Woohoo! It’s a fresh new year! Each year I like to take the first of January to look back on what I’ve sewn in the previous year. So while this post is a celebration of the new year, it’s also a look back at what I’ve been up to in the last twelve months, which I always find to be a helpful exercise!
From the first time I flipped through the first Drape Drape book, this dress really grabbed my attention and I knew that I’d eventually make it. Like most of the patterns in the Drape Drape books, this one has both unusual, 3D seaming and lots of gathers (or tucks). This is the third pattern I’ve made in the series, after the asymmetric teeshirt (twice!), and the gathered tunic dress.
Unlike the Pattern Magic books, in the Drape Drape books the patterns are included in several sheets at the back which you trace off, a’la Burda magazine. But though the lines aren’t packed as densely as in Burda’s, the lines aren’t coloured nor do they have different dashes or dots, so it’s not as easy to trace in my opinion! Because the shapes are often wraparound, the pieces can be quite big, and you have to trace them in a few different parts.
This shirt is a bit of a departure for me, both in terms of what I normally wear, but also in terms of what I normally sew. I don’t tend to wear many button-down shirts, because, if I’m because brutally honest, I really can’t be bothered to pick up an iron outside of when I’m sewing! And I don’t usually wear prints outside of activewear, and certainly not Liberty ones (way too twee for me!).
But a few weeks ago, I knew I had the Sewing Weekender coming up and I wanted a project to take along for the open sew session that didn’t involve an overlocker (since there’d be only two for 50 sewists) and that wasn’t anything close to the Work Sewing I’d been doing so much of recently.
I’ve got a bunch of things happening all at once (on top of crazy good opportunities coming out of my ears that I can’t talk about yet!) that weren’t quite big enough for a full post on their own so I thought I’d round them all up into a fun bit of Friday inspiration for you all! I’ve also got, ohhh, four finished garments to properly photoshoot so hopefully next week you’ll get to see more of those, too.
This may be the strangest thing I’ve ever sewn but a colleague was in a hit & run which broke her wrist, requiring metal plates and several surgeries. She’s doing much better now but hates the depressing beige brace she has to wear, so I offered to sew her a fun cover for it.
While my own wardrobe may be 99% own-sewn, I’m only one woman and I like to concentrate my sewing for James into items he can’t regularly find in shops. Often this means loud and garish shirts in unusual prints (just wait til 4th of July…), but occasionally it’s for practical reasons. In this case, he has two Dakine shirts that are made from some sort of thin, technical woven that dries really quickly and resists wrinkling. So he got just a wee bit excited when he saw Fabric.com was stocking something that looked really similar. They called it “workwear fabric” (it’s no longer available) – a thin, 100% polyester woven that resists wrinkling and dries quickly – perfect for him to wear to cycle into work without looking like a sweaty mess all day.
Last week I showed you the roses I made for my aunt’s wedding in DC, but I also managed to sew myself a new dress to wear for the occasion, too!
When I was at Ditto’s Brighton shop in December, I fell in love with a wonderful muted turquoise lace and bought a beigey lavender jersey to layer underneath it. I didn’t really have an occasion or pattern in mind when I bought it, but with the wedding trip approaching, I pulled these out of the stash and knew they’d be the perfect starting point.
When making lace dresses, I always look for patterns with a lot of little pieces as I’ve found that the shared seams help keep the layers from separating when worn, such as with the Burda dress I made in pink and grey lace (and still wear a lot, 5 years later!). If you try to make a lace dress from big pieces, you have the opportunity for one to grow or move independently if there’s nothing holding them together in the middle of the garment. I wanted something that I’d sewn before, too, as I didn’t have much time to make it before the wedding and wanted to skip the muslin stage. I ultimately decided on a pattern I’d traced from an ASOS dress and previously made twice – once in a mustard ponte and then again in mustard, teal, and white as a designer inspired colourblock dress.
I am both back from our trip to the States and feeling back on form now, so I’ve started to tackle documenting the absolute mountain of finished makes from the last four months. I have some garments from early January, some made more recently and well, I’m just going to share them with you in no particular order! The photos are a bit more slapdash than usual, but I know that if I waited to do proper photoshoots of all of these then it’d be another 6 months before you’d get to see them!
So I’m going to start with a garment that was the longest in the planning, and also quite possibly my favourite of the early 2016 makes. It all started back in summer 2014, when I bought some fabulous navy wool coating & vintage silk twill from Ditto when I was down in Brighton. I knew I wanted to use them together for a transitional, short coat, but then I had quite a journey in finding the right pattern!
The psychedelic 1960s vintage silk twill lining that was originally made for neckties!
Over the course of 18 months, I ended up making five different muslins before I was happy enough to cut into the wool and silk:
And then finally I muslined Named’s Harriet lumberjacket pattern, bought during a flash sale during their advent calendar promotion. And I was like Goldilocks, it was juuuuuuust riiiiiight.
Each year I like to take the first of January to look back on what I’ve sewn in the previous year. So while this post is a celebration of the new year, it also helps me to put into perspective the year that has just gone. Somehow I always think the year has been a bit low on finished makes until I put everything together for the year’s collage!
Click the image to see it better, or right-click here to see it in a new tab to get a better look!
Tip: If you’d like to skim back through the posts for the above projects, you can click Gallery in the top menu, which will only show you finished projects, without all the magazine reviews and in-progress reports getting in the way! (Though a few of the makes in the bottom row I haven’t blogged about yet!)
In terms of pattern companies used this year, I made:
By my count, I made: 21 tops, 19 trousers (including leggings & shorts), 2 jumpsuits,
2 dresses, 10 pieces of lingerie (bras, panties, slips, etc), 1 bikini, 2 jackets/coats/cardigans and zero skirts (!). I made presents for my mom, sister-in-law, niece, and nephew, and James also received four tops and a pair of lounging bottoms this year, the lucky guy!
I’m slowly working through my pile of magazines (another four more to go!) but I wanted to share my picks from the latest Burda magazine before it becomes outdated and off the newsstands. But the short version is that this is another pretty good issue, and a fantastic one if you’re in the Plus size range!
I really liked the choice of orange and camel in this feature, but for me the standout is this pullover, made in felted wool, which also has the colour illustrated instructions this month. It’s paired with an interesting skirt which was colourblocked in another example, really showing off the V panel. On the right we’ve got a cape, which is really similar to Seamwork’s Camden cape in the current November 2015 issue (except the length, obviously).
I’m not quite sure how I feel about the top on the left with its unsusual, gathered collar area, but the trousers look just a bit too 1970s to me. It’s easily overlooked, but the cardigan on the right has a really interesting construction that isn’t apparent from just the front tech drawing or the photos. Check out those pattern pieces!
While we were in Argentina in August, I kept my eyes peeled for Patrones issues whenever we passed a newsagent. It didn’t take long before I found this one on a newstand in Mar del Plata (and 343, which I already own), likely from last winter but who cares? Patrones do the best coat patterns, and this is a Coats Special!! I’ve made so many of theirs in in the past, most notably my winter coat (still my main winter coat several years later!), the silver tweed jacket I throw on in summers, and my duffle coat, which I wore until it was literally in tatters. I’ve got some wool coating burning a hole in my stash right now, so it’s likely I’ll look to Patrones for this coat, too.
I was mostly drawn to the top, but the Armani blazer is also worth a note for its razor-sharp lapels! On first glance, the top has a shape very similar to a lot of other patterns (like that Lekala top I made a few years back) but a closer look reveals it’s actually got two layers – a satin layer underneath and a gauze layer on top.
This menswear-inspired sheath dress would be a great alternative to the clichéd skirt suit for business meetings! Apart from the curved waist seaming, I love the waist-lapel – it feels more like a blazer than a peplum (which we’re all so over by now, right?). This also reminded me of Charity Shop Chic’s recent spectacular Dior-inspired refashion, too.
Ok, now on to the coats feature, and, ignoring the bubblegum pink colour, I just love this dolman sleeved cocoon coat! It fastens with a hidden zipper placket and only uses 2m of wool, which is conveniently the exact amount of my navy wool coating… This is now top of my list to muslin!
