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Too cold for photos – just sewing instead!

As I write this, London is in the midst of the second snowfall of the year (if you count Monday’s over-hyped yet under-delivered snow, that is) and I’m bundled up in a full-body thin layer of silk (long johns), plus my wool foldover trousers, my bamboo turtleneck, two pairs of socks, and my Russian greatcoat for my 35min walk into work today. It’s nothing on the Pennsylvania winters I grew up with, but at least I feel prepared!*

The good news is that, while it’s freezing outside, my sewing cave is one of the warmest spots on the boat, so I’ve been busy!

Papercut Peter & the Wolf Trousers

The new trouser pattern from Papercut Patterns was burning a hole in my To Sew list, so I just had to try them out! I finished these before last weekend, but Saturday I was covered in mud (another cross country race) and Sunday it was freezing and I didn’t fancy a photshoot.

I did an awesome job lining up the seams on the side invisible side zipper, if I do say so myself!

I really like that they have you topstitch all the mid-leg vertical seams as well as all the yoke seams – that topstitching really makes the seaming stand out nicely. It also meant I actually finished a huge 1000m spool of black Gutermann thread! I thought those things were infinite!

I’ve not yet worn these to work (the tulip hems mean my long johns are visible in front, the horror!) but I can tell already they’ve got a nice fit throughout – I especially like the trouser hems and the hip yokes, though they do mean the pockets are placed further down the leg than I’m used to…

I’ll try to get some photos this weekend, even though the details will be lost in the dark brown stretch twill (hey, it was in the stash alright!?) I’d bought in Paris last Spring. I didn’t have any particular attachment to it and it was a stretch woven as per the pattern requirements, so I made these as a trial version (or wearable muslin if you prefer). I might fancy making these again in some stretch wool suiting in my stash from last winter…

Another Chic Sweatshirt

When my parents were visiting in October, my mom looked through all my recent makes and decided she’d like a chic sweatshirt for her belated Christmas gift, and she picked out a lovely lavender sweatshirting for it while she was here. Remember how lovely she looks in lavender? I think it was a great choice. For my gift, she re-taught herself to crochet and made me a wonderful hat in mustard wool I picked out. Hooray for our little skills exchange!

Holiday sewing update

Some (rather racy) panties

Remember how I had flu for 3 weeks earlier this month? Well lucky freakin me, because I got ill again on the first day of my holidays. I’ve essentially felt like crap since two days before Thanksgiving, arrrrgh. So on Christmas Day, I did a little bit of comfort sewing, in the form of some crazy, racy, leopard print and black lace panties.

Avert your eyes now if you’re of a gentle disposition!

I’d never buy leopard print of my own free will, but I’d bought a lingerie grab bag for a pound a while back, and this came from there, and I added some scrap black stretch lace to the sides. Nobody need know what my tastefully dressed exterior conceals…

Burda December cover dress muslin

The big project I wanted to tackle over the holidays is the Burda December cover dress (Burda Dec 2012 #112).

Vintage wiggle dress – pattern notes

My latest project is this vintage sheath dress from the November Burda magazine (which you can purchase as a pdf here if you missed the magazine)!

It’s a reprint of an original pattern Burda printed in 1956, and one of my favourite running features that Burda magazine have been doing this year. Since the company’s had a very long history, it makes sense that they should look into their archives, dust off a few gems, grade up the sizing to their usual modern range, and translate the instructions!

Contrary to popular belief, this particular one is not a maternity dress, despite the fact that the model clearly looks like she’s “showing”. I can assure you that I do not look pregnant in it one bit, so let’s move on with the catty remarks…

In any case, I finished this one on Sunday night, but considering that it gets dark at 4pm here now, I won’t be able to do a photoshoot until this weekend, meaning you won’t see it on me until next week. By which time I’ll have probably forgotten all the construction details, boo!

So by way of a reminder, I thought I’d type up my thoughts now, then you’ll see the finished design next week. So the “Tell”, then the “Show”!

