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A silk chrysanthemum Sorbetto blouse

Every now and then I mention a few people from my personal life when they enter into my sewing world for whatever reason, but regular readers will probably recognise the name of “Neighbour Helen” more than most. As a neighbour, close friend, and convenient fashion industry alumni, she’s helped me assess muslins, balance proportions, learn how to rotate darts, and she even drew the amazing illustration for my free ruffled wristlet pattern!

So I was very saddened to hear that she and her husband are moving their barge to France in a few weeks’ time, to travel through the French canals for the foreseeable future (ok, saddened and jealous!). Since it was also her birthday, my gift to her was to make her a silk blouse of her choosing.

She chose the gorgeous chrysanthemum silk that was leftover from my blouse and I even let her try mine on, but she felt my top was too blousy for her and requested a simple shell instead.

So I turned to the new (and free!) Colette Patterns Sorbetto top!

I made a few changes, though – the most obvious is that I eliminated the central pleat (which would have been too busy with the large scale print), and I lengthened hem by 3” as others said this came up short.

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The silk chrysanthemum blouse

As I discussed in my post on “pedestal fabrics” last week, I’ve had a ridiculously gorgeous silver and black chrysanthemum print silk in my stash ever since AllisonC gifted it to me two years ago when I was about to go into hospital.

But I’d brought it out again recently and thought about how I’d best like to wear it and I decided that I love and wear my silk blouses so much (and my birthday blouse in particular!) that I should sew this into a blouse to get the most wear and love out of this “pedestal fabric”!

In this case I chose to use the same pattern as my birthday blouse, Manequim Feb 2011 #158, because it fits great, I love the style, and I knew it worked well with a drapey silk.

You know what? I am so happy I took the plunge and cut into this fabric, because I just adore this blouse!

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A drapey colourblock top

I’m a big fan of the occasional “quick knit top”, but this time around, I wanted a knit top with a more challenging design to give my brain more of a 3-D spatial workout.

I was really intrigued by the pieces for KnipMode June 2011 #15 when I first saw the magazine, and even after tracing it out and laying the paper pieces together, I still wasn’t 100% sure how they were going to fit together.

I thought it best to make this up using scrap fabrics (just in case!), so I pulled out a couple of those awkward, less than 1m offcut fabrics from my stash:

To be honest, while I enjoyed the challenge of constructing the design, I wasn’t so sure about how the design would look on me throughout the entire construction. But as soon as I tried it on for the first time, I was struck by how well my colourblocking worked, and how nicely Jonathan Saunders the look is!

I get to tick three separate SS11 trends here – colourblocking, muted hues, AND volume! All in one top!

In Progress

Lekala cowl top instructions and giveaway

You’ve seen my version of this fantastic cowl top, now’s your chance to make your own and show me yours!

As you’ll recall, the above is made using Lekala 4020, but I’ve created sleeve bands on the back to echo the ones on the front, so our first step is to alter the pattern for this.

Here’s the (unaltered) tech drawing:

Lekala give full pattern pieces rather than placing some patterns on the fold, so the first thing I like to do is fold the front and the back in half. If you’re altering the back like me, then cut the back piece in half along this foldline (at the CB).

To echo the sleeve bands/yokes on the back, first lay the front sleeve band/yoke piece onto the back, and mark the corresponding widths at the back shoulder and the back side seam, so the two bands will align nicely when sewn together. Then, using the front yoke piece as a guide, draw a nice curve to join the two points, trying to keep the width of the yoke even. Lastly, draw a double notch somewhere in the lower half across the line, so you’ve got the notches on both the back piece and your new back band piece. Then cut along the line and treat as two pieces.

You’ll end up with something like this:

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Silver silk jersey Lekala cowl top

I feel like I made this top so long ago, but the delay in showing it to you really wasn’t my fault! First it got delayed for a week while I went and bought more grey topstitching thread for the shoulder bands (and then immediately afterwards I found my other spool inside the case of my vintage hand crank Singer machine! Isn’t that always the way??), and then I had another week delay in taking photos while we waited for a break in the awful weather (mid-50sF and rainy for the past week, guh).

But cast your mind back with me and you’ll recall that I chose Lekala 4020, only I opted to create echoing sleeve bands on the back to decrease the “coffin back” look:

I’ve got full instructions on this pattern alteration and my order of construction coming shortly (honestly, they’re ready to go – I made the wise decision to write them right after making mine), so if you like the design and you’re roughly a Burda size 44, you may want to snap up this pattern while size 44s are free on Lekala’s site for another few days….

I made this top using some more offcuts of silver silk jersey, either leftover from Gez’s bridesmaid dress or from my sister-in-law’s LMB tunic, I’m not entirely sure which. But this stuff is so lush and drapey and easy to wear that I just can’t bear to let a single scrap go to waste! And the cowl neck here definitely benefits from a nice, drapey fabric, too.

