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Two quick tops

Not everything I made while I was ill was an involved as my navy Harriet jacket – I made quite a few small and quick projects, too, just to boost my mood. I wanted to show you two different quick tops today – it didn’t really feel like I had enough to say about either to warrant separate posts, but I wanted to document them just the same.

Seamwork Akita in Japanese floral

My friend Alex brought me back a ton of fabrics fro Tomato in Tokyo (which you’ll be seeing more of, I’m certain!), but this narrow, textured floral shrunk a TON in the wash and was narrow to begin with, so afterwards it was very narrow indeed. So I pulled out the Seamwork Akita blouse pattern since it only needs a narrow, non-directional print fabric because it’s just one pattern piece (no shoulder seams). In the end, the pattern piece touched both selvedges and I had to trim off some of the sleeve depth to fit it in!

I haven’t seen this pattern made up much, but I was disappointed in the fit – this runs HUGE, even for an over-the-head top (in contrast, the woven, over-the-head Sorbetto pattern fits much closer). In hindsight, I think I could’ve made the absolute smallest size and still be swimming in it (and no, no printing errors!). I chopped off about 6 inches in length, too, and it’s still on the long side.

But the worst bit is that the bust point is ridiculously low, which just looks bad. Luckily, it gets lost in such a busy print, but it’s still disappointing.

By the time I tried it on and realised it was massive, I didn’t have any bias fabric left to do the neckline facing, so instead I pulled out some silk charmeuse bias strips I had squirrelled away and used those to finish off the neckline in my preferred way. This is actually my favourite part of this top!

I’ve worn it with layers on top because I like the colours, but I’m glad I didn’t make it in an expensive silk like I was planning! The other Seamwork patterns I’ve made have been true to size, so I’m not sure what happened here…

Sweaty Betty striped tech tee

I had some weird, small offcuts of tech fabrics from my Sweaty Betty-working friend, one of which was this teal, black, and grey striped, slubby wicking teeshirt material. I cycle commute in street clothes that I wear at work all day (unless it’s pouring, in which case I change into dry clothes at the office) and I like to have a base layer which dries quickly. I never get that sweaty on my ride, but when I was ill it felt a bit harder than it does normally, so tech tees were useful.

Vintage silk roses for a wedding bouquet

The main reason for our recent trip to the States was to celebrate my Aunt’s wedding, and since I still had some scraps of my grandmother’s (her mother’s) gown leftover from when I refashioned it into my wedding gown back in 2010, earlier this year I offered to make her something from the silk so that her mother could be a part of the day, too.

I thought perhaps she’d want a clutch bag, or cropped jacket or something, but she requested fabric roses instead. And a lot of them!

I made my own “pattern” so all of the roses would be the same size, but the pattern was really just two different sizes of pointed ovals. To make each rose, I just folded the oval in half lengthwise and gathered together the cut edge by hand with some running stitches. I rolled up the larger one, tacked it together at the base, then wrapped the smaller around the outside of it, and tacked that together by hand, too.

It took a few minutes to make each rose, so I made myself a little kit and tried to do one or two each lunchtime at the office (after I’d finished any messy eating!!).

And before too long, I had a whole herd of roses to post off to DC!

Then her florist used floral tape and wire to create “stems” on each and worked them into the bridal bouquet, the flower girls’ crowns, and the buttonholes for all of the men on our side of the family, including my granddad. Apparently as my Aunt pinned his buttonhole onto his label, she told him that the roses were made from Granny’s gown, and he was so touched he started crying!

Named Harriet lumberjacket in wool & vintage silk

I am both back from our trip to the States and feeling back on form now, so I’ve started to tackle documenting the absolute mountain of finished makes from the last four months. I have some garments from early January, some made more recently and well, I’m just going to share them with you in no particular order! The photos are a bit more slapdash than usual, but I know that if I waited to do proper photoshoots of all of these then it’d be another 6 months before you’d get to see them!

So I’m going to start with a garment that was the longest in the planning, and also quite possibly my favourite of the early 2016 makes. It all started back in summer 2014, when I bought some fabulous navy wool coating & vintage silk twill from Ditto when I was down in Brighton. I knew I wanted to use them together for a transitional, short coat, but then I had quite a journey in finding the right pattern!


The psychedelic 1960s vintage silk twill lining that was originally made for neckties!