1. The bodice has seven monster, curved darts, all of which needed to be accurately marked onto the fabric. If you have carbon paper, I suggest you make good use of it, but for me, I remove the inside of the darts with scissors, then thread trace each dart with silk basting thread so I can see it on both sides. Then repeat for the other bodice piece. This took a few evenings, but it was important to get them right, as it’s the focus of the entire dress!

KnipMode November 2012

In my opinion, the Dutch pattern magazine KnipMode went way downhill with the appointment of the new(ish) editor and I stopped my subscription shortly after. But I couldn’t resist buying an issue at Schiphoil Airport when I found my flight home cancelled recently. I remember the subscription was more expensive than either Burda or Manequim, but I nearly choked when this rang up as €8 at the till!!

So let’s see if it’s worth it…

I’m a sucker for a designer collaboration, even if I haven’t heard of the design (who is Mart Visser, anyway?). The dress’s design lines are certainly interesting, and the coat isn’t bad, but I was definitely more excited by Burda’s recently Matthew Williamson pattern that’s for sure.

Some great skirts here! I particularly like the ruffled one, and the pencil skirt with the wrap-around back yoke. I’d forgotten how good KnipMode are at those sort of subtle seaming touches.

Fall/Winter 2012 Sewing Shortlist

A lot of sewers like to “Sew with a Plan” (SWAP), but I prefer to call this a “Shortlist” rather than a “Plan”, so I’m free to still change my mind and add/remove items as I go along! My main goal here isn’t so much to create a capsule wardrobe that can be worn together, but more to use up fabrics and/or that have been in my stash for a while that I’d really like to just wear.


(Click to enbiggen!)

From the top down, in no particular order:

  • KnipMode 12-2005 #10 – I’ve got some non-stretch denim aging in my stash from a few years ago, and I love KnipMode’s style lines for these. My wardrobe is in desperate need of more jeans, hence why there are two pairs in this Shortlist!
  • Altered Burda 06-2012 #129 – Now that my stretch satin from Gorgeous Fabrics is in hand, I can finally make the final version of this dress after completing the drafting and muslins back in July.

Let the disco begin!

Because I’m a good wife, I promised James I’d make his reversible smoking jacket after I’d finished my peplum top (photos coming next week, sorry – it’s been impossible to organise a photoshoot around both our social schedules!). This week has been rather busy, even by our standards, but I did get two evenings to work on it, and so far I’ve completed the entire corduroy shell (including bound buttonholes and no less than three welt pockets!) and moved on to the interior. Or, because this is a reversible jacket, I suppose it’s just “the other side”.

The other, disco side.

If you recall this is Betabrand’s disco fabric and it seriously is as bright and loud as the photos on their site suggest. I had to cut it with the black side facing out just so I wouldn’t go dizzy cutting it!

Coming up… peplums, sweat & booze, disco and smoking!

Lots of things going on at FehrTrade Towers, so it’s time for an update roundup!

Peplum top

After my last post outlining the lining instructions, there will be no points for guessing that this is coming along shortly! I’ve just got to handstitch the hem and the bottom of the lining and it’s finished, hurrah. Perhaps if I’m speedy I can wear it to the V&A Ballgowns exhibit meetup Karen is planning?

Bacchus half marathon costume

As part of my preparation/reward for my marathon training, I signed up to run the Bacchus half marathon this weekend. Not many people are familiar with this race, but it’s been rated exceptionally highly on Runner’s World, and the clue might lie somewhere in the description: a half-trail, half-road, fancy dress (costumed) race through a vineyard in Surrey with wine tasting every 2 miles, plus a free glass of wine and hog roast at the end. See why I signed up??

I’m regularly running much further than half marathon distance in my training runs, so even though this is only my second half marathon, I’m not that concerned about the distance, so instead I concentrated on the costume, making sure it’s entirely wicking and running-friendly!

I’m sure it will surprise none of you that I’ve also made another Jalie running skirt. Or, err, to be precise, two more, since I made another black one in parallel with my Bacchus one and forgot to photograph it! And a top based on my knit sloper (which I’m still tweaking after running in my sequin top for a few months now).

