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A yellow Drape Drape dress

From the first time I flipped through the first Drape Drape book, this dress really grabbed my attention and I knew that I’d eventually make it. Like most of the patterns in the Drape Drape books, this one has both unusual, 3D seaming and lots of gathers (or tucks). This is the third pattern I’ve made in the series, after the asymmetric teeshirt (twice!), and the gathered tunic dress.

Unlike the Pattern Magic books, in the Drape Drape books the patterns are included in several sheets at the back which you trace off, a’la Burda magazine. But though the lines aren’t packed as densely as in Burda’s, the lines aren’t coloured nor do they have different dashes or dots, so it’s not as easy to trace in my opinion! Because the shapes are often wraparound, the pieces can be quite big, and you have to trace them in a few different parts.

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A totally 1980s jazzercise costume

Many of you may be frantically planning and plotting what costume to make for Halloween next weekend, but for me, the biggest costumed event of the year was last Friday, at my friend Gez’s 1980s-themed 40th birthday party. Gez has thrown fancy dress parties for years, so I already knew that people would make an effort, but by keeping a small and pared-down wardrobe for myself, I didn’t really have any suitable 80s vintage clothing already. So I knew I”d have to make something from scratch.

I didn’t want to go the full-on Dynasty “hair & shoulder pads” look, so I was a bit stuck until I realised that I could totally do the 1980s Jane Fonda jazzercise look instead! I sometimes have shiny 80s lycra on hand for making early test versions of patterns, but I’d run through all of that in developing the Lightspeed Leggings pattern (poor James!).

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A Breton tee dress

The origins of this dress are a bit “chicken and egg” – did I think about making the Breton tee dress from the latest Great British Sewing Bee book first, or did I decide I finally wanted to cut into the hefty black and white striped ponte in my stash first? I’m not entirely sure of the order, but I do like it when a plan comes together which doesn’t involve me buying anything more!

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Another pair of cycling jeans

I’ve made a lot of jeans since I started sewing 14 years ago. I remember I made my first pair before we even bought the boat, which would put them back in 2006 or 2007, and I really haven’t stopped since! I’ve probably made at least 10-15 pairs over the years, with various patterns and weights of denim, but my most recent pair with cycling-specific adaptations have been one of my favourites, so I wanted to have another pair of those in my wardrobe.

The majority of my jeans over the years have been made with Ditto Fabrics’ super freaking amazing Italian denims, and this traditional, non-stretch, dark dye was bought when I last visited their shop in December. It’s no coincidence that we’ve got another trip to Brighton planned in a few weeks so I can restock then…

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A matching silk hardshell clutch

When I make a nice dress for a formal occasion, I often like to create a small handbag to match the dress (or jacket!) as it just creates a more “pulled together” look, and it’s something I can do that RTW often can’t!

So when I was cutting out the silk noile for the Pamela dress you saw earlier this week, I realised I had a small rectangle leftover – perfect for covering one of the U-Handbag hardshell clutch cases I’d bought!

All the clutch bags I’d made previously had been sewn (a favourite being the Cake patterns wristlet), so a hardshell case involving lots of glue was totally new territory for me! Luckily, Lisa provides really great, printable instructions for these, and honestly, it was SO easy to make!

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A watercolour silk noile dress

At my last shopping trip down to Ditto Fabrics in Brighton last December, I bought a great mix of spring and summer fabrics with a few cold weather ones thrown in for good measure. So far I’ve already sewn up a Fair Isle sweater (which I was too sick to blog about properly), that muted turquoise lace dress, a pair of cycling jeans (with another coming later this week).

But I’d bought a length of silk noile with a watercolour-esque muted floral print that the owner, Gill, was raving over, saying it made the most comfortable summer dress. It’s long sold out now, but Ditto have a few other silk noiles in stock. I knew I wanted to make a dress from it – preferably unlined to take advantage of the silk noile’s comfort and coolness, but I needed an occasion to actually sew it up. Luckily, two friends I’d know for years from Run dem Crew got married this weekend, so I had the perfect excuse!

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A neon cropped tee

As you heard earlier this week, I bought this eye-wateringly n-e-o-n peach, 100% polyester pique jersey at Abakhan in Liverpool to pair with some grey scuba to make the Triple Triangle Dress from the new No Patterns Needed book.

But I really only used the pique jersey in strips to bind the armholes, neckline, and waist, so there was quite a bit leftover. Now, I must point out that this pique jersey is craaaaaaazy bright in real life. Like, “it hurts your eyes to look at it for too long” bright. So most women would probably shy away from both wearing it near their face and wearing it in big blocks of colour.

I am not most women.

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A Triple Triangle scuba dress

Like my Donna Karan x Liberty shirt you saw earlier this week, this dress is another departure from my comfort zone. Yes, it’s made in stretchy scuba and in decidedly “me” colours, but it’s drafted from my measurements instead of a pattern and you can see my midriff!

This all began when I went to the launch party for the DIY Couture No Patterns Needed book back in July. The party itself was a total blast – it was basically a Who’s Who of the London sewing scene and I got to see loads of people I’d not seen in years, as well as meet plenty of new friends too, in addition to seeing a lot of the models from the book wearing the different designs. I bought the book on the night (and got it signed!) but I wanted to hold off talking about it here until I’d had a chance to actually make something from it.

Now, if you’re expecting an unbiased review, you’re going to have to go elsewhere – Rosie is a good friend, having bonded not just over sewing but cycling, London, helping people, teaching, generally having a good ol’ rant while we worked together behind the scenes on GBSB season 3. This is her second book, and I personally know how hard she’s worked on this, slaving over it even on the hottest summer days, for like two years now! She’s truly a one-woman show, devising all the designs, working out the maths so they fit any body shape, and doing all the illustrations and samples herself, too.