Over the course of 18 months, I ended up making five different muslins before I was happy enough to cut into the wool and silk:

  1. StyleArc Audrey (the silhouette and proportions were just so bad on me. So bad.)
  2. Burda Jan 2015 jacket in size 42 (way too small for non-stretch outerwear, oddly, though Burda’s fit is usually very standard)
  3. Burda Jan 2015 jacket in size 44 (traced ALL the pieces again and it still fit very weirdly)
  4. Patrones 342 No23 dolman sleeve coat (ridiculously tiny sleeves and zero arm mobility even with the underarm gusset)

And then finally I muslined Named’s Harriet lumberjacket pattern, bought during a flash sale during their advent calendar promotion. And I was like Goldilocks, it was juuuuuuust riiiiiight.

Burda magazine April 2016

I’m catching up with the Burda magazine issues I missed while I was ill, so even though I showed you my picks from March’s issue last week, here I am with April already!

This isn’t the best garment photo, but I love the seaming on this dress, which Burda have very cleverly accentuated further with their use of stripes. Well done! I also live the asymmetric neckline, which makes me think of the neckline I chose for my wedding dress back in 2010!

Burda magazine March 2016

I know this issue is a bit old now (replaced by the April issue which I’ll be reviewing shortly), but it’s got some really great designs in it and I didn’t want it to just drop by the wayside because I was ill. Besides, I’ve even got the German edition, too (scroll down to see why!).

This cover makes me pine for Spring already!

First up is a pattern for a dress which looks like separates. I like that it’s both casual and can hide a large dinner underneath, which makes it pretty practical, too.

This dress cleverly has an integrated side tie like something out of Pattern Magic. I’m super excited about this pattern because I’ve kept a note of a very similar dress from the July 2012 Manequim magazine that I’ve been wanting to make for several years but frankly, I trust Burda’s drafting more, and I like the raglan sleeves on this one better than the sleeveless Manequim one, too. Definitely high on my To Sew list!

Re-emerging

Thank you all so much for your understanding, sympathy, kindness, and support while I’ve been ill. I know some of you expressed disbelief that I could still possibly be ill after all this time (10 weeks!) but welcome to post-transplant life! I’ve been thoroughly checked over by the hospital and several doctors and the working theory is that I really ran myself ragged getting the boat ready to move to our new moorings in late January, allowing a nasty bout of sinusitis to take over. Then I had EBV reactivation for a few weeks (effectively fighting off mono/glandular fever), then at least two more viruses, culminating with a delightful flu that’s going round my office which involves constant headaches concentrated near the ear/jaw. It’s been so much fun, let me tell you.

For a lot of that time, I couldn’t do much more than watch Netflix (9 days straight in bed meant I watched the entirety of Orange is the New Black), but then I had to go into work, and the new mooring meant that I either had a 1hr+ public transport commute at rush hour with no means to sit down (costing me £8/day too I might add), or a 40min cycle ride. I’ll let you in on a little secret – cycle commute is made out to be some super healthy, exercise choice, but seriously, a 15min walk took way more out of me than the 40min cycling on flat London roads with red lights every few minutes. It’s unbelievably stressful, but not strenuous in the slightest (even on the days where I was falling asleep at my desk I could get myself home). But I’ve got an entire post brewing on this subject for my Riverrunner site. I’ve had a lot of time to think, and plan, but not so much desire to write.

In Waiting…

It’s never particularly convenient to be ill, but honestly, this couldn’t have been a more inconvenient time. Without going into details, I’ve been ill for over a month now, and it’s been really frustrating to watch the publication month of the Tessellate Tee pattern slip by without being able to show you all the finished garments I’ve been literally waiting months to show off (no really – I made most of these in October and November!), let alone share some fabric choices, great design features, and finished garments that are popping up around the web already.

This is my pile of Tessellate Tee samples waiting for me to be well enough to photoshoot:

And this pile isn’t even including the two I sewed for Love Sewing magazine’s feature, or the one I made my niece for Christmas! To some people, a month spent mostly lying in bed would be bliss, but to someone like me who already doesn’t have enough hours in the day and is very high activity, this is utter, utter torture. You can make up for a lot of things in life, but missed time is just gone forever…

I honestly have no idea when I’ll be able to pick up with normal activities again. But I can say that I’ve had plenty of time to think and devise new patterns and features and really cool things I want to do with Fehr Trade Patterns, so now it’s just a matter of when I’ll actually have the time, energy, and health to put them into reality.

Burda magazine February 2016

Thank you all so much for your enthusiasm and excitement over my Tessellate Tee pattern and Add On Pack! I’ve got so many different versions of this top to show you, both casual ones and workout ones, too. I’m really behind on photoshoots due to us sailing our boat to a new mooring (for the first time in 9 years!) and the associated stress making me vulnerable to some nasty bug that’s going round. But I’m hoping I’ll feel well enough to take some photos this weekend, and you’ll get to see some new backgrounds to the photos as well!

