Category: In Progress

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In Progress

Yet another bridal bodice muslin

I’m no big fan of muslins and fitting tweaks, so the title is really reflecting my impatience at still being in the fitting stage. I want to get on with the fun stuff! But I also really want to get the fit and design perfect here as I can’t really go unpicking the vintage satin (the needle holes remain), so here I am, still soldiering on, though hopefully not for much longer…

Yesterday was my day off so I devoted pretty much the entire day to this dress. Right after breakfast I made up Muslin #2 (not shown because no one was around to photograph me), which incorporated the neckline changes and better-drafted add-on straps. There’s no photos, but essentially, I just needed to pinch some fabric out in three places, which you can see here shaded in orange on my pattern pieces:

So I made those changes to my paper pattern, unpicked pieces 1 and 3 from the muslin, cut new ones out, and reattached them, bringing us to Muslin #3. And I was pretty happy with the fit, apart from a bulge above my right breast which I immediately knew the cause of and fixed it on the paper pattern.

In Progress

Bridal Bodice Neckline – opinions needed!

I am very happy to report that my dress for the BurdaStyle book is completely, 100% finished, packed up in an airtight bag and ready to be FedExed this week. HOO–RAY!

I’m afraid that’s all you get to see until next year, to. Boo.

But it means I can now devote ALL of my sewing time to my wedding gown. So the first step is to attack the muslin. I’ve marked my waistline in green, and the possible boning positions in blue. Once I marked my waistline I realised exactly how short the bodice is so I’m elongating it all by an inch so the back and sides aren’t ending exactly at my waist. My waist is an inch higher than the standard measurements anyway so I think this alteration will help (note: I’m not short-waisted. My bust-hip measurement is standard, my waist is just shifted up a tad).

But I really, really need your help choosing the right neckline for this gown!!

In Progress

Bridal planning update

Apologies but this is a bit of a “brain dump” post as I’m understandably a bit frazzled right now, with the BurdaStyle book deadline looming on top of wedding planning and everything else I seem to list every time I post (ahh, just thinking about it is starting to stress me out, sorry!).

So I haven’t done much tangible work on my gown since I last updated because I’ve been focusing on getting the BS book dress done since it has a more immediate deadline, but I’ve been doing lots of mental sewing on the gown. Which, you’ll remember, is half the battle for me. So I took an evening out to read (really read and digest!) through “Bridal Couture” by Susan Khalje and the OOP Palmer/Pletsch “Bridal Gowns—How to Make the Wedding Dress of Your Dreams” book (the former being way way more useful than the latter IMHO). I placed copious amounts of Post-It notes sticking out the edges at places I want to refer back to later.

I’m also really glad I ended up taking that PR online Underlining class a few months ago now!! Though I just looked to see if I could link to the Underlining class somehow, and I noticed Susan Khalje herself is teaching a “Wedding Gowns 101” class starting Aug 15. If it were a few months earlier, I’d have jumped all over it, but you need time to devote to the classes most evenings and I’ll need all the time I can get to work on my gown!

After reading through the two books I had everything mostly straight in my head about this dress, but the boning placement still puzzled me because my pattern doesn’t have any obvious vertical seaming to place the boning along, and all three examples in Bridal Couture had some sort of princess seaming. Luckily for me, it was easily solved on the PR messageboard and by this Susan Khalje article, so I’ve got a full gameplan in my head now for the dress!

In Progress

Vintage wedding gown photos

So you’ve already seen a bunch of detailed photos of my Granny’s gown (from 1949) laid out flat, but I wanted some on a real person so you could really see the style lines and how it falls. And this way I can get some nice Before and After shots when I refashion it into my gown for September.

Big big big HUGE thanks to my neighbour Kate who not only fit into this tiny dress (respect!) but actually humoured me and let me take photos of her in it to post to the internet (Secretly, I think she had fun!). Kate’s also engaged and I was thrilled to learn that she’s not having wedding colours, either!

So let the vintage dress photos commence!

In Progress

Bridal Bodice update

When you last heard about my wedding gown, it was two years ago(!!) and I was leaning towards turning my Granny’s gown from 1949 into something with a cowl neck, deep back, and sleek lines, using Vogue 2965 as my starting point.

But recently I’ve been looking more closely at the fabric I’ve got to work with in my grandmother’s gown, and my recent cowl sewing adventure has reminded me that cowl necks need pretty huge amounts of fabric, can’t easily be pieced together, and on top of that, the silk satin in her gown is more of the heavyweight duchesse variety than something very drapey that would cowl nicely. And while I love a low back, it does make things awkward for bras and any sort of shapewear, too.

So I had a bit of a wake up call and told one of my bridesmaids to keep reminding me that “This is just one dress. It is not all dresses.” (thanks, Stacy!). Yes, I like cowls. But I also like other things, too. And I do not need to put everything I like into one dress!

In Progress

How to sew a narrow bias edge

I had a busy yet productive weekend – not only did I finish my Colette Patterns Beignet skirt, but I also made the Patrones 292 sleeveless bias cowl top, too! I didn’t have enough time for a photoshoot over the weekend, but I did remember to finally document my favourite way of finishing the edges of thin blouses like the cowl top so I can finally share this with you.

This technique is great for necklines and armscyes on sleeveless tops, and is my preferred way to finish any kind of blousey, lightweight fabrics like silk satins and the viscose (rayon) you see here. You get a thin, finished edge that looks good inside and out with a minimum of fuss, and you don’t have that awkward problem of facings flipping out or anything, either. As long as you’re okay with a small amount of topstitching on the right side, this is the technique for you…

So before we begin, sew one of your seams so you’ve got a C-shape. If you’re finishing a neckline, this means you sew one of the shoulder seams. I’m finishing the armscye of a sleeveless blouse here, so in this case I’m sewing both shoulder seams, leaving the side seams free.

Step 1


Cut out a bias strip that’s the length of your opening edge, plus a few centimetres just to be sure. For the width, I prefer a finished facing of just 1cm, so my width here is 1cm + (2× 1.5cm seam allowances) = 4cm.

In Progress

Summer sewing shortlist

Last week you got to see the newest Patrones that Aisling sent over, but you all have been far too good to me, because last week I also got a surprise parcel from Daisy!

She did some awesome detective work and worked out my size and style and picked out Simplicity 2754 and Butterick 5317 for me! And she did a great job, because I really like them both! I always have a hard time seeing the potential with the Project Runway patterns because the pattern covers are so horribly done that you can’t see any details at all, and Simplicity’s site makes it really awkward to browse by technical drawing (what I do as a general rule with Burda magazine previews). Anyway, as it turns out, I really like the details of this one, and doing some research myself, I remembered that Trena made it a few months back and I absolutely loved it! And she’s so got the right idea with those back view enhancements! And the Butterick Maggy London dress is just screaming out for a border print, as far as I’m concerned – the skirt is just a rectangle with pleating, so anything with a border or lace at the edge would go perfectly as you don’t have any cut, curved hem or side seams. So it actually is as easy as it’s labelled, seeing as how you’re really just making the bodice…

These patterns all came at the perfect time, because not only did I finish the second bridesmaid dress this weekend (photos coming later this week), but London has stumbled into a mini-heatwave which always gets me raring to sew! After spending the last two months solid on these dresses for my girls, I’m more than ready to sew for myself now, and I’m not scheduled to start on my wedding dress muslin until July.

Sooooo, how much can I cram into the next month, eh? Granted, I’ll still want to make a few things here or there while I’m working on my gown, but I thought it’d be a good idea to get all the things I want to sew together in one place. I’m not calling it a wardrobe or SWAP since they don’t all go together, and I don’t want to commit myself to ALL of these since I tend to get bored easily, so let’s just call this a shortlist so I can choose from these at will…

The FehrTrade Summer 2010 Sewing Shortlist!

From the top:

In Progress

Bridesmaids dresses – one down…

I made a big push on Sunday to get as much done on the first bridesmaid as I could, and between then and some “non-commuting” time yesterday and today (I worked from home both days so I put the hour I’d normally be commuting to good use!) I managed to finish Pip’s dress, apart from the hem and the covered buttons, which I need to purchase in town tomorrow.

To refresh your memory, I’m sewing the Gant exclusive design dress from the Sept 08 Burda magazine:

I tackled those pleated cummerbunds first to get them out of the way, but even the easier silk jersey portions were not entirely straightforward. With a design this simple, the glory is in the perfect execution!

First thing I was grateful for is my newly-raised cutting and drafting table. Each gown takes four skirt sections this size (front & back, exterior & lining), and they take up nearly the whole table!

I didn’t take any intermediate photos of Pip’s dress, but I ended up doing the entire bodice on my sewing machine after all, so that I could understitch the neck and arm openings more easily. In the end, I only used the overlocker for the long skirt seams.

In Progress

Bridesmaids dresses – I pleat the fifth

While I’ve been showing you all sorts of books and magazine reviews and drafting up free bag patterns for you, what’s been going on in the sewing room, I hear you ask! Well, I set aside April and May to sew my two bridesmaids dresses, and after a long muslin period, I’ve been getting stuck in with the most time consuming portion of the dresses first – the pleated, silk satin (charmeuse) waistband/cummerbunds.

If you recall, I’m sewing the Gant exclusive design dress from the 09/08 Burda magazine:

The fabrics were bought over a year ago, so I fished out the bag and got to work on the reeeeeeeally long pleated sections using Burda’s magazine instructions (which are surprisingly helpful) and a bit of info from my The Art of Manipulating Fabric book (thanks, Cindy!). These are knife pleats, one centimeter apart, and Burda called for seven pleats down the band, but after my test piece, it looked a bit sparse at the top and bottom edges, so I decided to go for eight pleats in the final versions.

So in order to help any of you attempting this on your own (and sadly, a Perfect Pleater is way too narrow to help me here), or those of you wondering why professional designers outsource their pleating to professional firms, here’s what’s involved…

How to pleat

Step 1 – On the reverse of the fabric to be pleated, mark chalk lines exactly 3cm apart, one for every “mountain” pleat.

In Progress

Bits and Pieces

Ok, so to take a brief break from reading material, I thought I should update you with what I’ve been up to in the sewing room…

Bridesmaids dresses

I had the first fitting of P’s muslin, and there are surprisingly little changes to be made – raising the neckline and armscye, pulling up the waistband by a centimetre, and that’s about it.

So I’m doing a second version of the bodice for her to try on this weekend, and then I unpick the skirt off that muslin and attach it to G’s bodice (the skirt is enormous and I didn’t have enough knit muslin for two!) and have her first fitting while I get down and dirty with the waistband pleating. I’m anticipating the pleating to be the most time-consuming part of both the dresses… (Earlier post about the dresses and colours here)

A spring dress

I finished a nice Springy version of BurdaStyle’s Heidi dress yesterday (finally!).

It was just waiting for a hem for nearly a week, which is a long time for me. It’s nice timing as Spring (or maybe even Summer!) arrived this weekend and it was gorgeous outside on deck with the barbecue going and everyone hopping from boat to boat. I’m hoping to do a photoshoot tonight now that we’ve got daylight for longer in the evenings…