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A camisole from the ashes of failure

It all started back in March when I received for my birthday both the royal blue ponte knit fabric and a Marfy pattern I’d requested (#2935). I was enthusiastic about both, so much so that I spent the day after my party making up the dress.

The first issue came about when I realised that the pattern was missing a piece for the horizontal waist sash. It was pretty obvious it was just a rectangle, but the dimensions of it would be useful to get the gathering right, so I emailed Marfy, and got the following unhelpful reply when I asked for the dimensions of the missing piece:

“you are right, sorry. The important thing is to cut the piece on the bias so that it will follow the body. You can decide the width you prefer, and you can close it on the back.”

Ummm…

But that was just the start, because the horizontal sash was really the least wrong this about the dress. It’s a basic, long sleeved knit sheath dress with front and back darts and waist seam, but then there’s a weird set of gathers above the bust at the centre front that just reminds me of a vagina no matter how much I look at it, and this created a weird lump of fabric just above the bust that had to be pinched out.

But it goes on, because the diagonal sash was angled incorrectly and way too long, but if it was pulled tight enough, it started to bring the neckline down, too. The length was really dowdy, and overall, it was just a really unflattering dress. Somehow it looked straight out of the 1940s despite being modern, and it’s pretty much impossible to have a fabric that is both thick enough to wear on the body but thin enough to stand up to all that draping. Big, big thumbs down for Marfy 2935. This is actually my second Marfy pattern, and the second that hasn’t worked for me, so I’m kinda washing my hands of the whole company now…

But I still really liked the fabric, and wanted to do something with it to reclaim it, so this monstrosity of a muslin stayed on Susan (my dressform) literally for months. My friend FJ would come by and be like “Is that thing still there? You have got to do something with it or get rid of it – it’s bringing you down!” and he was totally right.

But despite being a big dress, the uninterrupted pieces weren’t very big so I had to choose my pattern carefully – and I pulled out the Seamster Patterns Yellowtail Camisole pattern that I’d bought and printed out last summer but hadn’t quite gotten around to making before the weather cooled off.

I was able to fit the pieces into the Marfy dress (plus it felt quite cathartic to cut the sucker up!) and it was really quick to sew!


Seen here with my Donna Karan leggings from earlier this week…

Donna Karan denim-look leggings

Yikes! I actually made these leggings back in early July, but then it was so hot and sunny for weeks that I couldn’t bear to do the photoshoot, even though I was wearing them in the evenings a lot. The impetus for these was that my beloved pleated “denim-look” leggings had come to the end of their life through heavy use. I’ve been trying to find the time to sew a new pair of denim-look leggings over the entire summer, even buying in the fabric ahead of time so it was all ready to go, but alas, other work had gotten in the way.

But then I finally had some spare time so I pulled out my denim-look jersey and Vogue 1378 – the Donna Karan separates pattern.

I’d made these leggings a few months ago in grey ponte, and I really like them – except for the floppy ankle opening things. Those really annoy me, limit my shoe choices to heels, and generally just don’t work for me. So I’d already altered the pattern by overlapping the two ankle pieces and drawing a new seam line where they intersect, and I used the modified pieces here.


Seen here with my new Yellowtail Camisole – more on that later this week!

A basic black Burda tank

It’s typical that I end up making the most boring, basic pattern out of the crazy-amazing June issue of Burda magazine! But I’d traced this out as soon as the magazine arrived, and I was in desperate need of a quick “me project” after a very busy week of work sewing. So I sat down on Sunday morning after breakfast, and had this finished before we left for a BBQ at lunchtime! I literally couldn’t have gone to the shops and back in that time…

This really is just a basic, jersy tank/vest with a racerback as its only detail, so I paired it with some “problem fabric” I had in my stash – I bought this from Minerva at the end of last summer and it wasn’t really what I was expecting. It’s a thin, black viscose jersey with but lines of dense stitching which make the fabric in between the lines sort of gather and pucker. Cool to wear, but a total arse to cut out as it moves all over! It was also fairly linty, so I’m glad to be able to wear it instead of sewing it!


(Seen here paired with my pre-Mexico neopreney leggings and shot on location at a friend’s back garden, BBQ just out of shot!)

