Tag: drafting

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Grey Pattern Magic "Flip Turn" top

Ever since I first opened the Pattern Magic books, a few designs have been burning a hole in my sewing brain. One of these was the “Flip Turn for a Draped Effect” bodice from Pattern Magic 2, and I was so happy that I was able to draft this on my Morley College Pattern Magic 2 course last month! It wasn’t too bad to figure out, but I’m still really pleased to have the instructor there and because I muddled through (albeit with help), I feel much more confident about tackling other designs in the books.

The only problem was that we drafted all the course designs based on the largest Bunka sloper, which was still rather a lot smaller than me, so if I wanted to actually wear the designs from the course, I’d have to create them again off my own sloper, which just seemed a bit dull.

Or maybe… just maybe… I wonder if the Bunka sloper version would fit if I eliminated the back waist darts and made it in a knit?

OMG a toile for a fashion college dressform fits me!! :O 😀

Since this was a total fit experiment, I wanted to try this first in a low-risk fabric, and I had just enough of this viscose grey marl jersey leftover in my stash from the Manequim “big shirt”.

One interesting part of this design is that the reverse of the fabric is shown on a large portion of the lower front, and in this fabric, the reverse is kinda textured and loopy, but without any major colour change from the “correct” side. It means you get a subtle texture change on that panel, but without screaming “hey! I’m the wrong side!”.

To further play up the texture change and to make it look more intentional, I used the wrong side of the fabric on the neck band, too (maybe I’ll do the sleeves on the wrong side next time, too?)

Gallery

Lycra & Lace running top and leggings

It feels like I’ve been talking about sewing my running gear for ages now, but I think that’s just because anything self-drafted and a bit custom tends to take a bit more time and head space than my average project! But I’m happy to report that two out of three of my first pieces are finished now (the sequin vest is awaiting more coverstitch binder practice, but more on that next week).

Both of these pieces are heavily modified (bordering on self drafted) from the originals, but the leggings are based on the Jalie 3135 skinsuit pattern and the top started life as my basic KnipMode long sleeved teeshirt.

You’ve seen a sneak peek of the leggings earlier, but now you can see them paired with my long sleeved top, though the different turquoise shades mean I probably won’t wear them together often in real life.

The long sleeved top needs three different fabrics in order to get a contrast on the upper body and again at the hip pockets. So I’ve used the black supplex for the top and sleeves, leftover turquoise for the lower back (which wraps around to the front hips), and the same turquoise but overlaid with olive green stretch lace for the front body.

The leggings use black supplex and dark turquoise “silk touch” lycra for the contrast panels. You can see my cool seaming on the thighs below, and in getting design lines to match up, I favoured the outer seams matching. It means it’s not quite as cool on the inner thigh seams, but it means I get a nicer overall panelling.

In Progress

First running gear muslins

I love it when different areas of my life start overlapping! I’ve been a runner for about 7-8 years but I’ve only really sewn running gear a few times (mostly because my mom knows what I like and gets good stuff on sale for me!). But I’ve got the itch to sew the lycra again, and so I made the first steps towards making my own running gear designs a reality.

First step was to make quick and dirty muslins to check the fit and mark style lines. The Jalie 3135 skinsuit pattern was my basis for my running leggings (minus the top half and the front zipper opening!). I used the “silk touch” lycra jersey from Tia Knight as my muslin fabric here since it was the cheapest 4-way stretch she had, but it’s surprisingly really nice! It’s got a hand like a silk jersey, but seems a bit too drapey to be ideal in exercise gear, though it should be fine for the occasional accents or panels if I want to.

So I made my muslin, tried it on, and while I was wearing it, drew lot of placement and design lines straight on the fabric with a Sharpie:

  • I drew in my waistline just under the pattern’s torso double line

  • I marked the knees on front & back, and also where the curve of my bum lies (helpful for placing design lines later!)

  • I took out some excess in the ankle (no cankles here!) and about 4 inches off the length (the legs are reeeeeeeeally long – maybe to cover skates?)

  • And then, finally, I drew in some curved design lines where I thought they might look nice around my thighs and calves

The end result looks a bit like a liposuction patient (which is why I’m not modelling it!!), but it definitely served its purpose!

