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A silky Manequim pleated shell top

Despite my nonstop Work Sewing during the week, I still often get an itch at the weekend to sew something quick and Not Work for myself, often using up some fabric or pattern which I’ve been meaning to make for ages.

A few weekends ago this took the form of a shell top with a pleated neckline from the Manequim August 2011 issue (though I totally failed to spot its potential when I reviewed it!) and one metre of printed polyester satin which I’d picked up at a London sewists swap last summer.

I really liked the colours in the fabric and the abstract quality of the print, and the fabric is nice enough that I had to do a quick burn test to determine that it wasn’t actually a silk! As for the pattern, it was one that I traced some years ago, but then never quite got around to making, so it got folded up in a drawer before I finally pulled it out a few weekends ago.


Worn here with my orange Sinbad & Sailor O’Keefe skirt from earlier this summer!

It’s a very basic shell top with four pleats at the neckline, and in hindsight I probably should’ve just drafted it up myself! The pattern includes a half lining – the back just uses the same pattern piece as the exterior, ending at the waist, but the front lining is a separate pattern piece with bust darts from the armholes so the exterior neckline pleats are held in place.

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A camisole from the ashes of failure

It all started back in March when I received for my birthday both the royal blue ponte knit fabric and a Marfy pattern I’d requested (#2935). I was enthusiastic about both, so much so that I spent the day after my party making up the dress.

The first issue came about when I realised that the pattern was missing a piece for the horizontal waist sash. It was pretty obvious it was just a rectangle, but the dimensions of it would be useful to get the gathering right, so I emailed Marfy, and got the following unhelpful reply when I asked for the dimensions of the missing piece:

“you are right, sorry. The important thing is to cut the piece on the bias so that it will follow the body. You can decide the width you prefer, and you can close it on the back.”

Ummm…

But that was just the start, because the horizontal sash was really the least wrong this about the dress. It’s a basic, long sleeved knit sheath dress with front and back darts and waist seam, but then there’s a weird set of gathers above the bust at the centre front that just reminds me of a vagina no matter how much I look at it, and this created a weird lump of fabric just above the bust that had to be pinched out.

But it goes on, because the diagonal sash was angled incorrectly and way too long, but if it was pulled tight enough, it started to bring the neckline down, too. The length was really dowdy, and overall, it was just a really unflattering dress. Somehow it looked straight out of the 1940s despite being modern, and it’s pretty much impossible to have a fabric that is both thick enough to wear on the body but thin enough to stand up to all that draping. Big, big thumbs down for Marfy 2935. This is actually my second Marfy pattern, and the second that hasn’t worked for me, so I’m kinda washing my hands of the whole company now…

But I still really liked the fabric, and wanted to do something with it to reclaim it, so this monstrosity of a muslin stayed on Susan (my dressform) literally for months. My friend FJ would come by and be like “Is that thing still there? You have got to do something with it or get rid of it – it’s bringing you down!” and he was totally right.

But despite being a big dress, the uninterrupted pieces weren’t very big so I had to choose my pattern carefully – and I pulled out the Seamster Patterns Yellowtail Camisole pattern that I’d bought and printed out last summer but hadn’t quite gotten around to making before the weather cooled off.

I was able to fit the pieces into the Marfy dress (plus it felt quite cathartic to cut the sucker up!) and it was really quick to sew!


Seen here with my Donna Karan leggings from earlier this week…

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A basic black Burda tank

It’s typical that I end up making the most boring, basic pattern out of the crazy-amazing June issue of Burda magazine! But I’d traced this out as soon as the magazine arrived, and I was in desperate need of a quick “me project” after a very busy week of work sewing. So I sat down on Sunday morning after breakfast, and had this finished before we left for a BBQ at lunchtime! I literally couldn’t have gone to the shops and back in that time…

This really is just a basic, jersy tank/vest with a racerback as its only detail, so I paired it with some “problem fabric” I had in my stash – I bought this from Minerva at the end of last summer and it wasn’t really what I was expecting. It’s a thin, black viscose jersey with but lines of dense stitching which make the fabric in between the lines sort of gather and pucker. Cool to wear, but a total arse to cut out as it moves all over! It was also fairly linty, so I’m glad to be able to wear it instead of sewing it!


(Seen here paired with my pre-Mexico neopreney leggings and shot on location at a friend’s back garden, BBQ just out of shot!)

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The Bunka-esque asymmetric Burda top

This might be the quickest turnaround for a pattern I’ve made in ages, but last weekend I put together the weird, conceptual “tube” tee from the April 2014 Burda magazine (I’m so current!!) and some splatter-print viscose lycra jersey I bought at Hancocks when I was visiting my folks in Virginia in November. Or it’s up on the US Burdastyle already should you wish to buy the pdf.

The pattern itself is rather avant-garde – it’s really just one big rectangle! On the right-hand side (as worn) there’s a side seam and a pretty normal, set-in sleeve. But on the left it’s just a fold instead of a side seam and a horizontal slit is cut in, where a sleeve with the sleeve cap chopped off (no, really!) is set into that. The neckline is just the top of the rectangle and is only an inch or two narrower than the hem!

I wasn’t so sure that the weird left sleeve would actually be comfortable, but it really is! I don’t even notice it when I’m wearing it, and it doesn’t really look strange when worn, either.

The body feels super voluminous and quite long to me – I’m tempted to narrow it and the cowl neck as well. I made a Burda size 40 which should be true to my new measurements, but everything is super wide – I’d definitely consider going down a size in the rectangle, but keeping the sleeves at your true size.

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Purple & print long sleeved running top

You can understand why I need a bit of a breather now after sewing so much workout gear, right? I sewed a lot of samples for the development and testing of my two patterns, and then once I finished those, the only real hole in my wardrobe was for long sleeved running tops, so I found myself back in the lycra pile anyway!

Just like the mocha running top you saw a few weeks ago, this one is again the Christine Jonson “Travel Trio Three” Raglan top pattern with a half-height collar and some hand mitts of my own devising.

I only had a bit of the printed lycra from Minerva leftover after already making leggings and a workout top from the 2m I bought, so I cut the front and back body and the collar in the printed lycra, then used some purple “silk touch” lycra from Tissu that I found in my stash for the sleeves and hand mitts.

Forgive me for not doing a proper photoshoot on this – I was a bit photoshooted out at this point so you just get some action shots and selfies instead!


Yes, I usually am this annoyingly happy when I run!

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Printed Y Back Workout Top

Thank you all so much for your support, enthusiasm, and early bird sales of my debut sewing patterns! I’ve got lots of versions of both to show you, but I thought I’d start off with my most recent version of the top since it reflects the pattern as you buy it (I’ll show you some earlier versions with a few small issues I corrected in the final pattern!).

This is the “Y Back” version of my XYT Workout Top Pattern which I made with this amazing printed lycra from Minerva. I liked it so much that I made two tops and a pair of PB Jam Leggings from the 2 metres I bought (plus I went back and bought another metre of it and its blueish-colourway sister!)

This is definitely one of my favourite versions of this pattern! Earlier ones had some pulling issues around the front straps, but a small adjustment to the front lining piece fixed that here, as you can see! The built-in bra is perfect for keeping me bounce-free on even my long runs – no need for me to wear an additional sports bra. The instructions also show you how to encase the underbust elastic nicely to reduce the chance of chafing, too.

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Mocha running top with hand mitts

I don’t stop running just because it’s cold. Last winter I tended to run in jackets over top of my sleeveless vest tops, but my weight loss over the summer means that my running jackets are all a bit baggy and stuff in my pockets tends to bounce as a result. I’m also too cheap to spend £60+ each on several new jackets!

So I’ve been favouring running in the only two long sleeved running tops in my stash – the purple one I made last December, and also the one I won at Bacchus in September. Two tops is clearly not enough for the 5-6 times a week I’m running now in preparation for London Marathon in April, so I decided to make a clone of my purple running top, this time in mocha.

Again I used the Christine Jonson Travel Trio Three raglan top pattern, altered to have a half-height collar and my own addition of hand mitts on the sleeves. This now makes the fourth garment I’ve made from this pattern across three of the four views (I don’t really need the “Ruana” wrap shawl!) so I consider it to be very good value!

The fabric here is special Under Armor “Cold Gear” fabric Cidell very kindly picked up for me from a shop in Baltimore last year. This UACG fabric is a totally different weight and hand-feel to the green ones with a brushed black reverse I’ve used for leggings, though, even though both bear the “Cold Gear” name. At first I wasn’t sure what to do with it but now I see it’s pretty much perfect for tops as it’s lightweight, warm, silky, and just generally really high quality stuff. It figures I have no way of ever getting more! (Said shop closed down, too)

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A silver cowl top

You saw some photos of this top on Susan a week or so ago, but I’ve finally had the opportunity to do a proper photoshoot and not freeze!

If you recall, I out this MyImage cowl top pattern before we went to Mexico, thinking I might have enough time to quickly sew it up before we left. I would have, too, if I hadn’t decided I needed to make that quick travel bag. It was still waiting for me when I got back to cold, grey London, mocking me with its sleeveless-ness. I finally just sewed it up so I could have the space back in my sewing room, though I’m afraid I won’t really get to wear this until next year.

I made it out of some absolutely glitter-tastic jersey I bought at Tissue Reine in Paris a few years back, and it wasn’t cheap €12.99/m. So it was even more disappointing that it left a trail of silver all over my sewing room… Boo.

It might be hard to see, but there’s princess seams in the front and back even though this is a knit top – there are also facings for all the pieces apart from the centre front, where there’s a fold-on facing.

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Neon trim gathered teeshirt

I bought a bit of fabric recently, and I had a spare few minutes in between packing and setting up our new bedroom, so of course I squeezed in a new top before we left for Mexico!

It’s #126 from the February 2013 Burda magazine, but the pattern is for sale on Burdastyle.com if you like it, too.

The fabric is a distressed jersey print from Minerva that I bought a fortnight ago. It’s not got the nicest hand and feels quite stiff from the paint used on it (and didn’t soften up much in the wash, either), so I had to choose a pattern carefully. I first thought of my tie-front Pattern Magic top but 1m wasn’t enough for that so I turned to this pattern instead since it was traced and nearby after I made it earlier this year for my gathered merino top.

The neon trim was just a happy accident – I’d originally planned a basic neckband of self fabric but I mismeasured the neckline (I forgot to add in the top of the raglan sleeves!) so I started to think outside the box and I remembered I had some of this stretch fluroescent orange binding (also from Minerva!) in my stash from earlier in the year. Now I can’t imagine this top without it!

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Open-backed Splatter tank top

It’s not quite a “Quick Knit Top” in my eyes, but I wanted to try out one of the running top patterns I selected in my Spring/Summer 2013 Sewing Ideas before I jumped headfirst into sewing another pair of jeans. I pulled out KwikSew 3672, which my mom bought for me a while back in one of the pattern sales you all get in the US. Otherwise KwikSew tend to be pretty expensive over here and I’d probably never got around to trying it!

Despite being a fairly recent pattern, it’s already OOP so act fat if you like the design lines! I’ve only made the top this time, but I think the skirt could be perfect for travelling if made in a hefty jersey. The splatter-print jersey I used here is from Minerva – it’s a bit 80s but I thought it’d do nicely as a test-top as its soft and has a nice weight. For the shelf bra lining I used a lingerie nylon(?) but in future I’d suggest something more supportive yet breathable like power net. Obviously for heavy-duty running I’d use a wicking supplex for the exterior, but for several reasons I’ll go into below, this pattern isn’t suited for running anyway.

I never trust Big 4 sizing any more so even though my measurements matched up perfectly with size Large, I still laid my jersey sloper over the nested pattern and ultimately decided Large was probably the best bet anyway.

Even though my fabric isn’t anywhere near as stretchy as the guide on the pattern envelope (who actually uses those, anyway??), the fit is still very nice, and as far as I can tell, very true to size considering I was smack-dab in the Large measurement range! I’d definitely describe this as close-fitting though, and the length feels just about perfect to me, too. The only fitting issue that surprised me is how high the neckline is in front! This feel seriously matronly to me – I’d normally have this at least 3 or 4 inches lower in a running top!

This pattern has an shelf bra, which contains the bulk of my problems with the pattern: the finishing of the under-bust elastic leaves exposed elastic against the skin (what?), an unfinished (albeit small) top edge inside, and unflattering and bad gathers that neither support nor make for clean finishing.