Tag: dress

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The Donna Karan red vixen dress (Vogue 1280)

I don’t often sew Vogue patterns, but I am a massive fan of the Donna Karan patterns’ design and execution, so it’s no surprise that I added Vogue 1280 to my Wish List the second it was announced recently!

Happily, my mom saw there was a pattern sale where she lives in the USA and offered to buy a few patterns for me at US sale prices – she paid less than half the price for the pattern + shipping to the UK than I’m charged just in postage to the UK for the same pattern! I wasn’t planning on sewing a dress right now, but I got so excited when I saw Vogue’s numbered pattern marks for the first time (possibly in response to my complaints regarding Vogue 1259’s instructions), that this dress moved quickly up my Must Sew list.

Like all DKNY & Donna Karan Vogue patterns, this one’s a great mind puzzle to put together! It also has the joy and wonder of looking like a total mess until the very end, when it all comes together into a dress shape. I found it to be true to size, so go with your measurements, not some vague idea that all Big Four patterns have tons of ease. Most of the pieces are cut on the bias (not that it means much in a jersey!), and it hugs the body very closely. If you’ve got any lumps and bumps, though, this is not the pattern to hide them, and so you’ll probably be wearing Spanx underneath in addition to the strapless bra the bodice requires (Full disclosure: I’m not wearing Spanx in these photos!).

In Progress

Hooray for the Vogue 1280 DKNY sheath dress pattern!

Even though I live in London, I grew up in America, and my family all still live there. A week or two ago, my mom saw there was a pattern sale coming up and very kindly offered to buy me a few if I wanted! There were two Vogue patterns on my Wish List – one was a Michael Kors knit dress that’s now OOP (and her Hancock’s didn’t still have it), but she was able to buy me one of the new DKNY Vogue patterns I was after, plus ship it to me, all for less than half the price we pay for Vogues in the UK on sale!

(Ever wonder what sad souls pay the full list price printed on envelope patterns? Yeah, that’s us. Little wonder I mostly sew with pattern magazines!)

So Vogue 1280 arrived in the post yesterday, and I immediately set about devouring the instructions and construction details of this.

It’s a really interesting, asymmetrical knit sheath dress with a characteristic (for DKNY) lack of side seams, so there’s a lot going on here!

Here’s a better shot of the tech drawing from the envelope. On Vogue’s site, the tech drawing is really too small to see that nearly all the seams are lapped, with a raw-edged piece of trim inserted, and then double-stitched (hello, coverstitch!) on top.

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The Blue and Black Burda February sheath dress

I’m feeling pretty good about the past few issues of Burda magazine. For a while there (2010, I’m looking at you!) they really seemed to be only printing boring, shapeless and awful patterns, but I’m glad I stuck around because the past few months have really been a return to form, as far as I’m concerned.

There were quite a few patterns I want to make from the February issue, but only one demanded I drop everything and Sew It Now, the colourblocked asymmetrical knit sheath dress #117:

I know a lot of people complain about tracing Burda patterns, but I seriously don’t have a problem with it. Most patterns take me about ten minutes to trace, I have the pattern sheets on top so it’s not difficult to see the lines, and I do a few at a time.

This dress may have the illustrated instructions for this issue but WOW was this a total bear to trace! It’s printed in red lines, but this sheet also contains the “easy”, pink shaded pattern, so there are multiple points where you need to trace red lines over pink shading. Add to that the irregular shapes of the pattern pieces and you’ve got yourself a headache.

If you can get through the tracing pain, though, you’re really in for a treat, because the tracing took longer than the cutting or construction combined. I sewed this up last Friday night after work and wore it out to a friend’s birthday the next day!

In Progress

Upcoming January sewing

I’ve finally emerged from the craptacular flu (which then turned into bronchitis) that I’ve been under since Dec 28 – thank you for all your well wishes! For me, it really feels like the new year, 16 days late!

The Ruby Slip was my first garment of 2012, but my second and third aren’t far away…

Grey flannel trousers

Just before Christmas, I met up with Claire for lunch and she gifted me a massive length of wonderful dark grey flannel. It’s so soft and lovely that initially I thought a dress, but then realised I’m likely to get much more wear out of a really chic, comfortable pair of dress trousers. So on Friday night I traced and cut Burda Jan 12 #122, mostly because the issue was handy, but also because they looked to be a great basic. These have the illustrated instructions for this issue, but I could sew trousers blindfolded by this point, so the instructions didn’t make much difference to me.

I sewed this on and off over the weekend and nearly completed these despite hardly being at home. As a nice tie-in to my previous garment, the pockets, fly underlap, and waistband lining are all done in the pale green silk leftover from my Ruby Slip.

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The silk chiffon maternity maxi gown

I finished Holly’s silk gown on New Year’s Eve, so this is officially my last project from 2011. If you recall, it’s Burda 08/2008 #125 and is one of the designer maternity patterns from this issue (and in my opinion – a really nice maxi dress whether you’re pregnant or not!).

We muslined the bodice portion of this (minus the drape pieces) back before Christmas, and made a few changes: taking a few tucks out of the neckline here and there, and increasing the bust space on the standard size 44.