Grey Donna Karan leggings (Vogue 1378)

I don’t sew many “Big Four” patterns these days, but when I do, they’re invariably Vogues, and even then, they tend to be the designer patterns. The Big Four are really bad value in the UK, for starters, but then I also hate fighting with massive sheets of tissue paper, playing the “how much ease?” roulette, and dealing with outdated construction techniques. Give me a magazine maze to trace or pdf to tape together any day!

But I do love great and interesting seamlines, so when the Donna Karan coordinates pattern, Vogue 1378 was announced, I immediately wanted to make those leggings (the wrap top? Meh. I’ve seen a thousand like it).

Since there was a sale on Vogue patterns a few weeks before I was due to visit my parents last November, Stacy very kindly bought it for me at sale price (even without shipping, it was like a third of what I’d pay here) and it was waiting for me when I arrived! Thanks Stacy!

But for all the aforementioned reasons, I never quite got around to making it until now – the thought of unfolding all that tissue to trace the tons of pieces just made me choose other patterns instead. But eventually I realised that I really needed some basic, all-around trousers, so out they came! By my measurements, I should be a size 16, but I opted to throw all caution to the wind and make a size 14 instead, as I wanted them to be close fitting, like leggings. Having gone down a size, I now think the ease is just right – not stretched tight, but not baggy either.


(Photos shot whilst holidaying in the medieval Breton town of Dinan, in France! Paired with my Manequim birthday silk blouse)

The Bunka-esque asymmetric Burda top

This might be the quickest turnaround for a pattern I’ve made in ages, but last weekend I put together the weird, conceptual “tube” tee from the April 2014 Burda magazine (I’m so current!!) and some splatter-print viscose lycra jersey I bought at Hancocks when I was visiting my folks in Virginia in November. Or it’s up on the US Burdastyle already should you wish to buy the pdf.

The pattern itself is rather avant-garde – it’s really just one big rectangle! On the right-hand side (as worn) there’s a side seam and a pretty normal, set-in sleeve. But on the left it’s just a fold instead of a side seam and a horizontal slit is cut in, where a sleeve with the sleeve cap chopped off (no, really!) is set into that. The neckline is just the top of the rectangle and is only an inch or two narrower than the hem!

I wasn’t so sure that the weird left sleeve would actually be comfortable, but it really is! I don’t even notice it when I’m wearing it, and it doesn’t really look strange when worn, either.

The body feels super voluminous and quite long to me – I’m tempted to narrow it and the cowl neck as well. I made a Burda size 40 which should be true to my new measurements, but everything is super wide – I’d definitely consider going down a size in the rectangle, but keeping the sleeves at your true size.

My galaxy-print birthday sheath dress

Happy birthday to meeeeee! I hinted about it last week, but I decided to celebrate the occasion this year by sewing up something special to wear, using a fabric that I’ve lusted over for months even before I broke down and ordered it. My feeling is that if you adore the fabric or pattern (or both!) then the resulting garment is pretty much guaranteed to be a hit.

For this dress I used the Derek Lam-inspired knit sheath from the January 2014 Manequim magazine combined with the most amazing galaxy print ponte jersey which is even nicer in real life, I swear! It’s a digital print on a smooth, white ponte jersey base, and it’s both stable and stretchy, making it the bestest fabric ever (and I have just over a metre leftover! woo!).

It’s been a while since I sewed a Manequim pattern and I’ve dropped in size over the past few months of marathon training to a 42 (Burda 40), so I decided to sew up a muslin of this first to test the fit. The resulting turquoise ponte muslin was very close fitting, and I wasn’t entirely certain at first whether it was too tight, or utterly perfect. So I lounged around in it for a day, decided it was comfortable enough, then cracked on with the final version without any pattern changes.

The final version is definitely tighter than the muslin, though, and I’m fairly certain it’s down to adding the lining layer, even though it’s stretchy! You can definitely see some horizontal pulls in the dress showing it’s a tad too tight, and it’s a struggle to get that waist seam on and off over my boobs, but one it’s on, it’s not uncomfortable, thankfully!

The pattern is really simple – a front bodice with both vertical and horizontal bust darts, back bodice with long vertical darts, raglan cap sleeves, and a skirt pattern with vertical waist darts (the same skirt pattern is used for both front and back). The pattern calls for a long invisible zipper, but as I could easily get the muslin dress on and off without it, I was going to leave it off the finished version, too…

…until I discovered the most perfect purple, metal teeth zipper in my stash! So then I decided I had to use it and make it an exposed zipper feature instead. It was a bit shorter than I’d have liked, but it reached exactly to the waist seam, which worked out nicely visually (though for ease of getting in and out of it, a longer zipper would’ve been much better!).

