Tag: coat

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In Progress

The Winter Coat – construction

About a year ago I bought some gorgeous, ex-Burberry wool coating fabric from Ditto with plans to eventually make another winter coat. The muted turquoise wool has a patterned herringbone weave on one side but it’s also very thick and un-drapey but has the advantage of not fraying at all (almost like a boiled wool or Melton).

The fabric is so thick that I knew had to choose my pattern wisely, leaving out coats with lots of pleats or gathers that would’ve meant lots of bulk here.

As soon as I saw the Armani knockoff coat in the September Burda issue, I thought I’d found the match for my fabric, but as you recall, that pattern was just downright awful. So I started looking through my coat patterns again for something suitable, and Claire (Seemane) suggested I combine Patrones 285 #29 with some elements of the other coats in that issue, which is more or less what I ended up doing (though I need to change my tech drawing here to show the applied welt pockets I finally decided on rather than buttoned welts).

In Progress

Pre-Christmas prep

Are you ready for some random sewing goodness? Let the randomosity begin!

  • When I was at the bookstore on Brick Lane buying James’s birthday card, I couldn’t resist this reusable wrapping paper (okay, it’s just fabric to me and you!) with London streetsigns. I love that it’s a London fabric without being OMG UNION JACKS THE QUEEN TOWER BRIDGE! I figure I could use it as a lining like I did with that Japanese tea towel and my bolero jacket a few years back…

  • We were supposed to meet up with Pip and her boyfriend two weeks ago to celebrate Christmas, but we had to reschedule due to my swine flu, so I’m only just now able to sew up her present – a Nairobi bag made up in gorgeously soft red wine leather, bought in NYC from Global Leathers (I find it interesting that Americans would call this colour “burgundy”, whereas in the UK it’d be “claret”). I’m about halfway done and already I can tell she’s going to love it!

In Progress

Winter coat shortlist

With the Burda/Armani coat firmly OFF my list for my winter coat (a few of you suggested I could change/fix/alter the pattern but sorry, my time is too valuable to throw after a bad pattern. I know when to cut my losses and choose a better one!), I’m now in the process of picking a different winter coat pattern for my luscious and very thick ex-Burberry wool coating.

Since I scan all of the “At-a-glance” pages for my pattern magazines and store these in a private online gallery, looking through these and creating a shortlist is much, much easier than wading through each and every one of my magazines! I went through the gallery, and when I found a coat pattern I quite liked, I took a small screenshot of it (on Macs you can Shift-Apple-4 to draw a small square and only capture just that area), and renamed the screenshot to the pattern issue and number so I wouldn’t forget where it came from. Then I pasted all these into one big image so I can see all my choices at once.

This is the same process I used to narrow down my wedding gown pattern shortlist, but I cleaned the collage up a bit nicer in Photoshop this time around!


(click to see it bigger)

In Progress

The Burda meets Armani coat – muslin FAIL

I absolutely LOVE the Burda magazine September 2010 issue. Loved it from the first second I saw the technical drawings, and now, several issues later, I’m still not seeing much that tops it. I literally have 11 or 12 must-sew patterns from it, and one of them is the Tall coat, #118.

As you recall, when I was in New York, I saw an eerily similar coat in the window of the Armani 5th Avenue store, and this sealed the deal – I must make this coat using my super thick, ex-Burberry dusty teal coating that’s been in my stash since last winter!

I don’t make muslins for a lot of things, but when the fabric is expensive, or can’t easily be resized (like leather), or if there’s a lot of work involved before a fitting can be made, then I’ll grumble and moan and make a muslin first rather than waste my nice fabric (and time!) and get any fitting issues out of the way first.

Let’s get down to the instructions first – Burda’s instructions aren’t too bad on this one EXCEPT for the zippered inseam pockets – they are absolutely nuts, and account for a good third of the instructions for the entire coat. But the instructions are besides the point, because if you jam your hands into your winter coat pockets when you walk like I do, you really don’t want metal zipper teeth digging in to the backs of your hands! So leaving off the zippers not only saves you time, but makes for a much more usable coat.

Gallery

Patrones spring coat

By now, you should be fully familiar with Patrones #261-17, the spring duffle coat I’m making in turqouise basketweave wool…

After all, first it won the public vote, then you heard about how I bulk fused the tricky wool, then you saw all about my muslin and the resulting fit alterations, then you saw how I dealt with the tricky hood seam allowances and finally, last week you got a chance to see the bound buttonholes and the finished shell.

I’ve been concentrating on assembling the lining (and the lining pocket) all weekend, and finally finished all the handsewing at Monday night’s moorings crafty club!

In Progress

Patrones spring coat – finished shell

Are you thoroughly sick of the sight of the Patrones spring coat yet? Well, too bad, because it’s taking me forever!

The good news is, I sailed smoothly over the speed bump that caused me so many headaches and delays in making my winter coat – the bound buttonholes. I’d already decided that with such a thick, loosely woven fabric that’s so prone to unravelling, that I’d use the satin bias tape I’d bought for binding the hood seam allowances to also make the bound buttonholes.

So I pressed the satin bias tape flat, cut it down to 1/2 inch wide strips, then folded these in half (right sides out) to make the buttonhole “lips”. After basting my ladder stitches on all the coat tabs, I did the usual technique of sewing these lips to the right side and cutting open the buttonholes.

But here’s where I deviated a bit – since my wool unravels so much, I knew that trying to stitch those tiny triangles at the ends would just be an exercise in futility, so I pulled out some lightweight knit interfacing and cut out a tiny strip. I then pulled the triangles to the back and fused the interfacing over top to keep them out of the way:


(It’s a bit hard to see but the mesh white interfacing over the left and right ends is there!)

In Progress

Patrones spring coat – hood and more…

On Saturday I went shopping for supplies with Johanna Lu while she was holidaying in town, yay! We hit up Goldhawk Road and MacColluch & Wallis so I was able to get the rest of the supplies I needed for the spring coat, as well as stock up on a few things I knew would be difficult to get online for the rest of the year, like quality interfacings (I knows it when I feels it, okay?). She had the forethought to bring a camera along shopping, so you’ll have to stalk her blog for the next few days to see us giddy in fabric mecca!

I was very disciplined on Goldhawk Road and only bought three fabrics (at the end of the list there) – grey corduroy, since I adore the cords at one particular shop there and I don’t think I’ll be able to go back before Fall, a red & white cotton poplin with stylised flowers that’s already earmarked for two projects, and my one impulse buy – a very cool lycra jersey with tons of overlapping stripes going every which way. Oh, and the lining for my Spring coat.

Speaking of that Patrones spring coat:

In Progress

Patrones spring coat – muslin & alterations

Since I’m not entirely confident of how Patrones patterns fit me, and I’m equally not confident that I am a size 44 anymore (well, I was when I traced it 18 months ago, argh), I decided to play it safe and make a bedsheet muslin for my Patrones spring coat before cutting into the basketweave wool. If you remember, this is the coat:

And this is how the muslin looks straight off the pattern sheets:

In Progress

Prepping for Patrones

Now that I’ve finished all my other spring projects (the Colette dress is coming, sorry for the delay!), I can now devote all my available energy toward making my spring coat, Patrones #261-17, as voted on by all of lovely you!

Also sewing along with me are Zoe (whom I borrowed and traced the pattern from originally!) and Houkje, who’s also tracing and joining in a bit later on, creating our own London-Patrones micro-Sewalong!

First off, Zoe says:
I took a quick photo this morning of the fabric I’m using for the coat.

The wool on the left is a remnant from the cloth house and not enough
for the whole coat. The velvet on the right is for the hood, button
tabs and possibly the collar if I don’t have enough of the wool for
that. I bought some great brass toggles on Walthamstow market (couldn’t
find them a 6am without waking the family up), but forgot about the tabs
on the sleeves so I need to get back soon to get some more. I’m looking
for a two tone lining in beige and turquoise to match the stripes in the
wool, but no joy so far. Need to find time to get over to Shepherd’s
bush I think.

Whereas for my coat, I’ll be using that great, soft teal basketweave wool, bulk fusing it with lightweight interfacing, before cutting, then overlocking all the cut edges to prevent fraying and unravelling.

I’ve got 4 yards of the wool, but only ordered 3 metres of the Vilene H180 lightweight interfacing. Only I forget it was super narrow, so by the time I laid it side by side on the wool, I only had about 1.5m of the wool covered. So I’m waiting to see if I can lay out all the pattern pieces that wouldn’t normally be interfaced onto the bulk fused section, and the pieces like the collar, facings and button tabs onto a section that I’ll cover with heavier interfacing to avoid having to buy more. Confused? Don’t worry, this plan might fail anyway…

In Progress

Spring coat choices

I’ve got lots of turquoise basket weave wool coating that I bought from Fabric.com on a deep discount the same time I bought that gorgeous faux fur, and I’m envisioning it as a great spring coat (believe me when I say it’s the perfect weight for London springtime, okay?). But I’m torn between three different coat patterns, so maybe you all can help me decide?

1. Patrones #261-17 – Pros: It has a hood, and big pockets, and it’s already traced, since it from an issue I borrowed from Zoe ages ago! Cons: I’m not as confident on Patrones’s sizing so a muslin is a must, and it’s not got any pockets (Wtf?) so I’d have to add on some patch pockets.