But in amongst all the moving melée (plus some added fun in sorting out a new gift subscription), the latest Burda magazine arrived so I thought I’d share my picks with you before it’s out of date!

Burda tend to have their style feature types they run at least once a year, and apparently this is the issue for the “done to death” urban safari styling for 2016. I’m really bored with the concept after so many years of subscribing, but there are some nice patterns here if you look beyond the khaki. I particularly like this boxy blouse, which I think looks fantastic made up in silk or any other soft, flowing fabrics. The wrap skirt isn’t terribly practical if you live in a windy city since that wrap is fully open in front and not just a deep pleat.

They’ve crammed a lot of safari separates into a single page here – a long sleeved blouse, trousers with an interesting silhouette (these two are also offered together as a jumpsuit), plus a dress version of the boxy blouse (funny how lengthening it just turns it into a big ol’ sack!) and a really tragic belted men’s safari jacket. Just… no.

Announcing the Tessellate Tee pattern!

After many months in the making, I’m super pleased to announce the arrival of my first printed pattern – but not as you’re expecting!

The Tessellate Tee pattern is a collaboration with Love Sewing magazine for a stylish teeshirt pattern which can work for either casualwear or activewear, depending on your fabric. The geometric seamlines continue on the back, and you can either choose to colourblock the pieces with three different fabrics (as shown in the magazine), or sew it all up in one fabric, or even just use two fabrics to accentuate the middle triangle or diagonal line.


Photos courtesy of Love Sewing magazine

Looking for your perfect long sleeved teeshirt for these cold winter days? The Tessellate Tee has a banded neckline and generous ease in the waist and hips, plus flattering geometric seaming on both the front and back making this top ideal for colourblocking. It can be made in a variety of stretch jersey fabrics, such as cotton jersey, wool jersey, ponte roma, sweatshirting, French terry, or supplex lycra with at least 20% crosswise stretch. 1cm (3/8in) seam allowances and 2cm (3/4in) hem and sleeve hem allowances are included.

This pattern is only available in Issue 23 of Love Sewing magazine, and is included in the printed supplement sheets with fully illustrated instructions printed in the magazine itself.

How to buy

If you’re in the UK, Love Sewing magazine is widely stocked at WH Smiths and most of the bigger supermarkets. If you live outside the UK or prefer online ordering, you can buy issue 23 here direct from the publishers, or alternatively, you can buy issue 23 from Newsstand (while it’s the current issue) may work out cheaper for some shipping destinations.

Love Sewing have posted the Size Guide & more model photos here, though if you’ve sewn my patterns before then you’ll probably already be familiar with my sizing (there’s no change here, though the top has a little more ease through the waist and hips than my XYT Workout Top or VNA Top patterns).

The Add On Pack!

Annnnnnd, if a colourblocked long-sleeved teeshirt isn’t enough for you, then you can make your tee even more workout-friendly with my Tessellate Tee Add-On Pack which is available to buy for only $2.99 (about £2)! This is less than the cost of a coffee (or a pint!) and the small pieces mean there aren’t very many pattern pages to print either.


This expansion pack for the Tessellate Workout Tee pattern allows you to add thumb cuffs onto the sleeves (without any hand sewing!), a hood with a special opening for your ponytail, and a zippered back pocket – perfect for cycling and hiking. Choose to add just one, or even all three onto your Tessellate Tee!

A geometric art print teeshirt

Isn’t it funny how the most boring, basic garments somehow end up being the ones we wear the most? Take this top – it was really only meant to be a wearable muslin to test out a new teeshirt draft I was working on last Fall. I wasn’t even planning on even taking finished garment photos of it, as it was a rough pattern (no seam allowances or extraneous notches for my private patterns!) and I just grabbed some fabric out of a bag ready for donation and sewed it all together without much thought.

And it’s ended up being something I wear all the time. Like, I have to make mental notes to make sure I don’t wear it twice in the same week!

Long time readers may actually recall that I’d used this fabric for a long sleeved teeshirt a few years ago. Well, that particular top has since gone off to the charity shop because the neckline was just too low and wide for me to wear more than occasionally, and I hadn’t even worn it enough for the black and orange print to start doing their cool crackle/fading thing! The fabric was originally from Mood via Kollabora, so it’s probably long gone, but everything I disliked about it then I actually really like in this teeshirt. Funny, eh?