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In Progress

A cape in progress

I don’t tend to post about in-progress garment much anymore. I think part of the reason is that I tend to make projects quickly, so there’s not much to document and I roll any construction notes into the finished garment post, but also because I’m not not exactly light on garments to post about and it takes enough time putting together the ones I do share without adding any more to the To Blog pile!

But I’d been making a lot of quick garments in the past few months and decided I wanted something a bit more involved to sink my teeth into, so I started making a cape, using this Burda magazine pattern from 2011 (still available to buy as a pdf). I had some gorgeous teal wool coating a friend had bought for me in Tokyo in January, and I thought it paired really beautifully with some black and pink abstract tartan fabric I chose from Sew Essential as my #sewphotohop prize draw. It’s a lightweight John Kaldor satin with a lovely hand that you really could believe was silk, but alas, it doesn’t appear to be on the site any longer!

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The #sewdots Falda jacket

Rosie (of DIY Couture fame) created the “Sew Dots, Raise Lots” campaign for the month of October to raise money for the RNIB (Royal National Institute Of Blind People). The premise was simple – sew something with polka dots (because it looks like Braille!), donate to the RNIB, and share on social media with the #sewdots hashtag to be in the running for a huge prize mountain.

I’m not able to participate in every sewing initiative that comes along, but I knew I wanted to be a part of this one, because sight loss is something that’s affected people I love. For pretty much my entire childhood, my grandmother was legally blind from cataracts and glaucoma and I saw how her lack of eyesight isolated her from everything she used to love (like knitting and her independence). More recently, my Dad has suffered from Macular Degeneration, enduring years of regular injections directly into his eyeballs (!!) in order to try and slow the progression of the disease and retain his ability to still at least have some peripheral vision. I’ve also worked closely with the Blind Abilities community in my previous spoken word audio career, and tried to make our service and apps welcoming for the visually impaired. If you’ve got an Apple device, go ahead and turn on VoiceOver for a few minutes and try to navigate through your favourite apps as a visually impaired user would (but they do it way, way faster!)

Inspiration

Friday snippets

Happy Friday everyone! Congratulations for making it to the end of a week, and in celebration, I’ve got a bunch of little updates and goodies to share. Regular readers by now will know that I do this sort of “potpourri” post full of stuff that is too good to miss, but not really big enough to warrant it’s own post…

Magazine

Burda magazine November 2016

November is the start of winter in the Northern hemisphere and for Burda, this also means the start of the glitzy holiday party patterns, too! Thankfully, this issue also has a good variety of warm, wearable separates if you’re Billy No Mates and haven’t got a Christmas party to attend this year (waaaah! Anyone want me to come gatecrash their party??). So let’s take a look at my highlights this month…

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A yellow Drape Drape dress

From the first time I flipped through the first Drape Drape book, this dress really grabbed my attention and I knew that I’d eventually make it. Like most of the patterns in the Drape Drape books, this one has both unusual, 3D seaming and lots of gathers (or tucks). This is the third pattern I’ve made in the series, after the asymmetric teeshirt (twice!), and the gathered tunic dress.

Unlike the Pattern Magic books, in the Drape Drape books the patterns are included in several sheets at the back which you trace off, a’la Burda magazine. But though the lines aren’t packed as densely as in Burda’s, the lines aren’t coloured nor do they have different dashes or dots, so it’s not as easy to trace in my opinion! Because the shapes are often wraparound, the pieces can be quite big, and you have to trace them in a few different parts.

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A totally 1980s jazzercise costume

Many of you may be frantically planning and plotting what costume to make for Halloween next weekend, but for me, the biggest costumed event of the year was last Friday, at my friend Gez’s 1980s-themed 40th birthday party. Gez has thrown fancy dress parties for years, so I already knew that people would make an effort, but by keeping a small and pared-down wardrobe for myself, I didn’t really have any suitable 80s vintage clothing already. So I knew I”d have to make something from scratch.

I didn’t want to go the full-on Dynasty “hair & shoulder pads” look, so I was a bit stuck until I realised that I could totally do the 1980s Jane Fonda jazzercise look instead! I sometimes have shiny 80s lycra on hand for making early test versions of patterns, but I’d run through all of that in developing the Lightspeed Leggings pattern (poor James!).

Article

How to use your Print Club fabric kit

Big, big thanks for all your wonderful comments and enthusiasm over the new Print Club project and especially, Laurie King’s amazing first “Head for the Hills” print! We’ve both been blown away by the demand for the kits, so don’t wait around if you’re tempted – they really are very limited edition…

Today I wanted to give some tips for using the kit, especially for all of you who bought the Steeplechase Leggings pattern alongside it!

Article

Announcing Print Club – limited edition fabric kits!

I am so excited to finally be able to share with you a project that I’ve been building towards for several years – Fehr Trade Print Club is a semi-regular series of collaborations with illustrators, pairing exclusive artwork with activewear patterns in limited edition fabric kits!

We first started the concept of an illustrator/patternmaker collaboration a few years ago with Laurie King, offering designed prints through Spoonflower with differently designed “zones” on the fabric for the different pattern pieces. This was a great learning experience, but ultimately, we wanted a bit more control, even though this means more work and more financial risk on my part. So we’re starting small, and of course I had to ask Laurie back to be the first Print Club collaborator!

So what’s different this time around? Well, for starters, the designs are printed onto Funkifabric’s “Titan” technical spandex base. This stuff is super high quality – beefy, matte, completely opaque, and no white “show through” when stretched. I ran London marathon in this base fabric in 2015 and it’s freaking fantastic (also the colours haven’t faded a bit since then either).

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A Breton tee dress

The origins of this dress are a bit “chicken and egg” – did I think about making the Breton tee dress from the latest Great British Sewing Bee book first, or did I decide I finally wanted to cut into the hefty black and white striped ponte in my stash first? I’m not entirely sure of the order, but I do like it when a plan comes together which doesn’t involve me buying anything more!