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KnipMode November 2011

I currently subscribe to three different sewing pattern magazines: Burda, Manequim, and KnipMode. I don’t post reviews of Burda because so many other blogs do already, and also because Burda are great about publishing all the line drawings in advance, so you probably already know whether you like an issue or not without me harping on at you. All three have reliable delivery schedules, with Manequim appearing in the first week of the month, then KnipMode around the middle, and Burda bringing up the rear at the end of the month, or the beginning of the next. This month I ended up getting KnipMode only a few days before Burda, but I think it was just a combination of Knip being a bit late and Burda being a bit early. What it’s meant for me is that I’ve been a bit overwhelmed with breakfast reading so I’ve only just now been able to properly digest each issue along with my porridge, let alone get out the scanner!

As a total aside, I find it interesting that Manequim is the cheapest year subscription at about £65, then Burda at £70, followed by KnipMode at about £90. All I’m saying is, KnipMode has been alright since their new editor took over, but they better step up to awesome territory again soon if they want to stay in the sewing budget…

The first ten or so pages of this issue are taken up by the wide array of styles you can create with their mix & match coat patterns. They’ve done this in the past with dresses and cocktail dresses but essentially you choose the various sleeves, bodice, collar, etc, and build your custom coat pattern that way.

Mobile sewing weekend report

I’m beginning to feel like my draped suit (Burda September 2011 #126 and 127) is dragging on forever, so it’s good that I am making progress in the few snatched snippets of time available to me over the past few weeks. I hope you’re not getting too bored yet!

We were out of town this past weekend, up in Sheffield visiting two very good friends of ours in their new place (a house with his’n‘hers sewing machines! We slept in a room with a vintage Bernina!). It’s about a 3.5 hour drive from London, so there was ample time in the car for handstitching, but it did require some planning ahead to get the suit in a state ready for it.

Going back to my earlier To-Do list from last week, I was able to finish the following on Friday night before we left:

  • Construct and attach the sleeve linings to the rest of the lining
  • Interface the jacket hem
  • Attach the lining to the jacket around the front facings and neck edge
  • Construct the skirt lining and baste to the skirt at the top edge
  • Attach the waistband
  • Machine-hem the skirt lining
  • Machine-stitch some grey lace tape to the bottom skirt edge

I also prepped about 5 lengths of grey and pink thread with beeswax before leaving so that I wouldn’t get horrible tangles while doing all the handstitching. I never used to bother with beeswax, but it seriously does help cut down on the excess tangling, so the time spent waxing and pressing the thread in advance really does save you time and frustration in the long run.

Then, in the in the car ride up to Sheffield and back (and, err, also in the KwikFit waiting room while we had new tires put on) I was able to:

  • Anchor the lining to the seam allowances at the underarm
  • Baste and hand stitch the jacket hem
  • Hand stitch the lining hem to the jacket hem
  • Hand stitch the sleeve lining hem to the sleeve facing
  • Baste and hand stitch the skirt hem

I just love how that hot pink satin piping turned out! You can also see my lace hem tape on the skirt here. This was a pack of lace tape I’d bought at the Amish dry-goods store in Perry County last year, paying 50 cents for it, and with a 1986 copyright on the package!

Upcoming Fall 2011 sewing – the fabric

I posted about my Fall sewing pattern plans weeks ago, but I never quite got around to showing off my lovely Fall fabrics at the same time, and then I went and bought a little more since I sewed through enough of my stash over the past year to make space for more.

Indeed, the first two fabrics were bought long enough ago from the superlative Ditto Fabrics that I’ve actually already used them!

This grey stretch wool suiting is finding a life in my Draped Jacket and Skirt Suit you’ve heard so much about lately, and I’m sure you remember this peach silk habotai from my recent blouse, right?

Well, the day after I bought the above from Ditto’s website, we determined I’d actually be going down to Brighton later that week, so I stopped into their store on the Saturday morning and picked up two more fabrics (along with a good gossip with Ditto’s lovely owner, Gil!).

Draped jacket – no ordinary lining

There’s been only slow and steady progress on my draped suit (Burda September 2011 #126 and 127) this week as there’s been little time to sew, but I did get a few hours of “me time” in on Sunday evening after my insulation work was done for the day.

Those few hours were enough for me to finish the entire shell of the jacket and skirt, but I needed a clear surface to cut out the lining fabric, so that was delayed until last evening (since my running group was cancelled). Since the wool suiting has stretch, I didn’t want to negate the benefits of that with a non-stretch lining, so I pulled out one of the few stretch wovens in my stash – a blisteringly hot pink stretch satin I’d bought from Fabric.com last year (and came across in my mom’s suitcase before the wedding). Despite it being polyester, it actually feels wonderful and it was worth the price to be such a high quality lining.

Draped jacket – in progress

Last weekend I cut out all the pieces for my upcoming draped suit, Burda September 2011 #126 and 127, in the beautiful grey stretch wool suiting I’d bought specifically for it.

Since then, though, progress has been slow. I’ve got an evening class for work every Monday night, I’ve found a wonderful, brilliant amazing running club I go to on Tuesdays, and our weekends are still chock full of boat DIY work as we scramble to get the last outside work done AND the insulation up before the weather turns. Which leaves exactly three evenings left for all of our social activities, and any sewing left to squeeze in. This week I’ve got something on all three of those evenings, too.

So this really leaves progress to be made in very small segments. I’m very good at finding spare ten minute pieces of time here and there, but lately even these have been thin on the ground. Over the past week, I only managed to work on this jacket twice – on Wednesday night I fused all the necessary pieces with Pam’s weft-insertion interfacing and vilene bias tape, and then Sunday afternoon I actually managed to get a few hours of sewing done once I’d done 3 hours of insulation work and the dust settled enough in the hold for me to get out my ironing board.

