Search Results for: down with prints

Burda magazine – October 2017

Wow, what a whirlwind few weekends I’ve had recently! I’ve barely cleaned up from the Great British Sewing Bee Live show and suddenly I found myself jetting off to northern Portgual to run up and down some mountains in the unseasonable heat! I’ve written up a full race review on my running site, but it may interest some of you to know I wore the cycling shorts pattern from my book for the race, too (minus the padding and silicone elastic hems, of course!).

It might also interest those of you in the southern hemisphere to know that there’s a new activewear fabric store in Australia – Sew Active Fabrics – and they’ve got a bunch of wicking prints, too. I’ve got a few of their fabrics to road-test over the next few weeks, but you can save 10% with code LAUNCH10 til the end of November if you want a sneak peek for your spring and summer activewear makes.

But enough about me – let’s look inside the latest issue of Burda magazine and see what delights await us!

Patrones 56 magazine

It’s been a while since I had a Patrones magazine to share, but I kept an eye out for them while we were in Malaga last month. Eventually I found one on a newsstand in the centre of Malaga, but they certainly weren’t as easy to find there was they were in Argentina, which is more than a little odd considering it’s a Spanish magazine. It comes sealed so the pattern sheets don’t get separated or lost (as they’re not stapled in place like Burda), but it also means you can’t peek at the styles before you buy.

Anyway, if you’ve been following along with my reviews over the years, you might recall that they used to do knockoff patterns of seriously high fashion designers, then there was a fallout and they stopped being able to name any non-Spanish designers (so no more Gucci, Prada, Paul Smith, etc), and around the same time they also started to produce compilation magazines made up of a bunch of old patterns and photos lumped together. The only way you could tell the difference between the latest styles and the “latest” compilation was to look at the issue number, as the “new new” were in the 4-500s and the “not really new” had very low issue numbers.

Burda magazine April 2017

I hope you all had a lovely, long Easter weekend! I managed to get a little bit of sewing down but I’m in the last week now before both marathon and Book Deadline so I haven’t got much time to do anything else! Add in some internet problems at home (grrrrr) and you’ve got a very delayed review of the latest Burda magazine. I’ll be honest, if it was a better issue, I’d probably have found a way to post it sooner… 😕

The making of a Threads article

Thanks so much for all your congratulations on my activewear sewing article in the latest Threads magazine (issue 190). If you haven’t seen it yet, it should be on newsstands very soon – do go and buy it because (as usual!) there are a ton of really interesting articles included. Threads is a magazine I totally and fully respect, and I hold it in the highest esteem possible. When I started sewing, the information and techniques it included was something I was in total awe of, and even now, I learn something new from every single issue. It’s a magazine that doesn’t “dumb down” and is unashamedly not aimed at beginning sewists, which is refreshing in itself!

A bow & arrow Talvikki sweatshirt

I like to think I’m a savvy shopper. Last year I bought the Named Patterns Harriet lumberjacket during their advent calendar sale and it ended up being one of my favourite makes of the whole year. So when the same advent calendar sale came round again this year, I kept my eyes peeled and pounced when their Talvikki sweater came up with a one-day discount code. I loved the design of the darted, funnel neckline from the first moment it was released, but my To Do list was full at that point so I kept it in the back of my mind instead – and it paid off!

The fabric is a slate blue French terry with drawings of bows & arrows all over it that’s been in my stash for over a year. Regular readers will know that I don’t normally go for prints, but this one was sparse enough to tickle my fancy! I bought it at Ditto Fabric‘s Brighton store when I visited with Claire in December 2015 and I was really just waiting for the perfect pattern to come along.

The Donna Karan x Liberty shirt

This shirt is a bit of a departure for me, both in terms of what I normally wear, but also in terms of what I normally sew. I don’t tend to wear many button-down shirts, because, if I’m because brutally honest, I really can’t be bothered to pick up an iron outside of when I’m sewing! And I don’t usually wear prints outside of activewear, and certainly not Liberty ones (way too twee for me!).

But a few weeks ago, I knew I had the Sewing Weekender coming up and I wanted a project to take along for the open sew session that didn’t involve an overlocker (since there’d be only two for 50 sewists) and that wasn’t anything close to the Work Sewing I’d been doing so much of recently.

Cycling 120 miles with bacon and ikat

The Dunwich Dynamo isn’t a race – it’s not even an organised event. It’s much more a rite-of passage – an annual 120 mile bike ride from London Fields in east London to Dunwich, on the Suffolk coast. It’s been going for over 20 years and the route is just “known”, and the date is the Saturday closest to the full moon in July. Riders set off sometime between 7 and 9pm, and generally don’t make it to the beach at Dunwich until sunrise, or some hours thereafter.

I’ve written a full report on my ride over at my RiverRunner site if you’d like to hear more about what it’s like to cycle for 9.5 hours on a heavy mountain bike having previously only ridden 30 miles. It was tough, and some parts were more enjoyable than others!

This post is more about what I sewed in the leadup to the race, both for James and myself. My copy of the latest Sewing Bee book arrived two weeks ago, and I knew I wanted to sew up the men’s cycling jersey, just to see how it compares to my Surf to Summit men’s top, if nothing else! I did a bit of work behind the scenes on the show and book this year, and I helped out a bit with the instructions for this one but never had the pattern to sew it up myself until my finished book arrived.

A fuss-free red shirt for James

While my own wardrobe may be 99% own-sewn, I’m only one woman and I like to concentrate my sewing for James into items he can’t regularly find in shops. Often this means loud and garish shirts in unusual prints (just wait til 4th of July…), but occasionally it’s for practical reasons. In this case, he has two Dakine shirts that are made from some sort of thin, technical woven that dries really quickly and resists wrinkling. So he got just a wee bit excited when he saw Fabric.com was stocking something that looked really similar. They called it “workwear fabric” (it’s no longer available) – a thin, 100% polyester woven that resists wrinkling and dries quickly – perfect for him to wear to cycle into work without looking like a sweaty mess all day.

Transylvanian Bear Steeplechase Shorts

I mentioned last week that I quickly made a pair of bear shorts to wear in time for the Transylvanian Bear Race at the weekend, and I can share the full details now that I’ve run the race!

I’d bought a few fat quarters of Spoonflower’s Sport Lycra base fabric a few months ago, but recently I realised that combining two fat quarters would soooo not be enough fabric for a pair of shorts. So I frantically ordered another full yard of the “geometric grizzly bear” print fabric to be the body of a Biker length pair of my Steeplechase Leggings pattern, with the fat quarter of the mint green “geometric bear” print bear fabric being enough for the shorts yoke.

A non-traditional Japanese kimono robe

A good friend of mine travelled to Tokyo in January, and asked if I wanted anything. “Oh, some nice traditional kimono print fabric would be nice if you see any”, I said. Well, he ended up going to Nippori Fabric Town one day and fell hard for Tomato (I might also add here that he owns a vintage Bernina sewing machine!). I ended up with a massive stack of cotton prints as well as some lovely wool tweed, too.

I’ve been meaning to sew up two of the more traditional prints in particular ever since I received them, and I thought they would coordinate really well together in a project as they’re the same colours but different prints: