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Figurino Moldes magazine

This is the last of the three Brazilian pattern magazines that my friend very kindly brought back from Brazil for me. I’d love to say that I saved the best for last, but, err, no. To be perfectly honest, I struggled to find anything in this magazine to scan. I don’t really want to make anything in here, and most of it isn’t really bad enough to mock, either. But I’ll do my best with what’s here.

I have no idea what month or year this issue is (or judging by the design, which decade!), but the cover says “Anno 1, Numero 8”. I even did some eBay searches to try and determine what number the latest issues are, but there seem to be a million different types of “Figurino” magazines and no consistent numbering….

Here’s a really unflattering and dated-looking lime green jumpsuit, for formal occasions where you want your skin to appear neon orange!

My first thought on seeing this was “Why is that Brazilian woman wearing an NHS nurse’s uniform?” (UK readers, you know what I mean, right??)

Lekala cowl top instructions and giveaway

You’ve seen my version of this fantastic cowl top, now’s your chance to make your own and show me yours!

As you’ll recall, the above is made using Lekala 4020, but I’ve created sleeve bands on the back to echo the ones on the front, so our first step is to alter the pattern for this.

Here’s the (unaltered) tech drawing:

Lekala give full pattern pieces rather than placing some patterns on the fold, so the first thing I like to do is fold the front and the back in half. If you’re altering the back like me, then cut the back piece in half along this foldline (at the CB).

To echo the sleeve bands/yokes on the back, first lay the front sleeve band/yoke piece onto the back, and mark the corresponding widths at the back shoulder and the back side seam, so the two bands will align nicely when sewn together. Then, using the front yoke piece as a guide, draw a nice curve to join the two points, trying to keep the width of the yoke even. Lastly, draw a double notch somewhere in the lower half across the line, so you’ve got the notches on both the back piece and your new back band piece. Then cut along the line and treat as two pieces.

You’ll end up with something like this:

Silver silk jersey Lekala cowl top

I feel like I made this top so long ago, but the delay in showing it to you really wasn’t my fault! First it got delayed for a week while I went and bought more grey topstitching thread for the shoulder bands (and then immediately afterwards I found my other spool inside the case of my vintage hand crank Singer machine! Isn’t that always the way??), and then I had another week delay in taking photos while we waited for a break in the awful weather (mid-50sF and rainy for the past week, guh).

But cast your mind back with me and you’ll recall that I chose Lekala 4020, only I opted to create echoing sleeve bands on the back to decrease the “coffin back” look:

I’ve got full instructions on this pattern alteration and my order of construction coming shortly (honestly, they’re ready to go – I made the wise decision to write them right after making mine), so if you like the design and you’re roughly a Burda size 44, you may want to snap up this pattern while size 44s are free on Lekala’s site for another few days….

I made this top using some more offcuts of silver silk jersey, either leftover from Gez’s bridesmaid dress or from my sister-in-law’s LMB tunic, I’m not entirely sure which. But this stuff is so lush and drapey and easy to wear that I just can’t bear to let a single scrap go to waste! And the cowl neck here definitely benefits from a nice, drapey fabric, too.

A different kind of lingerie success

I’ve made three bras so far, and despite winning the PR Lingerie contest last year, I’ve never been that happy with the fit of any of those bras. I mean, they were okay, but the style is different to the kind of bras I buy, and the underwires dug in, and well, the girls just didn’t look their best. So they’ve kinda worked their way to the bottom of my lingerie drawer, which makes me sad. I sew to wear, not to shove in a drawer!

As I mentioned last week, I got very excited about the notion of sewing a bra made with foam cups, which are the sort I always buy, and speaking to Kellie at The Sewing Chest, she got me all set up with the right bits to have my first go. I made a toile using her purple hearts foam cups over the weekend and the fit is so good I wore it all day Sunday and now again Monday!

I started the process by making a rigorous comparison of the Kwik Sew 3300 pattern vs two RTW bra backs and ended up drafting a back similar to a Ted Baker one that fits me well.

Here you can see the difference between the KwikSew back (in brown) and my newly drafted-from-RTW back (in white) –

Molde & Cia magazine – #65

Following on from yesterday’s review of the Brazilian pattern magazine Moda Moldes, I’ve got another magazine my friend brought back from her holidays in Brazil, Molde & Cia magazine.

I couldn’t find a month/year anywhere on the cover or masthead, but I believe this must also be the April 2011 issue as it shares a celebrity photo with Moda Moldes. I couldn’t find an official site for MM, but Molde & Cia have one, and its issues are much easier to find on US Ebay, too. I’d be interested to learn from any Portuguese speakers if it’s possible to order individual issues of Molde & Cia or Moda Moldes anywhere outside Brazil (that aren’t eBay), however, as Manequim requires a subscription for international customers.

Without further ado, here are my picks from this issue!

I really like the gathered bands on this mint green sundress, and it looks to be a pretty universally flattering style.

This cutaway top and skirt are based on the same model photo as seen in the same month’s Moda Moldes magazine (on the right)!

Moda Moldes magazine – April 2011

I only recently discovered that there are more Brazilian pattern magazines than just Manequim, and so when I learned a good friend was going to Brazil on holiday over Easter, I sent her on a mission to find as many as she could to bring back to me.

Not only did she find two Manequims for herself (she’s one of my beginning sewers so I told her I’d write up instructions for her for whichever of the patterns she wanted to make), but she brought me back three other magazines, too.

The first I have to show you is Moda Moldes magazine (which roughly translates as “Fashion Patterns”).

This magazine has a lot of celebrity-influenced fashion like Manequim, and I really liked the tech drawing for this draped, jersey maxidress, though I’d definitely shorten it to suit my tastes.

There’s clearly a limited pool of Brazilian celebrity outfits to choose from, because MM have chosen the same white dress that was also featured in the May 2011 Manequim (though in this case, I like Manequim’s pattern (on the right) better!).

The turquoise and silver motif dress

I am very pleased to finally be able to show you this dress, which has been quite a while in the making!

I first bought the motif at Mode et Travaux in Paris when we visiting there last summer, but then a few months ago I decided that I really wanted to do something with it, so I started laying out my first pattern ideas. Then I finally decided on a a pattern and started basting the motif onto my linen in preparation for our French road trip, where I painstakingly sewed the motif onto the dress using silver thread and an embroidery hoop.

The finished dress is a variation on dress #102 from the March 2010 KnipMode supplement, but I modified the neckline heavily so that it’d match the motif’s curves. In actuality, I cut the curve of the neckline after I’d completely sewed the motif into place!

Since I changed the front neckline, I also had the widen the back at the neck edge to match the front, too. It means my big head can only just fit through, as it’s much narrower than the original pattern.

KnipMode June 2011

I’m a bit slow on reviewing this latest issue of the Dutch pattern magazine, KnipMode, but it’s not a reflection on the content this month! Usually I tend to not find as much to like in summer issues in general, but there’s a lot to love in this one that will work with our English summers. I think it was FehrTrade reader Marie-Christine who once said “You can tell it’s summer in England when the girls switch to wearing white cardigans”! So true!

Mix & match dresses! Like the cocktail ones in November’s issue, you get to choose which bodice, waist, skirt, and sleeves you want and put it together yourself. I really like this idea, but for me, the choices on offer don’t really do much for me, whereas I was really excited about the cocktail dress options…

This plus knit surplice dress really reminds me of the lilac dress I made for my mom. I think these sorts of patterns can be so flattering, too, especially when the skirts are fixed in place to prevent wardrobe malfunctions!

There’s a few great Plus patterns in this issue, actually – I especially like the trousers and cowl top in this wardrobe.

Grading down the vintage tab dress pattern

One of my big tasks this weekend was to finally get cracking on my upcoming vintage tab dress, Style Print 1543. It doesn’t have a copyright date, but was estimated to be from the late 1950s/early 1960s by the vintage gurus on Pattern Review. I’ll be making the button-tab view in blue, but since this pattern is for a 42” bust, I’ve got to grade down the pattern to be closer to my 38-39” (depending on the bra!) bust.

My first step was to trace the pattern pieces (read more about my pattern tracing method here) so I wouldn’t have to cut or damage the vintage tissue. Those blue enamel coasters from my mom are the most perfect pattern weights! They’ve even got a nice felt bottom to them.

This pattern has seam allowances (called “turning” here!) included, but they also mark all the seam lines! Heaven! Since I’m going to be altering the pattern anyway, I just traced on the seam lines to make life simpler.

Surely this is the best of both worlds, right? You can choose to use the seam allowances or not (though I understand how this would be impractical on multi-size patterns!)

As I was unfolding all the pattern pieces, I found it really interesting to see the fit alterations the previous seamstress had made. She:

Flashes of gold and silver

the gold

Yesterday I ran a 10km running race to celebrate my 2nd rebirthday of my bone marrow transplant (well, it’s a month early but this race is so much nicer than the July one I ran last year!).

The race went really well, and I truly gave it EVERYTHING I had, running the first 4 kilometers at an astonishingly fast 5min per km pace, and then I tailed back to a bit more realistic 5:30/km pace until the last 200 meters, when I gave an all out sprint for the finish!

Like last year, I ran with the memory of my three departed BMT friends firmly in my mind – this was for Vera, Rob, and David, who fought so so hard, and who even today inspire me to push and fight even harder on their behalf.

I wasn’t quite sure how well I did until I viewed the official chip times on the website last night… 51:21!! That’s only 7 seconds off my pre-illness Personal Best! I really was only trying to beat last year’s time of 53:38, and I honestly didn’t think I’d come anywhere close to that magical 51 minute point for me!