Beyond that, while we were working on the construction part of the boat, something happened to the 24v cabling and so the lights in the bedroom, sewing room, and one other area no longer work. So my sewing room is very dark now, even when it’s light outside! Please accept my double apologies for the quality of these photos – I had to light the area with a headtorch while taking these on my (soon to be upgraded, yayyy!) old iPhone 3G camera.

Manequim October 2011

I was SO surprised when this issue turned up last week! This is the first time I’ve had a copy of Manequim in my hands before the month printed on the cover! Usually I receive it in the first week of the month, then Burda and Knip arrive somewhere around the middle of the month (though KnipMode publishes a month ahead of the others).

I’ve seen lots of variations on this horizontal-seamed shirtdress out and about in London! Just the other day I saw a lady wearing one with a navy and white stripe on the bottom and solid turquoise across the shoulders… It looked so good I made a mental note! Or I can see this as a great way to wear that difficult burnt orange colour that’s so popular right now – put it on the bottom half so a different colour is next to your face.

I’m not fond of the jacket on the right (way too much like a fussy Chanel jacket!), but I really like the vest on the left with the lace trim. It’s also a multi-sized pattern, which is useful.

For the last two issues, Manequim have been overloading me with totally amazing silk blouse patterns. I’m relieved to say this is the only one in this issue, but the tucks and twists here are so unique! I also really like skirt pattern and the colours they’ve chosen here – perfect for a Southern hemisphere Spring.

Peach silk shell blouse

As I mentioned last week, I made this blouse the weekend we got back from Hungary. It was a really quick make, with only a few seams and minimal closures, so even including some thread tracing and french seams didn’t really lengthen the project time. In other words, it was exactly the sort of project I needed right after a holiday!

Burda 09/2010 #110 is the sleeveless version of this top and one of the, oh, eleven must-sews for me from this September 2010 issue. It’s been one of my absolute favourite issues since the moment it came out, so it was nice to make something other than the cover dress for once!

I mostly made this to coordinate with my upcoming grey wool skirt suit, but with our unexpected hot and sunny October (29C/88F!!!) in London, you’ll get it see it worn now in a summer style, paired with my silver tweed KnipMode skirt. I imagine the weather will cool off enough by the time I finish the suit that you’ll get to see it layered underneath the jacket as I intended!

KnipMode October 2011

I haven’t really been terribly excited about KnipMode magazine for the past few months, since the new editor took over, but things are starting to look up this month, thankfully…

I love the lines of this jacket (and the retro styling!) but for me, this is kinda ruined by the poor fit on the model and that awful plastic zipper!

For me, the best design in this issue is this new take on the twist top (no, hear me out!). This interesting neckline plus long sleeves in an easy knit, this is a pretty likely addition to my winter wardrobe, I’m guessing, especially since there’s photo instructions in the magazine for that twist!

Hungarian holiday report

We’re back from our Hungarian holiday and feeling wonderfully relaxed, though it’s debatable how long that’ll last! This was my fourth time in Budapest in the last ten years (and James’s third!), but it was the longest we’ve been able to spend there and our first trip outside the city.

Our main reason for going was so we could celebrate our first anniversary at our favourite restaurant, Karpatia (last time we were there, Michael Palin and his film crew were in the other room!), but to also soak away our boat work aches in the city’s plentiful hot spas! In four full days in Budapest, we visited three different hot spas: Szechenyi, Palatinus Strand on Margaret Island, and Hotel Gellert. Think swimming pools, but filled with bath-water warm mineral water (no chlorine!) with assorted jets, bubblers, massaging fountains, wave pools, slides, and whirpool baths and you’re still only halfway there…

In an astounding bit of coincidence, we enjoyed amaaaazing traditional Hungarian food, tokaj, and palinka stalls at the Nemzeti Vagta (“National Gallop”) festival. It was mostly about Hungarian horsemanship with incredible costumes, chariot races, and Heroes’ Square set up like a Ben Hur set, but there were also stalls representing every region in Hungary, some showcasing amazing embroidery:

I really like that you can focus on the stitching when you only use one thread colour! Unfortunately, I didn’t see any needlework kits for traditional designs on sale anywhere.

Then we took the train out to Balatonfured on Lake Balaton for a few days, and I made great use of the train time to finish the last hand sewing on my trench jacket! (I’m also wearing my silk jersey Lekala cowl top here.)

While we were there, we rented bicycles from our hotel and cycled the 6km to the next town, Tihany, and back along the river. My trench jacket and my navy riding trousers came in very handy here as it was the only cool and cloudy day of our trip!

Even designers make muslins!

Sometimes the drudgery of sewing a muslin really gets me down. I like to sew fast, so I don’t sew muslins for every single project, but if I have expensive fashion fabric, or if I’m working with an untrusted pattern brand (or both), I always think it’s wise to do the extra step, no matter how boring it may be.

But part of me always just wants to get on with the good stuff (and the pretty fabric!), so I was thrilled and inspired to see feature called “Give Us a Toile” in the Sunday Times “Luxe” magazine recently. My inlaws subscribe to the Times and they always thoughtfully save their Style magazines for me along with other one-offs like this that they think I’ll enjoy. I love it because they give me something fluffy to read over breakfast and they keep me from needing to buy too many glossy magazines! This particular supplement was published in May 2011, but only recently came to me in a big, collected stack.

The feature took a few couture dresses and displayed them alongside the designer’s original muslin for the garment, which I found utterly fascinating and totally inspiring, especially to see them scribbled over with marker pen just like I do!


Dior coatdress, price on application from Dior couture
“Artfully cut cotton folds take on dramatic effect in layers of black and red shantung silk”