In Progress

Flashes of gold and silver

the gold

Yesterday I ran a 10km running race to celebrate my 2nd rebirthday of my bone marrow transplant (well, it’s a month early but this race is so much nicer than the July one I ran last year!).

The race went really well, and I truly gave it EVERYTHING I had, running the first 4 kilometers at an astonishingly fast 5min per km pace, and then I tailed back to a bit more realistic 5:30/km pace until the last 200 meters, when I gave an all out sprint for the finish!

Like last year, I ran with the memory of my three departed BMT friends firmly in my mind – this was for Vera, Rob, and David, who fought so so hard, and who even today inspire me to push and fight even harder on their behalf.

I wasn’t quite sure how well I did until I viewed the official chip times on the website last night… 51:21!! That’s only 7 seconds off my pre-illness Personal Best! I really was only trying to beat last year’s time of 53:38, and I honestly didn’t think I’d come anywhere close to that magical 51 minute point for me!

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A plum tulip top and seamed silver trousers

I’m finally over my post-wardrobe exhaustion and able to sew again, so I carried on with my March mini-wardrobe plans and made the seamed trousers from KnipMode Oct 2010 (#8):

(hmm, why are they covering the waistband in their only magazine photo?)

I also thought I was due a “quick knit top” so I pulled out Jalie 2806 (a gift from LynnRowe on PR!) so I could try out those fantastic tulip sleeves, with the thought of maybe using them on the spring/summer version of my Burda September cover dress…

I had just enough of Ditto‘s wonderfully soft and supple plum bamboo/lycra jersey leftover from my plum and green lace top for this, so it was clearly meant to be! For the trousers I used the same Fabric.com stretch twill as in my navy riding trousers, though in different lights this goes from looking pale grey (nice!) to baby blue (not so nice!). But the combo of pale trousers and dark top feels very Spring-like to me.

In Progress

(Vote for my) March Mini Wardrobe

It doesn’t seem that long ago that I was first laying out my initial plans for this mini wardrobe, but now I’ve had some time to step back and have a look over what I managed to accomplish last month. I made this wardrobe mostly for myself, to use some luscious fabrics from my stash in combination with patterns that really appealed to me, but I also kept one eye on the contest requirements running over at PaternReview.com to make sure I remained within their rules, too. Here’s my entry into their contest, or you can just read on below…

I started with a blue viscose, draped knit top that I’d bought from ASOS and really liked, but I wanted to wear with both casual and dressy bottoms.

To coordinate, I sewed:

1. Jalie jeans – I’d made a muslin but the waistband was horrible so I had my work cut out for me on this pair using great quality stretch denim from Mood in NYC, plus some London streetsign fabric for the waistband facings and pockets. I used my vintage hand crank Singer machine for all the topstitching, plus I got to use my vintage buttonholer attachment and high quality rivets for the first time! I fixed all the waistband issues in this pair and these are now my favourite jeans. Read more…

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A Breton tee with a difference

Last week I had the great pleasure to be able to put my friend Cindy up at ours while she visited from LA. Cindy and I met while studying at Penn State, when we initially bonded over Fly Nap huffing jokes in honours biology lab (yet neither of us use our Biology degrees, hmmm), but we’ve stayed in contact ever since, despite a transatlantic move for me, and three different big city moves for her. With good friendships like this, within five minutes of being in the same room again, it’s like the years apart were never there.

In any case, while she was over I said I’d make her something (though I did say something easy would have much more of a chance of actually being made!), and she chose this pattern from KnipMode Dec 2005 out of a lineup. If you remember, this is the same pattern I used for my rose and lace tee last fall.

Then we went through my knits stash looking for something that wasn’t already earmarked for a specific project and came up with this striped navy and white knit (which you may remember from my Breton tee, and the one I made for my niece). It was the perfect amount of fabric for this tee, and it was great to use it up since I couldn’t really justify another stripey top for myself…

After we decided on the main body fabric, we went through my fabrics again looking for something to use in the contrast shoulder panel, but the laces didn’t look right, and solid fabrics seemed strange, and so Cindy decided she’d just like a regular Breton shirt.

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Manequim silk birthday blouse

I love this blouse!

It all started in Paris last June when I saw this amazingly gorgeous silk satin (charmeuse) in Tissues Dreyfus that I just had to have. But it was €22/m (zoot alors!) so I only bought 1 metre. But even now I still love it love it love it love it so it was worth it worth it worth it!

Ever since, I kept my eyes open for a good blouse pattern that only needed 1 metre of fabric, and along came Manequim Feb 2011 #158, which called for exactly the amount I had – 1 metre long and 150cm wide!

These two were clearly meant to be together! I don’t often do prints, but this one is just so gorgeous with the psuedo-floral/paint splatters of silver, black, orange, and fuschia that I wanted it to form both the centrepiece of my March Mini Wardrobe as well as be my special birthday garment this year!