Inspiration

The Pattern Magic 2 course at Morley College

This weekend was my eagerly-awaited “Creative Pattern Cutting 2” course at Morley College in London, which was a two day class based entirely on the second “Pattern Magic” book. I’ve owned the Pattern Magic books for a while, but I’ve only tried one design (with discouraging results), so I was really excited to have the opportunity to explore them further.

I’d have no idea this course was even offered if it wasn’t for Tracy blogging about attending the course on the first book, either. So a big THANK YOU to her for bringing it to wider attention!

And seriously, this course was FANTASTIC! The tutor, Moni, was simply amazing, I can’t say enough good things about her – she does a lot of other Fashion/Sewing courses at Morley and I’d sign up for one of her other classes in a heartbeat (and I see she’s doing one on the Colette Wolf book “The Art Manipulating Fabric” soon, too, which sounds very cool)!

The facilities at Morley were great, too – lots of room to spread out, domestic Berninas and ironing stations, plenty of cross paper and cheap calico/muslin, and it was super easy for me to get to, and easy walking distance from Waterloo Station and surrounded by great pubs for lunch, too. It really was jawdropping that the whole weekend course only cost £48, especially when you consider most sewing courses in London are a) on the same old three dull topics over and over again and b) usually in the range of £300-400!

Believe it or not, this was also my first “formal” training ever in sewing!

We ended up with only eight students in the class so we all got a lot of individual help, which was great. I never really felt like there was any point where I was struggling and I couldn’t ask the tutor – she really did a fantastic job at spreading her time evenly amongst us. We also got to choose which projects we wanted to work on, which was ideal because it meant there wasn’t the usual classroom thing where some people were too fast and others too slow, etc. All the students there was really sharp with their sewing and drafting so I think everyone got a lot out of the class, too.

In Progress

Morphing the Manequim sweater pattern to my size

If you remember from earlier in the week, my next project is to make this collared sweater from the June 2011 Manequim magazine:

Since the pattern is only in one size, “Small”, my strategy was to take an existing long sleeved teeshirt pattern that I know fits me well, trace that, then trace the neckline area from the Manequim pattern overlaid onto it and morph the two together. For simplicity’s sake, I wanted to keep the collar piece as unaltered as possible.

Here’s that wonderful diagram again showing how the Manequim pattern fits together, so we all have an idea in our head of what we’re aiming towards:

While overlaying the Manequim pattern onto mine, I wasn’t quite sure what I should use as the “frame of reference” to align the two patterns together – should I use the Centre Front & Centre Back? Or the shoulder seam/armscye corner?

In the end, it turned out that sorting out the Back first was the key to making the bigger changes on the Front piece work, since the Back of my teeshirt and the Back of this pattern were much more similar.


I’ve shaded my final pattern shapes in blue here to try to make it clearer. The original teeshirt pattern is (mostly) at the cut edge of the paper. Ignore the red lines – they were misaligned tracings!

In Progress

Totally discouraged…

I’ve been hard at work on my slow-moving self-drafted shirtdress, creating bound buttonholes for the spaces the collar passes through before tying, making french seams everywhere, double checking all the darts so they all line up, and finally I tried it on last night to check the hem and button placement.

And it’s horrible. Dumpy, unflattering, and just bad.

All I could think of was Trena’s “prison matron” dress, and like hers, mine’s got pockets, but that’s about it. I don’t even know if I can bring myself to finish it, but it’s sitting on my dressform for a while so I can mull over whether any of it is even salvageable. I just know there’s no way in hell I’m ripping out a million french seams! It’s got nothing to do with the Pattern Magic directions, as the collar is okay, it’s all down to the fit of the rest of the dress…

And the shirting is Prada, too! *whinge* And I made three muslins! *whinge* I did everything right, and the dress is just so very wrong. Which mostly discourages me from pattern drafting altogether. I mean, what’s the point in pattern drafting if the fit is worse than what I get straight off a pattern sheet? Because, really, Burda, Knip, and even Manequim fit me straight off the sheet, no alterations needed. Do I really need the extra hassle in my life to end up with a sub-par result even with all my designer finishing techniques? Am I happy to never be a pattern designer? These are the sort of questions I’m asking myself right now anyway.