How to line the Burda peplum top

Peplums are a major AW12 trend and one that’s well within reach of most home sewists and high street shoppers. There are plenty of patterns out there, but one of the nicest I’ve seen so far is the cover design from the August 2012 Burda magazine, which is also available to purchase as a pdf download here (and you can look at the full instructions and layout diagrams on that site for free).

A lot of peplum dresses just feature a ring of excess fabric around the hips, but here, the curved waist seam plus the sloped hemline and bias-cut peplum on this particular pattern really sets it above the rest. I also like that it’s separates, so I can pair my top with a skirt, slim trousers, or leggings and get much more wear from it than just a single dress.

One thing I don’t love about this pattern, though, is that it’s unlined. Or rather, it has lined cap sleeves, a narrow bias edge on the underarms and a neck facing, but nothing further. It’s pretty straightforward to make lining pattern pieces from the shell and facings (see below), but the construction was more challenging to figure out. It is possible to do a nice clean finish almost entirely by machine (you still have to sew the hems by hand), but you have to do a bit of clever reordering of the construction…

Luckily for you, I made notes as I sewed so I can share my clever order of construction with you!

As mentioned above, you’ll need to modify your bodice pattern pieces after you’ve cut out your shell fabric. Place the neck facings on top of the bodice pieces (annoyingly, in this case they must be face-down so the shoulder seams and CB/CF edges line up), trace the neck facings onto your front & back bodice pieces and then cut these off before cutting your lining pieces. Remember to add seam allowances to these new cut edges, too!

Be sure to interface the facing pieces, then attach them to the lining pieces and treat as one for the rest of the construction.

Instructions for a clean-finish lining!

  1. Sew all darts, attach peplum pieces to bodice on the shell, and sew at shoulders (but keep it open at side seams and centre back!), ie: the follow the first few steps of Burda’s instructions, but stop before the zipper insertion!
  2. Do the same for the lining
  3. Sew the sleeve shell pieces & sleeve lining pieces together at the bottom edge of the sleeve. Understitch, then baste around the other (armscyce) edge
  4. Baste the sleeve onto the shell with right sides together (beware of excess ease!! Don’t skip this basting step!)

Details matter!

I spent part of last evening working on the fuchsia Cynthia Rowley party dress, and I just love it when I come across a lined bodice without neck or armhole facings, as it’s the best opportunity to do some beautiful prick-stitching!

Contrast prick-stitching is not for the faint of heart, but I enjoy both the process, and the finished result.

Inspiration from all angles

I’ve got lots of bits and pieces on the go right now, and I’m finding that I’m being inspired by lots of little things – not just from the fantastic last few issues of pattern magazines (hello, August Burda!), but also some supplies which have found their way to me, like this amazing laser-cut eyelet zipper from my friends Alex & Liz, bought at the V&A shop!

Mine’s skirt-length and now I totally want to make a pencil skirt with an exposed zipper just so I can show this off! After I got mine, I’ve since seen that they’re available on etsy in a bunch of different colours, too.

Not long after that, I was approached by the owner of Lots of Buttons asking if I’d like to try their shop for free. My initial reaction was that the prices in dollars surely meant exorbitant shipping to the UK (boo!) BUT as it turns out, all the orders are fulfilled in Hong Kong so the shipping is the same anywhere in the world (great for the Antipodeans, too!).

So I picked out some basic black horn buttons (just like the ones my stash was missing for my black knit trousers the other week), and some gorgeous overlapping metal buttons I thought would go really nicely on a jacket. All in, these would’ve cost me $10 total (with shipping), which is like half the cost I pay to get nice buttons in central London, with a travelcard cost on top of that!

These arrived in 7 days, too, along with a discount code for my next purchase. I also really like that they seal off each button type in its own clear plastic bag, so you can see what’s inside without them all getting jumbled up together. Genius! So I went from being skeptical to totally pleased and very happy to recommend them in the space of about 10 days!