks in no small part to the snow cancelling our Saturday afternoon plans and giving me time to huddle down and sew! (It did not cancel my run though – we still ran 19 miles in the snow & fierce winds)!

Unfortunately I didn’t finish in enough time to take daylight photos last night (plus it was snowing sideways & not exactly ideal photoshoot weather!), so I can only offer you some dressform photos right now, but hopefully we’ll be able to get a few shots of me dressed up before dinner tonight.

But — while everything’s fresh in my mind, I thought I’d tell you about the construction of the dress, and how I handled some of the trickier aspects of it.

I decided I didn’t want to fiddle about with a muslin for this dress, so I did the next best thing and sewed up the lining first, just to double check that my sole alteration of raising the waist 1”/2cm was right, and everything was okay.

After that I cut out the shell and facings from the purple duchesse satin, and the next hurdle was to attach the curved facings to the curved neckline and sleeves of the lining. The neckline wasn’t too bad, but the sleeves were a total bear! For this reason (and a bit that became apparant later, too), I’d recommend sewing the side seams dead last, after the lining and shell are joined at the neckline and sleeve edges, and then sewing the side seams. This means you can attach the facings flat, for starters…

Inspiration

My Satin & Lycra Weekend

My weekend mostly went like this…

Saturday

On Saturday morning I got up for a 2hr 45min (16+ mile) run in the rain with my two good friends, Chris and Juell. We got soaked, ran along Regents Canal to Camden and then through the heart of the city and back through Shoreditch to home. We were soaked to the bone, but had a great time and I furthered my knowledge of myself, my glycogen storage capacity, and my stomach’s ability to digest medjool dates as a gel alternative. That, and I feel a bit more confident now that I’ll be able to finish Copenhagen marathon now, having dialled back my expectations after being ill for so long.

Then Saturday afternoon I set out to do some more work on what will be this year’s Birthday dress (it’s next week, aaah!), the Burda Matthew Williamson sheath dress from the September 2012 issue:

The above uses the official photo from when I bought the “Ravissant Duchess Satin Plum” from Fabric.com three years ago, but below you can see the actual colour and exactly how much gorgeous lustre it gives off in the light. On the inside, I’m using a lovely floral lining fabric gifted to me from Veronica when I was in Paris last Spring.