Inspiration

Hokey Croquis & Fashionary tech drawing help

Last year I was sent a complimentary Hokey Croquis fashion sketching notebook as a thank you for being a contributor to the BurdaStyle book, and I never quite got around to telling you about it. Not because the product isn’t nice, but mostly because I haven’t done much drafting or designing until now where Ive needed to make my own tech drawings!

Hokey Croquis is a very sturdy, nicely designed, spiral bound notepad with pre-printed female croquis (those are the little drawings of female silhouettes), which you just draw your designs on top of. Then, you can scan in the page, fiddle with the contrast on your computer, and their lines disappear.

HC have really paid attention to the little details here – the book closes with a nice, pink ribbon, and included with the book are some classy stickers to customise the cover. I’ve noticed that Fashionary.org have a similar croquis notebook for sale, but they also have some free pdf downloads, too. I’ve not had a chance to try their book, but the croquis included in the pdf are a bit small for my liking. I think they’re great for getting a bunch of ideas down without wasting precious, thick pages in a book, but for making the final tech drawings, I think the larger, HC forms are better.

In Progress

Muslins, muslins everywhere…

…but not the time to sew!

I’ve had an incredibly busy week and weekend, between my whirlwind social life, an influx of new work at the office, hardcore boat DIY, moorings duties, and keeping up with my running, so I’ve hardly had any time to step foot in my sewing room, let alone sew! It doesn’t help that pattern drafting moves at a glacial pace as compared to just tracing off a pattern and sewing it up!

If you remember, I’m using Pattern Magic and the Bunka draft to revisit pattern drafting. So far I’ve made my bodice sloper and drafted up this variation from the first Pattern Magic book, “Tying a Bow D”.

This is one of about five designs across the books that I’d really like to make, but it’s also by far the simplest draft so I thought it’d be a good place to start. The only difference is that I want to a dress from this instead of a blouse, so I’ve also drafted up a skirt sloper and am just now starting to match up the darts to the bodice and insert some flare to make it usable for a nice shirtdress.

In Progress

Revisiting pattern drafting and the vintage tab dress muslin

Remember the vintage dress pattern I graded down to my size a few weeks ago?

Well, I made up a muslin with my grading changes in place, and though I didn’t get any photos of it on me, I did get some on Susan. I realise that diagnosing fit issues on a dressmaker’s dummy is particularly futile, though, so you’ll just need to take my word for it!

On first glance, the worst issue is that there is way too much fabric in the upper back, but also I think I may need to raise the waist seam by an inch, and narrow the shoulders by an inch or so, too.

The skirt length is d-o-w-d-y so I’ll need to shorten all those panels, too (happily I’ve got a “lengthen or shorten here” line on both the bodice and skirt pieces).

While the sleeves themselves fit nicely, there is an unholy amount of excess ease in those sleeve caps, omg. So I’ll need to shave down those caps to take a good few inches out of there.

It wasn’t necessarily the list above that made me lose enthusiasm for this dress, but I can’t really put my finger on what it was. But it turned out that doing all the boring grading reawakened in me a desire to conquer pattern drafting, which I dabbled in when I received “Metric Pattern Cutting” by Winifred Aldrich last year, but didn’t get far.

In Progress

Lekala cowl top instructions and giveaway

You’ve seen my version of this fantastic cowl top, now’s your chance to make your own and show me yours!

As you’ll recall, the above is made using Lekala 4020, but I’ve created sleeve bands on the back to echo the ones on the front, so our first step is to alter the pattern for this.

Here’s the (unaltered) tech drawing:

Lekala give full pattern pieces rather than placing some patterns on the fold, so the first thing I like to do is fold the front and the back in half. If you’re altering the back like me, then cut the back piece in half along this foldline (at the CB).

To echo the sleeve bands/yokes on the back, first lay the front sleeve band/yoke piece onto the back, and mark the corresponding widths at the back shoulder and the back side seam, so the two bands will align nicely when sewn together. Then, using the front yoke piece as a guide, draw a nice curve to join the two points, trying to keep the width of the yoke even. Lastly, draw a double notch somewhere in the lower half across the line, so you’ve got the notches on both the back piece and your new back band piece. Then cut along the line and treat as two pieces.

You’ll end up with something like this: