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Two Weekend Reads

There are many, many great articles on the web right now for activewear inspiration, and I am desperately overdue in showcasing all the amazing versions of my patterns that you guys have made over the past few months, but I wanted to bring two articles in particular to your attention…

The first is a fantastic tutorial Maria (Velosewer) posted on how to create a secure, zippered pocket for insertion into the back pocket of my Surf to Summit Top pattern. It works equally well with the men’s or ladies’ versions, and only requires a little extra bit of fabric and an invisible zipper. It’s all kinds of genius, and I’m totally going to try it out myself on my next cycling version!

The other exciting read is that my first article for Seamwork magazine is out now, A Guide to Activewear Fabrics. I talk about how to shop for different tech fabrics, what names they can be found under, why cotton is terrible, and how to avoid that horrible smell after repeated washings.

Sewing Indie Month: My Buff tutorial and interview

How’s everyone enjoying Sewing Indie Month so far? Has anyone entered the contests yet? There’s still a bit of time left if you haven’t got everything together yet…

Sew a Buff

Last week I wrote a really simple but useful tutorial which appeared on the Seamster Patterns blog – How to sew your own Buff. If you’re not familiar with a Buff, it’s a simple tube of stretchy fabric that can be worn a million different ways…

They’re really popular with a wide variety of active people for both winter and summer wear and literally could not be easier to sew, so head over to the Seamster Patterns site to read how to make your own!

My interview with Yuki

I personally think the best part of Sewing Indie Month has been connecting with other indie designers, and I was tickled to find out I was paired with Yuki from Waffle Patterns, because I’d been admiring her designs on Etsy for ages!

She interviewed me over email recently, and you can read my interview here, which went live yesterday.

Classes and my next pattern

I’ve got quite a few more stretch fabric classes coming up in the next few weeks at the Thrifty Stitcher studio, including a full “Stretchtacular!” day on Sunday 29 June, where you learn to sew leggings in the morning and a Breton tee in the afternoon! If you live outside London this means you only have to travel once to get both classes… Or I’ve also still got some space in this Thursday’s leggings class if you’re more local. These are all suited to beginners who have basic knowledge of a sewing machine, but haven’t necessarily worked with stretch fabrics or overlockers before. You’ll get to take your garment and pattern home with you, and I’ve had many students not only wear theirs home, but turn around and sew more that same week!

The stretch class listings are here.

Sewing Indie Month: An XYT maxi dress tutorial from Closet Case Files

As part of the wonderful Sewing Indie Month celebrations, each of us are collaborating and sharing tutorials throughout the month of May. During the planning phase of the month, I requested to partner with Heather from Closet Case Files as she’s also a fellow stretch fabrics fanatic plus I loved her Bombshell Swimsuit pattern (if only English summers ever got warm enough to swim, eh?).

Well, she’s since gone and released Nettie, a fantastic bodysuit and bodycon dress pattern, and it’s already on my To-Sew list for later this summer. I can never wear RTW ones as my torso is too long, so I’m excited to finally wear some! (That, and her dress looks SO much like Wolford’s £300+ dresses!)

As we were discussing which tutorials to do, Heather was really up for hacking my XYT Workout Top pattern and making it not only something suitable for casualwear, but also a dress! She’s gone and done it, so if you’d like to make your own, read on…

The tutorial

Hello everyone! Heather here from Closet Case Files. I’m on Fehr Trade today to share a tutorial for Sewing Indie Month.

One of the things I love most about the independent pattern community is the way that the unique taste and point of view of each designer shines through in their work. I was really excited to be paired with Melissa for Sewing Indie Month; I have tremendous respect for her skills and knowledge, and love her cool and modern take on active wear. It was a good pairing, since we both love designing for stretch fabrics. For my Fehr Trade tutorial, I thought it would be fun to put a Closet Case spin on the XYT Workout Top.

Since I’m not the jogging type of girl (more of a leisurely bike riding lass), I thought it would be fun to take the great design lines of the XYT and make a summer maxi dress. I loved the racerback option, and thought it could look sexy and sporty in a mix of lycra and powermesh.

XYT Workout top by Closet Case Files-12

PB Jam Leggings – invisible pocket tutorial

One of the favourite features of my PB Jam Leggings pattern is that there’s a secure, inner pocket at the upper back to keep things like your phone, keys, or gels handy while you’re working out. While I was developing the pattern, I decided to make this pocket one layer, and use the exterior of the leggings as the other side of the pocket, sealing off the bottom with topstitching.

But sometimes you may not want any topstitching visible from the right side, so to do this, you only need one extra piece of fabric and a few short steps. Making the pocket invisible from the outside will only add about 5 minutes max onto your construction time, but if your fabric is thick, definitely consider cutting your pocket from a thinner lycra!

Here’s the finished invisible pocket on my latest “rainbow sherbert” pair I’ve just finished!

Before you start…

When you’re cutting out your fabric, cut two pocket pieces instead of just one.

Step One


Fold down the shorter, curved edge of one of the pocket pieces and topstitch with a twin needle or coverstitch (or, alternatively, finish with narrow elastic or FOE)

Step Two


With right sides together, stitch the longer, curved edge of the two pocket pieces, and flip right side out (note: if you’re zigzagging this seam, you’ll want to trim the seam allowance and/or clip the curves to get a smooth seam)

A hidden travel pocket tutorial

We’re travelling to Mexico in a few weeks, and I decided I should probably have a money belt to keep my passports and spare cash secure while we’re there, especially since we’ll be staying in mid-range hotels and travelling by coach. But the money belts available to buy are all really uncomfortable-looking, made of either rough fabric that will get soaked by sweat, or plasticky fabric that will stick to your skin, and with chunky buckles that will dig in over the course of a day.

Since I’m sewing a bunch of bottoms for my trip anyway, I figured there must be another way, so I had the idea to draft up a simple zippered pocket that attaches onto the waistband and hangs discreetly inside. It can be accessed easily in a private place (like a toilet stall), but not easily seen or pickpocketed, and the zippered opening means its contents aren’t going to just fall out, either.

I’ve added this pocket into my recent travel skirt, leggings, and Hummingbird skirt already and I’ve worn these around London to test drive them successfully!

You can choose to either permanently sew the pocket into the waistband of your skirt or trousers, or you can use snaps to make it removable at the last step, like I did for my leggings.

It’s sized to allow a standard passport to fit through the zipper, plus some emergency cards and cash and other small items you want to keep on you at all times, but that don’t have to be readily accessible.

How to line the Burda peplum top

Peplums are a major AW12 trend and one that’s well within reach of most home sewists and high street shoppers. There are plenty of patterns out there, but one of the nicest I’ve seen so far is the cover design from the August 2012 Burda magazine, which is also available to purchase as a pdf download here (and you can look at the full instructions and layout diagrams on that site for free).

A lot of peplum dresses just feature a ring of excess fabric around the hips, but here, the curved waist seam plus the sloped hemline and bias-cut peplum on this particular pattern really sets it above the rest. I also like that it’s separates, so I can pair my top with a skirt, slim trousers, or leggings and get much more wear from it than just a single dress.

One thing I don’t love about this pattern, though, is that it’s unlined. Or rather, it has lined cap sleeves, a narrow bias edge on the underarms and a neck facing, but nothing further. It’s pretty straightforward to make lining pattern pieces from the shell and facings (see below), but the construction was more challenging to figure out. It is possible to do a nice clean finish almost entirely by machine (you still have to sew the hems by hand), but you have to do a bit of clever reordering of the construction…

Luckily for you, I made notes as I sewed so I can share my clever order of construction with you!

As mentioned above, you’ll need to modify your bodice pattern pieces after you’ve cut out your shell fabric. Place the neck facings on top of the bodice pieces (annoyingly, in this case they must be face-down so the shoulder seams and CB/CF edges line up), trace the neck facings onto your front & back bodice pieces and then cut these off before cutting your lining pieces. Remember to add seam allowances to these new cut edges, too!

Be sure to interface the facing pieces, then attach them to the lining pieces and treat as one for the rest of the construction.

Instructions for a clean-finish lining!

  1. Sew all darts, attach peplum pieces to bodice on the shell, and sew at shoulders (but keep it open at side seams and centre back!), ie: the follow the first few steps of Burda’s instructions, but stop before the zipper insertion!
  2. Do the same for the lining
  3. Sew the sleeve shell pieces & sleeve lining pieces together at the bottom edge of the sleeve. Understitch, then baste around the other (armscyce) edge
  4. Baste the sleeve onto the shell with right sides together (beware of excess ease!! Don’t skip this basting step!)

Running arm band pocket (with tutorial!)

A few weeks ago, I was asked if I wouldn’t mind making two prizes for the RDC Mission Impossible event this Saturday, and I knew it’d be the perfect opportunity to try my hand at drafting some arm pouches while helping out my crew at the same time.

Essentially, I reverse-engineered a Y-Fumble I own to figure out how they constructed it (no Y-Fumbles were harmed – I just thought about it hard and made a prototype first!). The only problem is that they’re available in limited colours and the lycra feels quite flimsy to me, so if I can make my own I have a lot more freedom in the fabrics used.

It’s an arm band that has a pocket on one side, with a simple fold-over flap for keeping things like phones, keys, travelcard, etc nicely inside and tight against your arm while your run. There are no closures – the band just slips over your wrist and up your arm and the stretchiness of the fabric holds it in place. I wear mine on my forearm to hold gels for long runs, but you can also put them on your upper arm, too, if you’d rather. Even though the back doesn’t contain a pocket, it’s still double-sided so all the raw edges are nicely contained inside.

For these prize versions, I used leftover red bamboo jersey from my Donna Karan dress so they’re nice and soft, and should resist bad smells, too.

For those of you who are interested in my thought process, here’s the sketch I used when working out what pieces I’d need, and then how I’d construct it all together:

Golden silk asymmetric blouse

From a total loser of a silk blouse to a triumph of a silk blouse, all in one afternoon! After the Burda FAIL, I turned around, cut into my gorgeous butter yellow floral silk charmeuse I bought at Ditto in Brighton last weekend, and sewed up this blouse in about two hours flat!

The layout of this blouse is really cool, and the entire blouse is just one piece, with only one side seam (and two shoulder seams). I took a photo of my fabric when it was laid out on the floor, and I added some annotations in pink (below) to help show where the drapey side comes into play. I hadn’t realised it from the diagram, but the CF neckline is on the straight grain, and the CB neckline is on the cross-grain, with the only side seam on the bias. Very cool, and the design feels quite Bunka.

I used the leftover silk in the bottom left corner to make several bias strips about 4cm wide, as I prefer a narrow bias edge on my silk blouses instead of finicky facings. I also left off the shoulder bow, as I felt there’s enough going on in this blouse already!

We were very lucky to catch the “golden hour” on Monday evening, which just makes this silk come alive in these photos! I’ve paired it here with my grey leather skirt to try and give an edgier look to the twee floral of the silk.

PSA – Freezer paper and laser printers don't mix!

This is a bit of a Public Service Announcement, but as I couldn’t find this information easily myself, I thought it was really important to get it out there to save some other poor sod the frustration and money I just spent.

Freezer paper stencils are great – fast, fairly easy, you get good results, and you can reuse the stencils a few times. Search for freezer paper stencil tutorials online, and you’ll get tons of results, all saying you can either print directly onto the freezer paper, or lay your design on top of the freezer paper, and trace around it with an exacto knife.

The latter is what I’ve always done in the past, but for my upcoming RDC refashioning project, I have a ton of stencilling to do, so I thought if I could cut out the step of taping the paper layers together, it’d go a bit quicker.

Only thing is, clearly none of the well-meaning tutorials out there own a laser printer. Laser printers use heat to print. Freezer paper uses heat to bond to the fabric. You see where this is going…?

DO NOT PRINT DIRECTLY ONTO FREEZER PAPER WITH A LASER PRINTER!