I totally missed the chance to finish this for her Boxing Day birthday, but I figured I’d be still in time for any January parties before the birth in late January, and we were even scheduled to go over for dinner last Friday, where I was going to bring the dress along and sew up the hem on my little red machine after we ate (the hem is just raw here, as I can’t do that without her wearing it).

Inspiration

Burda's Roland Mouret "Macha" knockoff dress pattern – detail photos

First of all, thank you all so much for all your comments and praise on my Charcoal pinup dress! I knew I really liked it, but it’s nice when so many others agree.

One thing that I hadn’t realised in the magazine discussion, nor sewing, nor wearing it out, however, is that this dress pattern is a very close knockoff of the Roland Mouret Macha dress, which was shown in his Spring 11 RTW show!


(Photo from Style.com)

Really, the bodice seaming is all identical, but there are a few differences:

  • Burda’s pattern is for wovens, RM’s dress is a stretch woven

  • Burda’s has long sleeves, RM’s is sleeveless

  • Burda’s has a back V neckline, RM’s has a square back neckline

  • Burda’s is princess-seamed in the skirt, RM’s appears to be one panel in the skirt

  • Burda’s has a centre back invisible zipper, RM’s has a centre back exposed zipper

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The charcoal pinup sheath dress

I feel like this post should have a warning, like those awful, dated jokes – Dangerous curves ahead! But to be honest, I’ve been running like a mad woman for the past few months, finally running much faster and further than I ever did before I got ill, so I’m relishing the chance to show off my running body right now*.

This dress was in the Sept 2011 Burda magazine, but it’s also available to buy as a download pattern on Burdastyle.com if you missed that issue (or believed the blog hype that it was a bad issue, gasp!). I really loved this pattern from the second I saw it, and all I really needed was a little nudge from BurdaStyle and I was totally sold on making this as my double-duty James’s birthday dinner and Christmas party dress.

Though on reflection, it might be a bit too sexy for my office party.

As this was a close fitting sheath with a non-stretch fabric, I opted to go right ahead and make the only fitting alteration I ever make with Burda patterns, and even then it’s only occasionally – I removed 2cm above the waist line across all the vertical panels so the waist of the dress is more in line with my own.

In Progress

Grey flannel outlook ahead

My next two sewing projects to share with you both use the fantastic, charcoal grey, ex-designer poly/viscose/lycra flannel that Neighbour Helen gifted to me just before they set sail for the continent. If I didn’t have the fibre content tag still attached to the fabric, I’d assume it was a cashmere or wool flannel, it’s that lovely!

The first use of the flannel is actually already finished and could’ve been spotted in the swankier parts of Spitalfields on Saturday night – an amaaaaaaazing sheath dress from Burda magazine:

I’ll avoid a long story to explain the Why, but you’ll have to wait til next week to see the photos. But trust me when I say it is a truly stunning va-va-voom dress!

Then this weekend I decided to jump right in and use up the remaining ~2m or so of the flannel and make the vintage Maudella midi skirt pattern I bought in Sheffield a few weeks ago:

In Progress

A beginner's knit maternity dress

Just to make things absolutely clear – no, I am not pregnant!

But my very good friend (and beginning sewer!) Holly is, so I’m doing some maternity sewing for her over the next few months, and helping her to sew a few things for herself, too. We’ve already had an afternoon session converting regular trousers to maternity versions (and I’m thrilled to report that she’s since gone home and done a few of these herself, too!), but it’s down to me to start the “from scratch” garments.

The first project was to make a “wearable muslin” of this Burda knit dress from June 2010. She picked this pattern out of a lineup, and it’s actually great for a beginner. The seamlines and construction are pretty straightforward, and you get a lot of bang for your buck with this, as there are two sleeve variations and two length variations!

I traced off all the different versions, and used the double tracing wheel I picked up in Budapest to even add the seam allowances on for her, too (something I never bother to do for myself, as I prefer my patterns without).

For this muslin I used some viscose jersey donated by Claire (Seemane) specifically for muslining purposes. The print is definitely too wild for me, but it might come in handy for Holly while she’s got a limited wardrobe. I don’t think it’s an ugly print by any means, and I could see her toning it down with a black or navy jacket or cardigan.

In Progress

Revisiting pattern drafting and the vintage tab dress muslin

Remember the vintage dress pattern I graded down to my size a few weeks ago?

Well, I made up a muslin with my grading changes in place, and though I didn’t get any photos of it on me, I did get some on Susan. I realise that diagnosing fit issues on a dressmaker’s dummy is particularly futile, though, so you’ll just need to take my word for it!

On first glance, the worst issue is that there is way too much fabric in the upper back, but also I think I may need to raise the waist seam by an inch, and narrow the shoulders by an inch or so, too.

The skirt length is d-o-w-d-y so I’ll need to shorten all those panels, too (happily I’ve got a “lengthen or shorten here” line on both the bodice and skirt pieces).

While the sleeves themselves fit nicely, there is an unholy amount of excess ease in those sleeve caps, omg. So I’ll need to shave down those caps to take a good few inches out of there.

It wasn’t necessarily the list above that made me lose enthusiasm for this dress, but I can’t really put my finger on what it was. But it turned out that doing all the boring grading reawakened in me a desire to conquer pattern drafting, which I dabbled in when I received “Metric Pattern Cutting” by Winifred Aldrich last year, but didn’t get far.