Londoners – Come sew with me! Teeshirts, Leggings and Panties!

I’m teaching a bunch more classes in the next month and wanted to let you all know in case any of you Londoners fancied coming and learning about the joys of stretch fabrics from me!

All of the classes are aimed at beginners – you should know the basics of a sewing machine, but don’t necessarily have ever worked with stretch fabrics before. You’ll get to know the fun of an overlocker, the joys of a twin needle, and come away with a newfound greed for all things jerseys.

They all take place at the ThriftyStitcher studio in Stoke Newington, right by Clissold Park (an easy walk from Canonbury Overground or there are tons of buses), and include unlimited tea, coffee, and biccies to fuel your sewing.

Sew a Classic Breton Tee

Sunday 30 March, 14:30-18:00
Does your life need a little ooh la la? Is there a certain je ne sais quoi missing from your wardrobe? Learn to sew the classic Breton tee with us! You should already be comfortable using a sewing machine, and this class will cover stretch fabric basics as well as an introduction to the overlocker (serger).

You’ll make a striped, long or 3/4 sleeved teeshirt using a pattern, which will give you the skills you need to sew your own teeshirts (long or short sleeved) at home.

Acid Trip Leggings and a Not-Sacrificial Sweatshirt

A few months ago Rosie (aka DIY Couture) gifted me this crazy, mind-melting lycra when she was moving house, saying it looked like something I’d like! It definitely falls into the “fabric I’d run in” category rather than my normal wardrobe, I’m sure you’ll agree, so I knew I’d make leggings from it!

As it happens, I needed to test out KwikSew 3636 for a leggings class I’ll be teaching soon (yay!) so I thought I’d whip up a quick pair with this lycra, which I’ve decided is an acid trip in lycra form. In reality like it’s even more loud than the print itself though – because it’s actually wet look, too!

I mean – who looked at this fabric and though “Nah, not enough. How can we make it CRAZIER? I know – add some wet look shimmer!”?

If you’re a regular reader, you know I don’t often sew with Big Four or envelope patterns much these days (and especially not for something I draft myself, like leggings) but credit where credit’s due – I was impressed by this pattern, actually! It’s a one-piece pattern with two different fit options – one at 100% of body measurement, and the other with negative ease. Clearly I went for the negative ease one!

I was also impressed that they finish the waistband in my preferred method, which I’ve never, ever seen on a pattern before!

Cutting out the pattern made for some stomach-churning moments – don’t stare directly at the fabric! Lucky for me I only had to cut out one piece, and the construction was so quick I was wearing them in well under an hour.

During the photoshoot, James asked why I was “going all Sasha Fierce”, ahahahah! Blame it on my acid leggings, I suppose!

A Drape Drape winter tunic

I found myself on New Year’s Day wanting to sew something fun and just for “me” rather than my blossoming business. So I looked through my patterns (helpfully online so I did this part while still under a duvet!), selected a pattern then proceeded to trace, cut, and sew this up in an afternoon. Definitely fun, definitely me!

I appear to be the first person online to make this tunic, from the third Drape Drape book, number 9. Sizes were S/M or L/XL and since it’s Japanese sizing and I’m like a 2XL, I made the larger size and crossed my fingers it’d be ok in a jersey. It was!

Navy blue Pattern Magic "Jutting Edge" dress

I drafted a few patterns over the summer on the Morley College course based on the Pattern Magic: Stretch Fabrics book, this design included. To be perfectly honest, the photos in the book do absolutely nothing for me, so I flipped right past it when reading it on my own:

But the instructor, Moni, saw its potential, and thought that it might be nice in a softer jersey. She was totally right! The sample that was made on the course in similar, lightweight jersey had a chic cowl effect, but without a low neck like you normally get to achieve a cowl.

So I’d been meaning to make this all year, but finally unearthed my pattern pieces on Christmas Eve day, when I fancied sewing something quick that wasn’t workout gear for a change!

The pattern here is essentially just a long teeshirt dress, but with an added very wide (180 degrees!) dart that runs from shoulder to abdomen. It means that it’s a bit of a pain to draft, but extremely quick and easy to sew. On the course, I’d thought ahead and brought my own knit sloper so not only did I draft this to my body (at the time, anyway), but I also kept the armscye unchanged here so I could easily add sleeves!